A Trump-appointed judge says ICE agents lied, falsified records and probably perjured themselves in a Bronx arrest gone wrong
U.S. District Judge Gary R. Brown, appointed by President Trump, issued a 28-page rebuke of ICE after agents wrongly arrested two men in the Bronx, including a U.S. citizen, then fabricated paperwork to cover it up. The ruling gives DHS 21 days to respond or face possible contempt.
In brief
A federal judge that President Trump himself put on the bench has issued one of the starkest judicial rebukes of his administration's immigration enforcement to date, finding that ICE agents in New York City lied under oath, fabricated official documents, and probably committed perjury to conceal a pair of unlawful arrests in the Bronx.
U.S. District Judge Gary R. Brown issued the findings on Monday, October 5, 2026, in the case of Angel Jesus Almonte, who was arrested without a warrant during a May 6 ICE operation targeting two other men. The same team also arrested Jeury Concepcion, a U.S. citizen who suffered head injuries requiring stitches.
In a scathing 28-page ruling, Brown condemned the agency's tactics when it mistakenly arrested the two Hispanic men in New York City in May, finding that ICE had "falsified official records trying to conceal" its "illegal actions."
The decision lands at a politically delicate moment. Brown sits on the Eastern District of New York. The Senate confirmed him by voice vote in December 2019 after Trump nominated him. That makes the rebuke harder for the administration to dismiss as the work of a hostile Democratic appointee.
What the judge actually found
Almonte was six feet tall and weighed 180 pounds, while the man agents claimed to have confused him with was 5-foot-7 and 110 pounds. The ICE team leader acknowledged that photographs made it "very easy to see they're two different people."
The physical mismatch is one reason Brown rejected the mistaken-identity defense outright. After agents realized Almonte was not their target, ICE continued to detain him and later produced an administrative arrest warrant. Brown found that warrant contained false statements about database searches and biometric confirmation purportedly used to establish Almonte's immigration status, and referred to the document as a "fraudulent arrest warrant."
It got worse. The judge accused the agents of offering "apparently perjurious testimony" that they had witnessed Almonte engaging in drug deals before his arrest, allegations he said bore "all the hallmarks of coordinated fabrication." No drugs, cash, or drug paraphernalia were found on Almonte.
The second man hurt that day fared no better. Minutes after Almonte's arrest, the same ICE team encountered Concepcion. Video showed a masked agent running toward the U.S. citizen with a gun drawn before officers took him into custody. Concepcion suffered head injuries that required stitches.
What the court is demanding now
Brown provisionally granted Almonte's habeas petition and ordered the government to respond within 21 days with the steps it intends to take following the court's findings. The judge said the response could determine whether the court considers sanctions, referrals, or contempt proceedings.
In Monday's ruling, Brown also ordered ICE to explain what disciplinary procedures it would hand down to the agents and any steps it plans to undertake to prevent similar incidents in the future. The 21-day clock started October 5, meaning the government's deadline falls in late October, squarely in the final stretch before November midterms.
Brown is not new to clashing with ICE. In December 2025, he issued a ruling holding that ICE was keeping immigrants in a Central Islip holding room "inhumanely and unlawfully" and stated that "the evidence presented to this court, which has been largely unrebutted, demonstrates that ICE has been deploying its 'holding rooms' in a manner that shocks the conscience." In a December 23 letter in response, the Department of Homeland Security pledged to no longer hold immigrants in the facility overnight.
ICE and DHS had not publicly responded to the October 5 ruling as of Thursday. The New York Times, which first reported the ruling in depth, noted the case was brought as a habeas corpus petition.
Washington context: a pattern the courts are tracking
The ruling arrives as federal courts across the country are reviewing ICE conduct with growing intensity. A DOJ spokesperson told Axios that the department has filed more than 200 denaturalization complaints since the Trump administration made denaturalization a priority, and remains on track to meet its objective of 250 cases by the end of October. That campaign, which the administration has framed as a fraud-enforcement push, is running in parallel with field operations that judges in at least two districts have now found to be procedurally deficient.
The political geometry is uncomfortable for the White House. A judge it seated is telling a court of record that agents under the control of Trump's DHS fabricated warrants and lied on the stand. The ruling does not touch immigration policy directly; it is a finding of fact about how agents behaved in a specific Bronx stairwell on a single May afternoon. But Brown's language, "coordinated fabrication," is the kind of phrase that lands in congressional oversight letters and inspector general referrals.
On the same docket: 39 states press the Supreme Court on prediction markets
Separately, a major federalism fight took shape Wednesday at the Supreme Court. A coalition of 39 states and the District of Columbia urged the U.S. Supreme Court to resolve a circuit split over the regulation of prediction markets like Kalshi, saying the industry's "aggressive theory of preemption" threatens states' sovereignty and ability to protect their residents.
The attorneys general, led by Ohio Attorney General Andrew Wilson, submitted their amicus brief asking the court to take on the case and overturn the Third Circuit's decision. The case is captioned Flaherty v. KalshiEX and docketed as No. 26-299.
The coalition is striking for its breadth. The states whose attorneys general did not sign were Alaska, Florida, Georgia, Indiana, Kentucky, Montana, North Dakota, Tennessee, Texas, and Washington. Out of those states, all but Washington have a Republican attorney general. In other words, the brief is not a Democratic operation; it includes Republican attorneys general putting themselves at odds with a Trump administration that has sided with Kalshi and the CFTC.
That puts a broad swath of Republican states at odds with the Trump administration. The president has publicly called for the CFTC to regulate prediction markets. In an amicus brief also filed this week, the National Football League argues sports prediction contracts are effectively gambling, not financial swaps that should be regulated exclusively by the federal government as Kalshi has consistently argued in court.
The circuit split is real. The split reaches the definition of a swap under the Commodity Exchange Act. The Third Circuit places sports contracts inside the definition, and the Ninth and Sixth Circuits place them outside. Ohio's brief was one of four amicus filings lodged in the case between October 2 and October 7, 2026. Kalshi's own response to the petition is not due until November 9, after the court granted the company a seven-week extension.
The International Association of Gaming Regulators and the North American Gaming Regulators Association submitted a joint amicus brief on October 2 in support of New Jersey's petition, asking the court to determine whether sports-related event contracts listed on CFTC-regulated exchanges fall outside the reach of state gambling laws.
The NFL says that on the first Sunday of the season, football accounted for $1.8 billion in prediction markets trading, more than half the total volume. That commercial scale is part of why the coalition argues the court cannot wait.
What to Watch
DHS response deadline, late October. Judge Brown's 21-day clock expires before Election Day. Whether DHS offers disciplinary commitments, contests the findings, or says nothing will determine whether Brown moves to contempt proceedings against agency officials in the weeks immediately before November voting.
Congressional oversight. Judiciary Committee members on both sides have previously used individual ICE-conduct rulings as the basis for oversight letters and subpoenas. Brown's language, specifically his finding of probable perjury, is more severe than prior cases and is likely to prompt formal inquiries.
Supreme Court conference on Flaherty v. KalshiEX. The court is weighing whether to grant New Jersey's petition. Kalshi's response is not due until November 9. A decision to grant or deny certiorari will almost certainly come in the weeks after that deadline, setting the table for the term's biggest federalism fight.
The midterm overlay. Both stories drop with less than 30 days until Election Day. A federal judge finding that ICE agents wrote a fraudulent warrant is the kind of fact that opposition researchers on either side can use, and prediction markets, given their political-contract volume, will face renewed scrutiny from state gaming regulators who now have 39 attorney general signatures behind them.
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CAN I KICK IT? screens New Jack City at the Sylvan Theater, Washington Monument, on Aug. 22. (Courtesy SHAOLIN JAZZ)
The live-cinema series CAN I KICK IT? returns to the National Mall this month with what its producers are calling the "Gangsters on the Mall" chapter of their free outdoor summer run. On Saturday, August 22, the SHAOLIN JAZZ production brings the 1991 crime classic New Jack City to the Sylvan Theater at the Washington Monument for a night of film, music, and community under the DC summer sky.
What sets the event apart is the sound. As the film plays, DJ 2-Tone Jones builds an original score in real time, reimagining one of the most iconic crime movies of the ’90s through hip-hop, soul, funk, and more. It is less a movie screening than a live performance built around the film.
The details:
Film: New Jack City (1991), with a live soundtrack by DJ 2-Tone Jones
When: Saturday, August 22 — seating opens at 7:30 p.m. (bring lawn chairs and blankets); film begins at 8:30 p.m.
Where: Sylvan Theater at the Washington Monument, Independence Ave SW & 15th St NW
A parking note from the organizers: expect road closures and restricted parking east of 14th Street NW due to a separate race event in the District. Roads west of 14th Street NW will be accessible and available for parking.
New Jack City is the second of three screenings in this year’s free CAN I KICK IT? outdoor series, which opened with Black Panther at Skyland Town Center and concludes with Scarface at the Lincoln Memorial on September 5. Produced by the Washington, DC-based multimedia arts company SHAOLIN JAZZ, the series has presented more than 150 live cinematic experiences at venues across the country, from Lincoln Center to SXSW.
"I wanted to be able to tell good stories with substance and remove the ‘ego’ out of the art," said Andrew Huang during a recent interview. Now, he’s building his career at the intersection of discipline, creativity and innovation.
Andrew Huang, founder of New Place Studios. (Courtesy photo)
As a Chinese American, Huang was reared with a deep respect for hard work, consistency and excellence. He describes his childhood as "not so affluent" and later attended college to hone his passion for videography. "In college I tried to do something I loved, which was video, but along the way I knew that I had to find a job. And so I thought, ‘what was the low hanging fruit to get to that stable 9 to 5 job?,’" he stated.
Later in life, Huang found himself working for corporations where his creativity was often limited, eventually leading to burnout. "I worked in a corporation for a long time and there were a lot of missing pieces. I wanted to fill in gaps missing in corporate video production," said Huang.
He later described how his upbringing and a mindset of "survival" led him toward a corporate career. However, his desire for balance and authentic storytelling ultimately pushed him to take the entrepreneurial leap.
"I founded a new place where you can create video and film with ‘substance and style,’" said Huang. His desire for work-life balance and passion for storytelling naturally evolved into a small business based in Virginia. With the launch of New Place Studios, the entrepreneur quickly found himself reconnecting with the values that would become the foundation of everything he creates behind the camera.
Huang said being a business owner has allowed him to first embrace himself. While others may see video as simply capturing moments, he sees it as a way to preserve stories that inspire, connect and leave a lasting imprint.
By combining cinematic visuals with cutting-edge production techniques and a keen understanding of branding, Huang helps organizations and individuals communicate their vision with purpose. He said understanding a client’s "why" serves as the compass for delivering the services they need.
One benefit of working with a small business, he said, is that clients get to see the production process unfold through a micro lens while working with the same faces throughout the entire project. "The work feels personal," said Huang.
Huang does not regret leaving behind the flash-over-substance mentality and corporate hustle culture. That does not mean the Asian American entrepreneur has been without challenges in the industry. "It’s relatively hard to find other Asian American creatives or people who would want to work with me in the DMV," said Huang.
He identifies the industry culture in which everyone is trying to blend in, creatives may fear displaying their Asian identity and some feel pressure to adopt an American corporate persona. He also points to what he describes as a level of gatekeeping within the industry. According to the U.S. Small Business Administration’s 2024 statistics, Asian American and Pacific Islander entrepreneurs own more than 3 million businesses and employ 5.2 million people in the United States.
After tapping into organizations such as SCORE, which offers free small business mentorship, New Place Studios has become a trusted creative partner throughout the DMV (Washington, D.C., Maryland and Virginia). The company produces a range of creative services, including commercials, corporate branding, documentaries, film, 2D animation, motion graphics and photography.
For Huang, entrepreneurship has become more than a departure from corporate life. It has given him the freedom to create with intention, build meaningful connections and tell stories that go beyond the surface.
The 2026 CAN I KICK IT? outdoor series. Poster courtesy of SHAOLIN JAZZ.
For three Saturdays this summer, some of Washington’s most familiar public spaces will do something they rarely do after dark: fill up with blankets, lawn chairs, and the sound of a movie being scored live, in real time. CAN I KICK IT?, the traveling “live cinema” series produced by the DC-based multimedia arts company SHAOLIN JAZZ, is bringing a free outdoor run to the city — pairing three era-defining films with an original soundtrack performed on the spot by DJ 2-Tone Jones.
The premise is what sets it apart from a normal screening in the park. Rather than simply pressing play, 2-Tone Jones builds a score as the film unfolds, pulling from hip-hop, soul, funk, jazz, rock, electronic music, and sounds from around the world. The result, the organizers say, is less a movie night than a one-time performance — the same film you know, wired to a soundtrack you have never heard and will not hear again. Guest DJs warm up the crowd starting at 7:30 PM before each 8:30 PM screening.
The 2026 outdoor schedule
All three events are free and open to the public.
Saturday, August 8 — Black Panther at Skyland Town Center. A pop-up marketplace and community activities kick off the evening; guest DJs at 7:30 PM, film at 8:30 PM. Marvel’s superhero epic gets a one-night-only live score in Southeast DC.
Saturday, August 22 — New Jack City at the Sylvan Theater, Washington Monument. Seating begins at 7:30 PM; the film starts at 8:30 PM. The 1991 crime drama plays out at the foot of one of the country’s most recognizable landmarks.
Saturday, September 5 — Scarface at the Lincoln Memorial. Seating at 7:30 PM; film at 8:30 PM. The series closes with Brian De Palma’s crime saga against the backdrop of the Memorial, scored live from start to finish.
First up: Black Panther at Skyland Town Center on August 8. Poster courtesy of SHAOLIN JAZZ.
A DC company with a national footprint
SHAOLIN JAZZ describes itself as a Washington-based arts company working at the intersection of music, film, art, and culture, and CAN I KICK IT? is its signature production. According to the organizers, the series has staged more than 150 live cinematic experiences around the country — at performing arts centers, museums, festivals, and cultural institutions including Lincoln Center in New York, SXSW, the Denver Center for the Performing Arts, Republic Square in Austin, the Tacoma Armory, and The Cary Theater.
“CAN I KICK IT? has always been about creating a shared experience,” said Gerald Watson, co-founder of SHAOLIN JAZZ. “When you combine iconic films with live music in public spaces, something special happens. People aren’t just watching a movie — they’re experiencing it together. That’s what makes these nights so memorable.”
Cinema as a community event
The DC run lands as cities across the country look for new ways to activate public space through arts and culture — and this series is a straightforward pitch for how to do it: take a landmark everyone already knows, add a film everyone has an opinion about, and let a live soundtrack turn the evening into something neighbors experience shoulder to shoulder. Families, film buffs, and music fans are all invited, and admission won’t cost a thing.
The CAN I KICK IT? outdoor series runs August 8, August 22, and September 5. All events are free; check SHAOLIN JAZZ (shaolinjazz.com) for the latest details and any weather updates before heading out.