Andscape's 'They Fight' Comes Home to DC in Community Screening
Andscape's boxing documentary 'They Fight' returns to Washington DC for a community screening celebrating the city's story. Here's what you need to know.
In brief
Andscape's documentary They Fight came home to Washington DC through a community screening hosted by Events DC, bringing a story rooted in the capital's boxing tradition back to the neighborhoods and people at its heart. The film, produced by Andscape — ESPN's Black culture and identity platform — explores the grit, discipline, and community forged inside DC's boxing gyms, where young athletes have trained for generations not just to compete, but to survive and rise.
Key Takeaways
Andscape's They Fight screened in Washington DC as part of a community event hosted by Events DC.
The documentary centers DC's boxing culture and Black athletic identity — a story with deep roots in neighborhoods like Southeast and Northeast DC.
The screening model — bringing film back to the communities that inspired it — is gaining momentum as a civic and cultural strategy in the capital.
Andscape, ESPN's Black culture platform, continues to expand its documentary footprint with stories rooted in urban American identity.
Events DC, the city's official events authority, is positioning itself as a cultural programming partner, not just a venue operator.
A DC Story Told in DC's Own Voice
Washington DC has always had a boxing soul. From the legendary Turkey Thicket Recreation Center in Northeast to gyms tucked along Good Hope Road SE, the sport has served as a lifeline — discipline over disorder, purpose over the street. They Fight taps directly into that tradition, documenting the fighters and coaches who treat the ring not as spectacle but as salvation.
Andscape — launched by ESPN to chronicle Black life, culture, and achievement — built its reputation on exactly this kind of storytelling: specific, unflinching, and grounded in community. The decision to bring They Fight back to DC for a community screening rather than limiting its reach to a streaming algorithm reflects a deliberate choice to let the city receive its own story on its own terms.
Events DC, the official convention and sports authority for the District, co-presented the screening, signaling the organization's expanding ambition beyond arena management and into cultural programming. For DC residents who grew up watching young fighters earn their stripes in neighborhood gyms, the screening carried the weight of recognition — someone had finally put their story on film and brought it back to them.
Why Boxing Documentaries Land Differently in Washington DC
DC's relationship with boxing is not incidental. The sport has historically served as one of the few structured pathways available to young Black men in a city that, despite its political power, carries some of the starkest economic inequality in the nation. The DC Policy Center has documented persistent opportunity gaps across Wards 7 and 8 — the same communities where boxing gyms have functioned as after-school programs, mentorship networks, and mental health infrastructure rolled into one.
That context makes They Fight more than a sports documentary. It becomes a document of survival strategy — the kind of story that plays differently when screened in the Ward where it happened versus a festival theater in another city. Community screenings like this one collapse the distance between subject and audience, making the viewing itself a civic act.
Nationally, the documentary format has surged as a vehicle for Black storytelling. NPR's arts coverage has tracked how platforms like Andscape, along with HBO Documentary Films and Netflix, have invested heavily in Black athletic narratives over the past several years — a trend that shows no sign of slowing as audiences seek authenticity over highlight-reel spectacle.
Events DC's involvement in the They Fight screening is worth examining beyond the event itself. The authority — which oversees venues including RFK Stadium, Entertainment and Sports Arena in Congress Heights, and the Walter E. Washington Convention Center — has increasingly positioned itself as a cultural convener, not merely a facilities manager.
Congress Heights, where the Entertainment and Sports Arena sits, is itself a neighborhood with deep athletic history and ongoing revitalization energy. Hosting culturally resonant events in and around these spaces is a deliberate strategy to build community equity alongside economic development. When Events DC co-presents a film about Black fighters from DC streets, it's making a statement about whose stories belong in official civic spaces.
For DC's cultural journalists and community organizers, this kind of programming represents a meaningful shift. The question — one the city will keep answering through its budget decisions and venue bookings — is whether it becomes a sustained commitment or a one-night gesture. Based on Events DC's recent programming trajectory, the former looks more likely. Learn more about DC's cultural power brokers in the WDCM DC Power Players Index.
Andscape's Growing Documentary Footprint
Andscape launched in 2022 as the rebranded successor to ESPN's The Undefeated, and it has since built a robust editorial and documentary operation focused on the intersection of Black identity, sports, and American culture. They Fight fits squarely within that mission — and within a broader documentary ecosystem that has seen Black-centered sports films earn both critical acclaim and significant viewership.
According to ESPN's Andscape platform, the brand's content strategy emphasizes stories that have been historically undercovered by mainstream sports media. DC, with its concentration of Black political, cultural, and athletic life, is a natural gravitational center for that kind of work. The community screening of They Fight is, in that sense, both a premiere and a homecoming.
For those tracking DC's broader cultural scene, They Fight joins a growing archive of locally-rooted film and documentary work being elevated by national platforms. Follow WDCM's coverage of DC's arts and identity landscape through our Culture vertical and the DC Power Index.
Why This Matters in Washington
Washington DC is a city that exports stories — legislation, policy, political drama — to the rest of the world. What it rarely gets credit for is the depth of the stories happening inside its own wards, away from the cameras pointed at the Capitol. They Fight is a corrective to that blind spot. It insists that the most consequential stories in DC are sometimes happening in a gym on Alabama Avenue, not a hearing room on Constitution Avenue.
The community screening model also matters politically. DC's ongoing fight for statehood and full representation is, at its core, an argument that the District's residents deserve to be seen and heard as full citizens. A documentary that sees DC's fighters — literally and figuratively — and brings that vision back to the community carries that argument in cultural form. Art doesn't pass legislation, but it builds the narrative infrastructure that makes legislation feel necessary and just.
FAQ: Andscape's 'They Fight' DC Community Screening
What is Andscape's 'They Fight' documentary about? They Fight is a documentary produced by Andscape — ESPN's Black culture and identity platform — that chronicles Washington DC's boxing culture, focusing on the fighters, coaches, and communities who use the sport as a vehicle for discipline, identity, and survival.
Where was the 'They Fight' community screening held in DC? The community screening was hosted by Events DC, the District's official events and sports authority. The specific venue was associated with Events DC's network of civic and sports spaces across the city.
Who is Andscape and what is their mission? Andscape is ESPN's editorial and documentary platform dedicated to Black culture, identity, and achievement. Launched in 2022 as the successor to ESPN's The Undefeated, Andscape produces journalism, video, and documentary content that centers Black American life across sports, politics, and culture.
Why is boxing culturally significant in Washington DC? Boxing has served as a community institution in DC's predominantly Black neighborhoods — particularly in Wards 7 and 8 — for decades. Local gyms have functioned as mentorship spaces, after-school programs, and pathways out of poverty, making the sport deeply embedded in DC's social fabric.
What is Events DC's role in cultural programming? Events DC is the official convention and sports authority for Washington DC. Beyond managing venues like RFK Stadium and the Walter E. Washington Convention Center, Events DC has increasingly co-presented cultural events that reflect and serve DC's diverse communities.
Where can I watch 'They Fight' by Andscape? The film is available through Andscape's platform on ESPN digital properties. Check Andscape.com for current streaming availability and upcoming screening events.
The bottom line: Andscape's They Fight didn't just screen in Washington DC — it came home. By bringing a documentary rooted in the capital's boxing tradition back to the community that lived it, Events DC and Andscape demonstrated what civic cultural programming can look like when it's done with intention. The film's DC screening is a reminder that the most powerful stories about this city are often found not on Pennsylvania Avenue, but in the gyms, rec centers, and neighborhood blocks where fighters — literal and figurative — do the daily work of becoming.
What to Watch Next: Keep an eye on Andscape's documentary slate for additional DC-rooted projects, and track whether Events DC expands its community screening program to other wards — particularly Wards 7 and 8, where the demand for culturally affirming civic programming is highest. WDCM will cover both. Follow our Power Moves and The Circuit for what DC's cultural players do next.
Reporting drawn from: Events DC / Google News. Washington DC Magazine provides original analysis, DC-specific context, and editorial perspective beyond the source material.This article was produced with AI assistance and reviewed by WDCM editorial staff. Washington DC Magazine is committed to accuracy, transparency, and editorial integrity. If you believe any information in this article requires correction, please contact editor@washingtondcmagazine.com.
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CAN I KICK IT? screens New Jack City at the Sylvan Theater, Washington Monument, on Aug. 22. (Courtesy SHAOLIN JAZZ)
The live-cinema series CAN I KICK IT? returns to the National Mall this month with what its producers are calling the "Gangsters on the Mall" chapter of their free outdoor summer run. On Saturday, August 22, the SHAOLIN JAZZ production brings the 1991 crime classic New Jack City to the Sylvan Theater at the Washington Monument for a night of film, music, and community under the DC summer sky.
What sets the event apart is the sound. As the film plays, DJ 2-Tone Jones builds an original score in real time, reimagining one of the most iconic crime movies of the ’90s through hip-hop, soul, funk, and more. It is less a movie screening than a live performance built around the film.
The details:
Film: New Jack City (1991), with a live soundtrack by DJ 2-Tone Jones
When: Saturday, August 22 — seating opens at 7:30 p.m. (bring lawn chairs and blankets); film begins at 8:30 p.m.
Where: Sylvan Theater at the Washington Monument, Independence Ave SW & 15th St NW
A parking note from the organizers: expect road closures and restricted parking east of 14th Street NW due to a separate race event in the District. Roads west of 14th Street NW will be accessible and available for parking.
New Jack City is the second of three screenings in this year’s free CAN I KICK IT? outdoor series, which opened with Black Panther at Skyland Town Center and concludes with Scarface at the Lincoln Memorial on September 5. Produced by the Washington, DC-based multimedia arts company SHAOLIN JAZZ, the series has presented more than 150 live cinematic experiences at venues across the country, from Lincoln Center to SXSW.
"I wanted to be able to tell good stories with substance and remove the ‘ego’ out of the art," said Andrew Huang during a recent interview. Now, he’s building his career at the intersection of discipline, creativity and innovation.
Andrew Huang, founder of New Place Studios. (Courtesy photo)
As a Chinese American, Huang was reared with a deep respect for hard work, consistency and excellence. He describes his childhood as "not so affluent" and later attended college to hone his passion for videography. "In college I tried to do something I loved, which was video, but along the way I knew that I had to find a job. And so I thought, ‘what was the low hanging fruit to get to that stable 9 to 5 job?,’" he stated.
Later in life, Huang found himself working for corporations where his creativity was often limited, eventually leading to burnout. "I worked in a corporation for a long time and there were a lot of missing pieces. I wanted to fill in gaps missing in corporate video production," said Huang.
He later described how his upbringing and a mindset of "survival" led him toward a corporate career. However, his desire for balance and authentic storytelling ultimately pushed him to take the entrepreneurial leap.
"I founded a new place where you can create video and film with ‘substance and style,’" said Huang. His desire for work-life balance and passion for storytelling naturally evolved into a small business based in Virginia. With the launch of New Place Studios, the entrepreneur quickly found himself reconnecting with the values that would become the foundation of everything he creates behind the camera.
Huang said being a business owner has allowed him to first embrace himself. While others may see video as simply capturing moments, he sees it as a way to preserve stories that inspire, connect and leave a lasting imprint.
By combining cinematic visuals with cutting-edge production techniques and a keen understanding of branding, Huang helps organizations and individuals communicate their vision with purpose. He said understanding a client’s "why" serves as the compass for delivering the services they need.
One benefit of working with a small business, he said, is that clients get to see the production process unfold through a micro lens while working with the same faces throughout the entire project. "The work feels personal," said Huang.
Huang does not regret leaving behind the flash-over-substance mentality and corporate hustle culture. That does not mean the Asian American entrepreneur has been without challenges in the industry. "It’s relatively hard to find other Asian American creatives or people who would want to work with me in the DMV," said Huang.
He identifies the industry culture in which everyone is trying to blend in, creatives may fear displaying their Asian identity and some feel pressure to adopt an American corporate persona. He also points to what he describes as a level of gatekeeping within the industry. According to the U.S. Small Business Administration’s 2024 statistics, Asian American and Pacific Islander entrepreneurs own more than 3 million businesses and employ 5.2 million people in the United States.
After tapping into organizations such as SCORE, which offers free small business mentorship, New Place Studios has become a trusted creative partner throughout the DMV (Washington, D.C., Maryland and Virginia). The company produces a range of creative services, including commercials, corporate branding, documentaries, film, 2D animation, motion graphics and photography.
For Huang, entrepreneurship has become more than a departure from corporate life. It has given him the freedom to create with intention, build meaningful connections and tell stories that go beyond the surface.
The 2026 CAN I KICK IT? outdoor series. Poster courtesy of SHAOLIN JAZZ.
For three Saturdays this summer, some of Washington’s most familiar public spaces will do something they rarely do after dark: fill up with blankets, lawn chairs, and the sound of a movie being scored live, in real time. CAN I KICK IT?, the traveling “live cinema” series produced by the DC-based multimedia arts company SHAOLIN JAZZ, is bringing a free outdoor run to the city — pairing three era-defining films with an original soundtrack performed on the spot by DJ 2-Tone Jones.
The premise is what sets it apart from a normal screening in the park. Rather than simply pressing play, 2-Tone Jones builds a score as the film unfolds, pulling from hip-hop, soul, funk, jazz, rock, electronic music, and sounds from around the world. The result, the organizers say, is less a movie night than a one-time performance — the same film you know, wired to a soundtrack you have never heard and will not hear again. Guest DJs warm up the crowd starting at 7:30 PM before each 8:30 PM screening.
The 2026 outdoor schedule
All three events are free and open to the public.
Saturday, August 8 — Black Panther at Skyland Town Center. A pop-up marketplace and community activities kick off the evening; guest DJs at 7:30 PM, film at 8:30 PM. Marvel’s superhero epic gets a one-night-only live score in Southeast DC.
Saturday, August 22 — New Jack City at the Sylvan Theater, Washington Monument. Seating begins at 7:30 PM; the film starts at 8:30 PM. The 1991 crime drama plays out at the foot of one of the country’s most recognizable landmarks.
Saturday, September 5 — Scarface at the Lincoln Memorial. Seating at 7:30 PM; film at 8:30 PM. The series closes with Brian De Palma’s crime saga against the backdrop of the Memorial, scored live from start to finish.
First up: Black Panther at Skyland Town Center on August 8. Poster courtesy of SHAOLIN JAZZ.
A DC company with a national footprint
SHAOLIN JAZZ describes itself as a Washington-based arts company working at the intersection of music, film, art, and culture, and CAN I KICK IT? is its signature production. According to the organizers, the series has staged more than 150 live cinematic experiences around the country — at performing arts centers, museums, festivals, and cultural institutions including Lincoln Center in New York, SXSW, the Denver Center for the Performing Arts, Republic Square in Austin, the Tacoma Armory, and The Cary Theater.
“CAN I KICK IT? has always been about creating a shared experience,” said Gerald Watson, co-founder of SHAOLIN JAZZ. “When you combine iconic films with live music in public spaces, something special happens. People aren’t just watching a movie — they’re experiencing it together. That’s what makes these nights so memorable.”
Cinema as a community event
The DC run lands as cities across the country look for new ways to activate public space through arts and culture — and this series is a straightforward pitch for how to do it: take a landmark everyone already knows, add a film everyone has an opinion about, and let a live soundtrack turn the evening into something neighbors experience shoulder to shoulder. Families, film buffs, and music fans are all invited, and admission won’t cost a thing.
The CAN I KICK IT? outdoor series runs August 8, August 22, and September 5. All events are free; check SHAOLIN JAZZ (shaolinjazz.com) for the latest details and any weather updates before heading out.
