Cade Cavalli just did something only Max Scherzer and Tanner Roark have done as a National
The 27-year-old righty struck out 11 Rangers in six scoreless innings Wednesday night - his second straight double-digit strikeout game - to push his scoreless innings streak to 17 and cement himself as the best story in D.C. sports right now.
In brief
Cade Cavalli just did something only Max Scherzer and Tanner Roark have done as a National
Globe Life Field in Arlington was 97 degrees at first pitch Wednesday night. Cade Cavalli treated it like a warm-up session. The 27-year-old right-hander from Tulsa struck out 11 Texas Rangers over six scoreless innings, walked one, allowed three singles, and threw 58 of his 84 pitches for strikes as Washington beat Texas 6-0. The Nationals' four-game losing streak is over. And Cavalli is doing something this franchise hasn't seen in a very long time.
His first seven outs Wednesday all came via strikeout. He had eight Ks by the end of the third inning and 10 by the end of the fourth - putting him among only eight MLB pitchers this season to reach 10 strikeouts through four innings.
Since the club moved to Washington in 2005, only two other Nationals pitchers had struck out 10 or more in four innings or fewer. Max Scherzer did it three times. Tanner Roark did it once. Now Cavalli.
Six days after his most dominant performance of the season, the Nationals' ace picked up where he left off, striking out 11 in six scoreless innings as the Nats cruised past the Rangers 6-0 at Globe Life Field on Wednesday. The right-hander pushed his scoreless-innings streak to 17.
This wasn't a solo act. José Tena put the Nationals ahead to stay with a solo homer in the third, and Andrés Chaparro's third hit of the game was a towering 415-foot drive for a three-run homer in the seventh that made it 6-0. Will Dion, Max Kranick and Jake Bird each pitched an inning to wrap up Washington's fifth shutout victory.
Back-to-back masterclasses
The game that preceded this one was somehow even more ridiculous. Six days earlier, Cavalli had held the Cubs to one hit and no runs in eight innings, producing the first eight-plus-inning, one-hit-or-fewer, double-digit strikeout game against Chicago since Cole Hamels' no-hitter in 2015.
That outing placed him alongside Max Scherzer as one of only two pitchers in Nationals history - since 2005 - to record two or more games in a single season with 10 or more strikeouts and one hit or less allowed across at least seven innings.
Consistency has been the word. Cavalli notched his eighth consecutive quality start Wednesday. He is 7-1 in his last 10 starts. Over that 10-start stretch, he is 6-1 with a 2.43 ERA and 69 strikeouts, putting him among the most electric arms in the National League.
Manager Blake Butera didn't hide his disbelief in Arlington. "It was unbelievable the way he started that game," Butera said. Cavalli's explanation was more measured. "It's just staying locked in, just keep attacking, trusting the defense to go make plays, and just keep attacking in the zone," he said.
What it took to get here
The full arc of Cavalli's story makes all of this harder to believe. A 2020 first-round pick out of Oklahoma, he missed the entire 2023 and 2024 seasons recovering from Tommy John surgery and didn't return to a big-league mound until August 2025. Less than a year later, he opened 2026 as the Nationals' Opening Day starter and has blossomed into a legitimate workhorse.
The record now reads 11-5 after Wednesday night. He limited the Rangers to three singles and a walk, throwing 58 of 84 pitches for strikes. He has shown the strikeout stuff that made him a top prospect before the injury, a deep pitch mix that keeps hitters off balance, and now the innings totals that suggest the team no longer needs to handle him with kid gloves.
The team around him, to be clear, is still a work in progress. Washington sits at 60-67, fourth in the NL East. The Nationals had lost four in a row and six of seven entering Wednesday, and in that stretch, the only other win was Cavalli's gem against the Cubs last Thursday. He is, at the moment, the only thing functioning the way the front office drew it up.
The Rangers needed the win more
It wasn't just a Nats win. It stung Texas. With the loss, the Rangers dropped out of the American League's third wild card spot. The first eight outs for Texas came on strikeouts before Brandon Nimmo's groundout ended the third. Cavalli got his 10th K in the fourth. Starter Kumar Rocker allowed two runs and six hits over five innings, falling to 4-10.
Washington has 16 games in 16 days before its next off day on September 3, part of a brutal 39-games-in-41-days stretch that started July 24. Cavalli's rotation slot lines him up once more before the end of August. Given what he's done the last two turns, Rangers fans and wild-card rivals alike are already watching the calendar.
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CAN I KICK IT? screens New Jack City at the Sylvan Theater, Washington Monument, on Aug. 22. (Courtesy SHAOLIN JAZZ)
The live-cinema series CAN I KICK IT? returns to the National Mall this month with what its producers are calling the "Gangsters on the Mall" chapter of their free outdoor summer run. On Saturday, August 22, the SHAOLIN JAZZ production brings the 1991 crime classic New Jack City to the Sylvan Theater at the Washington Monument for a night of film, music, and community under the DC summer sky.
What sets the event apart is the sound. As the film plays, DJ 2-Tone Jones builds an original score in real time, reimagining one of the most iconic crime movies of the ’90s through hip-hop, soul, funk, and more. It is less a movie screening than a live performance built around the film.
The details:
Film: New Jack City (1991), with a live soundtrack by DJ 2-Tone Jones
When: Saturday, August 22 — seating opens at 7:30 p.m. (bring lawn chairs and blankets); film begins at 8:30 p.m.
Where: Sylvan Theater at the Washington Monument, Independence Ave SW & 15th St NW
A parking note from the organizers: expect road closures and restricted parking east of 14th Street NW due to a separate race event in the District. Roads west of 14th Street NW will be accessible and available for parking.
New Jack City is the second of three screenings in this year’s free CAN I KICK IT? outdoor series, which opened with Black Panther at Skyland Town Center and concludes with Scarface at the Lincoln Memorial on September 5. Produced by the Washington, DC-based multimedia arts company SHAOLIN JAZZ, the series has presented more than 150 live cinematic experiences at venues across the country, from Lincoln Center to SXSW.
"I wanted to be able to tell good stories with substance and remove the ‘ego’ out of the art," said Andrew Huang during a recent interview. Now, he’s building his career at the intersection of discipline, creativity and innovation.
Andrew Huang, founder of New Place Studios. (Courtesy photo)
As a Chinese American, Huang was reared with a deep respect for hard work, consistency and excellence. He describes his childhood as "not so affluent" and later attended college to hone his passion for videography. "In college I tried to do something I loved, which was video, but along the way I knew that I had to find a job. And so I thought, ‘what was the low hanging fruit to get to that stable 9 to 5 job?,’" he stated.
Later in life, Huang found himself working for corporations where his creativity was often limited, eventually leading to burnout. "I worked in a corporation for a long time and there were a lot of missing pieces. I wanted to fill in gaps missing in corporate video production," said Huang.
He later described how his upbringing and a mindset of "survival" led him toward a corporate career. However, his desire for balance and authentic storytelling ultimately pushed him to take the entrepreneurial leap.
"I founded a new place where you can create video and film with ‘substance and style,’" said Huang. His desire for work-life balance and passion for storytelling naturally evolved into a small business based in Virginia. With the launch of New Place Studios, the entrepreneur quickly found himself reconnecting with the values that would become the foundation of everything he creates behind the camera.
Huang said being a business owner has allowed him to first embrace himself. While others may see video as simply capturing moments, he sees it as a way to preserve stories that inspire, connect and leave a lasting imprint.
By combining cinematic visuals with cutting-edge production techniques and a keen understanding of branding, Huang helps organizations and individuals communicate their vision with purpose. He said understanding a client’s "why" serves as the compass for delivering the services they need.
One benefit of working with a small business, he said, is that clients get to see the production process unfold through a micro lens while working with the same faces throughout the entire project. "The work feels personal," said Huang.
Huang does not regret leaving behind the flash-over-substance mentality and corporate hustle culture. That does not mean the Asian American entrepreneur has been without challenges in the industry. "It’s relatively hard to find other Asian American creatives or people who would want to work with me in the DMV," said Huang.
He identifies the industry culture in which everyone is trying to blend in, creatives may fear displaying their Asian identity and some feel pressure to adopt an American corporate persona. He also points to what he describes as a level of gatekeeping within the industry. According to the U.S. Small Business Administration’s 2024 statistics, Asian American and Pacific Islander entrepreneurs own more than 3 million businesses and employ 5.2 million people in the United States.
After tapping into organizations such as SCORE, which offers free small business mentorship, New Place Studios has become a trusted creative partner throughout the DMV (Washington, D.C., Maryland and Virginia). The company produces a range of creative services, including commercials, corporate branding, documentaries, film, 2D animation, motion graphics and photography.
For Huang, entrepreneurship has become more than a departure from corporate life. It has given him the freedom to create with intention, build meaningful connections and tell stories that go beyond the surface.
The 2026 CAN I KICK IT? outdoor series. Poster courtesy of SHAOLIN JAZZ.
For three Saturdays this summer, some of Washington’s most familiar public spaces will do something they rarely do after dark: fill up with blankets, lawn chairs, and the sound of a movie being scored live, in real time. CAN I KICK IT?, the traveling “live cinema” series produced by the DC-based multimedia arts company SHAOLIN JAZZ, is bringing a free outdoor run to the city — pairing three era-defining films with an original soundtrack performed on the spot by DJ 2-Tone Jones.
The premise is what sets it apart from a normal screening in the park. Rather than simply pressing play, 2-Tone Jones builds a score as the film unfolds, pulling from hip-hop, soul, funk, jazz, rock, electronic music, and sounds from around the world. The result, the organizers say, is less a movie night than a one-time performance — the same film you know, wired to a soundtrack you have never heard and will not hear again. Guest DJs warm up the crowd starting at 7:30 PM before each 8:30 PM screening.
The 2026 outdoor schedule
All three events are free and open to the public.
Saturday, August 8 — Black Panther at Skyland Town Center. A pop-up marketplace and community activities kick off the evening; guest DJs at 7:30 PM, film at 8:30 PM. Marvel’s superhero epic gets a one-night-only live score in Southeast DC.
Saturday, August 22 — New Jack City at the Sylvan Theater, Washington Monument. Seating begins at 7:30 PM; the film starts at 8:30 PM. The 1991 crime drama plays out at the foot of one of the country’s most recognizable landmarks.
Saturday, September 5 — Scarface at the Lincoln Memorial. Seating at 7:30 PM; film at 8:30 PM. The series closes with Brian De Palma’s crime saga against the backdrop of the Memorial, scored live from start to finish.
First up: Black Panther at Skyland Town Center on August 8. Poster courtesy of SHAOLIN JAZZ.
A DC company with a national footprint
SHAOLIN JAZZ describes itself as a Washington-based arts company working at the intersection of music, film, art, and culture, and CAN I KICK IT? is its signature production. According to the organizers, the series has staged more than 150 live cinematic experiences around the country — at performing arts centers, museums, festivals, and cultural institutions including Lincoln Center in New York, SXSW, the Denver Center for the Performing Arts, Republic Square in Austin, the Tacoma Armory, and The Cary Theater.
“CAN I KICK IT? has always been about creating a shared experience,” said Gerald Watson, co-founder of SHAOLIN JAZZ. “When you combine iconic films with live music in public spaces, something special happens. People aren’t just watching a movie — they’re experiencing it together. That’s what makes these nights so memorable.”
Cinema as a community event
The DC run lands as cities across the country look for new ways to activate public space through arts and culture — and this series is a straightforward pitch for how to do it: take a landmark everyone already knows, add a film everyone has an opinion about, and let a live soundtrack turn the evening into something neighbors experience shoulder to shoulder. Families, film buffs, and music fans are all invited, and admission won’t cost a thing.
The CAN I KICK IT? outdoor series runs August 8, August 22, and September 5. All events are free; check SHAOLIN JAZZ (shaolinjazz.com) for the latest details and any weather updates before heading out.
