D.C.'s own watchdog just confirmed what critics suspected: MPD's crime data has been broken for a decade
A 40-page Inspector General report found the Metropolitan Police Department spent years without the internal safeguards needed to produce reliable crime statistics - a mess that the city's next mayor will inherit by January.
In brief
Every policy argument D.C. leaders have made about public safety - whether to justify more police funding, push back on federal intervention, or tout falling crime rates - rests on numbers that the city's own watchdog now says were unreliable for at least a decade. That is not a small problem. It is the foundation cracking under the building.
The Washington Informer was among the first local outlets to fully publish the findings: the District of Columbia Office of the Inspector General concluded that the Metropolitan Police Department spent years without the internal safeguards needed to ensure the accuracy and reliability of the city's crime data, identifying what investigators described as "a prolonged, systemic breakdown" in the department's crime classification and reporting controls.
The 40-page report, released July 28, lands with particular force right now. Janeese Lewis George, who pledged to aggressively stand up to federal intervention into Washington, D.C.'s affairs, won the Democratic primary for mayor in June, and in an overwhelmingly Democratic city she is widely expected to take the top spot in November's general election, replacing moderate Muriel Bowser after three terms. She will inherit MPD - and its data problems - on day one.
What the Inspector General actually found
The findings stem from an inspection requested by Mayor Bowser after allegations surfaced in late 2025 that crimes had been misclassified or downgraded. Rather than revisit individual crime reports, investigators examined whether MPD had adequate policies, oversight, training, and technology to produce trustworthy crime statistics. They concluded the department did not.
The investigation reviewed MPD crime data from 2015 through 2025. That is ten years. Two mayoral terms. Thousands of City Council budget hearings. All of it built, at least in part, on numbers that lacked proper quality controls.
The structural failure at the heart of the report is specific. The report found major weaknesses inside MPD's crime reporting system, including the elimination of an independent crime review unit in 2013. According to the Office of Inspector General, after that unit was eliminated, there was no dedicated team responsible for reviewing crime reports before they became official statistics.
The inspector general's report also raises concerns about weaknesses inside MPD's Mark43 records management system. According to the inspector general, officers could submit reports for supervisory review without completing required narratives because the system lacked controls to prevent incomplete reports from advancing.
The technology problem was not isolated. The OIG report found the MPD lacked a cohesive framework for crime classification and reporting, controls over its record management system, and up-to-date policies. MPD culture was also observed to be misaligned with the department's stated mission, which contributed to the issues with crime reporting controls.
That last point - culture - is where the report gets uncomfortable. Officers and staffers who were interviewed "described instances in which supervisory personnel influenced crime classifications to align with anticipated or desired crime trends." The report also noted that MPD did not maintain a reliable means for employees to report suspected wrongdoing anonymously and without fear of reprisal.
Uncomfortable, but not criminal. The report did not indicate any fraud or intentionality in the flaws in the crime statistics collection, though it recommended a series of steps meant to ensure accuracy in the data gathering going forward.
Two investigations, one conclusion: the numbers were wrong
The Inspector General's report did not arrive in a vacuum. A separate investigation by U.S. Attorney Jeanine Pirro's office also found that a significant number of MPD reports had been misclassified to make crime rates appear lower than they are. Pirro's office began its investigation in August 2025 at the height of a political showdown between the Trump administration and the city over control of the police department. Trump claimed violent crime in Washington was getting worse as he ordered a federal takeover of MPD. Neither investigation found grounds for charging anybody with a crime.
Those are two independent investigations - one from D.C.'s own watchdog, one from the federal prosecutor - reaching overlapping conclusions. The city and the Trump administration argued bitterly for months over who was distorting the data. The Inspector General's answer, essentially, is that both sides were arguing about numbers that neither side could fully trust.
The political history here matters. A House Committee on Oversight and Government Reform accused Washington's former police chief of pressuring subordinates to manipulate department data to artificially lower the city's crime rates. That accusation, combined with the December 2025 resignation of then-Chief Pamela Smith, set in motion the entire chain of investigations. In May, interim Police Chief Jeffery Carroll announced that 13 officers had been placed on administrative leave in connection with an internal investigation into how the department keeps crime statistics.
What MPD says it is doing
MPD has not sat entirely still. In February 2026, the department developed and launched a mandatory training module focused on D.C. Code crime classification, specifically intended to better equip officers with the knowledge, skill, and ability to properly classify offenses. The department is also in the process of reestablishing its Staff Review Unit, which had previously served to provide an independent, non-patrol set of examiners responsible for reviewing classification accuracy and report quality - though it is not yet operational.
The department also announced it is establishing a new Unit for Data Integrity and Analytics. MPD agreed with the OIG's core recommendation. The OIG recommended the MPD stand up an independent review function to ensure crimes are accurately reported, detect reporting errors, and improve supervisory oversight. MPD agreed with the recommendation, noting that it started creating an independent unit in March to audit and evaluate police reports.
The gap between announcing a unit and actually running one is real. The Staff Review Unit that did this work was disbanded in 2013. Thirteen years later, its replacement is still in progress.
What it means for Lewis George - and for residents
Janeese Lewis George won the Democratic mayoral primary on June 16 with about 53 percent of the vote, defeating former at-large councilmember Kenyan McDuffie. A lifelong Washingtonian and current Ward 4 D.C. Council member, Lewis George pulled off one of the most dominant electoral performances in the city's history. That means she will almost certainly be the District's next mayor.
At her first press conference since her win, Lewis George shared that she had already started the transition to the executive seat, and said Mayor Bowser called her, telling her the transition would be successful.
The crime data crisis she will inherit is not just an administrative headache. Lewis George pledged to aggressively stand up to federal intervention into Washington, D.C.'s affairs, setting up a potential showdown with the Trump administration. That fight - over federal control of MPD, over whether D.C. can govern its own police force - depends entirely on whether the city can demonstrate that its crime statistics are credible. Right now, that credibility is damaged. Badly.
Most of the advocates who responded to an informal Washington Blade survey of community leaders said they would be observing Lewis George's transition plans to determine if she will follow through with her campaign promises. The MPD data scandal is going to be on that list whether she invited it or not.
For D.C. residents, the practical stakes are direct. When a neighborhood's crime data is wrong - when three separate burglaries are logged as one call, as happened in an August 2025 incident in which an MPD supervisor erroneously assumed three separate 911 calls were for a single event, and officials later realized the calls were for three distinct burglaries that occurred close together - resources don't flow to the right places. Beat assignments, overtime deployment, grant applications, and Council appropriations all trace back to those numbers.
The Ward 7 and Ward 8 communities that experience the highest violent crime rates have the most to lose if the department's data tools remain broken. If actual crime is being logged as less serious than it is, those neighborhoods are systematically undercounted - and underserved.
What D.C. Residents Should Watch
The Staff Review Unit timeline. MPD says it is rebuilding the independent crime review function that was dismantled in 2013. The OIG report confirms it is not yet operational. Watch for a specific launch date and staffing numbers - promises without timelines are not reforms.
Interim Chief Carroll's next steps. Carroll placed 13 officers on administrative leave in May. The outcome of that internal investigation - discipline, reinstatement, or termination - has not been publicly resolved. Any announcement will signal how seriously MPD treats the findings.
Lewis George's transition platform on MPD governance. The mayor-elect has spoken broadly about standing up to federal control of D.C.'s police. Watch her formal transition documents, expected before the November 3 general election, for specific commitments on data integrity and the Inspector General's recommendations.
The Unit for Data Integrity and Analytics. MPD announced this new body but has not published a charter, leadership appointment, or budget line. Until those appear in a Council hearing or agency budget, it is an announcement rather than a functioning office.
The Mark43 records system. The OIG flagged structural gaps in MPD's existing software that allowed incomplete reports to advance through the system. A fix requires either a software update or a contract amendment - both of which should be visible in procurement records at contracts.dc.gov.
The November election is 79 days away. Between now and January 2, 2027, when a new mayor is sworn in, MPD's data rehabilitation sits in the hands of an outgoing administration that requested this investigation in the first place - and an incoming one whose political identity is built on fighting for D.C. residents' right to run their own city. The 40-page OIG report is the clearest description yet of exactly what 'running the city' has actually looked like inside the police department for the past ten years.
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CAN I KICK IT? screens New Jack City at the Sylvan Theater, Washington Monument, on Aug. 22. (Courtesy SHAOLIN JAZZ)
The live-cinema series CAN I KICK IT? returns to the National Mall this month with what its producers are calling the "Gangsters on the Mall" chapter of their free outdoor summer run. On Saturday, August 22, the SHAOLIN JAZZ production brings the 1991 crime classic New Jack City to the Sylvan Theater at the Washington Monument for a night of film, music, and community under the DC summer sky.
What sets the event apart is the sound. As the film plays, DJ 2-Tone Jones builds an original score in real time, reimagining one of the most iconic crime movies of the ’90s through hip-hop, soul, funk, and more. It is less a movie screening than a live performance built around the film.
The details:
Film: New Jack City (1991), with a live soundtrack by DJ 2-Tone Jones
When: Saturday, August 22 — seating opens at 7:30 p.m. (bring lawn chairs and blankets); film begins at 8:30 p.m.
Where: Sylvan Theater at the Washington Monument, Independence Ave SW & 15th St NW
A parking note from the organizers: expect road closures and restricted parking east of 14th Street NW due to a separate race event in the District. Roads west of 14th Street NW will be accessible and available for parking.
New Jack City is the second of three screenings in this year’s free CAN I KICK IT? outdoor series, which opened with Black Panther at Skyland Town Center and concludes with Scarface at the Lincoln Memorial on September 5. Produced by the Washington, DC-based multimedia arts company SHAOLIN JAZZ, the series has presented more than 150 live cinematic experiences at venues across the country, from Lincoln Center to SXSW.
"I wanted to be able to tell good stories with substance and remove the ‘ego’ out of the art," said Andrew Huang during a recent interview. Now, he’s building his career at the intersection of discipline, creativity and innovation.
Andrew Huang, founder of New Place Studios. (Courtesy photo)
As a Chinese American, Huang was reared with a deep respect for hard work, consistency and excellence. He describes his childhood as "not so affluent" and later attended college to hone his passion for videography. "In college I tried to do something I loved, which was video, but along the way I knew that I had to find a job. And so I thought, ‘what was the low hanging fruit to get to that stable 9 to 5 job?,’" he stated.
Later in life, Huang found himself working for corporations where his creativity was often limited, eventually leading to burnout. "I worked in a corporation for a long time and there were a lot of missing pieces. I wanted to fill in gaps missing in corporate video production," said Huang.
He later described how his upbringing and a mindset of "survival" led him toward a corporate career. However, his desire for balance and authentic storytelling ultimately pushed him to take the entrepreneurial leap.
"I founded a new place where you can create video and film with ‘substance and style,’" said Huang. His desire for work-life balance and passion for storytelling naturally evolved into a small business based in Virginia. With the launch of New Place Studios, the entrepreneur quickly found himself reconnecting with the values that would become the foundation of everything he creates behind the camera.
Huang said being a business owner has allowed him to first embrace himself. While others may see video as simply capturing moments, he sees it as a way to preserve stories that inspire, connect and leave a lasting imprint.
By combining cinematic visuals with cutting-edge production techniques and a keen understanding of branding, Huang helps organizations and individuals communicate their vision with purpose. He said understanding a client’s "why" serves as the compass for delivering the services they need.
One benefit of working with a small business, he said, is that clients get to see the production process unfold through a micro lens while working with the same faces throughout the entire project. "The work feels personal," said Huang.
Huang does not regret leaving behind the flash-over-substance mentality and corporate hustle culture. That does not mean the Asian American entrepreneur has been without challenges in the industry. "It’s relatively hard to find other Asian American creatives or people who would want to work with me in the DMV," said Huang.
He identifies the industry culture in which everyone is trying to blend in, creatives may fear displaying their Asian identity and some feel pressure to adopt an American corporate persona. He also points to what he describes as a level of gatekeeping within the industry. According to the U.S. Small Business Administration’s 2024 statistics, Asian American and Pacific Islander entrepreneurs own more than 3 million businesses and employ 5.2 million people in the United States.
After tapping into organizations such as SCORE, which offers free small business mentorship, New Place Studios has become a trusted creative partner throughout the DMV (Washington, D.C., Maryland and Virginia). The company produces a range of creative services, including commercials, corporate branding, documentaries, film, 2D animation, motion graphics and photography.
For Huang, entrepreneurship has become more than a departure from corporate life. It has given him the freedom to create with intention, build meaningful connections and tell stories that go beyond the surface.
The 2026 CAN I KICK IT? outdoor series. Poster courtesy of SHAOLIN JAZZ.
For three Saturdays this summer, some of Washington’s most familiar public spaces will do something they rarely do after dark: fill up with blankets, lawn chairs, and the sound of a movie being scored live, in real time. CAN I KICK IT?, the traveling “live cinema” series produced by the DC-based multimedia arts company SHAOLIN JAZZ, is bringing a free outdoor run to the city — pairing three era-defining films with an original soundtrack performed on the spot by DJ 2-Tone Jones.
The premise is what sets it apart from a normal screening in the park. Rather than simply pressing play, 2-Tone Jones builds a score as the film unfolds, pulling from hip-hop, soul, funk, jazz, rock, electronic music, and sounds from around the world. The result, the organizers say, is less a movie night than a one-time performance — the same film you know, wired to a soundtrack you have never heard and will not hear again. Guest DJs warm up the crowd starting at 7:30 PM before each 8:30 PM screening.
The 2026 outdoor schedule
All three events are free and open to the public.
Saturday, August 8 — Black Panther at Skyland Town Center. A pop-up marketplace and community activities kick off the evening; guest DJs at 7:30 PM, film at 8:30 PM. Marvel’s superhero epic gets a one-night-only live score in Southeast DC.
Saturday, August 22 — New Jack City at the Sylvan Theater, Washington Monument. Seating begins at 7:30 PM; the film starts at 8:30 PM. The 1991 crime drama plays out at the foot of one of the country’s most recognizable landmarks.
Saturday, September 5 — Scarface at the Lincoln Memorial. Seating at 7:30 PM; film at 8:30 PM. The series closes with Brian De Palma’s crime saga against the backdrop of the Memorial, scored live from start to finish.
First up: Black Panther at Skyland Town Center on August 8. Poster courtesy of SHAOLIN JAZZ.
A DC company with a national footprint
SHAOLIN JAZZ describes itself as a Washington-based arts company working at the intersection of music, film, art, and culture, and CAN I KICK IT? is its signature production. According to the organizers, the series has staged more than 150 live cinematic experiences around the country — at performing arts centers, museums, festivals, and cultural institutions including Lincoln Center in New York, SXSW, the Denver Center for the Performing Arts, Republic Square in Austin, the Tacoma Armory, and The Cary Theater.
“CAN I KICK IT? has always been about creating a shared experience,” said Gerald Watson, co-founder of SHAOLIN JAZZ. “When you combine iconic films with live music in public spaces, something special happens. People aren’t just watching a movie — they’re experiencing it together. That’s what makes these nights so memorable.”
Cinema as a community event
The DC run lands as cities across the country look for new ways to activate public space through arts and culture — and this series is a straightforward pitch for how to do it: take a landmark everyone already knows, add a film everyone has an opinion about, and let a live soundtrack turn the evening into something neighbors experience shoulder to shoulder. Families, film buffs, and music fans are all invited, and admission won’t cost a thing.
The CAN I KICK IT? outdoor series runs August 8, August 22, and September 5. All events are free; check SHAOLIN JAZZ (shaolinjazz.com) for the latest details and any weather updates before heading out.