D.C.'s Top Energy Regulator Resigns Days Before His Ouster, Leaving a Power Vacuum at the Worst Possible Moment
PSC Chair Emile Thompson steps down August 14, after a year of soaring electric and gas bills, a landmark court loss, and a grassroots campaign that blocked his reappointment — just as a new mayor prepares to inherit the crisis.
In brief
Why This Matters to Every D.C. Ratepayer
Your Pepco bill, your Washington Gas bill, your ability to afford heat in January and air conditioning in August — all of it flows through a single, largely invisible three-person board: the D.C. Public Service Commission (PSC). As of August 14, 2026, that board will be without a permanent chair. Emile C. Thompson, who has led the PSC since 2022, is resigning — and the circumstances surrounding his departure reveal a District at a crossroads over who controls utility costs, and what kind of energy future D.C. residents will actually get.
The resignation lands at a moment of maximum pressure. Residents are grappling with years of rate increases. The D.C. Court of Appeals recently voided a major Pepco rate hike the PSC approved. The D.C. Attorney General has urged the commission to block a costly Washington Gas pipeline expansion. And a well-organized grassroots campaign successfully blocked Thompson's reappointment — effectively forcing him out before the Council could act. Meanwhile, the District's broader fiscal house is in open dispute, with an outgoing mayor and an incoming one squaring off over an unsigned $22 billion budget. The person who eventually chairs the PSC will help determine whether any of that translates into lower bills for the roughly 700,000 residents the commission serves.
How Thompson's Tenure Unraveled
The chair of the District's Public Service Commission is resigning. Emile Thompson wrote his letter of resignation to Mayor Muriel Bowser on the same day as the commission's second hearing on a major Washington Gas pipeline project. Thompson's last day as chair is August 14.
Thompson was appointed to the Public Service Commission by Mayor Muriel Bowser in 2021 and re-appointed as Interim Chairman on December 1, 2021; he was confirmed as Chairman on June 7, 2022. Before the Commission, Chairman Thompson was an Assistant United States Attorney in the U.S. Attorney's Office for the District of Columbia, serving as a Deputy Chief.
The pressure had been building for months. We Power DC and coalition partners had been pressuring the Council to reject the reappointment of two PSC commissioners — Thompson and Commissioner Ted Trabue — arguing they had spent years rubberstamping Pepco's rate hikes. Organizing was extensive and public hearings were intense. At the end of July, Thompson announced his resignation rather than continue to face pushback on his reappointment. As of early August, Trabue's reappointment is still under consideration.
Since 2021, under Chair Emile Thompson's leadership, the commission approved $398.5 million in utility spending by both Pepco and Washington Gas. That included a controversial multiyear electric rate hike approved in November 2024 that increased D.C. electric bills by $7.54 per month in 2025 and $3.80 per month in 2026, and a 13% gas rate hike approved in December 2025 that boosted Washington Gas' return on equity to 9.65%.
Utility watchdogs and activists scored a major victory at the D.C. Court of Appeals in their battle to stop soaring electrical bills, when judges agreed with claims filed by the Office of the People's Counsel that the city's Public Service Commission had improperly approved rate hikes for Pepco. The OPC originally filed its lawsuit against the PSC in March 2025 after the three-member commission approved a $123.4 million rate hike for D.C. consumers. The hike included increased delivery rates that would be implemented from 2024 to 2026. The vote came after the PSC approved another rate hike in 2019 that netted Pepco $108 million; OPC and analysts alleged those funds were misspent.
The court loss proved decisive for Thompson's political standing. PSC Chair Emile Thompson, in particular, drew the ire of witnesses at reappointment hearings; he and Commissioner Ted Trabue, both of whom voted in favor of the Pepco rate hike, were up for reappointment.
The Washington Gas Pipeline Fight — and the AG's Intervention
Thompson's resignation was timed to a pivotal moment in another contested proceeding. Earlier in the same week, D.C.'s attorney general called on the commission to reject the third phase of the Washington Gas project. The AG's office said it would raise rates for those who live in the city.
The commission has continued to approve spending requests from Pepco and Washington Gas even as both utilities face lawsuits from consumer advocates alleging mismanagement of ratepayer dollars and research showing utility infrastructure spending has failed to measurably reduce gas leak risks. (attributed — Washington Informer reporting)
That pipeline proceeding — formally before the PSC — is now in limbo. With Thompson departing and the two-remaining-commissioner panel potentially lacking a permanent chair, critical regulatory decisions may be delayed or complicated until Mayor Bowser, in her final months in office, or her successor makes a new appointment.
A "Levelheaded" Leader Who Couldn't Survive the Politics
Those who worked alongside Thompson were caught off guard. Those on the commission with Thompson applaud his leadership and say they didn't see the resignation coming. "Over the four years that I've worked with him, I really found him to be a very levelheaded person, a very intelligent person who led the community and led the commission," said Ted Trabue, commissioner on DC's Public Service Commission. "There were a lot of people yesterday who, like myself, were very surprised when he announced his resignation."
In his resignation letter, Thompson pushed back on the narrative that the PSC is to blame for Washingtonians' high bills. Thompson wrote: "Rising energy prices are not attributable to any one agency, group or thing. This phenomenon is occurring across the nation. To meet this moment, a finger-pointing approach will not work. All stakeholders must be willing to engage in honest conversations." (verified — DC News Now reporting of Thompson's letter)
The commission says that until a permanent successor is appointed, they will continue to operate without interruption. In practice, that means the two remaining commissioners — Trabue (whose own reappointment is pending) and Commissioner Richard Beverly — will carry the PSC's caseload, including the still-unresolved Washington Gas pipeline case. (analysis)
Grassroots Power: How We Power DC Forced the Issue
The campaign that drove Thompson to the exit reflects a new kind of D.C. civic organizing. According to We Power DC, "The current leadership at the PSC has allowed utility bills to reach sky-high levels to the point that 1 in 5 DC residents are in debt to Pepco. Meanwhile, Pepco and Washington Gas have been allowed to dodge accountability, side-step fines, and offer a middling service for luxury prices."
Claire Hacker, organizer with Extinction Rebellion DC, noted: "Decisions about utilities affect DC residents every single day, yet we have limited power over how those decisions are made, since PSC commissioners are appointed and not elected." That democratic gap is precisely why activists targeted the reappointment process — one of the few public leverage points available. (analysis)
Having two Public Power Pledge-committed councilmembers join longtime utility reform advocate Charles Allen — who also won his primary re-election for the Ward 6 DC Council race in June — will create a critical voting bloc working toward a public power future. This emerging Council coalition is poised to shape who fills the PSC chair vacancy, representing a potential inflection point for the District's energy policy. (analysis)
The Bigger Fiscal Picture: A Budget in Limbo
Thompson's resignation does not exist in a vacuum. It arrives as D.C.'s broader finances are in a contested state. Mayor Bowser has repeatedly expressed concerns over the budget funding recurring programs with one-time money, which she said will leave the next mayor and council with an "$837 million budget cliff." Her initial, proposed budget made major cuts to District programs, many of which the council reincorporated in their amended budget, including childcare subsidies, grants to nonprofits, and housing vouchers.
By returning the budget unsigned, Bowser put her objections on the record while allowing the spending plan to continue moving forward. The budget now heads into congressional review, where the split between the mayor and council could attract extra attention — but Bowser's decision does not prevent it from becoming law.
Council Chairman Mendelson warned that the mayor's failure to sign the budget was harmful because "criticizing the Council and the budget gives succor to our detractors in Congress." Presumptive Mayor-elect Janeese Lewis George also voiced concerns in a statement, noting that the District is facing "unprecedented attacks on home rule from the federal government" and that refusing to sign the budget is "not reflective of the unified leadership we need from our executive at this moment." (attributed — The Georgetowner)
Together, the PSC vacancy and the budget standoff mean that Janeese Lewis George, who is widely expected to win the November general election, will inherit both an energy regulatory commission in transition and a budget carrying what her predecessor warns is an embedded fiscal time bomb. (analysis)
What Comes Next at the PSC
Under the D.C. Home Rule Charter, the PSC is a three-person board appointed by the DC mayor and approved by the DC Council. Mayor Bowser, who leaves office in January 2027, has the authority to nominate a new chair before her term ends — but any nominee would require Council confirmation. Given the Council's newly energized pro-consumer bloc, any nominee seen as utility-friendly is likely to face intense scrutiny. Alternatively, Bowser could leave the appointment to her successor, who may have very different priorities. (analysis)
Advocates are already framing what they want. We Power DC, the local campaign for a publicly owned utility, envisions a system with lower rates, community control, and investments in clean, reliable energy, and asks DC residents, candidates for public office, and elected officials to sign on to their Public Power Pledge.
The Washington Gas pipeline proceeding continues without a permanent PSC chair, potentially slowing or altering the outcome.
The pending Pepco rate case — ordered back to the PSC by the D.C. Court of Appeals for a full evidentiary hearing — must be adjudicated by whoever leads the commission next.
Commissioner Ted Trabue's reappointment remains unresolved as of early August, meaning the PSC could face two vacancies simultaneously. (attributed — Washington Socialist/MDCDSA)
Mayor Bowser's nomination window is shrinking as her term nears its end in January 2027.
What D.C. Residents Should Watch
August 14, 2026: Chair Thompson's last official day. Watch for any interim designation by Mayor Bowser — the commission will need at least a temporary leader to conduct official business and sign orders.
Ted Trabue's reappointment hearing: The D.C. Council has not yet acted on Commissioner Trabue's nomination. With Thompson gone, the Council's progressive bloc is likely to apply equal or greater pressure on this confirmation.
The Washington Gas PROJECTpipes Phase 3 proceeding: The D.C. AG has formally intervened to block it. Track filings at edocket.dcpsc.org to follow how the two-person commission handles this high-stakes case in the interim.
The Pepco rate-case evidentiary hearing: The D.C. Court of Appeals threw out the $123.4 million Pepco rate hike and ordered a do-over. The new PSC leadership will preside over that hearing — making the chair appointment one of the most consequential energy decisions of the next administration.
Congressional review of the FY2027 budget: The unsigned budget is now before Congress. Given Bowser's public criticism of the spending plan, House Oversight Republicans may use her objections as an opening to intervene in D.C.'s fiscal affairs — a scenario that the Council chair and mayor-elect have both flagged as a serious risk.
Who Janeese Lewis George names as her PSC pick: The presumptive next mayor has called Bowser's budget approach "irresponsible" and signaled she wants to protect affordable services. Her choice for PSC chair will be a signal of how aggressively she plans to regulate utilities and pursue the District's clean-energy commitments.
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CAN I KICK IT? screens New Jack City at the Sylvan Theater, Washington Monument, on Aug. 22. (Courtesy SHAOLIN JAZZ)
The live-cinema series CAN I KICK IT? returns to the National Mall this month with what its producers are calling the "Gangsters on the Mall" chapter of their free outdoor summer run. On Saturday, August 22, the SHAOLIN JAZZ production brings the 1991 crime classic New Jack City to the Sylvan Theater at the Washington Monument for a night of film, music, and community under the DC summer sky.
What sets the event apart is the sound. As the film plays, DJ 2-Tone Jones builds an original score in real time, reimagining one of the most iconic crime movies of the ’90s through hip-hop, soul, funk, and more. It is less a movie screening than a live performance built around the film.
The details:
Film: New Jack City (1991), with a live soundtrack by DJ 2-Tone Jones
When: Saturday, August 22 — seating opens at 7:30 p.m. (bring lawn chairs and blankets); film begins at 8:30 p.m.
Where: Sylvan Theater at the Washington Monument, Independence Ave SW & 15th St NW
A parking note from the organizers: expect road closures and restricted parking east of 14th Street NW due to a separate race event in the District. Roads west of 14th Street NW will be accessible and available for parking.
New Jack City is the second of three screenings in this year’s free CAN I KICK IT? outdoor series, which opened with Black Panther at Skyland Town Center and concludes with Scarface at the Lincoln Memorial on September 5. Produced by the Washington, DC-based multimedia arts company SHAOLIN JAZZ, the series has presented more than 150 live cinematic experiences at venues across the country, from Lincoln Center to SXSW.
"I wanted to be able to tell good stories with substance and remove the ‘ego’ out of the art," said Andrew Huang during a recent interview. Now, he’s building his career at the intersection of discipline, creativity and innovation.
Andrew Huang, founder of New Place Studios. (Courtesy photo)
As a Chinese American, Huang was reared with a deep respect for hard work, consistency and excellence. He describes his childhood as "not so affluent" and later attended college to hone his passion for videography. "In college I tried to do something I loved, which was video, but along the way I knew that I had to find a job. And so I thought, ‘what was the low hanging fruit to get to that stable 9 to 5 job?,’" he stated.
Later in life, Huang found himself working for corporations where his creativity was often limited, eventually leading to burnout. "I worked in a corporation for a long time and there were a lot of missing pieces. I wanted to fill in gaps missing in corporate video production," said Huang.
He later described how his upbringing and a mindset of "survival" led him toward a corporate career. However, his desire for balance and authentic storytelling ultimately pushed him to take the entrepreneurial leap.
"I founded a new place where you can create video and film with ‘substance and style,’" said Huang. His desire for work-life balance and passion for storytelling naturally evolved into a small business based in Virginia. With the launch of New Place Studios, the entrepreneur quickly found himself reconnecting with the values that would become the foundation of everything he creates behind the camera.
Huang said being a business owner has allowed him to first embrace himself. While others may see video as simply capturing moments, he sees it as a way to preserve stories that inspire, connect and leave a lasting imprint.
By combining cinematic visuals with cutting-edge production techniques and a keen understanding of branding, Huang helps organizations and individuals communicate their vision with purpose. He said understanding a client’s "why" serves as the compass for delivering the services they need.
One benefit of working with a small business, he said, is that clients get to see the production process unfold through a micro lens while working with the same faces throughout the entire project. "The work feels personal," said Huang.
Huang does not regret leaving behind the flash-over-substance mentality and corporate hustle culture. That does not mean the Asian American entrepreneur has been without challenges in the industry. "It’s relatively hard to find other Asian American creatives or people who would want to work with me in the DMV," said Huang.
He identifies the industry culture in which everyone is trying to blend in, creatives may fear displaying their Asian identity and some feel pressure to adopt an American corporate persona. He also points to what he describes as a level of gatekeeping within the industry. According to the U.S. Small Business Administration’s 2024 statistics, Asian American and Pacific Islander entrepreneurs own more than 3 million businesses and employ 5.2 million people in the United States.
After tapping into organizations such as SCORE, which offers free small business mentorship, New Place Studios has become a trusted creative partner throughout the DMV (Washington, D.C., Maryland and Virginia). The company produces a range of creative services, including commercials, corporate branding, documentaries, film, 2D animation, motion graphics and photography.
For Huang, entrepreneurship has become more than a departure from corporate life. It has given him the freedom to create with intention, build meaningful connections and tell stories that go beyond the surface.
The 2026 CAN I KICK IT? outdoor series. Poster courtesy of SHAOLIN JAZZ.
For three Saturdays this summer, some of Washington’s most familiar public spaces will do something they rarely do after dark: fill up with blankets, lawn chairs, and the sound of a movie being scored live, in real time. CAN I KICK IT?, the traveling “live cinema” series produced by the DC-based multimedia arts company SHAOLIN JAZZ, is bringing a free outdoor run to the city — pairing three era-defining films with an original soundtrack performed on the spot by DJ 2-Tone Jones.
The premise is what sets it apart from a normal screening in the park. Rather than simply pressing play, 2-Tone Jones builds a score as the film unfolds, pulling from hip-hop, soul, funk, jazz, rock, electronic music, and sounds from around the world. The result, the organizers say, is less a movie night than a one-time performance — the same film you know, wired to a soundtrack you have never heard and will not hear again. Guest DJs warm up the crowd starting at 7:30 PM before each 8:30 PM screening.
The 2026 outdoor schedule
All three events are free and open to the public.
Saturday, August 8 — Black Panther at Skyland Town Center. A pop-up marketplace and community activities kick off the evening; guest DJs at 7:30 PM, film at 8:30 PM. Marvel’s superhero epic gets a one-night-only live score in Southeast DC.
Saturday, August 22 — New Jack City at the Sylvan Theater, Washington Monument. Seating begins at 7:30 PM; the film starts at 8:30 PM. The 1991 crime drama plays out at the foot of one of the country’s most recognizable landmarks.
Saturday, September 5 — Scarface at the Lincoln Memorial. Seating at 7:30 PM; film at 8:30 PM. The series closes with Brian De Palma’s crime saga against the backdrop of the Memorial, scored live from start to finish.
First up: Black Panther at Skyland Town Center on August 8. Poster courtesy of SHAOLIN JAZZ.
A DC company with a national footprint
SHAOLIN JAZZ describes itself as a Washington-based arts company working at the intersection of music, film, art, and culture, and CAN I KICK IT? is its signature production. According to the organizers, the series has staged more than 150 live cinematic experiences around the country — at performing arts centers, museums, festivals, and cultural institutions including Lincoln Center in New York, SXSW, the Denver Center for the Performing Arts, Republic Square in Austin, the Tacoma Armory, and The Cary Theater.
“CAN I KICK IT? has always been about creating a shared experience,” said Gerald Watson, co-founder of SHAOLIN JAZZ. “When you combine iconic films with live music in public spaces, something special happens. People aren’t just watching a movie — they’re experiencing it together. That’s what makes these nights so memorable.”
Cinema as a community event
The DC run lands as cities across the country look for new ways to activate public space through arts and culture — and this series is a straightforward pitch for how to do it: take a landmark everyone already knows, add a film everyone has an opinion about, and let a live soundtrack turn the evening into something neighbors experience shoulder to shoulder. Families, film buffs, and music fans are all invited, and admission won’t cost a thing.
The CAN I KICK IT? outdoor series runs August 8, August 22, and September 5. All events are free; check SHAOLIN JAZZ (shaolinjazz.com) for the latest details and any weather updates before heading out.