Jayden Daniels dislocates left elbow again, and Washington's season just got very uncertain
The Commanders quarterback was carted off the field in Arlington on Sunday after re-injuring the same elbow he dislocated last season. X-rays showed no fracture, but further tests Monday will shape what comes next for Washington.
In brief
Daniels goes down again, and Washington has no quick answers at quarterback
One yard from the end zone. Three seconds on the clock. And the worst possible way for the first half to end.
According to the Washington Post, Commanders quarterback Jayden Daniels was in visible pain after suffering a left elbow injury on the final play of the first half Sunday, and as he was carted off the field with his left arm in an air cast and a towel draped over his head, the Washington Commanders' future plunged into uncertainty. The result of the game, a 37-20 loss to the Dallas Cowboys, was irrelevant.
With the Commanders one yard from the end zone and just three seconds remaining before halftime, Washington opted against kicking a field goal while trailing 17-10 and instead ran a play with Daniels under center. Daniels stumbled while dropping back to pass and reached out with his left hand in an attempt to steady himself, but his elbow popped out of place as he awkwardly reached for the ground. He was carted off the field.
Daniels, who dislocated the same elbow last year, suffered the similar-looking injury when he got stepped on by left guard Chris Paul after taking an under-center snap at the Cowboys' 1-yard line. The pass fell incomplete, keeping the Cowboys' lead at 17-10.
Commanders coach Dan Quinn said Daniels had dislocated the elbow but that X-rays "showed no fracture." Daniels will undergo more tests Monday.
Quinn said he did not regret going for the touchdown in the situation rather than attempting a field goal because he felt Washington needed to score touchdowns to match the Cowboys' offense. "Anytime someone is injured you play the what-if game; I don't think this is one of those times for me," Quinn said.
Before the injury, Daniels was playing well. He was throwing for 96 yards and a touchdown while making one play after another on the ground, running seven times for 69 yards and breaking off multiple chunk gains. That only makes the sequence more painful to process.
Daniels had dislocated his left elbow last season, so Sunday's injury was of particular concern because it was to the same elbow. Medical analyst Dr. David Chao, posting on social media during the game, called it "a clear left elbow dislocation, similar to last season," noting that a "joint comes out easier the second time" because the "original ligament tear heals looser."
Mariota takes over, Dallas takes control
Daniels was replaced by backup Marcus Mariota. Mariota completed 11 of 16 passes for 111 yards and a touchdown in the loss. The numbers are respectable enough on paper, but Washington's offense as a whole stalled badly in the second half.
Washington got possession to start the second half, and Mariota pushed the ball down the field and found Dyami Brown with a deep shot to the end zone that was ruled incomplete on the field. The Commanders challenged the ruling, but the call was confirmed on review, and Washington ended up kicking a field goal.
Dallas ran away from there. Jaishawn Barham forced Dyami Brown to fumble in the third quarter, and Dee Winters scooped it up, allowing Dallas to score quickly and take a commanding 27-13 lead. CeeDee Lamb was the go-to guy all day, hauling in eight of nine targets for 153 yards with two touchdowns. Dak Prescott also became the Cowboys' all-time leader in touchdown passes during the win over the Commanders, surpassing Tony Romo with 249 in his career.
The final stat line tells the whole story: Washington was held to 156 passing yards and 35 rushing yards, while Dallas rolled up 264 passing yards and 116 rushing yards, with Prescott going 21 of 30 for three touchdowns.
Washington sits 0-2, and the mood inside the building Sunday night was far darker than a two-game losing streak alone would warrant. The Commanders spent the offseason rebuilding a team that finished 5-12 in 2025. Washington brought in several new pieces and entered the season with a revamped defense under new coordinator Daronte Jones, and also added veteran receiver Stefon Diggs to give Daniels another established weapon alongside Terry McLaurin. All of that planning assumed Daniels would be healthy and under center.
What comes next for Washington
Mariota is the backup. That is the reality the Commanders face going into Week 3, and potentially beyond, depending on what Monday's additional tests reveal. Washington struggled without Daniels in 2025 when he dealt with several injuries including a dislocated left elbow, and will have an uphill battle to remain competitive while he's out.
David Blough took over as offensive coordinator this year, meaning Daniels is operating in his third offensive system in three seasons. That transition looked uneven in Week 1 even with Daniels on the field.
The Commanders have no scheduled bye until later in the season. If Daniels misses any extended stretch, Washington's path back into NFC East contention, already narrow after back-to-back losses, runs almost entirely through a backup who last started meaningful games years ago. The air cast, the cart, the towel over the head: it all felt like a season tipping in the wrong direction, again, in the worst possible city for that particular kind of déjà vu.
Quinn said Monday's tests will determine more. Washington fans will be watching their phones.
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CAN I KICK IT? screens New Jack City at the Sylvan Theater, Washington Monument, on Aug. 22. (Courtesy SHAOLIN JAZZ)
The live-cinema series CAN I KICK IT? returns to the National Mall this month with what its producers are calling the "Gangsters on the Mall" chapter of their free outdoor summer run. On Saturday, August 22, the SHAOLIN JAZZ production brings the 1991 crime classic New Jack City to the Sylvan Theater at the Washington Monument for a night of film, music, and community under the DC summer sky.
What sets the event apart is the sound. As the film plays, DJ 2-Tone Jones builds an original score in real time, reimagining one of the most iconic crime movies of the ’90s through hip-hop, soul, funk, and more. It is less a movie screening than a live performance built around the film.
The details:
Film: New Jack City (1991), with a live soundtrack by DJ 2-Tone Jones
When: Saturday, August 22 — seating opens at 7:30 p.m. (bring lawn chairs and blankets); film begins at 8:30 p.m.
Where: Sylvan Theater at the Washington Monument, Independence Ave SW & 15th St NW
A parking note from the organizers: expect road closures and restricted parking east of 14th Street NW due to a separate race event in the District. Roads west of 14th Street NW will be accessible and available for parking.
New Jack City is the second of three screenings in this year’s free CAN I KICK IT? outdoor series, which opened with Black Panther at Skyland Town Center and concludes with Scarface at the Lincoln Memorial on September 5. Produced by the Washington, DC-based multimedia arts company SHAOLIN JAZZ, the series has presented more than 150 live cinematic experiences at venues across the country, from Lincoln Center to SXSW.
"I wanted to be able to tell good stories with substance and remove the ‘ego’ out of the art," said Andrew Huang during a recent interview. Now, he’s building his career at the intersection of discipline, creativity and innovation.
Andrew Huang, founder of New Place Studios. (Courtesy photo)
As a Chinese American, Huang was reared with a deep respect for hard work, consistency and excellence. He describes his childhood as "not so affluent" and later attended college to hone his passion for videography. "In college I tried to do something I loved, which was video, but along the way I knew that I had to find a job. And so I thought, ‘what was the low hanging fruit to get to that stable 9 to 5 job?,’" he stated.
Later in life, Huang found himself working for corporations where his creativity was often limited, eventually leading to burnout. "I worked in a corporation for a long time and there were a lot of missing pieces. I wanted to fill in gaps missing in corporate video production," said Huang.
He later described how his upbringing and a mindset of "survival" led him toward a corporate career. However, his desire for balance and authentic storytelling ultimately pushed him to take the entrepreneurial leap.
"I founded a new place where you can create video and film with ‘substance and style,’" said Huang. His desire for work-life balance and passion for storytelling naturally evolved into a small business based in Virginia. With the launch of New Place Studios, the entrepreneur quickly found himself reconnecting with the values that would become the foundation of everything he creates behind the camera.
Huang said being a business owner has allowed him to first embrace himself. While others may see video as simply capturing moments, he sees it as a way to preserve stories that inspire, connect and leave a lasting imprint.
By combining cinematic visuals with cutting-edge production techniques and a keen understanding of branding, Huang helps organizations and individuals communicate their vision with purpose. He said understanding a client’s "why" serves as the compass for delivering the services they need.
One benefit of working with a small business, he said, is that clients get to see the production process unfold through a micro lens while working with the same faces throughout the entire project. "The work feels personal," said Huang.
Huang does not regret leaving behind the flash-over-substance mentality and corporate hustle culture. That does not mean the Asian American entrepreneur has been without challenges in the industry. "It’s relatively hard to find other Asian American creatives or people who would want to work with me in the DMV," said Huang.
He identifies the industry culture in which everyone is trying to blend in, creatives may fear displaying their Asian identity and some feel pressure to adopt an American corporate persona. He also points to what he describes as a level of gatekeeping within the industry. According to the U.S. Small Business Administration’s 2024 statistics, Asian American and Pacific Islander entrepreneurs own more than 3 million businesses and employ 5.2 million people in the United States.
After tapping into organizations such as SCORE, which offers free small business mentorship, New Place Studios has become a trusted creative partner throughout the DMV (Washington, D.C., Maryland and Virginia). The company produces a range of creative services, including commercials, corporate branding, documentaries, film, 2D animation, motion graphics and photography.
For Huang, entrepreneurship has become more than a departure from corporate life. It has given him the freedom to create with intention, build meaningful connections and tell stories that go beyond the surface.
The 2026 CAN I KICK IT? outdoor series. Poster courtesy of SHAOLIN JAZZ.
For three Saturdays this summer, some of Washington’s most familiar public spaces will do something they rarely do after dark: fill up with blankets, lawn chairs, and the sound of a movie being scored live, in real time. CAN I KICK IT?, the traveling “live cinema” series produced by the DC-based multimedia arts company SHAOLIN JAZZ, is bringing a free outdoor run to the city — pairing three era-defining films with an original soundtrack performed on the spot by DJ 2-Tone Jones.
The premise is what sets it apart from a normal screening in the park. Rather than simply pressing play, 2-Tone Jones builds a score as the film unfolds, pulling from hip-hop, soul, funk, jazz, rock, electronic music, and sounds from around the world. The result, the organizers say, is less a movie night than a one-time performance — the same film you know, wired to a soundtrack you have never heard and will not hear again. Guest DJs warm up the crowd starting at 7:30 PM before each 8:30 PM screening.
The 2026 outdoor schedule
All three events are free and open to the public.
Saturday, August 8 — Black Panther at Skyland Town Center. A pop-up marketplace and community activities kick off the evening; guest DJs at 7:30 PM, film at 8:30 PM. Marvel’s superhero epic gets a one-night-only live score in Southeast DC.
Saturday, August 22 — New Jack City at the Sylvan Theater, Washington Monument. Seating begins at 7:30 PM; the film starts at 8:30 PM. The 1991 crime drama plays out at the foot of one of the country’s most recognizable landmarks.
Saturday, September 5 — Scarface at the Lincoln Memorial. Seating at 7:30 PM; film at 8:30 PM. The series closes with Brian De Palma’s crime saga against the backdrop of the Memorial, scored live from start to finish.
First up: Black Panther at Skyland Town Center on August 8. Poster courtesy of SHAOLIN JAZZ.
A DC company with a national footprint
SHAOLIN JAZZ describes itself as a Washington-based arts company working at the intersection of music, film, art, and culture, and CAN I KICK IT? is its signature production. According to the organizers, the series has staged more than 150 live cinematic experiences around the country — at performing arts centers, museums, festivals, and cultural institutions including Lincoln Center in New York, SXSW, the Denver Center for the Performing Arts, Republic Square in Austin, the Tacoma Armory, and The Cary Theater.
“CAN I KICK IT? has always been about creating a shared experience,” said Gerald Watson, co-founder of SHAOLIN JAZZ. “When you combine iconic films with live music in public spaces, something special happens. People aren’t just watching a movie — they’re experiencing it together. That’s what makes these nights so memorable.”
Cinema as a community event
The DC run lands as cities across the country look for new ways to activate public space through arts and culture — and this series is a straightforward pitch for how to do it: take a landmark everyone already knows, add a film everyone has an opinion about, and let a live soundtrack turn the evening into something neighbors experience shoulder to shoulder. Families, film buffs, and music fans are all invited, and admission won’t cost a thing.
The CAN I KICK IT? outdoor series runs August 8, August 22, and September 5. All events are free; check SHAOLIN JAZZ (shaolinjazz.com) for the latest details and any weather updates before heading out.
