Milwaukee sweeps the Dodgers out of history and into the World Series
The Brewers came back from four runs down to beat Los Angeles 6-4 in Game 4, completing an NLCS sweep of the two-time defending champions and booking their first World Series trip since 1982.
In brief
Milwaukee sweeps the Dodgers out of history and into the World Series
They trailed in every single game. They were playing in the building where their season had ended in a sweep one year earlier. Shohei Ohtani, silent for nearly two months in the postseason, had just hit a three-run homer to put the Dodgers up 4-0 in the second inning of their own elimination game. And the Brewers came back anyway.
The number is worth sitting with. Forty-four years. One generation of fans raised another, and their kids are grown now. After falling to the Dodgers in the postseason in 2018, 2020, and 2025, the Brewers beat L.A. After being swept by the Dodgers in last year's NLCS, the Brewers returned the favor. They are the first team to do that, and the first team in 103 years to get swept by a team in the postseason and then rebound to beat that same team in the following postseason.
A comeback for the ages, in the worst possible place to need one
The Dodgers delivered an early haymaker in the second inning when Ohtani's three-run homer off Dustin May gave the defending champions a 4-0 lead, injecting life into the struggling superstar and his team, who looked ready to claw back from a 0-3 series deficit.
It didn't last. Trailing 4-0, William Contreras and Jake Bauers halved the deficit with back-to-back doubles in the fourth inning. An inning later, David Hamilton's RBI single and Bauers' bases-loaded walk tied the game.
Then came center fielder Garrett Mitchell. With the score tied 4-4, Mitchell fell behind 0-2 before Tanner Scott threw three straight balls for a full count. Mitchell's 409-foot leadoff drive to center field put the Brewers ahead for the first time. He had also homered in Milwaukee's 6-2 victory Wednesday.
David Hamilton's two-out solo shot off Edwin Diaz gave the Brewers a two-run cushion in the ninth. Hamilton had just four home runs in the regular season. When Max Muncy made the final out, the visitors poured onto the Dodger Stadium grass and celebrated in front of a quiet crowd that, just two hours earlier, had dared to believe the Dodgers still had life.
The Dodgers led in all four games of the NLCS but couldn't stop the Brewers from coming back. Los Angeles went 2-for-11 with runners in scoring position and left five on base. Kyle Tucker was stranded after a one-out double in the sixth, Andy Pages was left on third after leading off the seventh with an extra-base hit, and Will Smith was left on base after ending up at third on a double and a Brewers error in the eighth. Tyler Glasnow was blunt about what happened. "They played a lot better than us," Glasnow said. "They were hitting on everything."
Bauers, the guy who almost quit, wins MVP
The series MVP was not Mitchell. It was not Hamilton, not Contreras. It was first baseman Jake Bauers, a 31-year-old journeyman who spent parts of his career with four different organizations and nearly walked away from the game entirely.
He nearly retired after the 2023 season, but after his wife told him she was pregnant, Bauers decided to keep playing to provide health insurance for his family. That proved to be a good decision, as three years later he put together a career season with 26 home runs and 86 RBI while batting a career-high .266.
Bauers went 4-for-14 with three walks, a double, a homer, and six RBI during the four-game sweep. Game 4 alone: he got the comeback started with a two-run double off Tyler Glasnow in the fourth inning, then worked a bases-loaded walk to bring in the tying run during the fifth.
The Brewers had never had a player win the LCS MVP Award before. When they won the AL pennant in 1982, the Angels' Fred Lynn won MVP honors in a losing effort. Bauers is the franchise's first.
Bauers entered the 2026 playoffs with just four RBI in the postseason for his entire career, a number he nearly doubled in the NLCS alone.
A team built on comebacks, now going to the World Series
The Brewers became the first team to begin a postseason with six comeback victories in their first eight games. The four-run comeback in the clincher tied the largest deficit ever erased to clinch an LCS in MLB history. The Yankees overcame four-run deficits to clinch the AL pennant in both 2000 and 2003.
The Brewers will face either the Cleveland Guardians or the Tampa Bay Rays in the World Series, going for the first championship in franchise history. Game 1 of the World Series Presented by Capital One is set for Oct. 23 on FOX.
As for the Dodgers, the sting here is specific. They held a lead in all four games of the National League Championship Series, yet it is the Brewers who are in the World Series for only the second time in franchise history. Los Angeles spent the winter assembling one of the most expensive rosters in baseball history. They won the NLDS. They had the best player on the field in Ohtani. And they could not hold a single lead when it mattered.
In the ninth inning Thursday, David Hamilton blasted a home run with two outs, extending Milwaukee's lead to two runs. At the moment of contact, a collective "ooooh" could be heard in the lowest bowl of Dodger Stadium. That about covers it.
Also worth watching: Hurts is out, indefinitely
Away from the baseball diamond, a significant NFL story broke Thursday afternoon. Philadelphia Eagles quarterback Jalen Hurts will miss Sunday's game against the Carolina Panthers due to a superficial blood clot.
Hurts asked the Eagles' training staff to treat his calf on Oct. 8 after being cleated during Philadelphia's game against the Los Angeles Rams. An ultrasound performed on Oct. 10, after the team flew to London, revealed the superficial blood clot. Doctors concluded that "activity and mobility were important and that Jalen could safely play."
After practicing fully Wednesday to begin Week 6 preparation, a follow-up ultrasound showed movement in the blood clot. The Eagles elected to hold Hurts out, with backup Tanner McKee now primed to start against Carolina. NFL Network's Ian Rapoport went further. Rapoport described Hurts' status as "out indefinitely," saying the situation is "scary" and that treatment would likely involve blood thinners, which would prevent Hurts from playing. The Eagles have already lost three straight after starting the season 2-0.
Through five games in 2026, Hurts completed 57.8 percent of his passes for 933 yards, eight touchdowns, and three interceptions, while rushing 23 times for 107 yards and a touchdown. The Eagles have not announced a timeline for his return.
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CAN I KICK IT? screens New Jack City at the Sylvan Theater, Washington Monument, on Aug. 22. (Courtesy SHAOLIN JAZZ)
The live-cinema series CAN I KICK IT? returns to the National Mall this month with what its producers are calling the "Gangsters on the Mall" chapter of their free outdoor summer run. On Saturday, August 22, the SHAOLIN JAZZ production brings the 1991 crime classic New Jack City to the Sylvan Theater at the Washington Monument for a night of film, music, and community under the DC summer sky.
What sets the event apart is the sound. As the film plays, DJ 2-Tone Jones builds an original score in real time, reimagining one of the most iconic crime movies of the ’90s through hip-hop, soul, funk, and more. It is less a movie screening than a live performance built around the film.
The details:
Film: New Jack City (1991), with a live soundtrack by DJ 2-Tone Jones
When: Saturday, August 22 — seating opens at 7:30 p.m. (bring lawn chairs and blankets); film begins at 8:30 p.m.
Where: Sylvan Theater at the Washington Monument, Independence Ave SW & 15th St NW
A parking note from the organizers: expect road closures and restricted parking east of 14th Street NW due to a separate race event in the District. Roads west of 14th Street NW will be accessible and available for parking.
New Jack City is the second of three screenings in this year’s free CAN I KICK IT? outdoor series, which opened with Black Panther at Skyland Town Center and concludes with Scarface at the Lincoln Memorial on September 5. Produced by the Washington, DC-based multimedia arts company SHAOLIN JAZZ, the series has presented more than 150 live cinematic experiences at venues across the country, from Lincoln Center to SXSW.
"I wanted to be able to tell good stories with substance and remove the ‘ego’ out of the art," said Andrew Huang during a recent interview. Now, he’s building his career at the intersection of discipline, creativity and innovation.
Andrew Huang, founder of New Place Studios. (Courtesy photo)
As a Chinese American, Huang was reared with a deep respect for hard work, consistency and excellence. He describes his childhood as "not so affluent" and later attended college to hone his passion for videography. "In college I tried to do something I loved, which was video, but along the way I knew that I had to find a job. And so I thought, ‘what was the low hanging fruit to get to that stable 9 to 5 job?,’" he stated.
Later in life, Huang found himself working for corporations where his creativity was often limited, eventually leading to burnout. "I worked in a corporation for a long time and there were a lot of missing pieces. I wanted to fill in gaps missing in corporate video production," said Huang.
He later described how his upbringing and a mindset of "survival" led him toward a corporate career. However, his desire for balance and authentic storytelling ultimately pushed him to take the entrepreneurial leap.
"I founded a new place where you can create video and film with ‘substance and style,’" said Huang. His desire for work-life balance and passion for storytelling naturally evolved into a small business based in Virginia. With the launch of New Place Studios, the entrepreneur quickly found himself reconnecting with the values that would become the foundation of everything he creates behind the camera.
Huang said being a business owner has allowed him to first embrace himself. While others may see video as simply capturing moments, he sees it as a way to preserve stories that inspire, connect and leave a lasting imprint.
By combining cinematic visuals with cutting-edge production techniques and a keen understanding of branding, Huang helps organizations and individuals communicate their vision with purpose. He said understanding a client’s "why" serves as the compass for delivering the services they need.
One benefit of working with a small business, he said, is that clients get to see the production process unfold through a micro lens while working with the same faces throughout the entire project. "The work feels personal," said Huang.
Huang does not regret leaving behind the flash-over-substance mentality and corporate hustle culture. That does not mean the Asian American entrepreneur has been without challenges in the industry. "It’s relatively hard to find other Asian American creatives or people who would want to work with me in the DMV," said Huang.
He identifies the industry culture in which everyone is trying to blend in, creatives may fear displaying their Asian identity and some feel pressure to adopt an American corporate persona. He also points to what he describes as a level of gatekeeping within the industry. According to the U.S. Small Business Administration’s 2024 statistics, Asian American and Pacific Islander entrepreneurs own more than 3 million businesses and employ 5.2 million people in the United States.
After tapping into organizations such as SCORE, which offers free small business mentorship, New Place Studios has become a trusted creative partner throughout the DMV (Washington, D.C., Maryland and Virginia). The company produces a range of creative services, including commercials, corporate branding, documentaries, film, 2D animation, motion graphics and photography.
For Huang, entrepreneurship has become more than a departure from corporate life. It has given him the freedom to create with intention, build meaningful connections and tell stories that go beyond the surface.
The 2026 CAN I KICK IT? outdoor series. Poster courtesy of SHAOLIN JAZZ.
For three Saturdays this summer, some of Washington’s most familiar public spaces will do something they rarely do after dark: fill up with blankets, lawn chairs, and the sound of a movie being scored live, in real time. CAN I KICK IT?, the traveling “live cinema” series produced by the DC-based multimedia arts company SHAOLIN JAZZ, is bringing a free outdoor run to the city — pairing three era-defining films with an original soundtrack performed on the spot by DJ 2-Tone Jones.
The premise is what sets it apart from a normal screening in the park. Rather than simply pressing play, 2-Tone Jones builds a score as the film unfolds, pulling from hip-hop, soul, funk, jazz, rock, electronic music, and sounds from around the world. The result, the organizers say, is less a movie night than a one-time performance — the same film you know, wired to a soundtrack you have never heard and will not hear again. Guest DJs warm up the crowd starting at 7:30 PM before each 8:30 PM screening.
The 2026 outdoor schedule
All three events are free and open to the public.
Saturday, August 8 — Black Panther at Skyland Town Center. A pop-up marketplace and community activities kick off the evening; guest DJs at 7:30 PM, film at 8:30 PM. Marvel’s superhero epic gets a one-night-only live score in Southeast DC.
Saturday, August 22 — New Jack City at the Sylvan Theater, Washington Monument. Seating begins at 7:30 PM; the film starts at 8:30 PM. The 1991 crime drama plays out at the foot of one of the country’s most recognizable landmarks.
Saturday, September 5 — Scarface at the Lincoln Memorial. Seating at 7:30 PM; film at 8:30 PM. The series closes with Brian De Palma’s crime saga against the backdrop of the Memorial, scored live from start to finish.
First up: Black Panther at Skyland Town Center on August 8. Poster courtesy of SHAOLIN JAZZ.
A DC company with a national footprint
SHAOLIN JAZZ describes itself as a Washington-based arts company working at the intersection of music, film, art, and culture, and CAN I KICK IT? is its signature production. According to the organizers, the series has staged more than 150 live cinematic experiences around the country — at performing arts centers, museums, festivals, and cultural institutions including Lincoln Center in New York, SXSW, the Denver Center for the Performing Arts, Republic Square in Austin, the Tacoma Armory, and The Cary Theater.
“CAN I KICK IT? has always been about creating a shared experience,” said Gerald Watson, co-founder of SHAOLIN JAZZ. “When you combine iconic films with live music in public spaces, something special happens. People aren’t just watching a movie — they’re experiencing it together. That’s what makes these nights so memorable.”
Cinema as a community event
The DC run lands as cities across the country look for new ways to activate public space through arts and culture — and this series is a straightforward pitch for how to do it: take a landmark everyone already knows, add a film everyone has an opinion about, and let a live soundtrack turn the evening into something neighbors experience shoulder to shoulder. Families, film buffs, and music fans are all invited, and admission won’t cost a thing.
The CAN I KICK IT? outdoor series runs August 8, August 22, and September 5. All events are free; check SHAOLIN JAZZ (shaolinjazz.com) for the latest details and any weather updates before heading out.
