Patrick Ewing Set to Join Washington Wizards Staff as Assistant Coach
Patrick Ewing is likely joining the Washington Wizards as an assistant coach, per The Athletic. Here's what the hire means for DC's rebuilding franchise.
In brief
Patrick Ewing is expected to join the Washington Wizards as an assistant coach, according to a report from The Athletic. The NBA Hall of Famer and former Georgetown Hoyas head coach would bring decades of playing and coaching experience to a Wizards franchise currently in the middle of a deliberate rebuild under new leadership.
🏀 KEY TAKEAWAYS
Patrick Ewing is likely joining the Washington Wizards as an assistant coach, per The Athletic.
Ewing spent his head coaching tenure at Georgetown University in Northwest DC, giving him deep ties to the capital's basketball community.
The Wizards are in active rebuild mode, and Ewing's presence adds veteran credibility to a reshaping organization.
The hire signals the Wizards' front office is investing in experienced basketball minds as the franchise repositions for future competitiveness.
Ewing's connection to DC — forged during his storied Georgetown playing career in the early 1980s — makes this more than a transaction; it's a homecoming.
Patrick Ewing's DC Roots Run Deeper Than Most Realize
Long before he terrorized opposing centers in Madison Square Garden, Patrick Ewing built his legend on the Hilltop. From 1981 to 1985, Ewing anchored the Georgetown Hoyas men's basketball program under Hall of Fame coach John Thompson, leading the program to three Final Fours and a national championship in 1984. That run made Georgetown — and by extension, Washington DC — a basketball city in a way it had never been before.
Ewing returned to Georgetown as head coach in 2017, a hire celebrated across the District as a generational reunion. His tenure on the Hilltop ended after the 2022–23 season, leaving him available for NBA opportunities. The Wizards, who play at Capital One Arena in Penn Quarter, now stand to reclaim that connection between Ewing and DC's professional basketball identity.
For a franchise searching for cultural anchors during a grinding rebuild, landing a figure of Ewing's stature is not a minor footnote. It's a signal — to players, to fans at Capital One Arena, and to the broader basketball world — that the Wizards are serious about surrounding their young core with legitimate basketball pedigree. Follow our DC Power Players Index for more on the figures shaping the capital's sports and cultural landscape.
What Ewing Brings to a Wizards Rebuild Still Finding Its Shape
The Washington Wizards have been navigating one of the NBA's most deliberate rebuilds, shedding veteran contracts and accumulating draft capital in a bid to construct something sustainable. Head coach Brian Keefe, who took over the lead role after Wes Unseld Jr.'s departure, inherits a roster built around emerging youth rather than proven stars.
Ewing's value as an assistant wouldn't primarily be strategic — it would be developmental. As a seven-time All-Star who understood the craft of post play, footwork, and interior physicality at the highest level, Ewing offers hands-on mentorship that no film session can fully replicate. The Washington Wizards have young frontcourt pieces who could benefit directly from that kind of tutelage.
His NBA coaching resume includes assistant stints with the Orlando Magic, Indiana Pacers, Charlotte Hornets, and Oklahoma City Thunder — giving him exposure across multiple systems and front office cultures. That cross-organizational fluency matters in a league where defensive schemes and player development philosophies shift constantly.
Washington's front office, led by Michael Winger, has shown a willingness to think long-term. Adding Ewing fits that posture: you don't hire a Hall of Famer to paper over short-term struggles — you hire him to help build the foundation that makes winning possible. For more on the Wizards' front office architecture, visit our DC Power and Politics Guide.
Washington DC's relationship with basketball is layered in a way that distinguishes it from other NBA markets. The city produced a generation of elite players through its playground culture — Dunbar High School, Jelleff Recreation Center, and the legendary Kenilworth Courts — and Georgetown's 1980s dynasty gave that culture a nationally visible stage. Ewing was the centerpiece of that stage.
Bringing Ewing back into the professional orbit of DC basketball carries symbolic weight beyond the box score. It tells the city's basketball community — from the coaches running AAU programs in Southeast to the fans who still wear Ewing's Hoyas jersey — that the Wizards recognize the history they're operating within. That kind of institutional awareness matters in a city where sports franchises live and die by their cultural credibility.
The Wizards' attendance and engagement numbers have tracked the team's on-court struggles. A figure like Ewing — recognizable, respected, and genuinely connected to the city — can help close the gap between a rebuilding product and a fan base being asked to stay patient. As The Washington Post's Wizards coverage has documented, the franchise needs both basketball wins and cultural momentum to rebuild its relationship with DC fans.
Check our DC Power Index for Washington's most influential sports figures shaping the city's athletic future.
The Broader NBA Coaching Landscape and Ewing's Timing
Ewing's likely move to Washington arrives at a moment when NBA front offices are reassessing what assistant coaches actually deliver. The league's best development staffs — in Oklahoma City, San Antonio, and Boston — have leaned into specialized skills coaches and high-IQ former players who can translate elite experience into teachable moments. Ewing, at 62, fits that mold precisely.
His track record as a head coach at Georgetown was uneven — the Hoyas went 68–83 under his leadership — but Georgetown's structural challenges during that period, including NCAA scrutiny and roster turnover, complicated the environment around him. NBA coaching is a different calculus entirely, and Ewing's previous assistant stints suggest he understands where his value is maximized: on the floor with players, not behind a front-office desk.
The Basketball Reference coaching records reflect a man still building his post-playing portfolio. The Wizards, in need of experienced voices in a young locker room, may have found the right fit at the right moment.
For deeper context on how DC's professional sports franchises are evolving, explore our DC Influence Rankings and our Power Moves coverage.
What to Watch Next
The formal announcement of Ewing's hiring — pending any final contractual details — would mark the latest chapter in one of DC basketball's most enduring stories. Watch for how the Wizards deploy him: if Ewing is working directly with the frontcourt rotation, that signals a player-development-first philosophy. If he's integrated into defensive scheme work, it reflects a different kind of investment in his basketball intelligence.
The bottom line: Patrick Ewing returning to Washington — this time in a Wizards uniform on the sideline — is the kind of full-circle moment that doesn't happen in every market. DC has history with this man. Now it gets to write the next chapter alongside him. The Wizards, the Hilltop, and the city's basketball community will all be watching how it unfolds at Capital One Arena when the season tips off.
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Frequently Asked Questions
Is Patrick Ewing officially joining the Washington Wizards coaching staff?
As of current reporting, Patrick Ewing is likely to join the Wizards as an assistant coach, according to The Athletic. An official announcement from the franchise has not yet been confirmed publicly.
What is Patrick Ewing's coaching background before the Wizards?
Ewing served as an assistant coach with the Orlando Magic, Indiana Pacers, Charlotte Hornets, and Oklahoma City Thunder before becoming head coach of the Georgetown Hoyas from 2017 to 2023.
Why does Patrick Ewing have such strong ties to Washington DC?
Ewing starred at Georgetown University in Northwest DC from 1981 to 1985, leading the Hoyas to a 1984 NCAA Championship under coach John Thompson. He later returned as Georgetown's head coach in 2017, deepening his connection to the city.
Who is the current head coach of the Washington Wizards?
Brian Keefe serves as the Washington Wizards' head coach, taking the lead role as the franchise pursues a long-term rebuild under general manager Michael Winger.
How does this hire fit into the Wizards' current rebuild strategy?
The Wizards are accumulating draft capital and developing young talent. Adding a Hall of Famer like Ewing provides veteran credibility, hands-on developmental expertise for frontcourt players, and a culturally resonant presence for DC fans during a difficult transitional period.
Where do the Washington Wizards play their home games?
The Washington Wizards play at Capital One Arena, located in the Penn Quarter neighborhood of downtown Washington DC.
Reporting drawn from: The Athletic / The New York Times. Washington DC Magazine provides original analysis, DC-specific context, and editorial perspective beyond the source material.This article was produced with AI assistance and reviewed by WDCM editorial staff. Washington DC Magazine is committed to accuracy, transparency, and editorial integrity. If you believe any information in this article requires correction, please contact editor@washingtondcmagazine.com.
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CAN I KICK IT? screens New Jack City at the Sylvan Theater, Washington Monument, on Aug. 22. (Courtesy SHAOLIN JAZZ)
The live-cinema series CAN I KICK IT? returns to the National Mall this month with what its producers are calling the "Gangsters on the Mall" chapter of their free outdoor summer run. On Saturday, August 22, the SHAOLIN JAZZ production brings the 1991 crime classic New Jack City to the Sylvan Theater at the Washington Monument for a night of film, music, and community under the DC summer sky.
What sets the event apart is the sound. As the film plays, DJ 2-Tone Jones builds an original score in real time, reimagining one of the most iconic crime movies of the ’90s through hip-hop, soul, funk, and more. It is less a movie screening than a live performance built around the film.
The details:
Film: New Jack City (1991), with a live soundtrack by DJ 2-Tone Jones
When: Saturday, August 22 — seating opens at 7:30 p.m. (bring lawn chairs and blankets); film begins at 8:30 p.m.
Where: Sylvan Theater at the Washington Monument, Independence Ave SW & 15th St NW
A parking note from the organizers: expect road closures and restricted parking east of 14th Street NW due to a separate race event in the District. Roads west of 14th Street NW will be accessible and available for parking.
New Jack City is the second of three screenings in this year’s free CAN I KICK IT? outdoor series, which opened with Black Panther at Skyland Town Center and concludes with Scarface at the Lincoln Memorial on September 5. Produced by the Washington, DC-based multimedia arts company SHAOLIN JAZZ, the series has presented more than 150 live cinematic experiences at venues across the country, from Lincoln Center to SXSW.
"I wanted to be able to tell good stories with substance and remove the ‘ego’ out of the art," said Andrew Huang during a recent interview. Now, he’s building his career at the intersection of discipline, creativity and innovation.
Andrew Huang, founder of New Place Studios. (Courtesy photo)
As a Chinese American, Huang was reared with a deep respect for hard work, consistency and excellence. He describes his childhood as "not so affluent" and later attended college to hone his passion for videography. "In college I tried to do something I loved, which was video, but along the way I knew that I had to find a job. And so I thought, ‘what was the low hanging fruit to get to that stable 9 to 5 job?,’" he stated.
Later in life, Huang found himself working for corporations where his creativity was often limited, eventually leading to burnout. "I worked in a corporation for a long time and there were a lot of missing pieces. I wanted to fill in gaps missing in corporate video production," said Huang.
He later described how his upbringing and a mindset of "survival" led him toward a corporate career. However, his desire for balance and authentic storytelling ultimately pushed him to take the entrepreneurial leap.
"I founded a new place where you can create video and film with ‘substance and style,’" said Huang. His desire for work-life balance and passion for storytelling naturally evolved into a small business based in Virginia. With the launch of New Place Studios, the entrepreneur quickly found himself reconnecting with the values that would become the foundation of everything he creates behind the camera.
Huang said being a business owner has allowed him to first embrace himself. While others may see video as simply capturing moments, he sees it as a way to preserve stories that inspire, connect and leave a lasting imprint.
By combining cinematic visuals with cutting-edge production techniques and a keen understanding of branding, Huang helps organizations and individuals communicate their vision with purpose. He said understanding a client’s "why" serves as the compass for delivering the services they need.
One benefit of working with a small business, he said, is that clients get to see the production process unfold through a micro lens while working with the same faces throughout the entire project. "The work feels personal," said Huang.
Huang does not regret leaving behind the flash-over-substance mentality and corporate hustle culture. That does not mean the Asian American entrepreneur has been without challenges in the industry. "It’s relatively hard to find other Asian American creatives or people who would want to work with me in the DMV," said Huang.
He identifies the industry culture in which everyone is trying to blend in, creatives may fear displaying their Asian identity and some feel pressure to adopt an American corporate persona. He also points to what he describes as a level of gatekeeping within the industry. According to the U.S. Small Business Administration’s 2024 statistics, Asian American and Pacific Islander entrepreneurs own more than 3 million businesses and employ 5.2 million people in the United States.
After tapping into organizations such as SCORE, which offers free small business mentorship, New Place Studios has become a trusted creative partner throughout the DMV (Washington, D.C., Maryland and Virginia). The company produces a range of creative services, including commercials, corporate branding, documentaries, film, 2D animation, motion graphics and photography.
For Huang, entrepreneurship has become more than a departure from corporate life. It has given him the freedom to create with intention, build meaningful connections and tell stories that go beyond the surface.
The 2026 CAN I KICK IT? outdoor series. Poster courtesy of SHAOLIN JAZZ.
For three Saturdays this summer, some of Washington’s most familiar public spaces will do something they rarely do after dark: fill up with blankets, lawn chairs, and the sound of a movie being scored live, in real time. CAN I KICK IT?, the traveling “live cinema” series produced by the DC-based multimedia arts company SHAOLIN JAZZ, is bringing a free outdoor run to the city — pairing three era-defining films with an original soundtrack performed on the spot by DJ 2-Tone Jones.
The premise is what sets it apart from a normal screening in the park. Rather than simply pressing play, 2-Tone Jones builds a score as the film unfolds, pulling from hip-hop, soul, funk, jazz, rock, electronic music, and sounds from around the world. The result, the organizers say, is less a movie night than a one-time performance — the same film you know, wired to a soundtrack you have never heard and will not hear again. Guest DJs warm up the crowd starting at 7:30 PM before each 8:30 PM screening.
The 2026 outdoor schedule
All three events are free and open to the public.
Saturday, August 8 — Black Panther at Skyland Town Center. A pop-up marketplace and community activities kick off the evening; guest DJs at 7:30 PM, film at 8:30 PM. Marvel’s superhero epic gets a one-night-only live score in Southeast DC.
Saturday, August 22 — New Jack City at the Sylvan Theater, Washington Monument. Seating begins at 7:30 PM; the film starts at 8:30 PM. The 1991 crime drama plays out at the foot of one of the country’s most recognizable landmarks.
Saturday, September 5 — Scarface at the Lincoln Memorial. Seating at 7:30 PM; film at 8:30 PM. The series closes with Brian De Palma’s crime saga against the backdrop of the Memorial, scored live from start to finish.
First up: Black Panther at Skyland Town Center on August 8. Poster courtesy of SHAOLIN JAZZ.
A DC company with a national footprint
SHAOLIN JAZZ describes itself as a Washington-based arts company working at the intersection of music, film, art, and culture, and CAN I KICK IT? is its signature production. According to the organizers, the series has staged more than 150 live cinematic experiences around the country — at performing arts centers, museums, festivals, and cultural institutions including Lincoln Center in New York, SXSW, the Denver Center for the Performing Arts, Republic Square in Austin, the Tacoma Armory, and The Cary Theater.
“CAN I KICK IT? has always been about creating a shared experience,” said Gerald Watson, co-founder of SHAOLIN JAZZ. “When you combine iconic films with live music in public spaces, something special happens. People aren’t just watching a movie — they’re experiencing it together. That’s what makes these nights so memorable.”
Cinema as a community event
The DC run lands as cities across the country look for new ways to activate public space through arts and culture — and this series is a straightforward pitch for how to do it: take a landmark everyone already knows, add a film everyone has an opinion about, and let a live soundtrack turn the evening into something neighbors experience shoulder to shoulder. Families, film buffs, and music fans are all invited, and admission won’t cost a thing.
The CAN I KICK IT? outdoor series runs August 8, August 22, and September 5. All events are free; check SHAOLIN JAZZ (shaolinjazz.com) for the latest details and any weather updates before heading out.
