Pentagon war planners put the 'mother of all bombs' on the table for Iran, even as officials doubt it would work
The U.S. military has drawn up new strike options targeting Iranian energy facilities and nuclear sites that explicitly include the GBU-43/B MOAB, but sources inside the Pentagon question whether the 21,600-pound weapon can actually do the job.
In brief
WASHINGTON, Military planners at the Pentagon have prepared new strike packages against Iran that include the possible use of the GBU-43/B Massive Ordnance Air Blast bomb, the largest non-nuclear weapon in the U.S. arsenal, should President Trump order a resumption of combat operations either before or after the November 3 midterm elections. That is according to multiple U.S. officials familiar with the planning, first reported by CNN's Zachary Cohen, Haley Britzky, and Kevin Liptak and published in the early hours of Thursday, October 15.
No order has been given. The White House did not confirm the existence of the plans. But the disclosure lands at a volatile moment: Trump is facing pressure to bring an end to the deeply unpopular war, as Republicans brace for potential political backlash from voters in the upcoming midterm elections and there is little indication the two countries are close to a negotiated resolution after more than six months of U.S. bombing.
What the plans say
The plans include potential use of the GBU-43/B Massive Ordnance Air Blast bomb, known as the MOAB or 'mother of all bombs,' according to multiple U.S. officials and people familiar with military planning. The weapon has never been used in the current conflict with Iran.
Trump has ordered the military to develop additional strike packages against Iranian targets that include 'a lot of energy infrastructure' and the potential use of a MOAB, one of the sources told CNN. The same source said the phrasing used was that this attack would come 'prior to US retrograde in CENTCOM AOR (area of responsibility),' indicating the administration could launch the additional strikes, attempt to declare victory and quickly pull everyone out.
Nuclear sites are also on the list. A second source told CNN that military plans for striking Iranian nuclear sites, including Pickaxe Mountain, also explicitly call for using the MOAB. In recent months, Trump has repeatedly threatened to strike Pickaxe, where the U.S. and Israel believe Tehran has stored components of its nuclear program, even after pausing full combat operations earlier this year.
The White House declined to engage with the specifics. A White House official told CNN that the administration does not comment on sensitive military plans that may or may not exist, adding that Trump 'keeps all options on the table' to prevent Iran from obtaining a nuclear weapon.
The internal doubts
The weapon's inclusion in strike packages does not mean planners think it would succeed. That distinction matters, and sources were blunt about it.
The 21,600-pound MOAB is designed to produce a powerful blast over a wide area rather than penetrate deeply buried targets. Sources cited by CNN questioned whether the weapon could destroy Iranian nuclear facilities protected by rock deep underground. One person familiar with the planning described it as effective for clearing a large area but 'definitely not designed as a deep penetration warhead.'
While the GPS-guided bomb is capable of destroying an area equivalent to nine city blocks, it likely lacks the capability to penetrate deep enough under the surface to destroy the suspected nuclear facilities at Pickaxe, which is believed to be fortified by layers of granite.
Some inside the building are more pointed still. A fourth source familiar with the Pentagon's recent planning discussions on Iran told CNN that military officials had developed some options that would amount to a 'fireworks show,' with the goal of providing Trump an off-ramp from the conflict even if those strikes fail to accomplish his stated goals for starting the war in the first place.
One source described the bomb as a weapon suited to clearing large areas rather than destroying specific, deeply protected targets. Its potential deployment could therefore be intended partly to demonstrate Washington's capacity to escalate the conflict and increase pressure on Tehran, rather than guarantee the destruction of a particular nuclear installation.
The pre-midterm pledge and the private uncertainty
Trump said last week that he would not order a resumption of military strikes before the midterm elections on November 3. But that public statement sits uneasily alongside the planning activity.
Although Trump publicly announced that he would not take further military action before the midterms, several advisers privately told CNN they were unsure whether that pledge was final or could change before Election Day.
The MOAB itself carries a complicated history. The 21,600-pound air-burst weapon is designed to affect surface targets over a wide area and has so far not been deployed by the U.S. in previous strikes on targets inside Iran. It was used in Afghanistan in 2017 during the previous Trump administration. That was also the first time it had ever been used in combat, against an Islamic State tunnel complex near the Pakistani border.
Context: a war without a clear exit
The CNN report arrives against a backdrop of sustained regional pressure. Houthi rebels struck a Saudi oil company building on Wednesday, according to NPR's morning news brief, and the Strait of Hormuz remains on edge. The plans come as President Trump faces pressure to bring the deeply unpopular war to a close.
Reuters confirmed the outlines of the CNN report within hours of its publication, citing the same U.S. official descriptions, though CNBC noted it had not independently confirmed the report and reached out to the Defense Department for comment. Iran Intl, Al Arabiya, and Haaretz all published their own summaries of the CNN sourcing by morning in their time zones, broadening the story's reach well beyond Washington.
On Capitol Hill, the report drew immediate attention but no formal response as of Thursday morning. The Senate Armed Services Committee and the House Foreign Affairs Committee have each held closed briefings on the Iran conflict in recent weeks, though neither panel released a public statement on the new reporting.
Separately, a federal judge on Tuesday temporarily blocked the Trump administration from penalizing two U.S.-based organizations that support the International Criminal Court's investigations into alleged war crimes in Gaza, ruling that Trump's executive order placing sanctions on the ICC violated the companies' right to free speech under the First Amendment, according to The New York Times' Francesca Regalado. That ruling adds a legal complication to the administration's use of sanctions as a foreign-policy lever at a moment when its Iran strategy is already drawing internal second-guessing.
What to Watch
CENTCOM briefings to Congress: Watch for whether the Senate Armed Services or House Foreign Affairs committees demand a classified briefing specifically on the new strike packages, and whether any member breaks publicly from Trump's stated no-strikes-before-midterms pledge.
Pickaxe Mountain intelligence: The U.S. and Israel's shared assessment that Iran has stored nuclear components at Pickaxe Mountain is doing a lot of work in the public justification for a MOAB option. Any public pushback from the intelligence community, or a leak of a dissenting assessment, would reframe the debate fast.
Trump's November calculus: The language in the planning documents, 'prior to U.S. retrograde in CENTCOM AOR,' points toward a scenario where strikes accompany or precede a withdrawal declaration. Whether Trump moves before November 3 or waits until after will define the final stretch of the midterm campaign.
The ICC sanctions ruling: The District Court injunction blocking sanctions on pro-ICC organizations is likely headed to the D.C. Circuit quickly. A stay request from DOJ could come within days.
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CAN I KICK IT? screens New Jack City at the Sylvan Theater, Washington Monument, on Aug. 22. (Courtesy SHAOLIN JAZZ)
The live-cinema series CAN I KICK IT? returns to the National Mall this month with what its producers are calling the "Gangsters on the Mall" chapter of their free outdoor summer run. On Saturday, August 22, the SHAOLIN JAZZ production brings the 1991 crime classic New Jack City to the Sylvan Theater at the Washington Monument for a night of film, music, and community under the DC summer sky.
What sets the event apart is the sound. As the film plays, DJ 2-Tone Jones builds an original score in real time, reimagining one of the most iconic crime movies of the ’90s through hip-hop, soul, funk, and more. It is less a movie screening than a live performance built around the film.
The details:
Film: New Jack City (1991), with a live soundtrack by DJ 2-Tone Jones
When: Saturday, August 22 — seating opens at 7:30 p.m. (bring lawn chairs and blankets); film begins at 8:30 p.m.
Where: Sylvan Theater at the Washington Monument, Independence Ave SW & 15th St NW
A parking note from the organizers: expect road closures and restricted parking east of 14th Street NW due to a separate race event in the District. Roads west of 14th Street NW will be accessible and available for parking.
New Jack City is the second of three screenings in this year’s free CAN I KICK IT? outdoor series, which opened with Black Panther at Skyland Town Center and concludes with Scarface at the Lincoln Memorial on September 5. Produced by the Washington, DC-based multimedia arts company SHAOLIN JAZZ, the series has presented more than 150 live cinematic experiences at venues across the country, from Lincoln Center to SXSW.
"I wanted to be able to tell good stories with substance and remove the ‘ego’ out of the art," said Andrew Huang during a recent interview. Now, he’s building his career at the intersection of discipline, creativity and innovation.
Andrew Huang, founder of New Place Studios. (Courtesy photo)
As a Chinese American, Huang was reared with a deep respect for hard work, consistency and excellence. He describes his childhood as "not so affluent" and later attended college to hone his passion for videography. "In college I tried to do something I loved, which was video, but along the way I knew that I had to find a job. And so I thought, ‘what was the low hanging fruit to get to that stable 9 to 5 job?,’" he stated.
Later in life, Huang found himself working for corporations where his creativity was often limited, eventually leading to burnout. "I worked in a corporation for a long time and there were a lot of missing pieces. I wanted to fill in gaps missing in corporate video production," said Huang.
He later described how his upbringing and a mindset of "survival" led him toward a corporate career. However, his desire for balance and authentic storytelling ultimately pushed him to take the entrepreneurial leap.
"I founded a new place where you can create video and film with ‘substance and style,’" said Huang. His desire for work-life balance and passion for storytelling naturally evolved into a small business based in Virginia. With the launch of New Place Studios, the entrepreneur quickly found himself reconnecting with the values that would become the foundation of everything he creates behind the camera.
Huang said being a business owner has allowed him to first embrace himself. While others may see video as simply capturing moments, he sees it as a way to preserve stories that inspire, connect and leave a lasting imprint.
By combining cinematic visuals with cutting-edge production techniques and a keen understanding of branding, Huang helps organizations and individuals communicate their vision with purpose. He said understanding a client’s "why" serves as the compass for delivering the services they need.
One benefit of working with a small business, he said, is that clients get to see the production process unfold through a micro lens while working with the same faces throughout the entire project. "The work feels personal," said Huang.
Huang does not regret leaving behind the flash-over-substance mentality and corporate hustle culture. That does not mean the Asian American entrepreneur has been without challenges in the industry. "It’s relatively hard to find other Asian American creatives or people who would want to work with me in the DMV," said Huang.
He identifies the industry culture in which everyone is trying to blend in, creatives may fear displaying their Asian identity and some feel pressure to adopt an American corporate persona. He also points to what he describes as a level of gatekeeping within the industry. According to the U.S. Small Business Administration’s 2024 statistics, Asian American and Pacific Islander entrepreneurs own more than 3 million businesses and employ 5.2 million people in the United States.
After tapping into organizations such as SCORE, which offers free small business mentorship, New Place Studios has become a trusted creative partner throughout the DMV (Washington, D.C., Maryland and Virginia). The company produces a range of creative services, including commercials, corporate branding, documentaries, film, 2D animation, motion graphics and photography.
For Huang, entrepreneurship has become more than a departure from corporate life. It has given him the freedom to create with intention, build meaningful connections and tell stories that go beyond the surface.
The 2026 CAN I KICK IT? outdoor series. Poster courtesy of SHAOLIN JAZZ.
For three Saturdays this summer, some of Washington’s most familiar public spaces will do something they rarely do after dark: fill up with blankets, lawn chairs, and the sound of a movie being scored live, in real time. CAN I KICK IT?, the traveling “live cinema” series produced by the DC-based multimedia arts company SHAOLIN JAZZ, is bringing a free outdoor run to the city — pairing three era-defining films with an original soundtrack performed on the spot by DJ 2-Tone Jones.
The premise is what sets it apart from a normal screening in the park. Rather than simply pressing play, 2-Tone Jones builds a score as the film unfolds, pulling from hip-hop, soul, funk, jazz, rock, electronic music, and sounds from around the world. The result, the organizers say, is less a movie night than a one-time performance — the same film you know, wired to a soundtrack you have never heard and will not hear again. Guest DJs warm up the crowd starting at 7:30 PM before each 8:30 PM screening.
The 2026 outdoor schedule
All three events are free and open to the public.
Saturday, August 8 — Black Panther at Skyland Town Center. A pop-up marketplace and community activities kick off the evening; guest DJs at 7:30 PM, film at 8:30 PM. Marvel’s superhero epic gets a one-night-only live score in Southeast DC.
Saturday, August 22 — New Jack City at the Sylvan Theater, Washington Monument. Seating begins at 7:30 PM; the film starts at 8:30 PM. The 1991 crime drama plays out at the foot of one of the country’s most recognizable landmarks.
Saturday, September 5 — Scarface at the Lincoln Memorial. Seating at 7:30 PM; film at 8:30 PM. The series closes with Brian De Palma’s crime saga against the backdrop of the Memorial, scored live from start to finish.
First up: Black Panther at Skyland Town Center on August 8. Poster courtesy of SHAOLIN JAZZ.
A DC company with a national footprint
SHAOLIN JAZZ describes itself as a Washington-based arts company working at the intersection of music, film, art, and culture, and CAN I KICK IT? is its signature production. According to the organizers, the series has staged more than 150 live cinematic experiences around the country — at performing arts centers, museums, festivals, and cultural institutions including Lincoln Center in New York, SXSW, the Denver Center for the Performing Arts, Republic Square in Austin, the Tacoma Armory, and The Cary Theater.
“CAN I KICK IT? has always been about creating a shared experience,” said Gerald Watson, co-founder of SHAOLIN JAZZ. “When you combine iconic films with live music in public spaces, something special happens. People aren’t just watching a movie — they’re experiencing it together. That’s what makes these nights so memorable.”
Cinema as a community event
The DC run lands as cities across the country look for new ways to activate public space through arts and culture — and this series is a straightforward pitch for how to do it: take a landmark everyone already knows, add a film everyone has an opinion about, and let a live soundtrack turn the evening into something neighbors experience shoulder to shoulder. Families, film buffs, and music fans are all invited, and admission won’t cost a thing.
The CAN I KICK IT? outdoor series runs August 8, August 22, and September 5. All events are free; check SHAOLIN JAZZ (shaolinjazz.com) for the latest details and any weather updates before heading out.