RFK Campus Master Plan Public Feedback Window Closing Soon
The public feedback period on the RFK Campus master plan is closing soon. Here's what DC residents need to know before the window shuts.
In brief
The public comment period on the RFK Campus master plan is closing soon, giving DC residents a limited remaining opportunity to weigh in on the redevelopment vision for the historic site. According to WTOP, the feedback window is approaching its end — making now the time for community members to make their voices heard on the future of one of the District's most consequential land redevelopment efforts.
Key Takeaways
The public feedback period on the RFK Campus master plan is set to close soon, per WTOP.
The RFK Campus site is one of the largest underdeveloped parcels in Washington, DC, drawing significant interest from planners, advocates, and sports franchises alike.
Community input during master plan processes can shape zoning, land use, and development priorities for years to come.
Residents who want to influence the site's future should act before the feedback deadline passes.
What Is the RFK Campus Master Plan?
The RFK Campus — the sprawling grounds surrounding the former Robert F. Kennedy Memorial Stadium in Near Northeast DC — has sat largely underutilized for years following the stadium's last major tenant, DC United, relocating to Audi Field in Southwest in 2018. The master plan process is the formal effort to chart what comes next for the federally owned land along the Anacostia River waterfront.
Master planning processes like this one are designed to gather community input before major land use and development decisions are locked in. The feedback period allows residents, neighborhood associations, advocacy groups, and other stakeholders to shape priorities around housing, green space, transportation, and economic development on the site.
For context on how large-scale DC redevelopment processes unfold, the DC Office of Planning oversees comprehensive planning efforts across the District and frequently coordinates with federal agencies on sites like RFK, where land ownership involves multiple jurisdictions.
Why the RFK Site Carries Such High Stakes for DC
Few parcels in the District carry the redevelopment weight of the RFK Campus. The site has been at the center of discussions ranging from a potential return of an NFL franchise — the Washington Commanders have long been linked to a stadium proposal there — to mixed-use development, affordable housing, and expanded parkland along the Anacostia.
The National Park Service and the federal government have historically controlled portions of the RFK grounds, complicating local redevelopment ambitions and requiring coordination between DC and federal authorities. Congress has taken up legislation in recent years to transfer or lease the land to the District, a prerequisite for any large-scale buildout.
The stakes extend well beyond sports. Ward 7 and Ward 8 residents — communities east of the Anacostia River that have historically been underserved by major investment — have a direct interest in how the RFK site develops, particularly around transit access, job creation, and equitable land use. Follow our DC Neighborhood Market Report for ongoing coverage of how development decisions ripple across District communities.
With the feedback window closing soon, residents interested in participating should move quickly. Public comment processes for master plans typically accept written submissions online, at community meetings, or through designated planning portals. The U.S. Congress and DC government have both been involved in shaping the legislative and planning framework for the RFK site, meaning community input can ultimately influence decisions made at multiple levels of government.
DC residents who have followed the RFK saga — through its stadium debates, its NPS lease complexities, and its multiple false starts — know that master planning moments like this one are rare and consequential. Missing the feedback deadline means ceding the floor to other interests at a critical juncture.
In a city where land is power, the RFK Campus master plan represents one of the highest-profile planning decisions of this decade. The site sits at the intersection of federal-local politics, NFL stadium ambitions, Anacostia waterfront revitalization, and the District's ongoing effort to grow its tax base and housing supply. Whatever shape the final plan takes, it will define the eastern waterfront — and the communities around it — for a generation. The closing of the feedback period is not a bureaucratic formality; it is the last structured moment for ordinary Washingtonians to put their stamp on that future.
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Frequently Asked Questions
What is the RFK Campus master plan? The RFK Campus master plan is a formal planning process to determine the future use and development of the former RFK Memorial Stadium grounds in Near Northeast Washington, DC. It covers land use, development priorities, green space, and community needs for the historic site along the Anacostia River.
When does the RFK Campus master plan feedback period close? According to WTOP, the public feedback period is set to close soon. Residents should check with the relevant planning authority immediately to confirm the exact deadline and submission process.
Who controls the RFK Campus land? The RFK Campus involves federally owned land, historically managed in part by the National Park Service, which has required coordination between DC government and federal authorities for any redevelopment plans.
Why is the RFK Campus redevelopment significant for DC? The RFK site is one of the largest underdeveloped parcels in the District and has been linked to discussions about NFL stadium development, affordable housing, Anacostia waterfront investment, and economic opportunity for underserved communities east of the river.
How can DC residents submit feedback on the RFK master plan? Residents should consult the DC Office of Planning or the designated master plan portal for submission instructions. The feedback window is closing soon, so prompt action is advised.
Will the Washington Commanders be part of the RFK redevelopment? The Commanders have been publicly linked to a potential stadium at the RFK site, but no confirmed agreement is reflected in the current source. The master plan process will help define what is possible on the grounds.
The bottom line: The RFK Campus master plan feedback period is closing soon, and DC residents who want to shape the future of this landmark site need to act now. From Anacostia waterfront access to the long-running NFL stadium conversation, the decisions that flow from this planning process will leave a mark on the District for decades. Don't miss the window.
What to Watch Next: Once the feedback period closes, planners will synthesize public input into formal recommendations. Watch for announcements on next steps in the master plan approval process — and whether Congressional action on land transfer legislation accelerates alongside it.
Reporting drawn from: WTOP. Washington DC Magazine provides original analysis, DC-specific context, and editorial perspective beyond the source material.This article was produced with AI assistance and reviewed by WDCM editorial staff. Washington DC Magazine is committed to accuracy, transparency, and editorial integrity. If you believe any information in this article requires correction, please contact editor@washingtondcmagazine.com.
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CAN I KICK IT? screens New Jack City at the Sylvan Theater, Washington Monument, on Aug. 22. (Courtesy SHAOLIN JAZZ)
The live-cinema series CAN I KICK IT? returns to the National Mall this month with what its producers are calling the "Gangsters on the Mall" chapter of their free outdoor summer run. On Saturday, August 22, the SHAOLIN JAZZ production brings the 1991 crime classic New Jack City to the Sylvan Theater at the Washington Monument for a night of film, music, and community under the DC summer sky.
What sets the event apart is the sound. As the film plays, DJ 2-Tone Jones builds an original score in real time, reimagining one of the most iconic crime movies of the ’90s through hip-hop, soul, funk, and more. It is less a movie screening than a live performance built around the film.
The details:
Film: New Jack City (1991), with a live soundtrack by DJ 2-Tone Jones
When: Saturday, August 22 — seating opens at 7:30 p.m. (bring lawn chairs and blankets); film begins at 8:30 p.m.
Where: Sylvan Theater at the Washington Monument, Independence Ave SW & 15th St NW
A parking note from the organizers: expect road closures and restricted parking east of 14th Street NW due to a separate race event in the District. Roads west of 14th Street NW will be accessible and available for parking.
New Jack City is the second of three screenings in this year’s free CAN I KICK IT? outdoor series, which opened with Black Panther at Skyland Town Center and concludes with Scarface at the Lincoln Memorial on September 5. Produced by the Washington, DC-based multimedia arts company SHAOLIN JAZZ, the series has presented more than 150 live cinematic experiences at venues across the country, from Lincoln Center to SXSW.
"I wanted to be able to tell good stories with substance and remove the ‘ego’ out of the art," said Andrew Huang during a recent interview. Now, he’s building his career at the intersection of discipline, creativity and innovation.
Andrew Huang, founder of New Place Studios. (Courtesy photo)
As a Chinese American, Huang was reared with a deep respect for hard work, consistency and excellence. He describes his childhood as "not so affluent" and later attended college to hone his passion for videography. "In college I tried to do something I loved, which was video, but along the way I knew that I had to find a job. And so I thought, ‘what was the low hanging fruit to get to that stable 9 to 5 job?,’" he stated.
Later in life, Huang found himself working for corporations where his creativity was often limited, eventually leading to burnout. "I worked in a corporation for a long time and there were a lot of missing pieces. I wanted to fill in gaps missing in corporate video production," said Huang.
He later described how his upbringing and a mindset of "survival" led him toward a corporate career. However, his desire for balance and authentic storytelling ultimately pushed him to take the entrepreneurial leap.
"I founded a new place where you can create video and film with ‘substance and style,’" said Huang. His desire for work-life balance and passion for storytelling naturally evolved into a small business based in Virginia. With the launch of New Place Studios, the entrepreneur quickly found himself reconnecting with the values that would become the foundation of everything he creates behind the camera.
Huang said being a business owner has allowed him to first embrace himself. While others may see video as simply capturing moments, he sees it as a way to preserve stories that inspire, connect and leave a lasting imprint.
By combining cinematic visuals with cutting-edge production techniques and a keen understanding of branding, Huang helps organizations and individuals communicate their vision with purpose. He said understanding a client’s "why" serves as the compass for delivering the services they need.
One benefit of working with a small business, he said, is that clients get to see the production process unfold through a micro lens while working with the same faces throughout the entire project. "The work feels personal," said Huang.
Huang does not regret leaving behind the flash-over-substance mentality and corporate hustle culture. That does not mean the Asian American entrepreneur has been without challenges in the industry. "It’s relatively hard to find other Asian American creatives or people who would want to work with me in the DMV," said Huang.
He identifies the industry culture in which everyone is trying to blend in, creatives may fear displaying their Asian identity and some feel pressure to adopt an American corporate persona. He also points to what he describes as a level of gatekeeping within the industry. According to the U.S. Small Business Administration’s 2024 statistics, Asian American and Pacific Islander entrepreneurs own more than 3 million businesses and employ 5.2 million people in the United States.
After tapping into organizations such as SCORE, which offers free small business mentorship, New Place Studios has become a trusted creative partner throughout the DMV (Washington, D.C., Maryland and Virginia). The company produces a range of creative services, including commercials, corporate branding, documentaries, film, 2D animation, motion graphics and photography.
For Huang, entrepreneurship has become more than a departure from corporate life. It has given him the freedom to create with intention, build meaningful connections and tell stories that go beyond the surface.
The 2026 CAN I KICK IT? outdoor series. Poster courtesy of SHAOLIN JAZZ.
For three Saturdays this summer, some of Washington’s most familiar public spaces will do something they rarely do after dark: fill up with blankets, lawn chairs, and the sound of a movie being scored live, in real time. CAN I KICK IT?, the traveling “live cinema” series produced by the DC-based multimedia arts company SHAOLIN JAZZ, is bringing a free outdoor run to the city — pairing three era-defining films with an original soundtrack performed on the spot by DJ 2-Tone Jones.
The premise is what sets it apart from a normal screening in the park. Rather than simply pressing play, 2-Tone Jones builds a score as the film unfolds, pulling from hip-hop, soul, funk, jazz, rock, electronic music, and sounds from around the world. The result, the organizers say, is less a movie night than a one-time performance — the same film you know, wired to a soundtrack you have never heard and will not hear again. Guest DJs warm up the crowd starting at 7:30 PM before each 8:30 PM screening.
The 2026 outdoor schedule
All three events are free and open to the public.
Saturday, August 8 — Black Panther at Skyland Town Center. A pop-up marketplace and community activities kick off the evening; guest DJs at 7:30 PM, film at 8:30 PM. Marvel’s superhero epic gets a one-night-only live score in Southeast DC.
Saturday, August 22 — New Jack City at the Sylvan Theater, Washington Monument. Seating begins at 7:30 PM; the film starts at 8:30 PM. The 1991 crime drama plays out at the foot of one of the country’s most recognizable landmarks.
Saturday, September 5 — Scarface at the Lincoln Memorial. Seating at 7:30 PM; film at 8:30 PM. The series closes with Brian De Palma’s crime saga against the backdrop of the Memorial, scored live from start to finish.
First up: Black Panther at Skyland Town Center on August 8. Poster courtesy of SHAOLIN JAZZ.
A DC company with a national footprint
SHAOLIN JAZZ describes itself as a Washington-based arts company working at the intersection of music, film, art, and culture, and CAN I KICK IT? is its signature production. According to the organizers, the series has staged more than 150 live cinematic experiences around the country — at performing arts centers, museums, festivals, and cultural institutions including Lincoln Center in New York, SXSW, the Denver Center for the Performing Arts, Republic Square in Austin, the Tacoma Armory, and The Cary Theater.
“CAN I KICK IT? has always been about creating a shared experience,” said Gerald Watson, co-founder of SHAOLIN JAZZ. “When you combine iconic films with live music in public spaces, something special happens. People aren’t just watching a movie — they’re experiencing it together. That’s what makes these nights so memorable.”
Cinema as a community event
The DC run lands as cities across the country look for new ways to activate public space through arts and culture — and this series is a straightforward pitch for how to do it: take a landmark everyone already knows, add a film everyone has an opinion about, and let a live soundtrack turn the evening into something neighbors experience shoulder to shoulder. Families, film buffs, and music fans are all invited, and admission won’t cost a thing.
The CAN I KICK IT? outdoor series runs August 8, August 22, and September 5. All events are free; check SHAOLIN JAZZ (shaolinjazz.com) for the latest details and any weather updates before heading out.
