The $1.4 billion bill D.C. can't vote on, veto, or appeal
A new Pentagon estimate puts the cost of keeping National Guard troops in Washington through January 2029 at $1.43 billion more - on top of what's already spent. D.C. officials have no legal mechanism to stop it.
In brief
Every morning, soldiers from states like Georgia, West Virginia, and South Carolina clock in for patrol duty on streets that belong - nominally - to Washington, D.C. They walk the perimeter of Union Station. They stand near the monuments on the Mall. They are not D.C. police. They cannot make arrests. And, according to a new estimate from the Pentagon, keeping them here will cost taxpayers an additional $1.43 billion between October 2026 and January 2029.
That figure, $51 million a month, matters to every D.C. resident for a reason that has nothing to do with whether you think the troops are helping: the city has no vote on it, no veto over it, and no legal mechanism to end it. The money comes from the federal government, not the District's budget - but the costs land squarely in D.C.'s neighborhoods, its politics, and its already strained case for self-governance.
Where the number comes from
The Trump administration's planned deployment of National Guard troops through the end of his presidential term will cost $1.43 billion, or $51 million a month, beyond amounts already spent, according to a new Pentagon estimate. The figure appeared in a written response by Jules "Jay" W. Hurst III, the nominee for Pentagon comptroller, to a question from Sen. Elizabeth Warren, a Massachusetts Democrat and member of the Armed Services Committee.
Hurst's estimate covers the period beginning with October 1, the start of fiscal year 2027, and ending in January 2029. That is the day a new president takes office. The estimate assumes a steady-state level of 2,500 Guard personnel deployed in Washington - a drop from the recent surge to 4,600 soldiers in the capital for the celebration of America's 250th birthday this summer.
A Guard deployment of roughly 2,000 personnel across the initial five-month period from August through December 2025 cost approximately $185 million. According to the Congressional Budget Office, the average daily cost per Guard member deployed to Washington was $607 - the highest of any deployment city. Some of that premium goes toward housing. Much of the money is going toward short-term housing rentals in the Dupont Circle neighborhood, which has been projected to cost about $4,055 per guardsman per month.
CBO projections mean the total cost of the deployment so far is more than $700 million through September, and $2.1 billion through January 2029. That is more than three times the Metropolitan Police Department's annual budget. The cost of the deployment eclipses the entire D.C. police budget. The Metropolitan Police Department employs 4,900 officers, with an annual budget of less than $600 million.
What D.C. officials are actually saying
The response from local leaders this week has been clear - and, in a structural sense, helpless.
Council Chairman Phil Mendelson has not softened his assessment. "Taxpayers are paying more than a million dollars a day to have them walk around," Mendelson wrote in an emailed response to questions. He has also flagged the constitutional optics: Mendelson said "the presence of armed soldiers on American streets is not a good look."
Ward 1 Councilmember Brianne Nadeau, who is not seeking re-election, has been blunter. "The fact that we still have the National Guard walking our streets a year later with no end in sight is really demoralizing," she said. She added: "It would be great if the federal government would use its money and resources to help the District on the things we need help with and not act like an invading army."
Mayor Muriel Bowser has taken a more careful line, wary of provoking a White House that can strip the city of far more than National Guard troops. Bowser avoided the kind of biting rhetoric and personal attacks typical of other high-profile Democratic leaders, despite the unprecedented intervention into her city. A major part of that was to avoid raising Trump's ire and threatening what independence the city has. Her statement this week was guarded: Bowser said "one year ago, an unprecedented federal intervention brought national attention to DC's lack of statehood and autonomy." On the deployment itself, Bowser has questioned whether the federal response matched the city's actual crime situation, saying of the deployment, "It doesn't make sense."
The crime argument - and its limits
The administration's case for keeping troops here rests on crime data. Metropolitan Police Department statistics show overall crime was down 20% through August 7, compared with the same period in 2025. That includes a 32% drop in homicides, from 97 to 66. White House spokeswoman Abigail Jackson said in an email that "President Trump has transformed D.C. from a crime-ridden city into a safe and beautiful haven for residents and visitors alike."
Local officials and independent researchers dispute the causal link. While the administration has said crime has rapidly fallen since the deployment began, local officials and various studies have argued that crime was already going down before Trump ordered troops into the city. The Council on Criminal Justice has noted that Washington's crime decline followed a broader national trend, with violence falling in many major U.S. cities during the same period.
There is also the question of what the Guard can legally do. Critics have argued that these factors had little to do with the guardsmen themselves, as they lack the power to make arrests. They have also contended that, even if the two factors are linked, the deployment of reserve soldiers who must be taken away from their civilian jobs and housed in the District is an extremely expensive way to achieve a lower crime rate relative to simply hiring more local police officers.
Sen. Gary Peters, the top Democrat on the Senate Homeland Security Committee, said the Guard "has been unable to identify any specific measurable public safety outcomes directly attributable to their presence." His committee released a report alongside those findings earlier this year.
The structural trap D.C. cannot escape
This is where the story becomes specifically a D.C. local-government story, not just a federal one.
Because Washington is a congressionally established federal district, Trump has much greater influence over the police and D.C. National Guard, which he controls directly, including its commander. The Home Rule Act, passed in 1973, allows residents to vote for local leaders, including the mayor and council members. Congress has oversight over the local budget and review authority of all laws passed, and the ability to summon district officials to the Capitol routinely to explain themselves.
Nadeau put the political logic plainly. The city's governmental structure under home rule made it easy for Trump to do what he has done, she said. "There isn't really any political liability for national leaders to mess with D.C."
The Council has passed resolutions, held hearings, and written letters. None of it has moved the deployment's timeline by a day. The Department of Defense has extended the deployment multiple times, and current plans call for the troops to remain in place through January 20, 2029.
The cost to the federal treasury does not come out of D.C.'s budget directly. But it crowds out any political space D.C. might have to argue for federal investment in housing, transit, or education. Every dollar spent housing a guardsman at $4,055 a month in Dupont Circle is a dollar the administration is not spending on, say, Metro capital improvements or affordable housing grants. The comparison is political, not accounting - but in D.C., politics is the only lever residents actually have.
What the next mayor inherits
Janeese Lewis George won the Democratic mayoral primary in June and, barring an unlikely November upset, will be sworn in on January 2, 2027. Lewis George has said she won't step down from her Ward 4 council seat until she is sworn in as mayor in January, meaning Ward 4 will need to host a special election to fill her council seat. D.C. could have as many as three more special elections over the next six months, bringing as many as six new members of the D.C. Council.
She will take office with 4,600 troops - or something close to that number - still on D.C. streets. Lewis George, who became the first democratic socialist elected to D.C. Council in decades, built strong backing from labor unions and progressive organizations. Her campaign centers on making the city affordable and building a government that listens to working people. Those goals are hard to pursue when a federal deployment your constituents oppose is eating $3 million a day in federal resources and consuming most of the city's political bandwidth.
Lewis George has said she wants "people actually listening to the people of D.C., letting the council govern D.C., respecting our home rule." The Guard's authorized presence through January 2029 means she will spend essentially her entire first term governing around it - not over it.
The opposition activist group Free DC, which has organized protests throughout the deployment, is already framing the cost revelation as a test of Lewis George's commitments. Jill Santos, one of the co-chairs for Free DC in Ward 2, said: "The line just keeps being moved, with the intention of people getting used to seeing armed guards on our streets. They're hoping that we come to normalize it."
What D.C. Residents Should Watch
The FY2027 federal budget process: In Trump's desired $1.5 trillion defense budget for fiscal 2027, $2.3 billion would be allocated for domestic use of the military, including $605 million for the National Guard mission in D.C. The House Appropriations Committee will mark up that budget in the fall. D.C. Councilmembers can testify, but cannot vote.
Ward 4 special election timeline: Lewis George has pledged to remain on the Council until her January inauguration. Watch for the DC Board of Elections to set a special election date for her Ward 4 seat - Petworth, Brightwood, Manor Park, Takoma, and 16th Street Heights will need new representation, possibly as early as spring 2027.
The Guard's "footprint expansion" plans: As of this week, the number of National Guard personnel deployed in the city surged to 4,622. The commanding general of the D.C. National Guard has said the mission plans to expand its footprint. What that means for neighborhoods beyond the tourist corridor - including East of the River communities - is not yet clear.
Bowser's last budget act: Mayor Bowser has roughly five months left in office. Any deals she cuts with federal officials before January could bind her successor before Lewis George takes a single meeting in the Wilson Building.
The average daily cost of the deployment, $3 million, is enough to fund roughly 15 new Metropolitan Police Department officers for an entire year. That math won't leave the city's budget debates anytime soon.
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CAN I KICK IT? screens New Jack City at the Sylvan Theater, Washington Monument, on Aug. 22. (Courtesy SHAOLIN JAZZ)
The live-cinema series CAN I KICK IT? returns to the National Mall this month with what its producers are calling the "Gangsters on the Mall" chapter of their free outdoor summer run. On Saturday, August 22, the SHAOLIN JAZZ production brings the 1991 crime classic New Jack City to the Sylvan Theater at the Washington Monument for a night of film, music, and community under the DC summer sky.
What sets the event apart is the sound. As the film plays, DJ 2-Tone Jones builds an original score in real time, reimagining one of the most iconic crime movies of the ’90s through hip-hop, soul, funk, and more. It is less a movie screening than a live performance built around the film.
The details:
Film: New Jack City (1991), with a live soundtrack by DJ 2-Tone Jones
When: Saturday, August 22 — seating opens at 7:30 p.m. (bring lawn chairs and blankets); film begins at 8:30 p.m.
Where: Sylvan Theater at the Washington Monument, Independence Ave SW & 15th St NW
A parking note from the organizers: expect road closures and restricted parking east of 14th Street NW due to a separate race event in the District. Roads west of 14th Street NW will be accessible and available for parking.
New Jack City is the second of three screenings in this year’s free CAN I KICK IT? outdoor series, which opened with Black Panther at Skyland Town Center and concludes with Scarface at the Lincoln Memorial on September 5. Produced by the Washington, DC-based multimedia arts company SHAOLIN JAZZ, the series has presented more than 150 live cinematic experiences at venues across the country, from Lincoln Center to SXSW.
"I wanted to be able to tell good stories with substance and remove the ‘ego’ out of the art," said Andrew Huang during a recent interview. Now, he’s building his career at the intersection of discipline, creativity and innovation.
Andrew Huang, founder of New Place Studios. (Courtesy photo)
As a Chinese American, Huang was reared with a deep respect for hard work, consistency and excellence. He describes his childhood as "not so affluent" and later attended college to hone his passion for videography. "In college I tried to do something I loved, which was video, but along the way I knew that I had to find a job. And so I thought, ‘what was the low hanging fruit to get to that stable 9 to 5 job?,’" he stated.
Later in life, Huang found himself working for corporations where his creativity was often limited, eventually leading to burnout. "I worked in a corporation for a long time and there were a lot of missing pieces. I wanted to fill in gaps missing in corporate video production," said Huang.
He later described how his upbringing and a mindset of "survival" led him toward a corporate career. However, his desire for balance and authentic storytelling ultimately pushed him to take the entrepreneurial leap.
"I founded a new place where you can create video and film with ‘substance and style,’" said Huang. His desire for work-life balance and passion for storytelling naturally evolved into a small business based in Virginia. With the launch of New Place Studios, the entrepreneur quickly found himself reconnecting with the values that would become the foundation of everything he creates behind the camera.
Huang said being a business owner has allowed him to first embrace himself. While others may see video as simply capturing moments, he sees it as a way to preserve stories that inspire, connect and leave a lasting imprint.
By combining cinematic visuals with cutting-edge production techniques and a keen understanding of branding, Huang helps organizations and individuals communicate their vision with purpose. He said understanding a client’s "why" serves as the compass for delivering the services they need.
One benefit of working with a small business, he said, is that clients get to see the production process unfold through a micro lens while working with the same faces throughout the entire project. "The work feels personal," said Huang.
Huang does not regret leaving behind the flash-over-substance mentality and corporate hustle culture. That does not mean the Asian American entrepreneur has been without challenges in the industry. "It’s relatively hard to find other Asian American creatives or people who would want to work with me in the DMV," said Huang.
He identifies the industry culture in which everyone is trying to blend in, creatives may fear displaying their Asian identity and some feel pressure to adopt an American corporate persona. He also points to what he describes as a level of gatekeeping within the industry. According to the U.S. Small Business Administration’s 2024 statistics, Asian American and Pacific Islander entrepreneurs own more than 3 million businesses and employ 5.2 million people in the United States.
After tapping into organizations such as SCORE, which offers free small business mentorship, New Place Studios has become a trusted creative partner throughout the DMV (Washington, D.C., Maryland and Virginia). The company produces a range of creative services, including commercials, corporate branding, documentaries, film, 2D animation, motion graphics and photography.
For Huang, entrepreneurship has become more than a departure from corporate life. It has given him the freedom to create with intention, build meaningful connections and tell stories that go beyond the surface.
The 2026 CAN I KICK IT? outdoor series. Poster courtesy of SHAOLIN JAZZ.
For three Saturdays this summer, some of Washington’s most familiar public spaces will do something they rarely do after dark: fill up with blankets, lawn chairs, and the sound of a movie being scored live, in real time. CAN I KICK IT?, the traveling “live cinema” series produced by the DC-based multimedia arts company SHAOLIN JAZZ, is bringing a free outdoor run to the city — pairing three era-defining films with an original soundtrack performed on the spot by DJ 2-Tone Jones.
The premise is what sets it apart from a normal screening in the park. Rather than simply pressing play, 2-Tone Jones builds a score as the film unfolds, pulling from hip-hop, soul, funk, jazz, rock, electronic music, and sounds from around the world. The result, the organizers say, is less a movie night than a one-time performance — the same film you know, wired to a soundtrack you have never heard and will not hear again. Guest DJs warm up the crowd starting at 7:30 PM before each 8:30 PM screening.
The 2026 outdoor schedule
All three events are free and open to the public.
Saturday, August 8 — Black Panther at Skyland Town Center. A pop-up marketplace and community activities kick off the evening; guest DJs at 7:30 PM, film at 8:30 PM. Marvel’s superhero epic gets a one-night-only live score in Southeast DC.
Saturday, August 22 — New Jack City at the Sylvan Theater, Washington Monument. Seating begins at 7:30 PM; the film starts at 8:30 PM. The 1991 crime drama plays out at the foot of one of the country’s most recognizable landmarks.
Saturday, September 5 — Scarface at the Lincoln Memorial. Seating at 7:30 PM; film at 8:30 PM. The series closes with Brian De Palma’s crime saga against the backdrop of the Memorial, scored live from start to finish.
First up: Black Panther at Skyland Town Center on August 8. Poster courtesy of SHAOLIN JAZZ.
A DC company with a national footprint
SHAOLIN JAZZ describes itself as a Washington-based arts company working at the intersection of music, film, art, and culture, and CAN I KICK IT? is its signature production. According to the organizers, the series has staged more than 150 live cinematic experiences around the country — at performing arts centers, museums, festivals, and cultural institutions including Lincoln Center in New York, SXSW, the Denver Center for the Performing Arts, Republic Square in Austin, the Tacoma Armory, and The Cary Theater.
“CAN I KICK IT? has always been about creating a shared experience,” said Gerald Watson, co-founder of SHAOLIN JAZZ. “When you combine iconic films with live music in public spaces, something special happens. People aren’t just watching a movie — they’re experiencing it together. That’s what makes these nights so memorable.”
Cinema as a community event
The DC run lands as cities across the country look for new ways to activate public space through arts and culture — and this series is a straightforward pitch for how to do it: take a landmark everyone already knows, add a film everyone has an opinion about, and let a live soundtrack turn the evening into something neighbors experience shoulder to shoulder. Families, film buffs, and music fans are all invited, and admission won’t cost a thing.
The CAN I KICK IT? outdoor series runs August 8, August 22, and September 5. All events are free; check SHAOLIN JAZZ (shaolinjazz.com) for the latest details and any weather updates before heading out.