The lame-duck Council's Monday session has real stakes for e-bike riders, renters, and DC's power grid
With Jamal Holtz barely sworn in and a new mayor 57 days away, the full D.C. Council convenes November 10 for a session that touches everything from lithium-ion battery fires to clean energy access to student housing financing.
In brief
What's actually on the table Monday, and why residents should pay attention
The Council of the District of Columbia has not met formally since before the November 3 election. When members convene at the Wilson Building on Tuesday, they will do so as a body still sorting out its own membership, still carrying a budget hole that the incoming mayor's team has pegged as high as $850 million, and still holding a list of unfinished business that affects daily life across all eight wards.
The agenda is not abstract. It includes emergency action on e-bike and scooter battery fires, a firefighters' union contract that has been in limbo since October, bonds to finance student housing near a D.C. university, clean energy grid legislation, and a tanning-bed safety bill. That's a lot for a lame-duck session that nobody planned to hold under these circumstances.
The e-bike battery fire question finally gets an answer, sort of
If you've ridden a Capital Bikeshare e-bike or locked one of your own near a Columbia Heights apartment building this year, there's a reasonable chance you've thought about lithium-ion battery fires. They've killed people in New York. They've destroyed apartments in D.C. neighborhoods. As e-bike and scooter use surges in the District, a bill aimed at requiring devices sold or rented here to meet certified fire safety standards has been moving through the Council for more than a year.
The base Micromobility Fire Safety Standards Act was signed by the mayor and enacted as Act A26-0420 on October 16, 2026, after a final reading in September. But the November 10 agenda carries something additional: a fresh Micromobility Fire Safety Standards Emergency Amendment Act, sponsored by Ward 6 Councilmember Charles Allen, alongside the GRID Amendment Act and Department of Energy and Environment Reporting Requirements Amendment Act.
The original law expanded the District Department of Transportation's duties to include developing policies for the safe use of electric mobility devices, updated definitions to cover any mobility device with a rechargeable electric drivetrain, and required that any such device or traction battery manufactured, distributed, sold, or offered for lease or rent in the District meet specific safety requirements.
Allen's legislation responds to a nationwide rise in lithium-ion battery fires, particularly involving lower-quality batteries. In rare but dangerous cases, faulty or uncertified batteries can overheat and trigger thermal runaway, a chain reaction that causes combustion. The emergency amendment keeps that law active without a gap while the Council transitions. Exceptions to the certification requirement apply to devices offered for rental or lease by programs like Capital Bikeshare, provided they can document compliance, and to devices being sold secondhand.
For anyone who has ever seen a pile of cheap e-bikes parked outside a Columbia Heights grocery store, that carve-out for secondhand sales is worth watching. The Council has not yet spelled out how DDOT will enforce the new standard on small retailers or online sellers who ship into the city.
The firefighters' contract, still waiting
Councilmember Anita Bonds is sponsoring the emergency declaration and emergency approval resolutions for the compensation and working conditions agreement between the District government and the International Association of Fire Fighters, Local 36, AFL-CIO. The contract resolutions, numbered PR26-0823 and PR26-0824, have been retained by the Council since early October and jointly referred to the Committee on Judiciary and Public Safety and the Committee on Executive Administration and Labor.
Emergency resolutions at the Council require nine votes to pass. With Holtz seated as of Monday but Oye Owolewa and Aparna Raj not yet sworn in (they take office in January), the body is in an odd configuration. The public is invited to watch three separate sessions November 10: a pre-legislative Breakfast Meeting, a Committee of the Whole meeting, and the Legislative Meeting itself. The Breakfast Meeting starts at 9 a.m., the Committee of the Whole at 11 a.m., and the Legislative Meeting follows immediately after.
Fire union contract votes rarely generate protests outside the Wilson Building, but the dollar figure matters: D.C. is heading into fiscal year 2027 with a structural imbalance that transition aides to Mayor-elect Janeese Lewis George have described as potentially reaching $850 million. Every collective bargaining agreement ratified before January lands on that ledger.
Student housing bonds and clean energy: the less-covered items
Chairman Phil Mendelson is sponsoring emergency resolutions for the Madrone, DC Student Housing I, LLC Revenue Bonds Project, a financing mechanism to back new student housing construction in the city. The project's specific location and unit count have not been disclosed in public agenda materials, but the emergency posture signals the deal has a time-sensitive closing requirement.
Also on the agenda: the New Communities Initiative Bond Issuance Emergency Declaration and Approval Resolutions, the WAMU 65th Anniversary Recognition Resolution, and the Tony Campanaro Recognition Resolution, all sponsored by Councilmember Bonds. New Communities is a long-running city program to redevelop distressed public housing into mixed-income neighborhoods; the bond issuance suggests at least one project phase is ready to move.
The clean energy item is the most technically complex thing on the docket. The Guiding Renewable Interconnection and Distribution (GRID) Amendment Act of 2026 was introduced by Councilmember Allen alongside Councilmembers Frumin, Lewis George, Nadeau, Parker, Pinto, and Robert White. The bill defines the grid as the electric distribution system that allows small generators, including commercial and community solar customers in the District, to interconnect. In practice, it sets the legal ground rules for how rooftop solar and community solar subscribers in D.C. connect to Pepco's distribution network, which has been a sticking point for solar advocates for years.
Who's actually voting
Jamal Holtz was sworn in Monday, November 9 at 1 p.m. in the Council Chamber, filling the vacancy left by Robert White's resignation to maintain his eligibility for the congressional delegate seat.
The appointment is on a limited basis, with plans to follow a full ad hoc party process, and Holtz is a fourth-generation Washingtonian. He grew up in Ward 8 and lives in Ward 6. 'I did not seek this role, but as a believer in process and in a system where the rules are clear for everyone, I accept my Party's nomination to serve in this role in a temporary capacity,' Holtz said.
Meanwhile, the two members who won seats on November 3 and whose arrivals will shift the Council's ideological center of gravity sit in a waiting room of sorts. The Council will gain two newcomers: democratic socialist Ward 1 councilmember-elect Aparna Raj and at-large councilmember-elect Dr. Oye Owolewa. Owolewa garnered nearly 70 percent of the vote, clinching the Democratic at-large seat currently held by outgoing Councilmember Anita Bonds. Raj won with 86 percent of the vote in Ward 1, running on a platform built around tenant protections, housing affordability, and union jobs.
Neither will vote Tuesday. The November 10 session belongs to the outgoing class, Bonds included, casting her last votes on emergency resolutions she herself introduced.
The budget shadow over all of it
None of this legislative activity happens in isolation from the fiscal picture. The city's FY2027 structural deficit has been the backdrop of D.C. politics since summer, and the emergency posture on nearly every item Monday, emergency declaration, emergency approval, emergency amendment, reflects not just deal timing but a Council trying to clear its plate before January 2.
Councilmember Zachary Parker is also requesting action on B26-0071, the Uniform Unregulated Child Custody Transfer Act of 2026, and Councilmember Brianne Nadeau has the Budget Support Act Implementation Facilitation Emergency Amendment Act on the docket. That Nadeau bill, though wonky in name, matters: it adjusts implementation of the FY2026 budget support act, which is the legal vehicle that set spending levels for the current fiscal year. Any adjustment to that law ripples through agency contracts and grant disbursements.
Nadeau is also leaving the Council in January, replaced by Raj. Her outgoing votes Monday are part of a broader passing of the torch that the November 10 meeting makes official, even if the ceremony for it comes later.
What D.C. Residents Should Watch
The firefighters' contract vote: Watch the emergency approval resolution for PR26-0824. Nine affirmative votes are needed. If any member signals opposition during the Committee of the Whole at 11 a.m., the floor vote that follows could get complicated.
The micromobility emergency amendment: The base law is already enacted, but the emergency amendment keeps standards active without a lapse. If it fails, enforcement authority goes fuzzy for small retailers, especially those selling budget e-bikes around Howard University and in Columbia Heights.
The Madrone student housing bonds: No public unit count or location has been released. Watch for Chairman Mendelson to present the emergency request notice, which typically includes a one-page project summary. That document will tell residents which neighborhood gets the housing and at what income levels.
The GRID Amendment: Community solar subscribers on Pepco's network, and anyone who has applied for a rooftop solar permit in the last year and been told interconnection is backed up, should watch how this bill is discussed in the Committee of the Whole. It doesn't fix the queue, but it creates the statutory foundation for fixing it.
The second at-large vacancy: The D.C. Board of Elections held a special meeting Monday to address the vacancy and next steps for the seat Owolewa won on November 3. His current term as shadow delegate runs until January 2027, meaning the city needs to sort out when exactly he transitions to the Council and what happens to his shadow seat.
The November 10 meeting begins, weather permitting, at 9 a.m. at 1350 Pennsylvania Avenue NW. All three sessions stream live via Zoom; registration links are posted at dccouncil.gov.
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CAN I KICK IT? screens New Jack City at the Sylvan Theater, Washington Monument, on Aug. 22. (Courtesy SHAOLIN JAZZ)
The live-cinema series CAN I KICK IT? returns to the National Mall this month with what its producers are calling the "Gangsters on the Mall" chapter of their free outdoor summer run. On Saturday, August 22, the SHAOLIN JAZZ production brings the 1991 crime classic New Jack City to the Sylvan Theater at the Washington Monument for a night of film, music, and community under the DC summer sky.
What sets the event apart is the sound. As the film plays, DJ 2-Tone Jones builds an original score in real time, reimagining one of the most iconic crime movies of the ’90s through hip-hop, soul, funk, and more. It is less a movie screening than a live performance built around the film.
The details:
Film: New Jack City (1991), with a live soundtrack by DJ 2-Tone Jones
When: Saturday, August 22 — seating opens at 7:30 p.m. (bring lawn chairs and blankets); film begins at 8:30 p.m.
Where: Sylvan Theater at the Washington Monument, Independence Ave SW & 15th St NW
A parking note from the organizers: expect road closures and restricted parking east of 14th Street NW due to a separate race event in the District. Roads west of 14th Street NW will be accessible and available for parking.
New Jack City is the second of three screenings in this year’s free CAN I KICK IT? outdoor series, which opened with Black Panther at Skyland Town Center and concludes with Scarface at the Lincoln Memorial on September 5. Produced by the Washington, DC-based multimedia arts company SHAOLIN JAZZ, the series has presented more than 150 live cinematic experiences at venues across the country, from Lincoln Center to SXSW.
"I wanted to be able to tell good stories with substance and remove the ‘ego’ out of the art," said Andrew Huang during a recent interview. Now, he’s building his career at the intersection of discipline, creativity and innovation.
Andrew Huang, founder of New Place Studios. (Courtesy photo)
As a Chinese American, Huang was reared with a deep respect for hard work, consistency and excellence. He describes his childhood as "not so affluent" and later attended college to hone his passion for videography. "In college I tried to do something I loved, which was video, but along the way I knew that I had to find a job. And so I thought, ‘what was the low hanging fruit to get to that stable 9 to 5 job?,’" he stated.
Later in life, Huang found himself working for corporations where his creativity was often limited, eventually leading to burnout. "I worked in a corporation for a long time and there were a lot of missing pieces. I wanted to fill in gaps missing in corporate video production," said Huang.
He later described how his upbringing and a mindset of "survival" led him toward a corporate career. However, his desire for balance and authentic storytelling ultimately pushed him to take the entrepreneurial leap.
"I founded a new place where you can create video and film with ‘substance and style,’" said Huang. His desire for work-life balance and passion for storytelling naturally evolved into a small business based in Virginia. With the launch of New Place Studios, the entrepreneur quickly found himself reconnecting with the values that would become the foundation of everything he creates behind the camera.
Huang said being a business owner has allowed him to first embrace himself. While others may see video as simply capturing moments, he sees it as a way to preserve stories that inspire, connect and leave a lasting imprint.
By combining cinematic visuals with cutting-edge production techniques and a keen understanding of branding, Huang helps organizations and individuals communicate their vision with purpose. He said understanding a client’s "why" serves as the compass for delivering the services they need.
One benefit of working with a small business, he said, is that clients get to see the production process unfold through a micro lens while working with the same faces throughout the entire project. "The work feels personal," said Huang.
Huang does not regret leaving behind the flash-over-substance mentality and corporate hustle culture. That does not mean the Asian American entrepreneur has been without challenges in the industry. "It’s relatively hard to find other Asian American creatives or people who would want to work with me in the DMV," said Huang.
He identifies the industry culture in which everyone is trying to blend in, creatives may fear displaying their Asian identity and some feel pressure to adopt an American corporate persona. He also points to what he describes as a level of gatekeeping within the industry. According to the U.S. Small Business Administration’s 2024 statistics, Asian American and Pacific Islander entrepreneurs own more than 3 million businesses and employ 5.2 million people in the United States.
After tapping into organizations such as SCORE, which offers free small business mentorship, New Place Studios has become a trusted creative partner throughout the DMV (Washington, D.C., Maryland and Virginia). The company produces a range of creative services, including commercials, corporate branding, documentaries, film, 2D animation, motion graphics and photography.
For Huang, entrepreneurship has become more than a departure from corporate life. It has given him the freedom to create with intention, build meaningful connections and tell stories that go beyond the surface.
The 2026 CAN I KICK IT? outdoor series. Poster courtesy of SHAOLIN JAZZ.
For three Saturdays this summer, some of Washington’s most familiar public spaces will do something they rarely do after dark: fill up with blankets, lawn chairs, and the sound of a movie being scored live, in real time. CAN I KICK IT?, the traveling “live cinema” series produced by the DC-based multimedia arts company SHAOLIN JAZZ, is bringing a free outdoor run to the city — pairing three era-defining films with an original soundtrack performed on the spot by DJ 2-Tone Jones.
The premise is what sets it apart from a normal screening in the park. Rather than simply pressing play, 2-Tone Jones builds a score as the film unfolds, pulling from hip-hop, soul, funk, jazz, rock, electronic music, and sounds from around the world. The result, the organizers say, is less a movie night than a one-time performance — the same film you know, wired to a soundtrack you have never heard and will not hear again. Guest DJs warm up the crowd starting at 7:30 PM before each 8:30 PM screening.
The 2026 outdoor schedule
All three events are free and open to the public.
Saturday, August 8 — Black Panther at Skyland Town Center. A pop-up marketplace and community activities kick off the evening; guest DJs at 7:30 PM, film at 8:30 PM. Marvel’s superhero epic gets a one-night-only live score in Southeast DC.
Saturday, August 22 — New Jack City at the Sylvan Theater, Washington Monument. Seating begins at 7:30 PM; the film starts at 8:30 PM. The 1991 crime drama plays out at the foot of one of the country’s most recognizable landmarks.
Saturday, September 5 — Scarface at the Lincoln Memorial. Seating at 7:30 PM; film at 8:30 PM. The series closes with Brian De Palma’s crime saga against the backdrop of the Memorial, scored live from start to finish.
First up: Black Panther at Skyland Town Center on August 8. Poster courtesy of SHAOLIN JAZZ.
A DC company with a national footprint
SHAOLIN JAZZ describes itself as a Washington-based arts company working at the intersection of music, film, art, and culture, and CAN I KICK IT? is its signature production. According to the organizers, the series has staged more than 150 live cinematic experiences around the country — at performing arts centers, museums, festivals, and cultural institutions including Lincoln Center in New York, SXSW, the Denver Center for the Performing Arts, Republic Square in Austin, the Tacoma Armory, and The Cary Theater.
“CAN I KICK IT? has always been about creating a shared experience,” said Gerald Watson, co-founder of SHAOLIN JAZZ. “When you combine iconic films with live music in public spaces, something special happens. People aren’t just watching a movie — they’re experiencing it together. That’s what makes these nights so memorable.”
Cinema as a community event
The DC run lands as cities across the country look for new ways to activate public space through arts and culture — and this series is a straightforward pitch for how to do it: take a landmark everyone already knows, add a film everyone has an opinion about, and let a live soundtrack turn the evening into something neighbors experience shoulder to shoulder. Families, film buffs, and music fans are all invited, and admission won’t cost a thing.
The CAN I KICK IT? outdoor series runs August 8, August 22, and September 5. All events are free; check SHAOLIN JAZZ (shaolinjazz.com) for the latest details and any weather updates before heading out.