DC has two significant new parking rules in effect. Since August 1, 2025, visitor parking permits on residential streets are fully digital, no paper permit on the dashboard. And in October 2026, the DC Council passed a bill letting businesses pay for extra parking enforcement on nearby streets.
In brief
DC has two significant new parking rules residents and visitors should know about. Since August 1, 2025, visitor parking permits on residential streets are entirely digital, no paper permit goes on the dashboard. Separately, in October 2026 the DC Council passed legislation allowing businesses and universities to pay for extra Department of Public Works parking enforcement on nearby streets, a bill now awaiting Mayor Muriel Bowser's signature.
The big change: paper visitor parking permits are gone
Starting August 1, 2025, DDOT moved to a fully digital Visitor Parking Permit (VPP) system. All visitor permits are now issued and verified electronically by license plate number. This means drivers are no longer required to print and display parking permits on the dashboards of their vehicles.
The District no longer offers the mailed paper Annual Visitor Parking Pass or the temporary 15-day parking permits from the Metropolitan Police Department (MPD). Everything runs through the ParkDC Permits portal at ddot.myparkinginfo.com.
How it works in practice: the host resident requests the pass through the DC DMV portal and activates it for specific plates and dates. Enforcement officers then verify permits using license plate numbers. The switch to digital permitting allows instantaneous approval, eliminates the wait for a mailed permit, and makes permits available over the phone at (202) 671-2631.
RPP sticker fees went up in March 2026
If you're a DC resident with a Residential Parking Permit (RPP), your renewal costs more than it used to. Effective March 30, 2026, the annual fee for the first vehicle registered at a legal mailing address rose from $50 to $55. The new fee structure applies to all eligible vehicles: $55 for the first vehicle, $80 for the second, $115 for the third, and $175 for each vehicle beyond the first three. Residents 65 and older get an exemption: one senior per household pays $35 for the first vehicle.
Businesses may soon be able to pay for more enforcement on your block
The DC Council passed the Strategic Parking Enforcement Enhancement Amendment Act in October 2026. The legislation, introduced by Councilmember Brianne Nadeau, would authorize Business Improvement Districts (BIDs) and other groups to pay for parking enforcement in certain areas.
The bill allows private parties to hire off-duty parking enforcement officers from the Department of Public Works Parking Enforcement Management Administration. It also authorizes campus police to issue parking tickets in narrowly defined zones on and immediately adjacent to their campuses. Howard, George Washington and Georgetown Universities have all expressed support for the legislation.
Fees from the $100 parking citations would go to the city, not to the businesses paying for enforcement. The bill moved to Mayor Muriel Bowser's desk, where she will sign or veto it.
Nadeau framed the goal plainly. "There's an important role for BIDs, universities, and other groups to help support the parking enforcement that benefits their corridors," she said, adding the goal is "changing behavior, making our busiest corridors safer for everyone, not to raise revenue."
The standing rules that still catch people off guard
None of these changes touch the rules that have tripped up DC drivers for years.
72-hour rule: You cannot leave a vehicle parked in the same spot on a public DC street for more than 72 consecutive hours, even if the spot is legal and you have paid.
Rush-hour towing: Certain DC streets prohibit parking during rush hours, typically 7 to 9 a.m. and 4 to 6:30 p.m. Park in one of those zones during restricted hours and your car will be towed, not ticketed.
Two-hour metered limit: Most metered spaces have a two-hour maximum. Moving to another spot on the same block does not reset the clock; your license plate is tracked.
Broken meters: Still expected to pay via ParkMobile. A broken meter is not an excuse DC accepts.
Metered rates and free days: The standard rate is $2.30 per hour, payable through the ParkMobile app. Most metered parking is free on Sundays and federal holidays.
WDCM Editorial is the byline on news and feature stories produced through Washington DC Magazine's editorial process — AI-assisted research, reviewed and approved by Editor-in-Chief Rod Wright.
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CAN I KICK IT? screens New Jack City at the Sylvan Theater, Washington Monument, on Aug. 22. (Courtesy SHAOLIN JAZZ)
The live-cinema series CAN I KICK IT? returns to the National Mall this month with what its producers are calling the "Gangsters on the Mall" chapter of their free outdoor summer run. On Saturday, August 22, the SHAOLIN JAZZ production brings the 1991 crime classic New Jack City to the Sylvan Theater at the Washington Monument for a night of film, music, and community under the DC summer sky.
What sets the event apart is the sound. As the film plays, DJ 2-Tone Jones builds an original score in real time, reimagining one of the most iconic crime movies of the ’90s through hip-hop, soul, funk, and more. It is less a movie screening than a live performance built around the film.
The details:
Film: New Jack City (1991), with a live soundtrack by DJ 2-Tone Jones
When: Saturday, August 22 — seating opens at 7:30 p.m. (bring lawn chairs and blankets); film begins at 8:30 p.m.
Where: Sylvan Theater at the Washington Monument, Independence Ave SW & 15th St NW
A parking note from the organizers: expect road closures and restricted parking east of 14th Street NW due to a separate race event in the District. Roads west of 14th Street NW will be accessible and available for parking.
New Jack City is the second of three screenings in this year’s free CAN I KICK IT? outdoor series, which opened with Black Panther at Skyland Town Center and concludes with Scarface at the Lincoln Memorial on September 5. Produced by the Washington, DC-based multimedia arts company SHAOLIN JAZZ, the series has presented more than 150 live cinematic experiences at venues across the country, from Lincoln Center to SXSW.
"I wanted to be able to tell good stories with substance and remove the ‘ego’ out of the art," said Andrew Huang during a recent interview. Now, he’s building his career at the intersection of discipline, creativity and innovation.
Andrew Huang, founder of New Place Studios. (Courtesy photo)
As a Chinese American, Huang was reared with a deep respect for hard work, consistency and excellence. He describes his childhood as "not so affluent" and later attended college to hone his passion for videography. "In college I tried to do something I loved, which was video, but along the way I knew that I had to find a job. And so I thought, ‘what was the low hanging fruit to get to that stable 9 to 5 job?,’" he stated.
Later in life, Huang found himself working for corporations where his creativity was often limited, eventually leading to burnout. "I worked in a corporation for a long time and there were a lot of missing pieces. I wanted to fill in gaps missing in corporate video production," said Huang.
He later described how his upbringing and a mindset of "survival" led him toward a corporate career. However, his desire for balance and authentic storytelling ultimately pushed him to take the entrepreneurial leap.
"I founded a new place where you can create video and film with ‘substance and style,’" said Huang. His desire for work-life balance and passion for storytelling naturally evolved into a small business based in Virginia. With the launch of New Place Studios, the entrepreneur quickly found himself reconnecting with the values that would become the foundation of everything he creates behind the camera.
Huang said being a business owner has allowed him to first embrace himself. While others may see video as simply capturing moments, he sees it as a way to preserve stories that inspire, connect and leave a lasting imprint.
By combining cinematic visuals with cutting-edge production techniques and a keen understanding of branding, Huang helps organizations and individuals communicate their vision with purpose. He said understanding a client’s "why" serves as the compass for delivering the services they need.
One benefit of working with a small business, he said, is that clients get to see the production process unfold through a micro lens while working with the same faces throughout the entire project. "The work feels personal," said Huang.
Huang does not regret leaving behind the flash-over-substance mentality and corporate hustle culture. That does not mean the Asian American entrepreneur has been without challenges in the industry. "It’s relatively hard to find other Asian American creatives or people who would want to work with me in the DMV," said Huang.
He identifies the industry culture in which everyone is trying to blend in, creatives may fear displaying their Asian identity and some feel pressure to adopt an American corporate persona. He also points to what he describes as a level of gatekeeping within the industry. According to the U.S. Small Business Administration’s 2024 statistics, Asian American and Pacific Islander entrepreneurs own more than 3 million businesses and employ 5.2 million people in the United States.
After tapping into organizations such as SCORE, which offers free small business mentorship, New Place Studios has become a trusted creative partner throughout the DMV (Washington, D.C., Maryland and Virginia). The company produces a range of creative services, including commercials, corporate branding, documentaries, film, 2D animation, motion graphics and photography.
For Huang, entrepreneurship has become more than a departure from corporate life. It has given him the freedom to create with intention, build meaningful connections and tell stories that go beyond the surface.
The 2026 CAN I KICK IT? outdoor series. Poster courtesy of SHAOLIN JAZZ.
For three Saturdays this summer, some of Washington’s most familiar public spaces will do something they rarely do after dark: fill up with blankets, lawn chairs, and the sound of a movie being scored live, in real time. CAN I KICK IT?, the traveling “live cinema” series produced by the DC-based multimedia arts company SHAOLIN JAZZ, is bringing a free outdoor run to the city — pairing three era-defining films with an original soundtrack performed on the spot by DJ 2-Tone Jones.
The premise is what sets it apart from a normal screening in the park. Rather than simply pressing play, 2-Tone Jones builds a score as the film unfolds, pulling from hip-hop, soul, funk, jazz, rock, electronic music, and sounds from around the world. The result, the organizers say, is less a movie night than a one-time performance — the same film you know, wired to a soundtrack you have never heard and will not hear again. Guest DJs warm up the crowd starting at 7:30 PM before each 8:30 PM screening.
The 2026 outdoor schedule
All three events are free and open to the public.
Saturday, August 8 — Black Panther at Skyland Town Center. A pop-up marketplace and community activities kick off the evening; guest DJs at 7:30 PM, film at 8:30 PM. Marvel’s superhero epic gets a one-night-only live score in Southeast DC.
Saturday, August 22 — New Jack City at the Sylvan Theater, Washington Monument. Seating begins at 7:30 PM; the film starts at 8:30 PM. The 1991 crime drama plays out at the foot of one of the country’s most recognizable landmarks.
Saturday, September 5 — Scarface at the Lincoln Memorial. Seating at 7:30 PM; film at 8:30 PM. The series closes with Brian De Palma’s crime saga against the backdrop of the Memorial, scored live from start to finish.
First up: Black Panther at Skyland Town Center on August 8. Poster courtesy of SHAOLIN JAZZ.
A DC company with a national footprint
SHAOLIN JAZZ describes itself as a Washington-based arts company working at the intersection of music, film, art, and culture, and CAN I KICK IT? is its signature production. According to the organizers, the series has staged more than 150 live cinematic experiences around the country — at performing arts centers, museums, festivals, and cultural institutions including Lincoln Center in New York, SXSW, the Denver Center for the Performing Arts, Republic Square in Austin, the Tacoma Armory, and The Cary Theater.
“CAN I KICK IT? has always been about creating a shared experience,” said Gerald Watson, co-founder of SHAOLIN JAZZ. “When you combine iconic films with live music in public spaces, something special happens. People aren’t just watching a movie — they’re experiencing it together. That’s what makes these nights so memorable.”
Cinema as a community event
The DC run lands as cities across the country look for new ways to activate public space through arts and culture — and this series is a straightforward pitch for how to do it: take a landmark everyone already knows, add a film everyone has an opinion about, and let a live soundtrack turn the evening into something neighbors experience shoulder to shoulder. Families, film buffs, and music fans are all invited, and admission won’t cost a thing.
The CAN I KICK IT? outdoor series runs August 8, August 22, and September 5. All events are free; check SHAOLIN JAZZ (shaolinjazz.com) for the latest details and any weather updates before heading out.
