A second D.C. jail lawsuit in three weeks says sewage flooded cells while officers ignored pleas for bleach
With a DOJ investigation already open and a new mayor set to take office, the city faces compounding legal pressure over conditions at the Central Detention Facility on D Street SE.
In brief
Why this matters right now
The D.C. government is about to change hands. Mayor-elect Janeese Lewis George won Tuesday night and will inherit every open lawsuit, every federal investigation, and every deferred infrastructure repair the Bowser administration leaves behind. One of the most urgent items landing on her desk: a second class-action lawsuit in three weeks against the District of Columbia over conditions inside the D.C. jail, filed just hours before Election Day polls closed.
The city now faces two active federal civil cases over what people held at the Central Detention Facility on D Street SE in Southeast say they have lived through. A Justice Department investigation is already open. And the government responsible for fixing the building has been, as of Tuesday night, a lame duck.
What the new lawsuit says
According to the suit, Christopher Brockington walked back to his cell in the D.C. jail and found water filled with feces and urine rising to his knees. He hoped to save his belongings, but the overflow had already gotten into his cell. Many of his clothes, books, and commissary food items were ruined. He said he stayed up waiting for bleach, but staff never brought it.
That is the detail that opens the newest filing. The lawsuit, reported by The Washington Post on November 3, describes raw sewage overflows and mold as pervasive conditions at the facility. One plaintiff is quoted saying "the toilets are like volcanoes waiting to erupt."
This is a separate filing from the food-contamination case filed in mid-October. That earlier suit, first reported by WTOP, was brought by six current or former inmates who said vermin had been getting into their meals for years. Attorney Kristin McGough told WTOP: "The problem is so pervasive that they're being cooked into the food, they're getting into the food while it's sitting, and they get served to the residents." Others in that suit said they found mice, parts of mice including tails, cockroaches, spiders, and rodent droppings in their meals.
The first complaint, filed in U.S. District Court for the District of Columbia by six people currently or formerly housed at the Central Detention Facility, alleged that since July 2023, inmates were served cockroaches in oatmeal, dead mice in salad, milk containers covered in mouse feces, and more, all while jail staff dismissed food safety concerns.
Now comes the sewage and mold suit. Together, the two cases paint a picture of a building in serious physical deterioration and a Department of Corrections that, plaintiffs argue, knew about it and kept going.
The DOJ investigation in the middle
The Justice Department announced on October 19 a federal investigation into whether conditions in the D.C. jail violate the Constitution. The investigation came days after The Washington Post wrote about inmates who filed the food-contamination class-action lawsuit.
The DOJ probe is civil, not criminal. It runs under the Civil Rights of Institutionalized Persons Act, which gives the federal government authority to investigate whether a government-run facility is systematically violating the constitutional rights of people held there. The Fifth Amendment's Due Process Clause requires that jail detainees be treated humanely and provided reasonably adequate sanitary conditions, medical care, and basic necessities.
What the DOJ probe means practically: federal investigators can inspect the facility, demand records, and ultimately pursue a consent decree that would put D.C. jail operations under a form of judicial oversight. That is a serious governance complication for any new mayor, not just a legal footnote.
What the plaintiffs want
The first lawsuit is demanding money damages for the named plaintiffs and class-action status for anyone currently or potentially detained before trial at the facility. The plaintiffs are seeking regular exterminator treatments at the jail beginning immediately, an order requiring that all food be stored in airtight containers, and a new policy governing daily food inspections at various stages of preparation.
The 50-page food-contamination complaint claims jail officials repeatedly dismissed complaints about contaminated food despite photographs, medical evaluations, incident reports, and body-camera footage documenting the incidents.
Attorney McGough told the Post that changes implemented by the jail in response to food-quality concerns showed the jail was aware that vermin in food was a problem but had tacitly allowed it to worsen. The lawsuit characterizes those changes, including food-tray inspection reminders and a form for reporting foreign objects, as "band aid" measures.
The sewage-and-mold lawsuit filed November 3 adds a separate set of conditions to the legal record. The two suits together now give a federal judge potentially two separate tracks of evidence about the same building.
The city's accountability gap
The D.C. Department of Corrections is a mayoral agency. It answers to whoever sits in the Mayor's Office at the John A. Wilson Building, one block from the White House. On Wednesday, November 4, Mayor Muriel Bowser met with advisors and staff at the Wilson Building, with no public events scheduled. She has fewer than three months left in office.
The Bowser administration has not responded publicly to the November 3 sewage suit as of Wednesday morning. The DOC did not respond to WTOP's request for comment in the original food-contamination story, according to that outlet's reporting.
Meanwhile, the District has elected a new mayor, Janeese Lewis George, for the first time in 12 years, and a new delegate to Congress, Robert White, for the first time in 36 years. White was forced to resign from his council seat Monday due to a legal technicality, and Lewis George is the sitting Ward 4 councilmember, meaning there are fresh vacancies on the 13-member body that is already welcoming two new faces elected Tuesday night.
That Council is the body that holds budget and oversight authority over DOC. If Lewis George is sworn in as mayor, a special election will be held to fill her Ward 4 seat. That special election has not been scheduled. Until it is, Ward 4 has no vote at the dais. The at-large seat White vacated needs filling too. White's move to the delegate race sets the stage for a second closely watched special election. Two vacancies at once is unusual and will test the council's bandwidth.
So the oversight body for the jail is itself short-handed, right as the jail faces the most legal scrutiny it has seen in years.
The building itself
The Central Detention Facility is old. The D Street SE structure has drawn criticism for decades. McGough told WTOP: "The jail's aging infrastructure, the outside of the building and where the dumpsters are placed in relation to the kitchen allow easy access of mice and other vermin, roaches mostly."
The new complaint argues that prior grievances, inspections, and audits should have prompted more effective action by District officials. In other words, plaintiffs aren't claiming the city didn't know. They're arguing the city knew, documented it, and kept doing what it was doing.
The District of Columbia is the sole defendant in the lawsuit. That means D.C. taxpayers are on the hook for any damages, and the new mayor will need a legal strategy for both suits within weeks of taking office in January.
What D.C. Residents Should Watch
DOJ investigation timeline. The Justice Department opened its probe on October 19 but has not set a public deadline for findings. Watch for any formal notice of findings or a consent decree proposal in the first quarter of 2027.
Lewis George's DOC agenda. The mayor-elect ran on a platform focused on cost of living and progressive governance. She has not laid out a specific position on the jail infrastructure crisis. Her transition team's response to the two pending lawsuits will be an early signal.
Council oversight hearings. The D.C. Board of Elections has not yet announced when the Ward 4 vacancy special election will be held. Until both vacancies are filled, the Council's committee structure for oversight of executive agencies is thinner than usual.
Class-action certification. The food-contamination lawsuit seeks monetary damages for the six named plaintiffs and class-action status on behalf of people currently or potentially detained before trial at the jail. If certified, the pool of plaintiffs, and the potential damages, grows significantly.
November 4 ANC meetings. ANC 3D, ANC 2F, and ANC 1C all hold public meetings tonight at 7 p.m. Any ANC near the jail catchment area in Wards 6 and 8 may take up the lawsuits as a neighborhood issue in coming weeks.
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CAN I KICK IT? screens New Jack City at the Sylvan Theater, Washington Monument, on Aug. 22. (Courtesy SHAOLIN JAZZ)
The live-cinema series CAN I KICK IT? returns to the National Mall this month with what its producers are calling the "Gangsters on the Mall" chapter of their free outdoor summer run. On Saturday, August 22, the SHAOLIN JAZZ production brings the 1991 crime classic New Jack City to the Sylvan Theater at the Washington Monument for a night of film, music, and community under the DC summer sky.
What sets the event apart is the sound. As the film plays, DJ 2-Tone Jones builds an original score in real time, reimagining one of the most iconic crime movies of the ’90s through hip-hop, soul, funk, and more. It is less a movie screening than a live performance built around the film.
The details:
Film: New Jack City (1991), with a live soundtrack by DJ 2-Tone Jones
When: Saturday, August 22 — seating opens at 7:30 p.m. (bring lawn chairs and blankets); film begins at 8:30 p.m.
Where: Sylvan Theater at the Washington Monument, Independence Ave SW & 15th St NW
A parking note from the organizers: expect road closures and restricted parking east of 14th Street NW due to a separate race event in the District. Roads west of 14th Street NW will be accessible and available for parking.
New Jack City is the second of three screenings in this year’s free CAN I KICK IT? outdoor series, which opened with Black Panther at Skyland Town Center and concludes with Scarface at the Lincoln Memorial on September 5. Produced by the Washington, DC-based multimedia arts company SHAOLIN JAZZ, the series has presented more than 150 live cinematic experiences at venues across the country, from Lincoln Center to SXSW.
"I wanted to be able to tell good stories with substance and remove the ‘ego’ out of the art," said Andrew Huang during a recent interview. Now, he’s building his career at the intersection of discipline, creativity and innovation.
Andrew Huang, founder of New Place Studios. (Courtesy photo)
As a Chinese American, Huang was reared with a deep respect for hard work, consistency and excellence. He describes his childhood as "not so affluent" and later attended college to hone his passion for videography. "In college I tried to do something I loved, which was video, but along the way I knew that I had to find a job. And so I thought, ‘what was the low hanging fruit to get to that stable 9 to 5 job?,’" he stated.
Later in life, Huang found himself working for corporations where his creativity was often limited, eventually leading to burnout. "I worked in a corporation for a long time and there were a lot of missing pieces. I wanted to fill in gaps missing in corporate video production," said Huang.
He later described how his upbringing and a mindset of "survival" led him toward a corporate career. However, his desire for balance and authentic storytelling ultimately pushed him to take the entrepreneurial leap.
"I founded a new place where you can create video and film with ‘substance and style,’" said Huang. His desire for work-life balance and passion for storytelling naturally evolved into a small business based in Virginia. With the launch of New Place Studios, the entrepreneur quickly found himself reconnecting with the values that would become the foundation of everything he creates behind the camera.
Huang said being a business owner has allowed him to first embrace himself. While others may see video as simply capturing moments, he sees it as a way to preserve stories that inspire, connect and leave a lasting imprint.
By combining cinematic visuals with cutting-edge production techniques and a keen understanding of branding, Huang helps organizations and individuals communicate their vision with purpose. He said understanding a client’s "why" serves as the compass for delivering the services they need.
One benefit of working with a small business, he said, is that clients get to see the production process unfold through a micro lens while working with the same faces throughout the entire project. "The work feels personal," said Huang.
Huang does not regret leaving behind the flash-over-substance mentality and corporate hustle culture. That does not mean the Asian American entrepreneur has been without challenges in the industry. "It’s relatively hard to find other Asian American creatives or people who would want to work with me in the DMV," said Huang.
He identifies the industry culture in which everyone is trying to blend in, creatives may fear displaying their Asian identity and some feel pressure to adopt an American corporate persona. He also points to what he describes as a level of gatekeeping within the industry. According to the U.S. Small Business Administration’s 2024 statistics, Asian American and Pacific Islander entrepreneurs own more than 3 million businesses and employ 5.2 million people in the United States.
After tapping into organizations such as SCORE, which offers free small business mentorship, New Place Studios has become a trusted creative partner throughout the DMV (Washington, D.C., Maryland and Virginia). The company produces a range of creative services, including commercials, corporate branding, documentaries, film, 2D animation, motion graphics and photography.
For Huang, entrepreneurship has become more than a departure from corporate life. It has given him the freedom to create with intention, build meaningful connections and tell stories that go beyond the surface.
The 2026 CAN I KICK IT? outdoor series. Poster courtesy of SHAOLIN JAZZ.
For three Saturdays this summer, some of Washington’s most familiar public spaces will do something they rarely do after dark: fill up with blankets, lawn chairs, and the sound of a movie being scored live, in real time. CAN I KICK IT?, the traveling “live cinema” series produced by the DC-based multimedia arts company SHAOLIN JAZZ, is bringing a free outdoor run to the city — pairing three era-defining films with an original soundtrack performed on the spot by DJ 2-Tone Jones.
The premise is what sets it apart from a normal screening in the park. Rather than simply pressing play, 2-Tone Jones builds a score as the film unfolds, pulling from hip-hop, soul, funk, jazz, rock, electronic music, and sounds from around the world. The result, the organizers say, is less a movie night than a one-time performance — the same film you know, wired to a soundtrack you have never heard and will not hear again. Guest DJs warm up the crowd starting at 7:30 PM before each 8:30 PM screening.
The 2026 outdoor schedule
All three events are free and open to the public.
Saturday, August 8 — Black Panther at Skyland Town Center. A pop-up marketplace and community activities kick off the evening; guest DJs at 7:30 PM, film at 8:30 PM. Marvel’s superhero epic gets a one-night-only live score in Southeast DC.
Saturday, August 22 — New Jack City at the Sylvan Theater, Washington Monument. Seating begins at 7:30 PM; the film starts at 8:30 PM. The 1991 crime drama plays out at the foot of one of the country’s most recognizable landmarks.
Saturday, September 5 — Scarface at the Lincoln Memorial. Seating at 7:30 PM; film at 8:30 PM. The series closes with Brian De Palma’s crime saga against the backdrop of the Memorial, scored live from start to finish.
First up: Black Panther at Skyland Town Center on August 8. Poster courtesy of SHAOLIN JAZZ.
A DC company with a national footprint
SHAOLIN JAZZ describes itself as a Washington-based arts company working at the intersection of music, film, art, and culture, and CAN I KICK IT? is its signature production. According to the organizers, the series has staged more than 150 live cinematic experiences around the country — at performing arts centers, museums, festivals, and cultural institutions including Lincoln Center in New York, SXSW, the Denver Center for the Performing Arts, Republic Square in Austin, the Tacoma Armory, and The Cary Theater.
“CAN I KICK IT? has always been about creating a shared experience,” said Gerald Watson, co-founder of SHAOLIN JAZZ. “When you combine iconic films with live music in public spaces, something special happens. People aren’t just watching a movie — they’re experiencing it together. That’s what makes these nights so memorable.”
Cinema as a community event
The DC run lands as cities across the country look for new ways to activate public space through arts and culture — and this series is a straightforward pitch for how to do it: take a landmark everyone already knows, add a film everyone has an opinion about, and let a live soundtrack turn the evening into something neighbors experience shoulder to shoulder. Families, film buffs, and music fans are all invited, and admission won’t cost a thing.
The CAN I KICK IT? outdoor series runs August 8, August 22, and September 5. All events are free; check SHAOLIN JAZZ (shaolinjazz.com) for the latest details and any weather updates before heading out.