James Talarico just did what no Democrat in Texas has done since 1988
A 37-year-old former schoolteacher and seminary student defeated Attorney General Ken Paxton in the most expensive Senate race in American history, flipping Texas blue and helping Democrats reclaim the Senate majority.
In brief
Democrat James Talarico defeated Republican Attorney General Ken Paxton in Texas' U.S. Senate race Tuesday night, pulling off the first Democratic statewide win in the Lone Star State since 1994 and the first Democratic Senate victory there since Lloyd Bentsen in 1988. The Associated Press called the race shortly after 10 p.m., and by Wednesday morning Talarico led by a margin that caught even optimistic Democrats off guard. The result is trending everywhere this morning because it is, without exaggeration, one of the most seismic single-seat results in modern American political history.
What happened
Talarico defeated Republican Ken Paxton in the race for the U.S. Senate, ending a three-decade Republican monopoly on statewide offices in Texas. By Wednesday morning, Talarico held about 55% of the vote, according to the Texas Secretary of State.
The Associated Press called the race for Talarico shortly after 10 p.m., as he led Paxton by margins that easily exceeded his narrow polling lead heading into Election Day. Paxton conceded at approximately 10:20 p.m. Speaking to a large crowd late Tuesday night, Talarico told supporters, "We just took back Texas."
The Senate drought for Texas Democrats extended back to 1988, when Rick Perry was still a Democratic state lawmaker, the Cowboys were coached by Tom Landry and Talarico was not yet born.
Who is James Talarico
Talarico, 37, is a former teacher and Presbyterian seminarian who identifies himself as a progressive Christian and ran on fighting corruption and lowering costs. A graduate of the University of Texas at Austin and Harvard University, he started pursuing a Master of Divinity at Austin Presbyterian Theological Seminary while serving in the Texas House.
A four-term state lawmaker from Austin, Talarico tied or led Paxton in most statewide polls starting in midsummer. He first rose to prominence in 2018 by flipping a heavily Republican state House district, which had voted for Donald Trump for president two years earlier.
He joined Joe Rogan's popular podcast for a three-hour conversation in which the host, who backed Trump in 2024, told Talarico he should run for president. That appearance became a cultural moment in its own right, a soft-spoken guy who quotes Scripture comfortably enough in a three-hour conversation with Rogan to leave the host saying, out loud, that he'd vote for him.
Texas has long been a white whale for Democrats, especially after 2018, when Beto O'Rourke came within 3 percentage points of unseating Sen. Ted Cruz and lifted a new class of down-ballot Democrats, including Talarico, who flipped a red House seat in Round Rock that year.
Who is Ken Paxton, and why Republicans picked him anyway
Paxton is a figure who has haunted Texas Republican politics for years. The Texas attorney general was impeached by the state House in 2023 on accusations of bribery, obstruction of justice and abuse of the public trust. He was later acquitted by the state Senate. Prosecutors ultimately dropped the fraud charges after he agreed to a pretrial diversion deal, victories that burnished his brand as a fighter persecuted by the political establishment.
On May 19, 2026, Donald Trump announced his endorsement for Paxton. Trump's backing cleared a path through a crowded primary. John Cornyn was defeated by Paxton in the primary after Trump endorsed Paxton. Cornyn, who had held the seat for more than two decades, was done in by the same MAGA energy that now cost the party the state.
Most polling heading into Election Day showed Talarico, a state legislator and seminarian, running ahead of Paxton, the scandal-plagued state attorney general who had faced criminal inquiries and narrowly dodged an impeachment conviction by his fellow Republicans in Austin.
The money: half a billion dollars and counting
This was not a normal Senate race by any financial measure. Between the general election and primaries, a combined $573.2 million was spent to advertise for either Paxton or Talarico. The race is considered one of the most expensive non-presidential electoral races in American history.
Elon Musk put more than $150 million into super PACs backing Republican Ken Paxton. Talarico raised $145 million for his own campaign, mostly from smaller donors, while Paxton's campaign raised $22 million.
Paxton was the largest beneficiary of outside spending, including $168 million from Musk to the Senate Leadership Fund, which went almost completely to supporting the Republican candidate, according to a New York Times analysis. The Times estimated that Musk had spent at least $212 million on Paxton, noting it was likely an undercount due to so-called "dark money" spending.
A Republican super PAC spent approximately $131 million in independent expenditures over 17 days supporting Paxton's Texas Senate bid, an average of about $7.7 million per day, according to Federal Election Commission filings reviewed by Newsweek. Texas PAC, the entity connected to Senate Majority Leader John Thune, spent $131 million through the end of September, dwarfing all other groups.
Talarico's response on the trail was simple and consistent. "Texas is not for sale," he said often on the campaign trail, arguing that the inflated spending blitz made clear the urgent need for checks on powerful interests. Voters, apparently, agreed.
The campaign: manhood, faith, and false attacks
The Republican strategy in this race was striking for how personal and culturally specific it got. In what became the most expensive Senate race in state history, Paxton attacked Talarico on questions of manliness, characterizing the Democrat as "low-T," a reference to testosterone levels that influencers in the manosphere often use.
White House deputy chief of staff Stephen Miller, a top adviser to Trump, called Talarico the "first transgender Senate candidate." Talarico is cisgender and in a relationship with a woman. Miller said, "He's clearly transitioning into a female."
Paxton's campaign also focused on Talarico's previous support of transgender rights, including through an array of AI-generated ads broadcast across the state and highlighting a 2021 remark in which he said, "God is nonbinary." Talarico, a seminarian and aspiring Presbyterian minister, said this on the Texas House floor in 2021.
Republicans also attempted to portray him as vegan, another attack rooted in the manosphere's association between dietary choices and masculinity.
Talarico did not run away from his faith. He leaned into it. Though he focused his campaign on questions of costs and corruption, the Democrat leveraged his religious background when talking about issues such as LGBTQ+ rights and abortion. Texas Democratic strategist Matt Angle said Talarico is "a particular problem for them because he talks about his faith with passion and authenticity that conflicts with Texas Republicans' pray and hate model."
He did soften some previous positions on transgender rights during the campaign. Talarico stated that he would oppose transgender girls participating in school sports if doing so endangered safety or fairness.
What the broader 2026 map means for this result
Talarico led the polling average for the entire general election, in a cycle in which Trump's plummeting popularity and high everyday costs put Republicans on their heels across the country.
His win came atop a Democratic ticket that took over most of Texas' statewide offices in a historic GOP wipeout. Texas Democrats had not just been thirsty for one win here. The 2026 environment, with Trump deep into a second term and consumer costs still biting, gave the whole party infrastructure a boost it hadn't felt since Ann Richards was governor.
Talarico overcame a $168 million ad assault by the world's wealthiest man and rebuked the MAGA movement in a state President Donald Trump won handily three times. The loss for Musk personally is notable. He spent lavishly, publicly, and repeatedly on this race, and it did not move the needle enough.
Talarico worked to build an unlikely coalition that included plenty of folks who had been reliably Republican votes in the recent past. Suburban women in the Dallas-Fort Worth and Houston metro areas were a key part of that coalition, as were younger voters who showed up in numbers that surprised both parties' internal models.
What happens to Ted Cruz and the Texas GOP now
Ted Cruz was not on the ballot Tuesday. Sen. Ted Cruz is not up for election this year, but he had been campaigning across his home state as though he were, making a spirited case for Paxton's Republican Senate bid. Cruz now returns to Washington as the state's senior senator, but in a Texas that just elected a Democrat to sit next to him. Cruz faces re-election in 2030. The question his party will be asking between now and then is whether Tuesday was a fluke tied to a rough national environment for Republicans, or whether the state's demographics have finally crossed the threshold that Democrats have been predicting for fifteen years.
Talarico's victory marks the first time in 38 years that Texas has elected a Democrat to the Senate. Talarico plans to focus on issues like the cost of living and corruption during his time in office.
Paxton, for his part, took the loss with public grace. After conceding, Paxton told gathered supporters he will be praying for Talarico to do well in his new role and represent the people of Texas well. That is a considerably more gracious exit than his behavior during the impeachment proceedings suggested he was capable of.
The bottom line on the money question
The sheer scale of spending in this race raises a question that goes beyond Texas. If $212 million from a single billionaire cannot save a Senate seat in a state Donald Trump carried by double digits two years ago, what exactly does that level of outside money buy? Total spending in the race ran well over $500 million. The two sides paid for their campaigns in different ways. Most of the money working on Paxton's behalf came from outside groups, not from his own campaign. Musk's contributions alone came to more than six times what Paxton's campaign raised.
Talarico's answer, repeated in town halls from El Paso to Galveston, was that money floods in when candidates and parties are weak on their own. He made the spending itself into an argument. It worked.
Speaking to supporters Tuesday night, Talarico said: "We just took back Texas." Then he added: "The people of Texas, you were my slingshot and tonight we defeated Goliath."
Sources
Texas Tribune, James Talarico defeats Ken Paxton, giving Democrats their first U.S. Senate win in Texas since 1988
NBC News, Democrat James Talarico turns Texas blue, defeating Ken Paxton
CBS News, James Talarico wins Texas 2026 Senate election
Rodriquez Wright II is founder and editor-in-chief of Washington DC Magazine and founder of Leo Operations. Photographer, filmmaker, strategist and recording artist. NABJ member.
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CAN I KICK IT? screens New Jack City at the Sylvan Theater, Washington Monument, on Aug. 22. (Courtesy SHAOLIN JAZZ)
The live-cinema series CAN I KICK IT? returns to the National Mall this month with what its producers are calling the "Gangsters on the Mall" chapter of their free outdoor summer run. On Saturday, August 22, the SHAOLIN JAZZ production brings the 1991 crime classic New Jack City to the Sylvan Theater at the Washington Monument for a night of film, music, and community under the DC summer sky.
What sets the event apart is the sound. As the film plays, DJ 2-Tone Jones builds an original score in real time, reimagining one of the most iconic crime movies of the ’90s through hip-hop, soul, funk, and more. It is less a movie screening than a live performance built around the film.
The details:
Film: New Jack City (1991), with a live soundtrack by DJ 2-Tone Jones
When: Saturday, August 22 — seating opens at 7:30 p.m. (bring lawn chairs and blankets); film begins at 8:30 p.m.
Where: Sylvan Theater at the Washington Monument, Independence Ave SW & 15th St NW
A parking note from the organizers: expect road closures and restricted parking east of 14th Street NW due to a separate race event in the District. Roads west of 14th Street NW will be accessible and available for parking.
New Jack City is the second of three screenings in this year’s free CAN I KICK IT? outdoor series, which opened with Black Panther at Skyland Town Center and concludes with Scarface at the Lincoln Memorial on September 5. Produced by the Washington, DC-based multimedia arts company SHAOLIN JAZZ, the series has presented more than 150 live cinematic experiences at venues across the country, from Lincoln Center to SXSW.
"I wanted to be able to tell good stories with substance and remove the ‘ego’ out of the art," said Andrew Huang during a recent interview. Now, he’s building his career at the intersection of discipline, creativity and innovation.
Andrew Huang, founder of New Place Studios. (Courtesy photo)
As a Chinese American, Huang was reared with a deep respect for hard work, consistency and excellence. He describes his childhood as "not so affluent" and later attended college to hone his passion for videography. "In college I tried to do something I loved, which was video, but along the way I knew that I had to find a job. And so I thought, ‘what was the low hanging fruit to get to that stable 9 to 5 job?,’" he stated.
Later in life, Huang found himself working for corporations where his creativity was often limited, eventually leading to burnout. "I worked in a corporation for a long time and there were a lot of missing pieces. I wanted to fill in gaps missing in corporate video production," said Huang.
He later described how his upbringing and a mindset of "survival" led him toward a corporate career. However, his desire for balance and authentic storytelling ultimately pushed him to take the entrepreneurial leap.
"I founded a new place where you can create video and film with ‘substance and style,’" said Huang. His desire for work-life balance and passion for storytelling naturally evolved into a small business based in Virginia. With the launch of New Place Studios, the entrepreneur quickly found himself reconnecting with the values that would become the foundation of everything he creates behind the camera.
Huang said being a business owner has allowed him to first embrace himself. While others may see video as simply capturing moments, he sees it as a way to preserve stories that inspire, connect and leave a lasting imprint.
By combining cinematic visuals with cutting-edge production techniques and a keen understanding of branding, Huang helps organizations and individuals communicate their vision with purpose. He said understanding a client’s "why" serves as the compass for delivering the services they need.
One benefit of working with a small business, he said, is that clients get to see the production process unfold through a micro lens while working with the same faces throughout the entire project. "The work feels personal," said Huang.
Huang does not regret leaving behind the flash-over-substance mentality and corporate hustle culture. That does not mean the Asian American entrepreneur has been without challenges in the industry. "It’s relatively hard to find other Asian American creatives or people who would want to work with me in the DMV," said Huang.
He identifies the industry culture in which everyone is trying to blend in, creatives may fear displaying their Asian identity and some feel pressure to adopt an American corporate persona. He also points to what he describes as a level of gatekeeping within the industry. According to the U.S. Small Business Administration’s 2024 statistics, Asian American and Pacific Islander entrepreneurs own more than 3 million businesses and employ 5.2 million people in the United States.
After tapping into organizations such as SCORE, which offers free small business mentorship, New Place Studios has become a trusted creative partner throughout the DMV (Washington, D.C., Maryland and Virginia). The company produces a range of creative services, including commercials, corporate branding, documentaries, film, 2D animation, motion graphics and photography.
For Huang, entrepreneurship has become more than a departure from corporate life. It has given him the freedom to create with intention, build meaningful connections and tell stories that go beyond the surface.
The 2026 CAN I KICK IT? outdoor series. Poster courtesy of SHAOLIN JAZZ.
For three Saturdays this summer, some of Washington’s most familiar public spaces will do something they rarely do after dark: fill up with blankets, lawn chairs, and the sound of a movie being scored live, in real time. CAN I KICK IT?, the traveling “live cinema” series produced by the DC-based multimedia arts company SHAOLIN JAZZ, is bringing a free outdoor run to the city — pairing three era-defining films with an original soundtrack performed on the spot by DJ 2-Tone Jones.
The premise is what sets it apart from a normal screening in the park. Rather than simply pressing play, 2-Tone Jones builds a score as the film unfolds, pulling from hip-hop, soul, funk, jazz, rock, electronic music, and sounds from around the world. The result, the organizers say, is less a movie night than a one-time performance — the same film you know, wired to a soundtrack you have never heard and will not hear again. Guest DJs warm up the crowd starting at 7:30 PM before each 8:30 PM screening.
The 2026 outdoor schedule
All three events are free and open to the public.
Saturday, August 8 — Black Panther at Skyland Town Center. A pop-up marketplace and community activities kick off the evening; guest DJs at 7:30 PM, film at 8:30 PM. Marvel’s superhero epic gets a one-night-only live score in Southeast DC.
Saturday, August 22 — New Jack City at the Sylvan Theater, Washington Monument. Seating begins at 7:30 PM; the film starts at 8:30 PM. The 1991 crime drama plays out at the foot of one of the country’s most recognizable landmarks.
Saturday, September 5 — Scarface at the Lincoln Memorial. Seating at 7:30 PM; film at 8:30 PM. The series closes with Brian De Palma’s crime saga against the backdrop of the Memorial, scored live from start to finish.
First up: Black Panther at Skyland Town Center on August 8. Poster courtesy of SHAOLIN JAZZ.
A DC company with a national footprint
SHAOLIN JAZZ describes itself as a Washington-based arts company working at the intersection of music, film, art, and culture, and CAN I KICK IT? is its signature production. According to the organizers, the series has staged more than 150 live cinematic experiences around the country — at performing arts centers, museums, festivals, and cultural institutions including Lincoln Center in New York, SXSW, the Denver Center for the Performing Arts, Republic Square in Austin, the Tacoma Armory, and The Cary Theater.
“CAN I KICK IT? has always been about creating a shared experience,” said Gerald Watson, co-founder of SHAOLIN JAZZ. “When you combine iconic films with live music in public spaces, something special happens. People aren’t just watching a movie — they’re experiencing it together. That’s what makes these nights so memorable.”
Cinema as a community event
The DC run lands as cities across the country look for new ways to activate public space through arts and culture — and this series is a straightforward pitch for how to do it: take a landmark everyone already knows, add a film everyone has an opinion about, and let a live soundtrack turn the evening into something neighbors experience shoulder to shoulder. Families, film buffs, and music fans are all invited, and admission won’t cost a thing.
The CAN I KICK IT? outdoor series runs August 8, August 22, and September 5. All events are free; check SHAOLIN JAZZ (shaolinjazz.com) for the latest details and any weather updates before heading out.