America's Forgotten Revolution: How the Founders Separated Church and State
The US founders made a radical choice to separate religion and government. Here's what that decision means for Washington DC and American democracy in 2026.
In brief
The US founders' decision to separate religion from government was one of the most radical acts of the American Revolution — not a footnote, but a cornerstone. Enshrined in the First Amendment, the Establishment Clause was a deliberate break from European state churches. In 2026, as federal courts and Congress revisit those boundaries, that founding choice has never been more consequential.
KEY TAKEAWAYS
The First Amendment's Establishment Clause — ratified in 1791 — was a conscious rejection of the European model of state religion, championed by James Madison and Thomas Jefferson.
In 2026, federal policy debates over school vouchers, faith-based contracting, and Supreme Court precedent are actively redrawing church-state boundaries.
Legal scholars cite Kennedy v. Bremerton School District (2022) as the pivot point that shifted Establishment Clause jurisprudence away from strict separation.
Washington DC sits at the center of this tension — as both the seat of federal power and a city where more than 65% of residents identify as religious, per Pew Research data.
Civil liberties organizations including the ACLU and Americans United for Separation of Church and State are escalating legal challenges across multiple federal circuits.
The Revolutionary Bargain: What Madison and Jefferson Actually Built
When James Madison drafted the Bill of Rights in 1789, he wasn't writing abstract philosophy — he was settling a political fight. Virginia's bitter battles over Patrick Henry's proposed tax to support Christian ministers had convinced Madison that government entanglement with religion corrupted both institutions. His solution, refined through correspondence with Thomas Jefferson, became the sixteen words of the Establishment Clause: "Congress shall make no law respecting an establishment of religion."
This was not a passive neutrality. As the First Amendment Encyclopedia at Middle Tennessee State University documents, Madison explicitly opposed even congressional chaplains and presidential prayer proclamations — positions more separationist than most modern advocates hold. Jefferson's famous 1802 letter to the Danbury Baptist Association, coining the phrase "wall of separation between church and state," wasn't rhetorical flourish. It was a policy statement from a sitting president.
The founders were not uniformly secular. George Washington invoked Providence constantly. John Adams signed the Treaty of Tripoli, which declared the United States "in no sense founded on the Christian religion" — a statement that reads as radical today as it did routine in 1797. What united them was a shared fear: that any government empowered to favor one religion could be empowered to persecute another.
For deeper context on how these dynamics play out in today's Washington power structures, see WDCM's DC Politics Guide 2026.
Kennedy v. Bremerton and the Supreme Court's Doctrinal Shift
The legal architecture Madison built held — with modifications — for nearly two centuries. The Supreme Court's 1947 Everson v. Board of Education ruling formally incorporated the Establishment Clause against the states. Lemon v. Kurtzman (1971) gave courts a three-part test to evaluate religious entanglement. For fifty years, that framework, however imperfect, provided a working boundary.
The Roberts Court dismantled it. The 2022 ruling in Kennedy v. Bremerton School District — a 6-3 decision written by Justice Neil Gorsuch — formally retired the Lemon test and replaced it with a "historical practices and understandings" standard. Critics, including the three dissenting justices, warned the new standard was vague enough to permit substantial government endorsement of religion. Justice Sonia Sotomayor's dissent accused the majority of "paying almost exclusive attention to the coach's interests" while ignoring students' coercive environment.
The practical consequences arrived quickly. Federal and state courts began applying the new standard to cases involving religious displays on public property, faith-based organization funding, and religious exemptions from anti-discrimination laws. Legal scholars at Georgetown University Law Center in Northwest DC have tracked more than 40 significant Establishment Clause cases filed in federal courts since the Kennedy ruling.
Why This Matters in Washington: Federal Policy on the Fault Line
Washington DC is not a bystander in this debate — it's the arena. Capitol Hill lawmakers have introduced multiple pieces of legislation in the 119th Congress that directly implicate church-state boundaries: school voucher expansions that direct federal dollars to religious institutions, faith-based contractor carve-outs from LGBTQ+ non-discrimination requirements, and proposed amendments to the Religious Freedom Restoration Act.
The Department of Education's increased flexibility for state voucher programs — which NPR has documented as part of a broader post-Kennedy shift — funnels billions in public funds to religiously affiliated schools with limited federal oversight. Advocates for the policy argue parents deserve educational choice regardless of a school's religious identity. Opponents, including the National Education Association and Americans United for Separation of Church and State, counter that the arrangement violates the spirit of the Establishment Clause Madison wrote.
At the same time, the Office of Faith-Based and Neighborhood Partnerships — housed inside the White House complex — continues to serve as the institutional bridge between federal grant-making and religious organizations. Founded under President George W. Bush and maintained through successive administrations, the office distributes federal funding to faith-based service providers. The White House's own documentation frames this as community partnership. Civil libertarians frame it as exactly the entanglement Madison warned against.
Track the power players shaping these federal policy decisions on WDCM's DC Power Players Index.
The Public Opinion Divide — and What Pew Research Shows
Americans have never reached consensus on church-state separation, and 2026 data confirms the divide is deepening along partisan, generational, and denominational lines. Pew Research Center's landmark survey found that while 73% of Americans believe the Constitution separates religion and government, only 44% say they want the U.S. to be a "Christian nation" — but that 44% skews heavily toward Republican-identifying evangelicals who hold disproportionate influence in the current congressional majority.
In DC itself, the contradiction runs deep. Ward 4 and Ward 8 — both majority Black neighborhoods with historically strong church ties — show some of the highest religious participation rates in the city alongside some of the strongest support for public school funding. Howard University Divinity School scholars have written extensively about how the Black church tradition in America has simultaneously embraced faith in civic life while opposing government favoritism toward any single denomination — a nuance that gets lost in national debates that flatten "religious voters" into a monolithic bloc.
For WDCM's coverage of Howard University's role in DC's civic and intellectual life, see our Howard & HBCU Guide.
What the National Catholic Reporter's Analysis Gets Right — and What It Misses
The National Catholic Reporter's framing of the founders' choice as "revolutionary" is accurate and underappreciated. Most public debate treats church-state separation as either obvious or under siege, rarely pausing to recognize how genuinely unprecedented it was in 1791. No major Western nation had attempted it. England had its established church. France was a decade from violent anti-clerical revolution. The American founders chose a third path: government neutrality without hostility.
Where the framing invites deeper examination is on the question of whose revolution this was. Enslaved Black Americans were legally excluded from the constitutional bargain. Indigenous religious practices were actively suppressed by federal policy well into the 20th century. The "wall of separation" Madison celebrated was built on land where religious freedom was selectively applied. Contemporary legal scholars — including those at the ACLU's Washington Legislative Office on 15th Street NW — argue that a complete history of church-state separation must account for those exclusions to accurately assess what the founders built and what remains unfinished.
Forward Prediction: Three Legal Battles That Will Define the Next Decade
Three cases moving through the federal circuit courts in 2026 will likely determine whether Kennedy v. Bremerton represents the new ceiling or just the floor of church-state entanglement. First, a challenge to Oklahoma's state-funded Catholic virtual charter school — the first of its kind — is positioned for Supreme Court review. Second, litigation over federal funding to religiously affiliated adoption agencies that refuse LGBTQ+ placements continues in the Fourth Circuit, which covers Maryland and Virginia. Third, a challenge to military chaplaincy funding structures — dormant for decades — has been revived by secular legal advocacy groups.
Each case will force the Roberts Court to clarify exactly what the "historical practices" standard means in practice. The outcomes will reshape federal policy from Pentagon contracting to Title I education funding. Washington's lobbying corridor on K Street is already tracking all three.
Follow WDCM's ongoing coverage of federal policy shifts under our Politics and Power Moves tags.
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FAQ: Church-State Separation in America
Q: What does the First Amendment actually say about religion? A: The First Amendment contains two religion clauses. The Establishment Clause prohibits Congress from making any law "respecting an establishment of religion." The Free Exercise Clause prohibits laws "prohibiting the free exercise thereof." These two clauses are often in tension — protecting religious practice while preventing government endorsement of religion.
Q: Did the US founders intend a strict separation of church and state? A: The founders were divided. James Madison and Thomas Jefferson favored strict separation. George Washington and John Adams used more religious language in public addresses but opposed a national church. The historical record shows consensus against establishing a state religion, but significant disagreement about how much government could accommodate or reference religion in public life.
Q: What changed after Kennedy v. Bremerton School District in 2022? A: The Supreme Court's 6-3 ruling retired the 50-year-old Lemon test for Establishment Clause cases and replaced it with a "historical practices and understandings" standard. This gave courts more flexibility to permit government accommodation of religion, and critics argue it opened the door to government endorsement of religion in ways previously prohibited.
Q: Can federal money go to religious schools under current law? A: Yes, under current Supreme Court precedent. The 2020 ruling in Espinoza v. Montana Department of Revenue held that states cannot exclude religious schools from otherwise available public aid programs. Combined with Kennedy, this has accelerated the flow of federal and state voucher dollars to religiously affiliated private schools.
Q: How does church-state separation play out differently in Washington DC? A: DC is simultaneously the seat of federal power and a city with deep religious communities in virtually every ward. Federal policy decisions made in Congress and the White House directly affect how public funds interact with DC's own faith-based service providers, schools, and community organizations — making the debate more immediately tangible here than in most American cities.
Q: What is the Office of Faith-Based and Neighborhood Partnerships? A: It is a White House office, created under President George W. Bush in 2001, that coordinates federal grant-making to faith-based and community organizations. It has operated under every subsequent administration and serves as the primary institutional channel through which religious organizations access federal funding for social services.
The bottom line: The founders' choice to separate religion from government was genuinely revolutionary — and genuinely unfinished. James Madison designed a wall, but American history has spent 235 years arguing about its height, its materials, and who gets to stand on which side of it. In 2026, with the Supreme Court having dismantled its own fifty-year framework and federal policy actively channeling public dollars to religious institutions, that argument is no longer theoretical. The cases moving through the Fourth Circuit and toward One First Street NE will answer, in concrete legal terms, what the founders' revolutionary bargain actually means for the nation they left behind.
What to watch next: Monitor the Supreme Court's decision on Oklahoma's state-funded Catholic virtual charter school — expected in the October 2026 term — as the ruling will set the definitive post-Kennedy standard for public funding of religious education. WDCM will track every filing, oral argument, and decision as it happens. Subscribe to our DC Politics Guide for continuous updates on federal church-state litigation and the lawmakers driving the policy debate on Capitol Hill.
Reporting drawn from: National Catholic Reporter. Washington DC Magazine provides original analysis, DC-specific context, and editorial perspective beyond the source material.This article was produced with AI assistance and reviewed by WDCM editorial staff. Washington DC Magazine is committed to accuracy, transparency, and editorial integrity. If you believe any information in this article requires correction, please contact editor@washingtondcmagazine.com.
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CAN I KICK IT? screens New Jack City at the Sylvan Theater, Washington Monument, on Aug. 22. (Courtesy SHAOLIN JAZZ)
The live-cinema series CAN I KICK IT? returns to the National Mall this month with what its producers are calling the "Gangsters on the Mall" chapter of their free outdoor summer run. On Saturday, August 22, the SHAOLIN JAZZ production brings the 1991 crime classic New Jack City to the Sylvan Theater at the Washington Monument for a night of film, music, and community under the DC summer sky.
What sets the event apart is the sound. As the film plays, DJ 2-Tone Jones builds an original score in real time, reimagining one of the most iconic crime movies of the ’90s through hip-hop, soul, funk, and more. It is less a movie screening than a live performance built around the film.
The details:
Film: New Jack City (1991), with a live soundtrack by DJ 2-Tone Jones
When: Saturday, August 22 — seating opens at 7:30 p.m. (bring lawn chairs and blankets); film begins at 8:30 p.m.
Where: Sylvan Theater at the Washington Monument, Independence Ave SW & 15th St NW
A parking note from the organizers: expect road closures and restricted parking east of 14th Street NW due to a separate race event in the District. Roads west of 14th Street NW will be accessible and available for parking.
New Jack City is the second of three screenings in this year’s free CAN I KICK IT? outdoor series, which opened with Black Panther at Skyland Town Center and concludes with Scarface at the Lincoln Memorial on September 5. Produced by the Washington, DC-based multimedia arts company SHAOLIN JAZZ, the series has presented more than 150 live cinematic experiences at venues across the country, from Lincoln Center to SXSW.
"I wanted to be able to tell good stories with substance and remove the ‘ego’ out of the art," said Andrew Huang during a recent interview. Now, he’s building his career at the intersection of discipline, creativity and innovation.
Andrew Huang, founder of New Place Studios. (Courtesy photo)
As a Chinese American, Huang was reared with a deep respect for hard work, consistency and excellence. He describes his childhood as "not so affluent" and later attended college to hone his passion for videography. "In college I tried to do something I loved, which was video, but along the way I knew that I had to find a job. And so I thought, ‘what was the low hanging fruit to get to that stable 9 to 5 job?,’" he stated.
Later in life, Huang found himself working for corporations where his creativity was often limited, eventually leading to burnout. "I worked in a corporation for a long time and there were a lot of missing pieces. I wanted to fill in gaps missing in corporate video production," said Huang.
He later described how his upbringing and a mindset of "survival" led him toward a corporate career. However, his desire for balance and authentic storytelling ultimately pushed him to take the entrepreneurial leap.
"I founded a new place where you can create video and film with ‘substance and style,’" said Huang. His desire for work-life balance and passion for storytelling naturally evolved into a small business based in Virginia. With the launch of New Place Studios, the entrepreneur quickly found himself reconnecting with the values that would become the foundation of everything he creates behind the camera.
Huang said being a business owner has allowed him to first embrace himself. While others may see video as simply capturing moments, he sees it as a way to preserve stories that inspire, connect and leave a lasting imprint.
By combining cinematic visuals with cutting-edge production techniques and a keen understanding of branding, Huang helps organizations and individuals communicate their vision with purpose. He said understanding a client’s "why" serves as the compass for delivering the services they need.
One benefit of working with a small business, he said, is that clients get to see the production process unfold through a micro lens while working with the same faces throughout the entire project. "The work feels personal," said Huang.
Huang does not regret leaving behind the flash-over-substance mentality and corporate hustle culture. That does not mean the Asian American entrepreneur has been without challenges in the industry. "It’s relatively hard to find other Asian American creatives or people who would want to work with me in the DMV," said Huang.
He identifies the industry culture in which everyone is trying to blend in, creatives may fear displaying their Asian identity and some feel pressure to adopt an American corporate persona. He also points to what he describes as a level of gatekeeping within the industry. According to the U.S. Small Business Administration’s 2024 statistics, Asian American and Pacific Islander entrepreneurs own more than 3 million businesses and employ 5.2 million people in the United States.
After tapping into organizations such as SCORE, which offers free small business mentorship, New Place Studios has become a trusted creative partner throughout the DMV (Washington, D.C., Maryland and Virginia). The company produces a range of creative services, including commercials, corporate branding, documentaries, film, 2D animation, motion graphics and photography.
For Huang, entrepreneurship has become more than a departure from corporate life. It has given him the freedom to create with intention, build meaningful connections and tell stories that go beyond the surface.
The 2026 CAN I KICK IT? outdoor series. Poster courtesy of SHAOLIN JAZZ.
For three Saturdays this summer, some of Washington’s most familiar public spaces will do something they rarely do after dark: fill up with blankets, lawn chairs, and the sound of a movie being scored live, in real time. CAN I KICK IT?, the traveling “live cinema” series produced by the DC-based multimedia arts company SHAOLIN JAZZ, is bringing a free outdoor run to the city — pairing three era-defining films with an original soundtrack performed on the spot by DJ 2-Tone Jones.
The premise is what sets it apart from a normal screening in the park. Rather than simply pressing play, 2-Tone Jones builds a score as the film unfolds, pulling from hip-hop, soul, funk, jazz, rock, electronic music, and sounds from around the world. The result, the organizers say, is less a movie night than a one-time performance — the same film you know, wired to a soundtrack you have never heard and will not hear again. Guest DJs warm up the crowd starting at 7:30 PM before each 8:30 PM screening.
The 2026 outdoor schedule
All three events are free and open to the public.
Saturday, August 8 — Black Panther at Skyland Town Center. A pop-up marketplace and community activities kick off the evening; guest DJs at 7:30 PM, film at 8:30 PM. Marvel’s superhero epic gets a one-night-only live score in Southeast DC.
Saturday, August 22 — New Jack City at the Sylvan Theater, Washington Monument. Seating begins at 7:30 PM; the film starts at 8:30 PM. The 1991 crime drama plays out at the foot of one of the country’s most recognizable landmarks.
Saturday, September 5 — Scarface at the Lincoln Memorial. Seating at 7:30 PM; film at 8:30 PM. The series closes with Brian De Palma’s crime saga against the backdrop of the Memorial, scored live from start to finish.
First up: Black Panther at Skyland Town Center on August 8. Poster courtesy of SHAOLIN JAZZ.
A DC company with a national footprint
SHAOLIN JAZZ describes itself as a Washington-based arts company working at the intersection of music, film, art, and culture, and CAN I KICK IT? is its signature production. According to the organizers, the series has staged more than 150 live cinematic experiences around the country — at performing arts centers, museums, festivals, and cultural institutions including Lincoln Center in New York, SXSW, the Denver Center for the Performing Arts, Republic Square in Austin, the Tacoma Armory, and The Cary Theater.
“CAN I KICK IT? has always been about creating a shared experience,” said Gerald Watson, co-founder of SHAOLIN JAZZ. “When you combine iconic films with live music in public spaces, something special happens. People aren’t just watching a movie — they’re experiencing it together. That’s what makes these nights so memorable.”
Cinema as a community event
The DC run lands as cities across the country look for new ways to activate public space through arts and culture — and this series is a straightforward pitch for how to do it: take a landmark everyone already knows, add a film everyone has an opinion about, and let a live soundtrack turn the evening into something neighbors experience shoulder to shoulder. Families, film buffs, and music fans are all invited, and admission won’t cost a thing.
The CAN I KICK IT? outdoor series runs August 8, August 22, and September 5. All events are free; check SHAOLIN JAZZ (shaolinjazz.com) for the latest details and any weather updates before heading out.