Army Secretary Driscoll out after clashing with Hegseth over fired generals and Army readiness
Dan Driscoll, the youngest Army secretary in U.S. history, resigned Monday after months of friction with Defense Secretary Pete Hegseth - the latest senior Pentagon departure during an active war.
In brief
Army Secretary Dan Driscoll submitted his resignation to President Trump on Monday, the White House confirmed, ending an 18-month tenure marked by repeated friction with Defense Secretary Pete Hegseth over personnel firings, drone modernization and the Army's readiness posture six months into the war with Iran. The departure strips the service of its top civilian at a moment when the Army has significant forces deployed across the Middle East and the Pentagon's leadership ranks have thinned considerably.
Driscoll had resigned after just 18 months on the job. Hegseth had fired top generals during that period, leading to friction between them. A source familiar with the matter told CNN that in his resignation, Driscoll "brought up concerns with the administration surrounding Army transformation and readiness and Hegseth's blocking those efforts specifically by firing the generals who were responsible."
Driscoll was an Army officer in Iraq and became the youngest-ever Army secretary last year at age 38. As the Army's civilian leader, he oversaw its annual budget and a workforce of over 1 million active-duty, National Guard and reserve soldiers, along with over 330,000 civilian employees. He was nominated by Trump and drew bipartisan support during his confirmation - 16 Democrats backed him.
Months of friction, then a breaking point
NBC News reported last week that Driscoll had told close associates he wanted to leave the administration by Labor Day. He visited the White House last week to discuss his future, according to three U.S. officials, but it was not clear what came of the meeting.
The tensions with Hegseth were not new. In February, multiple outlets reported that Hegseth had forced the ouster of one of Driscoll's senior advisers, Col. David Butler, who was also the former spokesperson for Trump foe Gen. Mark Milley. Fox News reported that Driscoll resisted Hegseth's pressure to fire Butler. That standoff came first. The deeper dispute was over generals.
Earlier this year, Hegseth fired Army Chief of Staff Gen. Randy George and two other generals. George and Driscoll had worked closely together. Lawmakers on both sides of the aisle repeatedly questioned Hegseth on the firings and voiced their admiration for George. Before Congress in April, Driscoll joined them, saying there is "no person that has more respect for Gen. George and his 42 years of service."
An Army official confirmed to CNN that Driscoll "spoke to the president about the current state of the Army and submitted his resignation." The White House, for its part, issued a glowing send-off. White House spokeswoman Anna Kelly praised Driscoll's "outstanding leadership during historic military operations, restoring an emphasis on readiness and lethality, assisting with negotiations between Russia and Ukraine, and more," and added that "The United States Army is more powerful than ever thanks to his work alongside the Commander-in-Chief and Secretary of War."
The statement did not address the substance of Driscoll's internal concerns.
A Pentagon in constant churn - during an active war
Driscoll's resignation is seen as significant because it is part of a constant churn at the Pentagon under Hegseth, which has continued as the Iran war plays out with no end in sight. The Army is not the only service hit. Hegseth fired Army Chief of Staff Randy George in April; the Army's commander in Europe and Africa, General Christopher Donahue, unexpectedly stepped down in June. The Pentagon abruptly announced in April that Navy Secretary John Phelan was leaving the job, making him the first head of a U.S. military service to depart during Trump's second term.
Driscoll's departure comes six months into the Iran war, which shows no signs of ending. That timing matters on Capitol Hill. The Army has ground forces throughout the Middle East, and senators on the Armed Services Committee have already signaled they want answers about succession planning and who will now oversee Army personnel decisions and the service's modernization budget.
Driscoll, nicknamed "drone guy" for his work on military modernization, had a meteoric rise in the Trump administration after the president nominated him Army secretary. His exit leaves that modernization agenda without its chief advocate inside the Pentagon's civilian leadership.
Gas prices, Venezuela oil, and the war's domestic toll
Driscoll's resignation landed on the same day Trump convened a separate emergency meeting at the White House on a second front of the Iran war's fallout: gas prices. Trump met with oil refining executives at the White House on Tuesday to discuss gas prices, hours after American forces struck Iranian targets around the Strait of Hormuz for the second time in three days.
AAA puts the national average for regular gasoline at about $4.10 a gallon, roughly 90 cents higher than a year ago. Diesel now averages more than $5.60 a gallon. Executives from at least 10 companies were invited, including Chevron, Marathon Petroleum, Valero and Phillips 66.
Treasury Secretary Scott Bessent hosted the meeting, which was also attended by Vice President Vance and White House chief of staff Susie Wiles. Rising energy prices have become a huge political problem for the Trump White House and Republican lawmakers in Congress holding on to slim majorities in a midterm election year.
The White House is also leaning on a longer-term play to rebuild supply. The U.S. struck a deal to take majority control of more than 65 billion barrels of Venezuela's oil reserves, announced last week, nine months after the U.S. military abducted President Nicolás Maduro in a raid on Caracas. The deal gives the Department of Defense a 35% stake in a joint U.S.-Venezuelan private company holding 100-year leases to 17 oil fields, and gives the U.S. the right to buy some of the oil produced at cost. The agreement would operate through a private Venezuelan oil producer called North American Blue Energy Partners, with the U.S. Department of Defense owning a 55% stake in the oil production.
But analysts are not predicting immediate relief at the pump. Experts told The Hill that producers who may want to pump Venezuelan oil could face significant hurdles, including physically getting infrastructure set up. Brent crude jumped 3.8% to $94.36 a barrel Tuesday afternoon following the latest U.S. strikes.
On the Hill: Massie and Khanna revive Epstein fight
Congress returned from recess to more than just the spending clock. Rep. Thomas Massie, R-Ky., named more than a dozen people he described as alleged Jeffrey Epstein "coconspirators" on the House floor Monday as he renewed his push to force the government to disclose millions of records connected to the convicted sex offender.
Massie and Rep. Ro Khanna, D-Calif., introduced the "Epstein Files Transparency Act II," with Massie citing that "it's been a year since the president signed the Epstein Files Transparency Act, and the government continues to withhold over three million files." Massie said separately on X that he had begun collecting the 218 signatures necessary for a discharge petition to force a House vote.
The Justice Department says it complied with the original law by publishing nearly 3.5 million pages, over 2,000 videos and 180,000 images, claiming that material withheld from the public included duplicate records, privileged information, statutory exceptions and material unrelated to the Epstein and Ghislaine Maxwell cases. Massie disputes that characterization.
Massie made his accusations during an Aug. 31 floor speech, citing the protections afforded by the Constitution's Speech or Debate Clause, which broadly shields members of Congress from civil or criminal liability for legislative statements. Whether leadership lets the bill reach the floor without a discharge petition is an open question. Speaker Mike Johnson has not publicly weighed in.
What to Watch
Army Secretary succession: The White House has not named an acting Army secretary. Watch for whether Trump nominates a civilian quickly or allows the position to remain vacant - an unusual gap with Army forces deployed in the Middle East. The Senate Armed Services Committee is likely to demand a briefing.
Hegseth and Congress: Driscoll, who has been well regarded by many Republicans and Democrats, leaves Hegseth more exposed on Capitol Hill. Expect Republican senators who backed Driscoll's confirmation to press Hegseth on Army readiness in the weeks ahead.
Gas prices and the midterms: The most expensive Labor Day on record is underway, with gas prices "probably at least 15 cents a gallon" higher than any prior Labor Day, according to GasBuddy analyst Patrick De Haan. Tuesday's refiner meeting produced no public commitments on price cuts.
Epstein discharge petition: Massie needs 218 signatures. The last time he tried this, he got them. Rep. Andy Barr, R-Ky., told Spectrum News he is "not interested in grandstanding," suggesting the path to 218 may be harder this round - but the floor speech has already injected named individuals into the congressional record.
Venezuela oil deal scrutiny: Trump did not disclose the structure of the agreement, the fields or companies involved, nor how the U.S. would exercise majority control over the reserves. Congressional oversight committees have yet to schedule hearings.
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CAN I KICK IT? screens New Jack City at the Sylvan Theater, Washington Monument, on Aug. 22. (Courtesy SHAOLIN JAZZ)
The live-cinema series CAN I KICK IT? returns to the National Mall this month with what its producers are calling the "Gangsters on the Mall" chapter of their free outdoor summer run. On Saturday, August 22, the SHAOLIN JAZZ production brings the 1991 crime classic New Jack City to the Sylvan Theater at the Washington Monument for a night of film, music, and community under the DC summer sky.
What sets the event apart is the sound. As the film plays, DJ 2-Tone Jones builds an original score in real time, reimagining one of the most iconic crime movies of the ’90s through hip-hop, soul, funk, and more. It is less a movie screening than a live performance built around the film.
The details:
Film: New Jack City (1991), with a live soundtrack by DJ 2-Tone Jones
When: Saturday, August 22 — seating opens at 7:30 p.m. (bring lawn chairs and blankets); film begins at 8:30 p.m.
Where: Sylvan Theater at the Washington Monument, Independence Ave SW & 15th St NW
A parking note from the organizers: expect road closures and restricted parking east of 14th Street NW due to a separate race event in the District. Roads west of 14th Street NW will be accessible and available for parking.
New Jack City is the second of three screenings in this year’s free CAN I KICK IT? outdoor series, which opened with Black Panther at Skyland Town Center and concludes with Scarface at the Lincoln Memorial on September 5. Produced by the Washington, DC-based multimedia arts company SHAOLIN JAZZ, the series has presented more than 150 live cinematic experiences at venues across the country, from Lincoln Center to SXSW.
"I wanted to be able to tell good stories with substance and remove the ‘ego’ out of the art," said Andrew Huang during a recent interview. Now, he’s building his career at the intersection of discipline, creativity and innovation.
Andrew Huang, founder of New Place Studios. (Courtesy photo)
As a Chinese American, Huang was reared with a deep respect for hard work, consistency and excellence. He describes his childhood as "not so affluent" and later attended college to hone his passion for videography. "In college I tried to do something I loved, which was video, but along the way I knew that I had to find a job. And so I thought, ‘what was the low hanging fruit to get to that stable 9 to 5 job?,’" he stated.
Later in life, Huang found himself working for corporations where his creativity was often limited, eventually leading to burnout. "I worked in a corporation for a long time and there were a lot of missing pieces. I wanted to fill in gaps missing in corporate video production," said Huang.
He later described how his upbringing and a mindset of "survival" led him toward a corporate career. However, his desire for balance and authentic storytelling ultimately pushed him to take the entrepreneurial leap.
"I founded a new place where you can create video and film with ‘substance and style,’" said Huang. His desire for work-life balance and passion for storytelling naturally evolved into a small business based in Virginia. With the launch of New Place Studios, the entrepreneur quickly found himself reconnecting with the values that would become the foundation of everything he creates behind the camera.
Huang said being a business owner has allowed him to first embrace himself. While others may see video as simply capturing moments, he sees it as a way to preserve stories that inspire, connect and leave a lasting imprint.
By combining cinematic visuals with cutting-edge production techniques and a keen understanding of branding, Huang helps organizations and individuals communicate their vision with purpose. He said understanding a client’s "why" serves as the compass for delivering the services they need.
One benefit of working with a small business, he said, is that clients get to see the production process unfold through a micro lens while working with the same faces throughout the entire project. "The work feels personal," said Huang.
Huang does not regret leaving behind the flash-over-substance mentality and corporate hustle culture. That does not mean the Asian American entrepreneur has been without challenges in the industry. "It’s relatively hard to find other Asian American creatives or people who would want to work with me in the DMV," said Huang.
He identifies the industry culture in which everyone is trying to blend in, creatives may fear displaying their Asian identity and some feel pressure to adopt an American corporate persona. He also points to what he describes as a level of gatekeeping within the industry. According to the U.S. Small Business Administration’s 2024 statistics, Asian American and Pacific Islander entrepreneurs own more than 3 million businesses and employ 5.2 million people in the United States.
After tapping into organizations such as SCORE, which offers free small business mentorship, New Place Studios has become a trusted creative partner throughout the DMV (Washington, D.C., Maryland and Virginia). The company produces a range of creative services, including commercials, corporate branding, documentaries, film, 2D animation, motion graphics and photography.
For Huang, entrepreneurship has become more than a departure from corporate life. It has given him the freedom to create with intention, build meaningful connections and tell stories that go beyond the surface.
The 2026 CAN I KICK IT? outdoor series. Poster courtesy of SHAOLIN JAZZ.
For three Saturdays this summer, some of Washington’s most familiar public spaces will do something they rarely do after dark: fill up with blankets, lawn chairs, and the sound of a movie being scored live, in real time. CAN I KICK IT?, the traveling “live cinema” series produced by the DC-based multimedia arts company SHAOLIN JAZZ, is bringing a free outdoor run to the city — pairing three era-defining films with an original soundtrack performed on the spot by DJ 2-Tone Jones.
The premise is what sets it apart from a normal screening in the park. Rather than simply pressing play, 2-Tone Jones builds a score as the film unfolds, pulling from hip-hop, soul, funk, jazz, rock, electronic music, and sounds from around the world. The result, the organizers say, is less a movie night than a one-time performance — the same film you know, wired to a soundtrack you have never heard and will not hear again. Guest DJs warm up the crowd starting at 7:30 PM before each 8:30 PM screening.
The 2026 outdoor schedule
All three events are free and open to the public.
Saturday, August 8 — Black Panther at Skyland Town Center. A pop-up marketplace and community activities kick off the evening; guest DJs at 7:30 PM, film at 8:30 PM. Marvel’s superhero epic gets a one-night-only live score in Southeast DC.
Saturday, August 22 — New Jack City at the Sylvan Theater, Washington Monument. Seating begins at 7:30 PM; the film starts at 8:30 PM. The 1991 crime drama plays out at the foot of one of the country’s most recognizable landmarks.
Saturday, September 5 — Scarface at the Lincoln Memorial. Seating at 7:30 PM; film at 8:30 PM. The series closes with Brian De Palma’s crime saga against the backdrop of the Memorial, scored live from start to finish.
First up: Black Panther at Skyland Town Center on August 8. Poster courtesy of SHAOLIN JAZZ.
A DC company with a national footprint
SHAOLIN JAZZ describes itself as a Washington-based arts company working at the intersection of music, film, art, and culture, and CAN I KICK IT? is its signature production. According to the organizers, the series has staged more than 150 live cinematic experiences around the country — at performing arts centers, museums, festivals, and cultural institutions including Lincoln Center in New York, SXSW, the Denver Center for the Performing Arts, Republic Square in Austin, the Tacoma Armory, and The Cary Theater.
“CAN I KICK IT? has always been about creating a shared experience,” said Gerald Watson, co-founder of SHAOLIN JAZZ. “When you combine iconic films with live music in public spaces, something special happens. People aren’t just watching a movie — they’re experiencing it together. That’s what makes these nights so memorable.”
Cinema as a community event
The DC run lands as cities across the country look for new ways to activate public space through arts and culture — and this series is a straightforward pitch for how to do it: take a landmark everyone already knows, add a film everyone has an opinion about, and let a live soundtrack turn the evening into something neighbors experience shoulder to shoulder. Families, film buffs, and music fans are all invited, and admission won’t cost a thing.
The CAN I KICK IT? outdoor series runs August 8, August 22, and September 5. All events are free; check SHAOLIN JAZZ (shaolinjazz.com) for the latest details and any weather updates before heading out.