D.C. voters will decide November 3 whether to ban foie gras citywide
Initiative 86 pits animal welfare advocates who shattered the city's signature record against a restaurant industry that says the District has bigger fights to pick.
In brief
What's actually on the line
Three weeks from Election Day, Washington voters already know they're picking a new mayor for the first time in 12 years. They're also deciding something they've never voted on before: whether the city bans foie gras. That second question is easy to dismiss as a curiosity from the fine-dining world. Don't. If Initiative 86 passes, it would prohibit the force-feeding of birds and ban the sale of products produced through that practice, including foie gras, with fines ranging from $1,000 to $5,000 per violation and the possibility of a business license suspension or revocation. It would make D.C. one of the largest cities in the country to do that through a direct popular vote, not a council act, not a court order.
The group behind the push, Pro-Animal D.C., is a local campaign arm of the national organization Pro-Animal Future. The petition drive was led by Pro-Animal D.C., and organizers say activists had been working on getting foie gras out of the city for over four years, first trying the D.C. Council and pushing restaurants to drop it voluntarily before turning to the ballot. 'Ballot initiatives are really the best form of direct democracy,' said Natalie Fulton of Pro-Animal Future D.C.
The numbers from the petition drive are hard to argue with. Among the 46,020 signatures submitted, 31,726 were deemed valid, more than any other initiative in D.C. history. Initiative 71 to legalize cannabis had previously held the record at 27,688 valid signatures. One hundred ninety-eight circulators collected those signatures in 14 weeks. The D.C. Board of Elections certified the measure on August 5.
Pro-Animal D.C. media and content lead Natalie Fulton said the group wanted everyone in D.C. to vote on 'whether or not that cruelty should be allowed,' and noted they 'actually turned in more signatures than any other ballot initiative in D.C. history except for recreational marijuana.'
What the law would actually do
Known formally as Initiative 86, or the Prohibiting Force-Feeding of Birds Act of 2026, the proposal would prohibit the practice and ban the 'sale or distribution of any product resulting from force-feeding a bird, including foie gras.'
If approved, the ban would take effect July 1, 2027. The measure would focus on commercial sales; individuals could still possess foie gras for personal consumption. That personal-possession carve-out is drawn from court precedents set in the years-long fight over California's foie gras ban.
Enforcement falls to D.C. businesses that sell or distribute the product. Restaurants and businesses that violate the law could face fines ranging from $1,000 to $5,000, and could have their business licenses suspended or revoked for repeat violations.
D.C.'s restaurant world and what it eats
The city is not a small market for this product. D.C. has more restaurants serving foie gras than any other U.S. city except New York City and Las Vegas, according to a recent report from Colorado State University's Animal-Human Policy Center. That same report confirmed at least 17 restaurants serving the ingredient, while Pro-Animal D.C. says it found it listed on nearly 50 D.C. dining menus, though many offer it only seasonally.
The restaurant industry's response has been muted but pointed. The Restaurant Association of Metropolitan Washington did not come out in full opposition. In a statement, RAMW said it 'recognizes that people have differing views on foie gras, but a citywide ban is a significant response to a product served by a relatively small number of District restaurants.' The group added that decisions about restaurant menus 'are generally best left to individual businesses and the diners they serve,' and said it hopes District voters 'have clear information about what Initiative 86 would prohibit, how it would affect District restaurants, and whether a citywide ban is the right approach.'
The most vocal industry voice has been Bart Hutchins, chef and owner of Capitol Hill restaurant Butterworth's. Hutchins, who wrote a Washington Post op-ed defending the dish, told Washingtonian magazine: 'I don't know a single chef who's excited that foie gras is being banned. There's a certain cowardice in the chef's community that's afraid to speak out about it.'
Hutchins's argument is a biological one. He contends that while the process of force-feeding looks terrible, a duck's esophagus is 'desensitized' and that ducks in the wild gorge themselves before migration, so foie gras farming amplifies a natural biological process. Pro-Animal D.C. disputes that framing entirely. The group says the process can cause painful punctures in birds' beaks and throats, respiratory distress, suffocation, and difficulty walking, and that mortality rates for force-fed birds are up to 19 times higher than for birds that are not force-fed.
One D.C. chef, who asked not to be named out of fear of backlash, told Washingtonian he currently serves foie gras off-menu and will likely continue to do so even with a ban, noting that despite California's ban, he has eaten at restaurants there that still serve it.
The political context
This is direct democracy at the ballot, not a council vote. That distinction matters in a city where the last four years have seen the D.C. Board of Elections certify and run ranked-choice voting for the first time, with the June 2026 primary being the first time D.C. implemented ranked-choice tabulation, and where voters are already weighing an unusually packed ballot this fall.
A new mayor will be elected in D.C. for the first time in 12 years during November's general election. Janeese Lewis George, the Democratic nominee, will face Robert L. Gross of the D.C. Statehood Green Party. Foie gras sits alongside that historic open-seat race on the same ballot, and alongside everything else D.C. voters are being asked to decide at once.
The animal welfare campaign has not lacked for political support. D.C. representative Oye Owolewa, who ran for D.C. Council this cycle, worked alongside Pro-Animal D.C. to gather signatures and has said he believes force-feeding birds is morally wrong.
Initiative 86, if approved, would put D.C. in the company of Denver, which will have a similar initiative on its November ballot, and Portland, Oregon, which passed a comparable bill in June 2026. Pro-Animal D.C. also points to New York City and Pittsburgh, which passed foie gras sales restrictions without a single restaurant or grocery store going out of business as a result, according to the campaign.
Whether D.C.'s ban would survive legal challenge is a separate question. If the initiative passes, the D.C. ban would take effect July 1, 2027, though legal battles over foie gras bans elsewhere have delayed or complicated implementation.
In recent polling, a majority of D.C. voters said they would support a prohibition on the force-feeding of birds and the sale of force-fed foie gras, according to Pro-Animal D.C. The group has not released the full methodology of that polling publicly.
What D.C. Residents Should Watch
November 3 vote: Initiative 86 is on the general election ballot alongside the mayoral race. D.C. residents can check their polling place and sample ballot at dcboe.org.
Enforcement mechanism: If the initiative passes, watch for which city agency takes the lead on enforcement and how quickly the D.C. Department of Licensing and Consumer Protection moves to write rules before the July 1, 2027 effective date.
Legal challenge: Foie gras bans in California and Chicago both faced years of litigation. A D.C. win for Initiative 86 is unlikely to be the final word; expect a court fight and watch whether the incoming mayor's administration chooses to defend the law aggressively or at arm's length.
Restaurant compliance: At least one named chef has already indicated publicly he may keep serving foie gras regardless of the vote. The D.C. attorney general's office and city licensing agencies will face early pressure on how seriously they enforce a law that, in other cities, has often been ignored.
The 46,020-signature mandate question: The campaign broke the city's all-time petition signature record. Whether that level of grassroots support translates to actual votes on November 3 is the number to watch when results come in.
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CAN I KICK IT? screens New Jack City at the Sylvan Theater, Washington Monument, on Aug. 22. (Courtesy SHAOLIN JAZZ)
The live-cinema series CAN I KICK IT? returns to the National Mall this month with what its producers are calling the "Gangsters on the Mall" chapter of their free outdoor summer run. On Saturday, August 22, the SHAOLIN JAZZ production brings the 1991 crime classic New Jack City to the Sylvan Theater at the Washington Monument for a night of film, music, and community under the DC summer sky.
What sets the event apart is the sound. As the film plays, DJ 2-Tone Jones builds an original score in real time, reimagining one of the most iconic crime movies of the ’90s through hip-hop, soul, funk, and more. It is less a movie screening than a live performance built around the film.
The details:
Film: New Jack City (1991), with a live soundtrack by DJ 2-Tone Jones
When: Saturday, August 22 — seating opens at 7:30 p.m. (bring lawn chairs and blankets); film begins at 8:30 p.m.
Where: Sylvan Theater at the Washington Monument, Independence Ave SW & 15th St NW
A parking note from the organizers: expect road closures and restricted parking east of 14th Street NW due to a separate race event in the District. Roads west of 14th Street NW will be accessible and available for parking.
New Jack City is the second of three screenings in this year’s free CAN I KICK IT? outdoor series, which opened with Black Panther at Skyland Town Center and concludes with Scarface at the Lincoln Memorial on September 5. Produced by the Washington, DC-based multimedia arts company SHAOLIN JAZZ, the series has presented more than 150 live cinematic experiences at venues across the country, from Lincoln Center to SXSW.
"I wanted to be able to tell good stories with substance and remove the ‘ego’ out of the art," said Andrew Huang during a recent interview. Now, he’s building his career at the intersection of discipline, creativity and innovation.
Andrew Huang, founder of New Place Studios. (Courtesy photo)
As a Chinese American, Huang was reared with a deep respect for hard work, consistency and excellence. He describes his childhood as "not so affluent" and later attended college to hone his passion for videography. "In college I tried to do something I loved, which was video, but along the way I knew that I had to find a job. And so I thought, ‘what was the low hanging fruit to get to that stable 9 to 5 job?,’" he stated.
Later in life, Huang found himself working for corporations where his creativity was often limited, eventually leading to burnout. "I worked in a corporation for a long time and there were a lot of missing pieces. I wanted to fill in gaps missing in corporate video production," said Huang.
He later described how his upbringing and a mindset of "survival" led him toward a corporate career. However, his desire for balance and authentic storytelling ultimately pushed him to take the entrepreneurial leap.
"I founded a new place where you can create video and film with ‘substance and style,’" said Huang. His desire for work-life balance and passion for storytelling naturally evolved into a small business based in Virginia. With the launch of New Place Studios, the entrepreneur quickly found himself reconnecting with the values that would become the foundation of everything he creates behind the camera.
Huang said being a business owner has allowed him to first embrace himself. While others may see video as simply capturing moments, he sees it as a way to preserve stories that inspire, connect and leave a lasting imprint.
By combining cinematic visuals with cutting-edge production techniques and a keen understanding of branding, Huang helps organizations and individuals communicate their vision with purpose. He said understanding a client’s "why" serves as the compass for delivering the services they need.
One benefit of working with a small business, he said, is that clients get to see the production process unfold through a micro lens while working with the same faces throughout the entire project. "The work feels personal," said Huang.
Huang does not regret leaving behind the flash-over-substance mentality and corporate hustle culture. That does not mean the Asian American entrepreneur has been without challenges in the industry. "It’s relatively hard to find other Asian American creatives or people who would want to work with me in the DMV," said Huang.
He identifies the industry culture in which everyone is trying to blend in, creatives may fear displaying their Asian identity and some feel pressure to adopt an American corporate persona. He also points to what he describes as a level of gatekeeping within the industry. According to the U.S. Small Business Administration’s 2024 statistics, Asian American and Pacific Islander entrepreneurs own more than 3 million businesses and employ 5.2 million people in the United States.
After tapping into organizations such as SCORE, which offers free small business mentorship, New Place Studios has become a trusted creative partner throughout the DMV (Washington, D.C., Maryland and Virginia). The company produces a range of creative services, including commercials, corporate branding, documentaries, film, 2D animation, motion graphics and photography.
For Huang, entrepreneurship has become more than a departure from corporate life. It has given him the freedom to create with intention, build meaningful connections and tell stories that go beyond the surface.
The 2026 CAN I KICK IT? outdoor series. Poster courtesy of SHAOLIN JAZZ.
For three Saturdays this summer, some of Washington’s most familiar public spaces will do something they rarely do after dark: fill up with blankets, lawn chairs, and the sound of a movie being scored live, in real time. CAN I KICK IT?, the traveling “live cinema” series produced by the DC-based multimedia arts company SHAOLIN JAZZ, is bringing a free outdoor run to the city — pairing three era-defining films with an original soundtrack performed on the spot by DJ 2-Tone Jones.
The premise is what sets it apart from a normal screening in the park. Rather than simply pressing play, 2-Tone Jones builds a score as the film unfolds, pulling from hip-hop, soul, funk, jazz, rock, electronic music, and sounds from around the world. The result, the organizers say, is less a movie night than a one-time performance — the same film you know, wired to a soundtrack you have never heard and will not hear again. Guest DJs warm up the crowd starting at 7:30 PM before each 8:30 PM screening.
The 2026 outdoor schedule
All three events are free and open to the public.
Saturday, August 8 — Black Panther at Skyland Town Center. A pop-up marketplace and community activities kick off the evening; guest DJs at 7:30 PM, film at 8:30 PM. Marvel’s superhero epic gets a one-night-only live score in Southeast DC.
Saturday, August 22 — New Jack City at the Sylvan Theater, Washington Monument. Seating begins at 7:30 PM; the film starts at 8:30 PM. The 1991 crime drama plays out at the foot of one of the country’s most recognizable landmarks.
Saturday, September 5 — Scarface at the Lincoln Memorial. Seating at 7:30 PM; film at 8:30 PM. The series closes with Brian De Palma’s crime saga against the backdrop of the Memorial, scored live from start to finish.
First up: Black Panther at Skyland Town Center on August 8. Poster courtesy of SHAOLIN JAZZ.
A DC company with a national footprint
SHAOLIN JAZZ describes itself as a Washington-based arts company working at the intersection of music, film, art, and culture, and CAN I KICK IT? is its signature production. According to the organizers, the series has staged more than 150 live cinematic experiences around the country — at performing arts centers, museums, festivals, and cultural institutions including Lincoln Center in New York, SXSW, the Denver Center for the Performing Arts, Republic Square in Austin, the Tacoma Armory, and The Cary Theater.
“CAN I KICK IT? has always been about creating a shared experience,” said Gerald Watson, co-founder of SHAOLIN JAZZ. “When you combine iconic films with live music in public spaces, something special happens. People aren’t just watching a movie — they’re experiencing it together. That’s what makes these nights so memorable.”
Cinema as a community event
The DC run lands as cities across the country look for new ways to activate public space through arts and culture — and this series is a straightforward pitch for how to do it: take a landmark everyone already knows, add a film everyone has an opinion about, and let a live soundtrack turn the evening into something neighbors experience shoulder to shoulder. Families, film buffs, and music fans are all invited, and admission won’t cost a thing.
The CAN I KICK IT? outdoor series runs August 8, August 22, and September 5. All events are free; check SHAOLIN JAZZ (shaolinjazz.com) for the latest details and any weather updates before heading out.