Fed chair Warsh puts markets on notice at Jackson Hole: inflation 'has not meaningfully improved'
In his first Jackson Hole speech as Fed chairman, Kevin Warsh warned Friday that underlying inflation trends remain stuck and refused again to offer forward guidance - leaving open the door to a September rate hike that Wall Street wasn't fully pricing in.
In brief
JACKSON HOLE, Wyo. - Federal Reserve Chairman Kevin Warsh walked to the podium Friday morning and did what he has made a habit of not doing: he said almost enough.
In his first address at the Kansas City Fed's annual economic symposium here, Warsh warned that inflation remains too high and that the central bank "has more work to do," stopping short of a firm commitment to raise rates at the Fed's next meeting in mid-September - but not ruling it out either. The Washington Post reported that he told the audience he was "impressed" with the economy's overall strength but is concerned by signs that "underlying trends" in inflation have not improved.
The speech landed in Washington like a half-answered question. Bond traders and lawmakers monitoring the Fed's next move had waited all summer for this moment. They got a trail map, not a destination.
What Warsh actually said
Federal Reserve Chairman Kevin Warsh expressed concern Friday about elevated inflation while hinting that interest rates could need to move higher if more progress isn't made on easing price pressures. His address, titled "In Our Time," was the first extended public statement of his economic thinking since he replaced Jerome Powell in late May.
Warsh acknowledged that recent U.S. reports show that inflation has cooled a bit, but said "they do not tell me that underlying trends have meaningfully improved."
He was deliberately opaque on the mechanism. Warsh avoided committing either to forward guidance or a reaction function for monetary policy, instead using the presentation as a broad look at his approach to governance. He announced at the top of the speech that listeners could call his remarks "an outline" or "a trail map," but "just don't call it forward guidance," a practice he said "has overstayed its welcome."
On the question of whether markets should read the Fed's signals: "We should not indulge a regime in which market participants are looking primarily to the Fed for their next trade," he said.
That line - deliberately aimed at breaking the dependency on Fed communication that his predecessors cultivated - drew immediate reaction. Joseph Brusuelas, chief economist at RSM, said before the speech: "We have the most unusual Jackson Hole monetary symposium in recent memory on deck because of Warsh's unforced errors early in his tenure."
The numbers behind the warning
Warsh did not deliver his inflation caution in a vacuum. The 30-year Treasury yield hit a 19-year high last week before briefly falling after Treasury Secretary Scott Bessent announced plans to double the maximum amount of long-term debt the government can buy back. The Fed's preferred inflation gauge this week also showed prices rising 3.7 percent over the past year, while the economy shed 23,000 jobs.
Warsh spoke with inflation at 3.4 percent and the 30-year Treasury yield near its highest level since 2007. Both figures are far from where policymakers would like them. He pointed to data showing that inflation remains stubbornly above the central bank's 2% target.
Markets moved fast. Investors currently see roughly a 34% chance that Fed officials will raise rates at their September 15-16 meeting, up from lower odds before the speech. The U.S. stock market held steady after the speech, but expectations are building in the bond market for the Fed to hike interest rates.
A new Fed chair, a new style - and a Washington audience watching closely
Warsh became the seventeenth chair of the Federal Reserve on May 22, succeeding Jerome Powell. He has held just one FOMC meeting, at which he kept the benchmark federal funds rate steady at a target range of 3.5% to 3.75%. Friday was his only real chance before September's meeting to say something definitive. He chose not to.
Warsh's speech differed from his predecessors, who often utilized Jackson Hole either as a cue on the direction of rates, broad changes to the Fed's framework, or to delineate new ways of approaching monetary policy. At last year's event, then-Chair Jerome Powell hinted at rate cuts ahead, setting off an aggressive rally on Wall Street.
Warsh has set up five task forces aimed at taking what he calls a "first principles" look at Fed functions. Among their tasks are an assessment of how policymakers view inflation, the balance sheet, the data points that influence decisions, technology-related issues and communications. On the final point, Warsh has taken a unique approach compared to his recent predecessors: rather than seeking to steer reaction through carefully placed signals, he has preferred a more hands-off approach that lets markets interpret data and send signals to the Fed.
Warsh has drawn repeated criticism for refusing to spell out his "reaction function" - meaning the economic circumstances under which the Fed would move rates in either direction - and investors saw Friday's address as his clearest opening yet to fill that void, according to CNBC. He did not fill it.
That refusal carries concrete stakes for federal fiscal policy. Congressional appropriators are already bracing for a Dec. 11 deadline - the Senate passed a continuing resolution 90 to 6 on August 8 to fund the federal government through that date, averting a potential government shutdown. Any rate increase by the Fed in September would raise borrowing costs on Treasury debt at exactly the moment Congress is trying to negotiate full-year spending bills, adding pressure to deficit projections already stretched by the 2025 tax package.
Senate Majority Leader John Thune had pointed directly to the stakes: "The American people have faced two - two - record-breaking government shutdowns in the past 10 months. We need to ensure that they do not face a third," he said late last week. Higher rates complicate that math.
Treasury Secretary Scott Bessent, who has been managing the bond market's jitters separately through buyback announcements, has not commented publicly on Warsh's Friday remarks. His office did not respond to a request for comment before publication.
In his brief time at the helm, Warsh has sought to chart a new course that harkens back to the pre-financial crisis Fed where markets were given less certain signals and the Fed had a smaller hand. Whether that approach holds through a potential September hike remains the open question.
Comments from the new Fed chair appeared to reassure Wall Street that fighting inflation remains the priority for the central bank. Warsh did not imply that a rate hike is imminent, but he appeared to dismiss perceptions that inflation is no longer a threat.
The Fed's next scheduled meeting is September 15-16 in Washington.
What to Watch
September 15-16 FOMC meeting: The Fed's policy committee convenes in Washington three weeks from now. Warsh's Friday remarks have moved market odds on a hike; any further inflation data before then - particularly the August CPI release, due September 11 - could tip the balance.
Congressional reaction: Senate Banking Committee members have been critical of Warsh's opacity on forward guidance. A surprise September hike would likely trigger hearing requests from both parties.
Treasury buybacks and the long bond: Bessent's move to expand buybacks steadied the 30-year yield temporarily. Watch whether that holds if Warsh's comments harden expectations of higher short-term rates.
The CR deadline clock: Government funding runs through Dec. 11, but the House and Senate still have to reconcile their differing stopgap bills before Sept. 30. A rate hike in that window would land in the middle of an already tense appropriations negotiation.
Warsh's five task forces: The internal Fed reviews on inflation, the balance sheet, and communications are due to report findings later this fall. Their conclusions could formally rewrite how the Fed signals policy - or don't.
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CAN I KICK IT? screens New Jack City at the Sylvan Theater, Washington Monument, on Aug. 22. (Courtesy SHAOLIN JAZZ)
The live-cinema series CAN I KICK IT? returns to the National Mall this month with what its producers are calling the "Gangsters on the Mall" chapter of their free outdoor summer run. On Saturday, August 22, the SHAOLIN JAZZ production brings the 1991 crime classic New Jack City to the Sylvan Theater at the Washington Monument for a night of film, music, and community under the DC summer sky.
What sets the event apart is the sound. As the film plays, DJ 2-Tone Jones builds an original score in real time, reimagining one of the most iconic crime movies of the ’90s through hip-hop, soul, funk, and more. It is less a movie screening than a live performance built around the film.
The details:
Film: New Jack City (1991), with a live soundtrack by DJ 2-Tone Jones
When: Saturday, August 22 — seating opens at 7:30 p.m. (bring lawn chairs and blankets); film begins at 8:30 p.m.
Where: Sylvan Theater at the Washington Monument, Independence Ave SW & 15th St NW
A parking note from the organizers: expect road closures and restricted parking east of 14th Street NW due to a separate race event in the District. Roads west of 14th Street NW will be accessible and available for parking.
New Jack City is the second of three screenings in this year’s free CAN I KICK IT? outdoor series, which opened with Black Panther at Skyland Town Center and concludes with Scarface at the Lincoln Memorial on September 5. Produced by the Washington, DC-based multimedia arts company SHAOLIN JAZZ, the series has presented more than 150 live cinematic experiences at venues across the country, from Lincoln Center to SXSW.
"I wanted to be able to tell good stories with substance and remove the ‘ego’ out of the art," said Andrew Huang during a recent interview. Now, he’s building his career at the intersection of discipline, creativity and innovation.
Andrew Huang, founder of New Place Studios. (Courtesy photo)
As a Chinese American, Huang was reared with a deep respect for hard work, consistency and excellence. He describes his childhood as "not so affluent" and later attended college to hone his passion for videography. "In college I tried to do something I loved, which was video, but along the way I knew that I had to find a job. And so I thought, ‘what was the low hanging fruit to get to that stable 9 to 5 job?,’" he stated.
Later in life, Huang found himself working for corporations where his creativity was often limited, eventually leading to burnout. "I worked in a corporation for a long time and there were a lot of missing pieces. I wanted to fill in gaps missing in corporate video production," said Huang.
He later described how his upbringing and a mindset of "survival" led him toward a corporate career. However, his desire for balance and authentic storytelling ultimately pushed him to take the entrepreneurial leap.
"I founded a new place where you can create video and film with ‘substance and style,’" said Huang. His desire for work-life balance and passion for storytelling naturally evolved into a small business based in Virginia. With the launch of New Place Studios, the entrepreneur quickly found himself reconnecting with the values that would become the foundation of everything he creates behind the camera.
Huang said being a business owner has allowed him to first embrace himself. While others may see video as simply capturing moments, he sees it as a way to preserve stories that inspire, connect and leave a lasting imprint.
By combining cinematic visuals with cutting-edge production techniques and a keen understanding of branding, Huang helps organizations and individuals communicate their vision with purpose. He said understanding a client’s "why" serves as the compass for delivering the services they need.
One benefit of working with a small business, he said, is that clients get to see the production process unfold through a micro lens while working with the same faces throughout the entire project. "The work feels personal," said Huang.
Huang does not regret leaving behind the flash-over-substance mentality and corporate hustle culture. That does not mean the Asian American entrepreneur has been without challenges in the industry. "It’s relatively hard to find other Asian American creatives or people who would want to work with me in the DMV," said Huang.
He identifies the industry culture in which everyone is trying to blend in, creatives may fear displaying their Asian identity and some feel pressure to adopt an American corporate persona. He also points to what he describes as a level of gatekeeping within the industry. According to the U.S. Small Business Administration’s 2024 statistics, Asian American and Pacific Islander entrepreneurs own more than 3 million businesses and employ 5.2 million people in the United States.
After tapping into organizations such as SCORE, which offers free small business mentorship, New Place Studios has become a trusted creative partner throughout the DMV (Washington, D.C., Maryland and Virginia). The company produces a range of creative services, including commercials, corporate branding, documentaries, film, 2D animation, motion graphics and photography.
For Huang, entrepreneurship has become more than a departure from corporate life. It has given him the freedom to create with intention, build meaningful connections and tell stories that go beyond the surface.
The 2026 CAN I KICK IT? outdoor series. Poster courtesy of SHAOLIN JAZZ.
For three Saturdays this summer, some of Washington’s most familiar public spaces will do something they rarely do after dark: fill up with blankets, lawn chairs, and the sound of a movie being scored live, in real time. CAN I KICK IT?, the traveling “live cinema” series produced by the DC-based multimedia arts company SHAOLIN JAZZ, is bringing a free outdoor run to the city — pairing three era-defining films with an original soundtrack performed on the spot by DJ 2-Tone Jones.
The premise is what sets it apart from a normal screening in the park. Rather than simply pressing play, 2-Tone Jones builds a score as the film unfolds, pulling from hip-hop, soul, funk, jazz, rock, electronic music, and sounds from around the world. The result, the organizers say, is less a movie night than a one-time performance — the same film you know, wired to a soundtrack you have never heard and will not hear again. Guest DJs warm up the crowd starting at 7:30 PM before each 8:30 PM screening.
The 2026 outdoor schedule
All three events are free and open to the public.
Saturday, August 8 — Black Panther at Skyland Town Center. A pop-up marketplace and community activities kick off the evening; guest DJs at 7:30 PM, film at 8:30 PM. Marvel’s superhero epic gets a one-night-only live score in Southeast DC.
Saturday, August 22 — New Jack City at the Sylvan Theater, Washington Monument. Seating begins at 7:30 PM; the film starts at 8:30 PM. The 1991 crime drama plays out at the foot of one of the country’s most recognizable landmarks.
Saturday, September 5 — Scarface at the Lincoln Memorial. Seating at 7:30 PM; film at 8:30 PM. The series closes with Brian De Palma’s crime saga against the backdrop of the Memorial, scored live from start to finish.
First up: Black Panther at Skyland Town Center on August 8. Poster courtesy of SHAOLIN JAZZ.
A DC company with a national footprint
SHAOLIN JAZZ describes itself as a Washington-based arts company working at the intersection of music, film, art, and culture, and CAN I KICK IT? is its signature production. According to the organizers, the series has staged more than 150 live cinematic experiences around the country — at performing arts centers, museums, festivals, and cultural institutions including Lincoln Center in New York, SXSW, the Denver Center for the Performing Arts, Republic Square in Austin, the Tacoma Armory, and The Cary Theater.
“CAN I KICK IT? has always been about creating a shared experience,” said Gerald Watson, co-founder of SHAOLIN JAZZ. “When you combine iconic films with live music in public spaces, something special happens. People aren’t just watching a movie — they’re experiencing it together. That’s what makes these nights so memorable.”
Cinema as a community event
The DC run lands as cities across the country look for new ways to activate public space through arts and culture — and this series is a straightforward pitch for how to do it: take a landmark everyone already knows, add a film everyone has an opinion about, and let a live soundtrack turn the evening into something neighbors experience shoulder to shoulder. Families, film buffs, and music fans are all invited, and admission won’t cost a thing.
The CAN I KICK IT? outdoor series runs August 8, August 22, and September 5. All events are free; check SHAOLIN JAZZ (shaolinjazz.com) for the latest details and any weather updates before heading out.