HBCU Funding Fight Puts First-Gen DC Students at Risk
Federal HBCU funding battles are putting first-generation college students at serious risk. Here's what's at stake for Howard University and beyond.
In brief
Federal funding battles in Congress are directly threatening first-generation students at Historically Black Colleges and Universities. HBCUs rely heavily on Title III federal support and Pell Grants — programs now under severe budget pressure — to serve students who are often the first in their families to pursue a college degree. Without stable federal investment, institutions like Howard University face impossible choices between program cuts, staff reductions, and tuition hikes that would push their most vulnerable students out the door.
KEY TAKEAWAYS
Federal Title III funding and Pell Grants — lifelines for HBCU students — are under active congressional budget pressure heading into the 2026 fiscal year.
First-generation college students make up a disproportionately high share of HBCU enrollment, making them the most exposed to any funding reduction.
Howard University in Northwest DC anchors the nation's capital as a critical HBCU hub, with enrollment exceeding 10,000 students.
Advocacy organizations including the UNCF and the Thurgood Marshall College Fund are lobbying aggressively on Capitol Hill to protect HBCU appropriations.
Without congressional action, experts warn that HBCU enrollment declines and institutional financial strain could accelerate by the 2026–2027 academic year.
What's Actually at Stake: Title III, Pell Grants, and the HBCU Financial Model
HBCUs do not operate on the same financial footing as predominantly white institutions. Their endowments are historically smaller — according to the UNCF, the median HBCU endowment is roughly 20 times smaller than that of comparable PWIs — which means federal appropriations aren't supplemental funding. They are survival funding.
Title III of the Higher Education Act exists specifically to strengthen HBCUs, Tribal Colleges, and other minority-serving institutions. It funds academic programs, faculty development, student services, and infrastructure. For schools like Spelman College, Morehouse College, Hampton University, and Howard University, Title III dollars are woven directly into daily operations. Any significant cut doesn't just trim the budget — it destabilizes the entire institutional model.
The Pell Grant program is equally critical. Data from the National Center for Education Statistics shows that a majority of HBCU students rely on Pell Grants to afford tuition, housing, and books. These are students from low- and moderate-income families — many of them first-generation — for whom a Pell reduction isn't an inconvenience. It's a reason to drop out.
For more context on Washington DC's higher education landscape and the institutions shaping it, see our Howard & HBCU DC Guide.
Howard University: Ground Zero for the Funding Battle in Washington DC
Howard University, located on Georgia Avenue NW in Washington DC, occupies a singular position in this fight. As the nation's most prominent HBCU — and the only one in the District — Howard serves as both a symbol and a direct case study. The university enrolls more than 10,000 students across its undergraduate, graduate, and professional schools, including the highly ranked Howard University School of Law and the College of Medicine.
Howard receives federal funding not only through Title III and Pell Grants but also through a direct congressional appropriation — a unique arrangement codified in law that reflects the school's historic relationship with the federal government dating back to its 1867 founding. That direct line to Congress makes Howard especially vulnerable when the political climate shifts against higher education spending.
University President Ben Vinson III has been vocal about the need to protect federal investment in HBCUs, emphasizing that Howard's mission to produce Black professionals in medicine, law, engineering, and public policy serves a national interest — not just a campus one. Howard's alumni network includes Vice President Kamala Harris, Thurgood Marshall, and Chadwick Boseman, a lineage that underscores the institution's outsized national impact relative to its budget.
First-Generation Students: The Human Cost Behind the Budget Numbers
Strip away the policy language and what remains is a straightforward reality: first-generation college students at HBCUs are the people most harmed when federal funding erodes. These are students whose parents didn't navigate college applications, financial aid forms, or academic advising. They arrived at HBCUs because those institutions actively recruited them, supported them, and built programs designed for their success.
Pew Research Center data shows that first-generation students are more likely to work while enrolled, more likely to take longer to complete degrees, and more likely to leave before graduating when faced with financial disruption. A funding cut that forces an HBCU to eliminate a tutoring center or reduce financial aid counseling staff doesn't register as a line item on a federal spreadsheet — but it registers immediately on a campus where students are already navigating systemic disadvantage.
The Thurgood Marshall College Fund (TMCF), which represents 47 publicly supported HBCUs and predominantly Black institutions, has been sounding the alarm on Capitol Hill. TMCF President and CEO Harry L. Williams has repeatedly testified before congressional committees that cuts to HBCU funding are not race-neutral fiscal decisions — they are policy choices with racially disparate outcomes.
Capitol Hill Advocacy: Who's Fighting for HBCUs in 2026
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The advocacy coalition fighting to protect HBCU funding reads like a who's-who of Black institutional power. The UNCF (United Negro College Fund), the Thurgood Marshall College Fund, the National Association for Equal Opportunity in Higher Education (NAFEO), and the Congressional Black Caucus (CBC) have all intensified lobbying efforts as the 2026 federal budget process moves through the House and Senate.
The Congressional Black Caucus, now one of the largest caucuses on Capitol Hill, has made HBCU appropriations a top legislative priority. CBC members have pushed for amendments to budget reconciliation bills that would ringfence Title III funding and prevent Pell Grant maximum awards from being reduced below their current level.
The political math, however, is complicated. With Congress divided and discretionary spending under pressure from competing budget priorities, HBCU advocates face a tough negotiating environment. Historically, HBCU funding has enjoyed bipartisan support — but that consensus has frayed as education policy becomes increasingly partisan terrain.
Washington DC isn't just geographically close to this fight — it is the fight. Howard University sits seven blocks from the U.S. Capitol. Its students walk the same streets as congressional staffers, federal agency heads, and lobbyists. The Georgia Avenue corridor, from Columbia Heights through Petworth and into LeDroit Park, has been shaped for generations by Howard's presence — economically, culturally, and politically.
A destabilized Howard University doesn't just affect 10,000 students. It affects the Anacostia and Shaw small businesses that depend on student foot traffic. It affects the DC public school students who see Howard as proof that a prestigious university education is achievable for kids who look like them. It affects the pipeline of Black doctors, lawyers, engineers, and public servants that Howard sends into federal agencies, K Street firms, and Capitol Hill offices every year.
DC's identity as a majority-Black city with a world-class HBCU at its center is not incidental — it is foundational. Any policy that weakens Howard weakens the city's cultural and economic core. That's not rhetorical. That's structural reality.
Explore how education intersects with DC's broader power landscape in our DC Power Index.
What Comes Next: The 2026 Budget Window and HBCU Survival
The window for action is narrow. Federal appropriations for the 2026–2027 academic year will be largely determined by congressional decisions made in the coming months. HBCU leaders, advocates, and students are pressing for three specific outcomes: full reauthorization of Title III funding at or above current levels, a Pell Grant maximum award increase to $8,000, and restoration of federal HBCU Capital Financing Program funds that were reduced in prior budget cycles.
Whether Congress delivers will depend on advocacy volume, political will, and whether the stories of first-generation HBCU students cut through the noise on the Hill. Organizations like UNCF are deploying alumni, students, and institution presidents for direct congressional meetings — a time-tested approach that has protected HBCU funding in previous budget battles.
The bottom line: HBCUs have survived 150-plus years of underfunding, neglect, and outright hostility. They've done it through community, through excellence, and through advocacy. But survival has never been a substitute for equity — and the current funding fight is, at its core, a question of whether this country is willing to invest in the institutions that have done the most with the least for the longest.
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Frequently Asked Questions: HBCU Funding and First-Generation Students
Q: What is Title III funding and why does it matter for HBCUs? A: Title III of the Higher Education Act provides federal funding specifically designated for Historically Black Colleges and Universities and other minority-serving institutions. It supports academic programs, student services, faculty development, and campus infrastructure. Because HBCU endowments are significantly smaller than those of predominantly white institutions, Title III is often the difference between a program existing and being eliminated.
Q: How many students does Howard University enroll? A: Howard University currently enrolls more than 10,000 students across undergraduate, graduate, and professional programs including law, medicine, and business. Located on Georgia Avenue NW in Washington DC, Howard is the only HBCU in the nation's capital and receives a unique direct congressional appropriation in addition to standard federal financial aid programs.
Q: Which organizations are lobbying Congress to protect HBCU funding in 2026? A: The UNCF (United Negro College Fund), the Thurgood Marshall College Fund, the National Association for Equal Opportunity in Higher Education (NAFEO), and the Congressional Black Caucus are leading the advocacy push. These organizations are pushing for full Title III reauthorization, a Pell Grant increase to $8,000, and restoration of HBCU Capital Financing Program funds.
Q: Why are first-generation students disproportionately affected by HBCU funding cuts? A: First-generation college students — those whose parents did not attend college — are more likely to rely on federal financial aid including Pell Grants, and more likely to need institutional support services like tutoring, advising, and emergency aid funds. When HBCU budgets are cut, those support services are often among the first to be reduced, removing the scaffolding that helps first-generation students persist to graduation.
Q: Does Howard University receive special federal funding beyond standard HBCU appropriations? A: Yes. Howard University receives a direct congressional appropriation — a unique arrangement dating back to the university's 1867 founding — in addition to Title III funds and federal student aid programs like Pell Grants. This direct line to Congress makes Howard's budget both more stable in some respects and more politically exposed when federal spending priorities shift.
Q: What is the Pell Grant and how does it affect HBCU students? A: The Pell Grant is a federal need-based grant program that does not need to be repaid. It is a primary funding source for low- and moderate-income college students. The majority of HBCU students receive Pell Grants, making any reduction in the maximum award amount — currently under congressional discussion — a direct financial threat to HBCU enrollment and graduation rates.
What to Watch Next: Monitor the House and Senate appropriations committee markups expected in the coming months for any amendments affecting Title III and Pell Grant levels. Howard University's fall 2026 enrollment figures will serve as an early indicator of whether funding uncertainty is already influencing student decisions. And watch the Congressional Black Caucus — their ability to hold the line on HBCU appropriations in a divided Congress will define the near-term trajectory for Black higher education in America. Follow our Howard & HBCU coverage and DC Politics for ongoing updates.
Reporting drawn from: Capital B News. Washington DC Magazine provides original analysis, DC-specific context, and editorial perspective beyond the source material.This article was produced with AI assistance and reviewed by WDCM editorial staff. Washington DC Magazine is committed to accuracy, transparency, and editorial integrity. If you believe any information in this article requires correction, please contact editor@washingtondcmagazine.com.
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CAN I KICK IT? screens New Jack City at the Sylvan Theater, Washington Monument, on Aug. 22. (Courtesy SHAOLIN JAZZ)
The live-cinema series CAN I KICK IT? returns to the National Mall this month with what its producers are calling the "Gangsters on the Mall" chapter of their free outdoor summer run. On Saturday, August 22, the SHAOLIN JAZZ production brings the 1991 crime classic New Jack City to the Sylvan Theater at the Washington Monument for a night of film, music, and community under the DC summer sky.
What sets the event apart is the sound. As the film plays, DJ 2-Tone Jones builds an original score in real time, reimagining one of the most iconic crime movies of the ’90s through hip-hop, soul, funk, and more. It is less a movie screening than a live performance built around the film.
The details:
Film: New Jack City (1991), with a live soundtrack by DJ 2-Tone Jones
When: Saturday, August 22 — seating opens at 7:30 p.m. (bring lawn chairs and blankets); film begins at 8:30 p.m.
Where: Sylvan Theater at the Washington Monument, Independence Ave SW & 15th St NW
A parking note from the organizers: expect road closures and restricted parking east of 14th Street NW due to a separate race event in the District. Roads west of 14th Street NW will be accessible and available for parking.
New Jack City is the second of three screenings in this year’s free CAN I KICK IT? outdoor series, which opened with Black Panther at Skyland Town Center and concludes with Scarface at the Lincoln Memorial on September 5. Produced by the Washington, DC-based multimedia arts company SHAOLIN JAZZ, the series has presented more than 150 live cinematic experiences at venues across the country, from Lincoln Center to SXSW.
"I wanted to be able to tell good stories with substance and remove the ‘ego’ out of the art," said Andrew Huang during a recent interview. Now, he’s building his career at the intersection of discipline, creativity and innovation.
Andrew Huang, founder of New Place Studios. (Courtesy photo)
As a Chinese American, Huang was reared with a deep respect for hard work, consistency and excellence. He describes his childhood as "not so affluent" and later attended college to hone his passion for videography. "In college I tried to do something I loved, which was video, but along the way I knew that I had to find a job. And so I thought, ‘what was the low hanging fruit to get to that stable 9 to 5 job?,’" he stated.
Later in life, Huang found himself working for corporations where his creativity was often limited, eventually leading to burnout. "I worked in a corporation for a long time and there were a lot of missing pieces. I wanted to fill in gaps missing in corporate video production," said Huang.
He later described how his upbringing and a mindset of "survival" led him toward a corporate career. However, his desire for balance and authentic storytelling ultimately pushed him to take the entrepreneurial leap.
"I founded a new place where you can create video and film with ‘substance and style,’" said Huang. His desire for work-life balance and passion for storytelling naturally evolved into a small business based in Virginia. With the launch of New Place Studios, the entrepreneur quickly found himself reconnecting with the values that would become the foundation of everything he creates behind the camera.
Huang said being a business owner has allowed him to first embrace himself. While others may see video as simply capturing moments, he sees it as a way to preserve stories that inspire, connect and leave a lasting imprint.
By combining cinematic visuals with cutting-edge production techniques and a keen understanding of branding, Huang helps organizations and individuals communicate their vision with purpose. He said understanding a client’s "why" serves as the compass for delivering the services they need.
One benefit of working with a small business, he said, is that clients get to see the production process unfold through a micro lens while working with the same faces throughout the entire project. "The work feels personal," said Huang.
Huang does not regret leaving behind the flash-over-substance mentality and corporate hustle culture. That does not mean the Asian American entrepreneur has been without challenges in the industry. "It’s relatively hard to find other Asian American creatives or people who would want to work with me in the DMV," said Huang.
He identifies the industry culture in which everyone is trying to blend in, creatives may fear displaying their Asian identity and some feel pressure to adopt an American corporate persona. He also points to what he describes as a level of gatekeeping within the industry. According to the U.S. Small Business Administration’s 2024 statistics, Asian American and Pacific Islander entrepreneurs own more than 3 million businesses and employ 5.2 million people in the United States.
After tapping into organizations such as SCORE, which offers free small business mentorship, New Place Studios has become a trusted creative partner throughout the DMV (Washington, D.C., Maryland and Virginia). The company produces a range of creative services, including commercials, corporate branding, documentaries, film, 2D animation, motion graphics and photography.
For Huang, entrepreneurship has become more than a departure from corporate life. It has given him the freedom to create with intention, build meaningful connections and tell stories that go beyond the surface.
The 2026 CAN I KICK IT? outdoor series. Poster courtesy of SHAOLIN JAZZ.
For three Saturdays this summer, some of Washington’s most familiar public spaces will do something they rarely do after dark: fill up with blankets, lawn chairs, and the sound of a movie being scored live, in real time. CAN I KICK IT?, the traveling “live cinema” series produced by the DC-based multimedia arts company SHAOLIN JAZZ, is bringing a free outdoor run to the city — pairing three era-defining films with an original soundtrack performed on the spot by DJ 2-Tone Jones.
The premise is what sets it apart from a normal screening in the park. Rather than simply pressing play, 2-Tone Jones builds a score as the film unfolds, pulling from hip-hop, soul, funk, jazz, rock, electronic music, and sounds from around the world. The result, the organizers say, is less a movie night than a one-time performance — the same film you know, wired to a soundtrack you have never heard and will not hear again. Guest DJs warm up the crowd starting at 7:30 PM before each 8:30 PM screening.
The 2026 outdoor schedule
All three events are free and open to the public.
Saturday, August 8 — Black Panther at Skyland Town Center. A pop-up marketplace and community activities kick off the evening; guest DJs at 7:30 PM, film at 8:30 PM. Marvel’s superhero epic gets a one-night-only live score in Southeast DC.
Saturday, August 22 — New Jack City at the Sylvan Theater, Washington Monument. Seating begins at 7:30 PM; the film starts at 8:30 PM. The 1991 crime drama plays out at the foot of one of the country’s most recognizable landmarks.
Saturday, September 5 — Scarface at the Lincoln Memorial. Seating at 7:30 PM; film at 8:30 PM. The series closes with Brian De Palma’s crime saga against the backdrop of the Memorial, scored live from start to finish.
First up: Black Panther at Skyland Town Center on August 8. Poster courtesy of SHAOLIN JAZZ.
A DC company with a national footprint
SHAOLIN JAZZ describes itself as a Washington-based arts company working at the intersection of music, film, art, and culture, and CAN I KICK IT? is its signature production. According to the organizers, the series has staged more than 150 live cinematic experiences around the country — at performing arts centers, museums, festivals, and cultural institutions including Lincoln Center in New York, SXSW, the Denver Center for the Performing Arts, Republic Square in Austin, the Tacoma Armory, and The Cary Theater.
“CAN I KICK IT? has always been about creating a shared experience,” said Gerald Watson, co-founder of SHAOLIN JAZZ. “When you combine iconic films with live music in public spaces, something special happens. People aren’t just watching a movie — they’re experiencing it together. That’s what makes these nights so memorable.”
Cinema as a community event
The DC run lands as cities across the country look for new ways to activate public space through arts and culture — and this series is a straightforward pitch for how to do it: take a landmark everyone already knows, add a film everyone has an opinion about, and let a live soundtrack turn the evening into something neighbors experience shoulder to shoulder. Families, film buffs, and music fans are all invited, and admission won’t cost a thing.
The CAN I KICK IT? outdoor series runs August 8, August 22, and September 5. All events are free; check SHAOLIN JAZZ (shaolinjazz.com) for the latest details and any weather updates before heading out.