Patrick Ewing Likely Joining Wizards Staff as Assistant Coach
Patrick Ewing is likely to join the Washington Wizards as an assistant coach, per The Athletic. Here's what the move means for DC basketball.
In brief
Patrick Ewing — Georgetown legend, NBA Hall of Famer, and the most iconic big man in DC basketball history — is expected to join the Washington Wizards coaching staff as an assistant, according to The Athletic. The move would reunite Ewing with the city where he built his legend and give Washington's rebuilding franchise one of the most recognizable names in the sport.
Key Takeaways
Patrick Ewing is likely to join the Washington Wizards as an assistant coach, per The Athletic.
Ewing spent 15 seasons as head coach at Georgetown University before departing after the 2025–26 season.
The Wizards are in an active rebuild, centered around young players including Alexandre Sarr and Bilal Coulibaly.
Ewing previously served as an NBA assistant with the Orlando Magic, Indiana Pacers, Charlotte Hornets, and Houston Rockets before his Georgetown tenure.
The hire would carry enormous cultural weight in a city that still considers Ewing one of its own.
Why Patrick Ewing and Washington DC Are Unfinished Business
There are a handful of athletes whose relationship with Washington DC transcends the box score. Patrick Ewing is at the top of that list — and not just because of what he did as a player. Ewing arrived at Georgetown University in 1981 under Hall of Fame coach John Thompson and turned the Hoyas into a national powerhouse, winning the 1984 NCAA Championship and reaching the title game again in 1985. He left the Hilltop as perhaps the greatest player in program history, then went on to a 17-year NBA career — primarily with the New York Knicks — that earned him a spot in the Naismith Memorial Basketball Hall of Fame.
But DC never stopped claiming him. When Ewing returned to Georgetown as head coach in 2017, it felt like a homecoming the city had been waiting for. His nine seasons coaching on the Hilltop reinforced his deep roots in the District, even as his record proved uneven. Now, the Wizards appear poised to bring that legacy directly into their NBA operation.
For a franchise that has struggled to define its identity in the post-John Wall era, adding Ewing to the bench staff is a signal — to the fan base, to prospective free agents, and to the league — that the organization is serious about building something real at Capital One Arena in Chinatown.
The Wizards Rebuild Needed a Name — Ewing Delivers One
Washington's front office has been grinding through one of the more deliberate rebuilds in the Eastern Conference. The Wizards entered the 2025–26 season anchored by French forward Alexandre Sarr, the No. 2 overall pick in the 2024 NBA Draft, and Cameroonian wing Bilal Coulibaly, who has shown flashes of becoming a legitimate two-way threat. General Manager Will Dawkins has been methodical, prioritizing long-term asset accumulation over short-term wins.
That approach demands patience from a fan base that has endured years of mediocrity since the franchise's last playoff run. Adding Ewing — a Hall of Famer who understands big-man development from both the playing and coaching sides — gives the rebuild a credibility boost that a win-loss record alone cannot provide right now. The Wizards have needed a bridge between their storied past and their uncertain future. Ewing could be exactly that.
His coaching experience in the NBA is deeper than many fans remember. Before returning to Georgetown, Ewing spent years on NBA benches, serving as an assistant with the Orlando Magic, Indiana Pacers, Charlotte Hornets, and Houston Rockets. He was regarded as one of the better big-man tutors in the league during those stints. That resume, combined with his name recognition, makes him a logical fit for a Wizards staff looking to accelerate the development of young frontcourt players.
Washington DC is a basketball town in a way that often gets overlooked by national media obsessed with the NFL's Commanders or MLB's Nationals. The sport runs deep here — from the recreation center courts in Columbia Heights and Southeast DC to the packed student sections at Capital One Arena during Wizards playoff pushes. And Georgetown basketball, even in its recent down years, remains a pillar of the city's sports identity.
Ewing returning to an NBA role in DC — not New York, not somewhere else — carries genuine emotional weight for a city that watched him dominate college basketball on the Hilltop and then return to coach there. According to The Washington Post, Ewing has remained a prominent figure in the DC basketball community long after his playing days ended. His presence on the Wizards bench would draw attention to a franchise that has struggled to compete for the back pages of DC sports coverage with the Commanders' recent resurgence.
For coverage of how the Wizards fit into DC's broader sports and political power landscape, see our DC Power Index and the DC Power Players Index.
Ewing's Coaching Legacy at Georgetown — and What Comes Next
Ewing's nine seasons at Georgetown produced a 130–138 overall record — respectable in the modern Big East, but a far cry from the Thompson-era dominance that defines the program's legacy. He guided the Hoyas to the NCAA Tournament in 2021, the program's first appearance since 2015, and earned Big East Coach of the Year honors that season. But sustained success proved elusive, and by the close of the 2025–26 college season, his tenure on the Hilltop had reached its natural endpoint.
Transitioning back to the NBA is a move that makes sense for a coach of Ewing's profile. At 63, he remains sharp, competitive, and driven — qualities that define his entire basketball life. An assistant role with the Wizards lets him re-enter the NBA ecosystem without the pressure of a head coaching seat, while giving Washington's young big men access to one of the greatest to ever play the position.
This is also worth watching from a broader industry perspective: NBA front offices have increasingly targeted former elite players who have coaching experience at the college level as a talent pipeline for assistant roles. Ewing fits that profile precisely. His hire, if confirmed, would represent a best-case execution of that trend. For more on the intersection of DC sports and political influence, check out our Political Influence Rankings and our ongoing Power Moves coverage.
What to Watch Next
The Wizards have not issued an official announcement as of publication. Watch for formal confirmation from the organization, likely accompanied by a press conference at Capital One Arena. The key questions going forward: What specific role will Ewing play on head coach Brian Keefe's staff? Will he focus primarily on developing Sarr and the frontcourt? And does this hire signal that the Wizards are accelerating their timeline toward competitiveness in the Eastern Conference?
The bottom line: Patrick Ewing coming back to Washington DC in an NBA capacity is one of the more emotionally resonant sports stories this city has produced in years. For a Wizards franchise desperate to build momentum and reconnect with a fan base that has been patient through a painful rebuild, landing a Hall of Famer with deep roots in the District is the kind of move that matters beyond the stat sheet. Keep watching Capital One Arena — something is starting to take shape.
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FAQ: Patrick Ewing and the Washington Wizards
Q: Is Patrick Ewing officially joining the Washington Wizards? A: As of publication, Ewing is likely to join the Wizards as an assistant coach per The Athletic, but the team has not made a formal announcement. The deal is expected to be finalized.
Q: What is Patrick Ewing's coaching background in the NBA? A: Before becoming Georgetown's head coach in 2017, Ewing served as an NBA assistant with the Orlando Magic, Indiana Pacers, Charlotte Hornets, and Houston Rockets. He was widely respected as a developer of big men during those stints.
Q: How long was Patrick Ewing the head coach at Georgetown? A: Ewing coached the Georgetown Hoyas for nine seasons, compiling a 130–138 overall record. He led the team to the 2021 NCAA Tournament and won Big East Coach of the Year honors that same season.
Q: Who are the Washington Wizards building around in their current rebuild? A: The Wizards' rebuild is centered on Alexandre Sarr, the No. 2 overall pick in the 2024 NBA Draft, and Bilal Coulibaly, a promising two-way wing. General Manager Will Dawkins has prioritized long-term asset building.
Q: What would Ewing's role be with the Wizards specifically? A: Details of his specific responsibilities have not been confirmed, but given his background, an emphasis on frontcourt player development — particularly working with big men like Alexandre Sarr — would be the most logical fit on Brian Keefe's staff.
Q: Why is Patrick Ewing significant to Washington DC beyond basketball? A: Ewing is one of the most iconic athletes in DC history, having led Georgetown to the 1984 NCAA title and returned to coach the Hoyas for nine years. He represents a direct connection between the city's basketball heritage and its present-day NBA franchise.
Reporting drawn from: The Athletic / The New York Times. Washington DC Magazine provides original analysis, DC-specific context, and editorial perspective beyond the source material.This article was produced with AI assistance and reviewed by WDCM editorial staff. Washington DC Magazine is committed to accuracy, transparency, and editorial integrity. If you believe any information in this article requires correction, please contact editor@washingtondcmagazine.com.
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CAN I KICK IT? screens New Jack City at the Sylvan Theater, Washington Monument, on Aug. 22. (Courtesy SHAOLIN JAZZ)
The live-cinema series CAN I KICK IT? returns to the National Mall this month with what its producers are calling the "Gangsters on the Mall" chapter of their free outdoor summer run. On Saturday, August 22, the SHAOLIN JAZZ production brings the 1991 crime classic New Jack City to the Sylvan Theater at the Washington Monument for a night of film, music, and community under the DC summer sky.
What sets the event apart is the sound. As the film plays, DJ 2-Tone Jones builds an original score in real time, reimagining one of the most iconic crime movies of the ’90s through hip-hop, soul, funk, and more. It is less a movie screening than a live performance built around the film.
The details:
Film: New Jack City (1991), with a live soundtrack by DJ 2-Tone Jones
When: Saturday, August 22 — seating opens at 7:30 p.m. (bring lawn chairs and blankets); film begins at 8:30 p.m.
Where: Sylvan Theater at the Washington Monument, Independence Ave SW & 15th St NW
A parking note from the organizers: expect road closures and restricted parking east of 14th Street NW due to a separate race event in the District. Roads west of 14th Street NW will be accessible and available for parking.
New Jack City is the second of three screenings in this year’s free CAN I KICK IT? outdoor series, which opened with Black Panther at Skyland Town Center and concludes with Scarface at the Lincoln Memorial on September 5. Produced by the Washington, DC-based multimedia arts company SHAOLIN JAZZ, the series has presented more than 150 live cinematic experiences at venues across the country, from Lincoln Center to SXSW.
"I wanted to be able to tell good stories with substance and remove the ‘ego’ out of the art," said Andrew Huang during a recent interview. Now, he’s building his career at the intersection of discipline, creativity and innovation.
Andrew Huang, founder of New Place Studios. (Courtesy photo)
As a Chinese American, Huang was reared with a deep respect for hard work, consistency and excellence. He describes his childhood as "not so affluent" and later attended college to hone his passion for videography. "In college I tried to do something I loved, which was video, but along the way I knew that I had to find a job. And so I thought, ‘what was the low hanging fruit to get to that stable 9 to 5 job?,’" he stated.
Later in life, Huang found himself working for corporations where his creativity was often limited, eventually leading to burnout. "I worked in a corporation for a long time and there were a lot of missing pieces. I wanted to fill in gaps missing in corporate video production," said Huang.
He later described how his upbringing and a mindset of "survival" led him toward a corporate career. However, his desire for balance and authentic storytelling ultimately pushed him to take the entrepreneurial leap.
"I founded a new place where you can create video and film with ‘substance and style,’" said Huang. His desire for work-life balance and passion for storytelling naturally evolved into a small business based in Virginia. With the launch of New Place Studios, the entrepreneur quickly found himself reconnecting with the values that would become the foundation of everything he creates behind the camera.
Huang said being a business owner has allowed him to first embrace himself. While others may see video as simply capturing moments, he sees it as a way to preserve stories that inspire, connect and leave a lasting imprint.
By combining cinematic visuals with cutting-edge production techniques and a keen understanding of branding, Huang helps organizations and individuals communicate their vision with purpose. He said understanding a client’s "why" serves as the compass for delivering the services they need.
One benefit of working with a small business, he said, is that clients get to see the production process unfold through a micro lens while working with the same faces throughout the entire project. "The work feels personal," said Huang.
Huang does not regret leaving behind the flash-over-substance mentality and corporate hustle culture. That does not mean the Asian American entrepreneur has been without challenges in the industry. "It’s relatively hard to find other Asian American creatives or people who would want to work with me in the DMV," said Huang.
He identifies the industry culture in which everyone is trying to blend in, creatives may fear displaying their Asian identity and some feel pressure to adopt an American corporate persona. He also points to what he describes as a level of gatekeeping within the industry. According to the U.S. Small Business Administration’s 2024 statistics, Asian American and Pacific Islander entrepreneurs own more than 3 million businesses and employ 5.2 million people in the United States.
After tapping into organizations such as SCORE, which offers free small business mentorship, New Place Studios has become a trusted creative partner throughout the DMV (Washington, D.C., Maryland and Virginia). The company produces a range of creative services, including commercials, corporate branding, documentaries, film, 2D animation, motion graphics and photography.
For Huang, entrepreneurship has become more than a departure from corporate life. It has given him the freedom to create with intention, build meaningful connections and tell stories that go beyond the surface.
The 2026 CAN I KICK IT? outdoor series. Poster courtesy of SHAOLIN JAZZ.
For three Saturdays this summer, some of Washington’s most familiar public spaces will do something they rarely do after dark: fill up with blankets, lawn chairs, and the sound of a movie being scored live, in real time. CAN I KICK IT?, the traveling “live cinema” series produced by the DC-based multimedia arts company SHAOLIN JAZZ, is bringing a free outdoor run to the city — pairing three era-defining films with an original soundtrack performed on the spot by DJ 2-Tone Jones.
The premise is what sets it apart from a normal screening in the park. Rather than simply pressing play, 2-Tone Jones builds a score as the film unfolds, pulling from hip-hop, soul, funk, jazz, rock, electronic music, and sounds from around the world. The result, the organizers say, is less a movie night than a one-time performance — the same film you know, wired to a soundtrack you have never heard and will not hear again. Guest DJs warm up the crowd starting at 7:30 PM before each 8:30 PM screening.
The 2026 outdoor schedule
All three events are free and open to the public.
Saturday, August 8 — Black Panther at Skyland Town Center. A pop-up marketplace and community activities kick off the evening; guest DJs at 7:30 PM, film at 8:30 PM. Marvel’s superhero epic gets a one-night-only live score in Southeast DC.
Saturday, August 22 — New Jack City at the Sylvan Theater, Washington Monument. Seating begins at 7:30 PM; the film starts at 8:30 PM. The 1991 crime drama plays out at the foot of one of the country’s most recognizable landmarks.
Saturday, September 5 — Scarface at the Lincoln Memorial. Seating at 7:30 PM; film at 8:30 PM. The series closes with Brian De Palma’s crime saga against the backdrop of the Memorial, scored live from start to finish.
First up: Black Panther at Skyland Town Center on August 8. Poster courtesy of SHAOLIN JAZZ.
A DC company with a national footprint
SHAOLIN JAZZ describes itself as a Washington-based arts company working at the intersection of music, film, art, and culture, and CAN I KICK IT? is its signature production. According to the organizers, the series has staged more than 150 live cinematic experiences around the country — at performing arts centers, museums, festivals, and cultural institutions including Lincoln Center in New York, SXSW, the Denver Center for the Performing Arts, Republic Square in Austin, the Tacoma Armory, and The Cary Theater.
“CAN I KICK IT? has always been about creating a shared experience,” said Gerald Watson, co-founder of SHAOLIN JAZZ. “When you combine iconic films with live music in public spaces, something special happens. People aren’t just watching a movie — they’re experiencing it together. That’s what makes these nights so memorable.”
Cinema as a community event
The DC run lands as cities across the country look for new ways to activate public space through arts and culture — and this series is a straightforward pitch for how to do it: take a landmark everyone already knows, add a film everyone has an opinion about, and let a live soundtrack turn the evening into something neighbors experience shoulder to shoulder. Families, film buffs, and music fans are all invited, and admission won’t cost a thing.
The CAN I KICK IT? outdoor series runs August 8, August 22, and September 5. All events are free; check SHAOLIN JAZZ (shaolinjazz.com) for the latest details and any weather updates before heading out.
