Treasury's "Operation Economic Outcast" bets the Iran war can be won without more bombs
Treasury Secretary Scott Bessent unveiled sweeping new sanctions Monday aimed at severing Iran's global financial ties, while a separate disclosure revealed USCIS fraud officers have been pulled off asylum screening and redeployed to hunt alleged noncitizen voters before the midterms.
In brief
Treasury Secretary Scott Bessent stood at the podium in the Treasury Department's Cash Room on Monday and declared economic war on Iran. He called it "D-Day." He said the goal was to leave Tehran "standing alone." And he warned that any country or company still doing business with the Islamic Republic would face "the full reach of American power."
What he did not do was name names, set deadlines, or pull the trigger on secondary sanctions against Iran's biggest customers. That is the gap between the announcement and the action - and it is the central question hanging over Washington's most ambitious economic pressure campaign in years.
What Bessent actually launched
On Monday, Bessent announced Operation Economic Outcast, the Trump administration's ramped-up push to use economic tools to reopen the Strait of Hormuz and end the war with Iran, saying: "Today, at President Trump's direction, the United States Treasury has begun Operation Economic Outcast, an unprecedented campaign against the Islamic Republic of Iran and its enablers."
The operation expands the categories for secondary sanctions on entities and countries that transact with Tehran and introduces new sanctions across digital assets, gold, aviation, technology, and shipping. Treasury's Office of Foreign Assets Control also sanctioned more than 60 entities, individuals, and vessels that Bessent said help Iran procure nuclear and missile technology, conduct cyber operations, or generate oil revenue.
Monday's sanctions target "a network of brokers, companies, and shadow fleet vessels operating across the United Arab Emirates, Hong Kong, China, Singapore, Switzerland, Europe, and other regions to transport Iranian oil and channel revenue" to Iran's paramilitary Revolutionary Guard and other regime elements.
Bessent's language was maximalist. The mechanics were more cautious.
Bessent said the administration has not publicly named the countries or entities it is pressuring, nor disclosed their deadlines to comply. He previewed a continuing "wave of sanctions," saying he expects a "major announcement" involving a financial institution by the end of the week.
Asked why his announcement was more warning than action, Bessent responded that he didn't want to "blow up the global financial system" - a telling admission that the United States is threatening action against third countries that don't break economic ties with Iran, but that doing so involves costs and risks he is not eager to bear, according to Atlantic Council analysts.
The plan is aimed at ratcheting up pressure on the Iranian regime amid a current "no war, no deal" limbo, and U.S. officials say the expanded secondary sanctions are expected to be the main course of action against Iran until at least after the midterm elections, when a new military campaign could again be on the table, according to Axios.
The midterm framing is notable. It means the Treasury-led strategy is not just a foreign-policy tool - it is also a political one, designed to show voters that Washington is doing something about a conflict that has dominated the national security debate without committing to another round of military strikes before November.
Bessent said President Trump has been making phone calls to world leaders with "specific requests" to cease trading with the Iranian regime. Bessent further stressed that the "grey areas" some countries use to evade sanctions on Iran would "no longer" be acceptable, warning of secondary sanctions and adding: "Countries cannot claim they are blind to enabling this activity."
China is the clearest target of that warning. When asked directly whether the initiative would encompass China, Bessent said: "No one is above this." A spokesperson for China's foreign ministry said Beijing opposed the economic campaign against Iran, arguing that pressure would not resolve the crisis.
Tehran's response was sharp. Mohsen Rezaei, secretary of Iran's Supreme National Security Council, wrote on X that if the U.S. campaign continues, "not a single drop of oil" would be exported through the Strait of Hormuz or elsewhere in the Persian Gulf, and Tehran would view any country's participation in the campaign as "an act of war."
Adam Szubin, who ran Treasury's Office of Foreign Assets Control under three administrations and now teaches at Johns Hopkins University's School of Advanced International Studies, offered a measured read. When NPR asked him to assess the new campaign, Szubin said it was "a very hard question," noting that negotiations under the Obama administration that were originally allotted six months stretched to sixteen, and that he could not say how long it would take for Iran to come to the table.
A second Washington story: USCIS fraud officers pulled from asylum work
Separate from the Iran sanctions push, a disclosure published Monday by The Guardian and confirmed Tuesday by The Washington Post added another dimension to the administration's pre-midterm security posture.
Internal correspondence from USCIS, reported exclusively by The Guardian, reveals that all anti-fraud personnel from the agency's Fraud Detection and National Security Directorate have been redirected to screen Afrikaner refugees full-time; a leaked memo confirms officers were shifted to "South African refugee screening and unlawful voter screening" initiatives.
As a result, the FDNS will not be able to assign personnel to train the asylum officers of USCIS. Internal messages confirm that FDNS officers have been pulled from their asylum officer training responsibilities, though it remains unclear whether standard anti-fraud checks on pending general asylum applications have been suspended or simply slowed.
The Washington Post reported Tuesday that the reassignment is the latest step to marshal the federal government behind Trump's unsupported claim that noncitizens vote enough to change U.S. elections.
The data do not support that scale of concern. While policymakers have devoted significant attention to claims that possible noncitizens may be registering to vote, an April 2026 statement by USCIS itself revealed that only 0.03 percent of records run through the agency's SAVE tool merited additional review as possible noncitizens, according to the Center for Election Innovation and Research.
The operational costs of the search are becoming clearer. Current and former Homeland Security Investigations agents told ProPublica that critical investigations - including task forces aimed at drug rings, human trafficking, and money laundering - have languished. In February 2026, an HSI agent in Ohio who had been leading a multistate child sex abuse investigation was abruptly assigned to pursue dozens of leads on suspected noncitizen voters; it wasn't until May that he made an arrest in the child exploitation case, with prosecutors filing charges against the suspect in connection with acts involving at least five 14-year-old girls.
ProPublica's analysis of Justice Department data and federal court filings through May 2026 found that federal prosecutors had charged fewer than four dozen people with crimes related to noncitizen voting, with 14 convictions or guilty pleas. In Ohio, where more than 1,000 suspected noncitizens had been referred to the federal government, just two cases had been referred for prosecution and no one had been charged as of May.
A federal court in Ohio moved against a related effort Tuesday. A federal judge blocked Ohio from requiring proof of citizenship when registering to vote at Bureau of Motor Vehicles offices, finding that the requirement conflicts with the National Voter Registration Act, Politico reported.
What to Watch
The "major financial institution" announcement: Bessent previewed a "major announcement" involving a financial institution by the end of this week. Whether that means a large Chinese bank - which would mark a genuine escalation - or a smaller intermediary will define how serious the secondary-sanctions threat really is.
China's compliance window: Beijing has publicly refused to endorse the campaign. Bessent said countries around the world must choose between the U.S. and Iran, stressing that the new campaign exposes Tehran's trade partners to secondary penalties. How long Treasury waits before penalizing Chinese entities is the pressure campaign's central unknown.
FDNS lawsuit risk: A federal court ruled in June 2026 that changes made to the SAVE program to encourage its use as a voter eligibility verification tool were unlawful; that decision is subject to ongoing litigation and appeal. A challenge to the FDNS reassignment itself could follow.
Ohio BMV ruling appeal: Republicans are expected to contest Tuesday's proof-of-citizenship injunction at the Sixth Circuit, adding to a growing pile of election-law fights that will be resolved - or not - before November.
Strait of Hormuz: Iran's threat to block oil exports through the strait is not new, but the timing - paired with a formal U.S. economic offensive - means energy markets are watching every week's tanker data for signs Tehran is moving from rhetoric to action.
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CAN I KICK IT? screens New Jack City at the Sylvan Theater, Washington Monument, on Aug. 22. (Courtesy SHAOLIN JAZZ)
The live-cinema series CAN I KICK IT? returns to the National Mall this month with what its producers are calling the "Gangsters on the Mall" chapter of their free outdoor summer run. On Saturday, August 22, the SHAOLIN JAZZ production brings the 1991 crime classic New Jack City to the Sylvan Theater at the Washington Monument for a night of film, music, and community under the DC summer sky.
What sets the event apart is the sound. As the film plays, DJ 2-Tone Jones builds an original score in real time, reimagining one of the most iconic crime movies of the ’90s through hip-hop, soul, funk, and more. It is less a movie screening than a live performance built around the film.
The details:
Film: New Jack City (1991), with a live soundtrack by DJ 2-Tone Jones
When: Saturday, August 22 — seating opens at 7:30 p.m. (bring lawn chairs and blankets); film begins at 8:30 p.m.
Where: Sylvan Theater at the Washington Monument, Independence Ave SW & 15th St NW
A parking note from the organizers: expect road closures and restricted parking east of 14th Street NW due to a separate race event in the District. Roads west of 14th Street NW will be accessible and available for parking.
New Jack City is the second of three screenings in this year’s free CAN I KICK IT? outdoor series, which opened with Black Panther at Skyland Town Center and concludes with Scarface at the Lincoln Memorial on September 5. Produced by the Washington, DC-based multimedia arts company SHAOLIN JAZZ, the series has presented more than 150 live cinematic experiences at venues across the country, from Lincoln Center to SXSW.
"I wanted to be able to tell good stories with substance and remove the ‘ego’ out of the art," said Andrew Huang during a recent interview. Now, he’s building his career at the intersection of discipline, creativity and innovation.
Andrew Huang, founder of New Place Studios. (Courtesy photo)
As a Chinese American, Huang was reared with a deep respect for hard work, consistency and excellence. He describes his childhood as "not so affluent" and later attended college to hone his passion for videography. "In college I tried to do something I loved, which was video, but along the way I knew that I had to find a job. And so I thought, ‘what was the low hanging fruit to get to that stable 9 to 5 job?,’" he stated.
Later in life, Huang found himself working for corporations where his creativity was often limited, eventually leading to burnout. "I worked in a corporation for a long time and there were a lot of missing pieces. I wanted to fill in gaps missing in corporate video production," said Huang.
He later described how his upbringing and a mindset of "survival" led him toward a corporate career. However, his desire for balance and authentic storytelling ultimately pushed him to take the entrepreneurial leap.
"I founded a new place where you can create video and film with ‘substance and style,’" said Huang. His desire for work-life balance and passion for storytelling naturally evolved into a small business based in Virginia. With the launch of New Place Studios, the entrepreneur quickly found himself reconnecting with the values that would become the foundation of everything he creates behind the camera.
Huang said being a business owner has allowed him to first embrace himself. While others may see video as simply capturing moments, he sees it as a way to preserve stories that inspire, connect and leave a lasting imprint.
By combining cinematic visuals with cutting-edge production techniques and a keen understanding of branding, Huang helps organizations and individuals communicate their vision with purpose. He said understanding a client’s "why" serves as the compass for delivering the services they need.
One benefit of working with a small business, he said, is that clients get to see the production process unfold through a micro lens while working with the same faces throughout the entire project. "The work feels personal," said Huang.
Huang does not regret leaving behind the flash-over-substance mentality and corporate hustle culture. That does not mean the Asian American entrepreneur has been without challenges in the industry. "It’s relatively hard to find other Asian American creatives or people who would want to work with me in the DMV," said Huang.
He identifies the industry culture in which everyone is trying to blend in, creatives may fear displaying their Asian identity and some feel pressure to adopt an American corporate persona. He also points to what he describes as a level of gatekeeping within the industry. According to the U.S. Small Business Administration’s 2024 statistics, Asian American and Pacific Islander entrepreneurs own more than 3 million businesses and employ 5.2 million people in the United States.
After tapping into organizations such as SCORE, which offers free small business mentorship, New Place Studios has become a trusted creative partner throughout the DMV (Washington, D.C., Maryland and Virginia). The company produces a range of creative services, including commercials, corporate branding, documentaries, film, 2D animation, motion graphics and photography.
For Huang, entrepreneurship has become more than a departure from corporate life. It has given him the freedom to create with intention, build meaningful connections and tell stories that go beyond the surface.
The 2026 CAN I KICK IT? outdoor series. Poster courtesy of SHAOLIN JAZZ.
For three Saturdays this summer, some of Washington’s most familiar public spaces will do something they rarely do after dark: fill up with blankets, lawn chairs, and the sound of a movie being scored live, in real time. CAN I KICK IT?, the traveling “live cinema” series produced by the DC-based multimedia arts company SHAOLIN JAZZ, is bringing a free outdoor run to the city — pairing three era-defining films with an original soundtrack performed on the spot by DJ 2-Tone Jones.
The premise is what sets it apart from a normal screening in the park. Rather than simply pressing play, 2-Tone Jones builds a score as the film unfolds, pulling from hip-hop, soul, funk, jazz, rock, electronic music, and sounds from around the world. The result, the organizers say, is less a movie night than a one-time performance — the same film you know, wired to a soundtrack you have never heard and will not hear again. Guest DJs warm up the crowd starting at 7:30 PM before each 8:30 PM screening.
The 2026 outdoor schedule
All three events are free and open to the public.
Saturday, August 8 — Black Panther at Skyland Town Center. A pop-up marketplace and community activities kick off the evening; guest DJs at 7:30 PM, film at 8:30 PM. Marvel’s superhero epic gets a one-night-only live score in Southeast DC.
Saturday, August 22 — New Jack City at the Sylvan Theater, Washington Monument. Seating begins at 7:30 PM; the film starts at 8:30 PM. The 1991 crime drama plays out at the foot of one of the country’s most recognizable landmarks.
Saturday, September 5 — Scarface at the Lincoln Memorial. Seating at 7:30 PM; film at 8:30 PM. The series closes with Brian De Palma’s crime saga against the backdrop of the Memorial, scored live from start to finish.
First up: Black Panther at Skyland Town Center on August 8. Poster courtesy of SHAOLIN JAZZ.
A DC company with a national footprint
SHAOLIN JAZZ describes itself as a Washington-based arts company working at the intersection of music, film, art, and culture, and CAN I KICK IT? is its signature production. According to the organizers, the series has staged more than 150 live cinematic experiences around the country — at performing arts centers, museums, festivals, and cultural institutions including Lincoln Center in New York, SXSW, the Denver Center for the Performing Arts, Republic Square in Austin, the Tacoma Armory, and The Cary Theater.
“CAN I KICK IT? has always been about creating a shared experience,” said Gerald Watson, co-founder of SHAOLIN JAZZ. “When you combine iconic films with live music in public spaces, something special happens. People aren’t just watching a movie — they’re experiencing it together. That’s what makes these nights so memorable.”
Cinema as a community event
The DC run lands as cities across the country look for new ways to activate public space through arts and culture — and this series is a straightforward pitch for how to do it: take a landmark everyone already knows, add a film everyone has an opinion about, and let a live soundtrack turn the evening into something neighbors experience shoulder to shoulder. Families, film buffs, and music fans are all invited, and admission won’t cost a thing.
The CAN I KICK IT? outdoor series runs August 8, August 22, and September 5. All events are free; check SHAOLIN JAZZ (shaolinjazz.com) for the latest details and any weather updates before heading out.