U.S. strikes Iran again as Tehran hits back at bases in three countries, ending a month of relative quiet
CENTCOM launched a new round of airstrikes on IRGC targets Tuesday, and Iran retaliated against American positions in Bahrain, Jordan, and Iraq - the sharpest exchange since July and a blow to any talk of a negotiated pause.
In brief
The guns that had been quiet for most of August are firing again. U.S. Central Command announced Tuesday that American forces began striking Islamic Revolutionary Guard Corps targets inside Iran at noon Eastern time - a fresh escalation that blew past what administration officials had been quietly framing as a period of reduced hostilities. Iran struck back fast, sending missiles and drones at American positions in Bahrain, Jordan, and Iraq within hours.
It was, the heaviest exchange of fire between the U.S. and Iran in more than a month.
What happened
"Today at 12 p.m. ET, U.S. forces began striking Islamic Revolutionary Guard Corps (IRGC) targets in Iran," U.S. Central Command posted on X. "The strikes follow recent attempted attacks by the IRGC against commercial shipping in the Strait of Hormuz and against American service members deployed to the region." Iran's state broadcaster said explosions were reported on Qeshm Island, on the northern side of the strait.
Iran said it began retaliating with missiles and drones targeting U.S. interests in the region, as explosions were reported over Aqaba, Jordan. The United States had launched a new wave of attacks on southern Iran, prompting retaliatory Iranian strikes on U.S. bases in Bahrain, Jordan, and Iraq, amid an intensifying standoff over the Strait of Hormuz. Kuwait also said its air defenses confronted Iranian drones and missiles.
Trump called the U.S. strikes "large and powerful" and threatened a much bigger attack if Iran retaliated again. He did not specify targets. The White House did not hold a formal briefing Tuesday afternoon.
The immediate trigger was over shipping. Oil prices had already risen after a first exchange of direct attacks since July and after reports of two tankers being hit on Monday leaving the Strait - the global oil supply waterway that Iran has effectively closed to shipping. Two supertankers carrying Saudi oil were struck by unknown projectiles within minutes of each other while transiting outbound through the Strait of Hormuz late on Monday, according to data from shipping intelligence firms Marisks and Kpler.
Brent crude futures, already up 2 percent on the day, jumped almost 2 percent more on the strike reports.
The broader Washington context
Tuesday's exchange did not come from nowhere. U.S. and Israeli strikes on Iran on February 28, 2026, sparked a wide-reaching regional conflict, with ongoing U.S. and Israeli operations in Iran and Iranian retaliatory strikes on a range of targets in a number of countries, and threats and attacks that have largely halted maritime traffic through the Strait of Hormuz.
A Pakistan-brokered ceasefire took hold in early April. It never fully held. No text reflecting mutual agreement on ceasefire terms was released, and the two sides' differing public statements presaged subsequent points of tension. A U.S. delegation led by Vice President JD Vance met with Iranian counterparts in Islamabad on April 11 and 12 - the senior-most diplomatic engagement between the two countries since 1979. Trump said on April 12 that "most points were agreed to, but the only point that mattered, NUCLEAR, was not," and announced the beginning of a U.S. blockade on Iranian shipping.
By late May, the White House declared the war over. It was not. On May 1, the White House asserted that "hostilities that began on February 28, 2026, have terminated." Some members of Congress continue to introduce measures under the War Powers Resolution to end hostilities with Iran and assert the need for congressional approval. The House and Senate have collectively rejected nine such measures since early March 2026.
The attacks are the latest flashpoint in the months-long fight between Washington and Tehran over the Strait of Hormuz, one of the world's most important energy chokepoints. Before the war, roughly a fifth of global oil supplies passed through the waterway, according to the U.S. Energy Information Administration.
On the Hill: war powers simmering, no vote called
Congress returned Tuesday from recess, but the House's floor agenda - domestic mining rules, a lobsterman protection bill, a measure on socialism, and one on academic freedom, per OMB's statements of administration policy - was set before the strikes landed. Several House GOP conservatives said they would vote against a rule vote Tuesday afternoon, putting Speaker Mike Johnson's agenda for the week at risk. No emergency war powers debate was immediately scheduled.
The congressional research service, in a report current as of Tuesday, laid out the administration's options bluntly: if the Islamic Republic endures, the United States may balance the costs, benefits, and risks of various options, including negotiating a deal that includes an end to hostilities and potential policy concessions by Iran; concluding or suspending hostilities as part of an uneasy, informal, or temporary ceasefire; or escalating U.S. military action. Tuesday's events moved squarely toward that third option.
A separate Pentagon front: the election integrity letter
Even as CENTCOM was releasing strike footage, a different civil-military story broke in Washington. The highest-ranking officer in the U.S. military said there are no plans to send troops to polling places during November's midterm congressional elections, addressing concerns among Democrats that the Trump administration could use the military to interfere with the vote. Gen. Dan Caine, chairman of the Joint Chiefs of Staff, made the statement in a letter to Michigan Democratic Sen. Elissa Slotkin, who recently asked Caine and Defense Secretary Pete Hegseth to confirm they won't send troops to the polls.
The letter was explicit on three points. "Likewise, the Joint Force has no plans to use such personnel to seize ballots, voting machines, or other election-related material." Caine also wrote: "I have neither received nor anticipate receiving any unlawful order concerning the role of the Joint Force in the upcoming November 2026 midterm elections."
In his response, Caine noted that "election administration and security remain the fundamental responsibility of state and local officials." That phrasing tracks almost word for word with a similar letter Gen. Mark Milley sent Slotkin - when she was still a House member - before the 2020 election.
One conspicuous gap: Slotkin had asked both Caine and Defense Secretary Pete Hegseth to pledge that the military would not be used to interfere with voting or the handling of election materials. Hegseth has not responded to Slotkin's request for a letter, according to Slotkin's press secretary Sonja Thrasher.
Anxiety among Democrats that the Trump administration could try to meddle in the midterm elections has grown, particularly after the president deployed federal agents in Democratic-led states over the objections of local leaders. Slotkin told the AP earlier in August that Trump has been laying the groundwork to claim the elections were stolen. Federal law prohibits the deployment of armed federal forces to election locations unless "necessary to repel armed enemies of the United States."
What to Watch
Iran's next move. Tehran has said any country allowing its territory to be used for strikes on Iran is a legitimate target. According to Iranian authorities, the attacks targeted American interests and military bases in retaliation for U.S. and Israeli strikes, and they stated that any country that would allow its territory to be used for attacks against Iran would be considered a legitimate target. Watch the posture of Gulf states - especially Bahrain, which hosts the U.S. Navy's Fifth Fleet.
War Powers on the Hill. With nine War Powers measures already defeated in 2026, a tenth may surface after Tuesday's escalation. Whether Johnson schedules floor time for it - with his own conference already bucking him on unrelated rule votes - is uncertain.
Oil markets. Brent crude's intraday spike Tuesday will be watched at open Wednesday. A sustained move above the week's highs would complicate the Federal Reserve's rate path and feed directly into the midterm economic argument.
Hegseth's silence. The defense secretary has still not responded to Slotkin's letter. Slotkin's press secretary confirmed Hegseth has not replied to the letter asking him to confirm troops won't be deployed to the polls in November. Slotkin had asked for a response by last Thursday. Whether he answers before Congress's next recess will tell its own story.
Supreme Court's ballroom case, full merits. The Supreme Court on Monday allowed Trump to move forward with construction of the White House ballroom, which had been partially blocked by lower courts. Divided 5-4, the court granted an emergency request filed by the Trump administration earlier in August, staying the lower court rulings. The underlying merits - including whether the trust challenging the project has standing - will return to lower courts, and a full challenge remains live.
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CAN I KICK IT? screens New Jack City at the Sylvan Theater, Washington Monument, on Aug. 22. (Courtesy SHAOLIN JAZZ)
The live-cinema series CAN I KICK IT? returns to the National Mall this month with what its producers are calling the "Gangsters on the Mall" chapter of their free outdoor summer run. On Saturday, August 22, the SHAOLIN JAZZ production brings the 1991 crime classic New Jack City to the Sylvan Theater at the Washington Monument for a night of film, music, and community under the DC summer sky.
What sets the event apart is the sound. As the film plays, DJ 2-Tone Jones builds an original score in real time, reimagining one of the most iconic crime movies of the ’90s through hip-hop, soul, funk, and more. It is less a movie screening than a live performance built around the film.
The details:
Film: New Jack City (1991), with a live soundtrack by DJ 2-Tone Jones
When: Saturday, August 22 — seating opens at 7:30 p.m. (bring lawn chairs and blankets); film begins at 8:30 p.m.
Where: Sylvan Theater at the Washington Monument, Independence Ave SW & 15th St NW
A parking note from the organizers: expect road closures and restricted parking east of 14th Street NW due to a separate race event in the District. Roads west of 14th Street NW will be accessible and available for parking.
New Jack City is the second of three screenings in this year’s free CAN I KICK IT? outdoor series, which opened with Black Panther at Skyland Town Center and concludes with Scarface at the Lincoln Memorial on September 5. Produced by the Washington, DC-based multimedia arts company SHAOLIN JAZZ, the series has presented more than 150 live cinematic experiences at venues across the country, from Lincoln Center to SXSW.
"I wanted to be able to tell good stories with substance and remove the ‘ego’ out of the art," said Andrew Huang during a recent interview. Now, he’s building his career at the intersection of discipline, creativity and innovation.
Andrew Huang, founder of New Place Studios. (Courtesy photo)
As a Chinese American, Huang was reared with a deep respect for hard work, consistency and excellence. He describes his childhood as "not so affluent" and later attended college to hone his passion for videography. "In college I tried to do something I loved, which was video, but along the way I knew that I had to find a job. And so I thought, ‘what was the low hanging fruit to get to that stable 9 to 5 job?,’" he stated.
Later in life, Huang found himself working for corporations where his creativity was often limited, eventually leading to burnout. "I worked in a corporation for a long time and there were a lot of missing pieces. I wanted to fill in gaps missing in corporate video production," said Huang.
He later described how his upbringing and a mindset of "survival" led him toward a corporate career. However, his desire for balance and authentic storytelling ultimately pushed him to take the entrepreneurial leap.
"I founded a new place where you can create video and film with ‘substance and style,’" said Huang. His desire for work-life balance and passion for storytelling naturally evolved into a small business based in Virginia. With the launch of New Place Studios, the entrepreneur quickly found himself reconnecting with the values that would become the foundation of everything he creates behind the camera.
Huang said being a business owner has allowed him to first embrace himself. While others may see video as simply capturing moments, he sees it as a way to preserve stories that inspire, connect and leave a lasting imprint.
By combining cinematic visuals with cutting-edge production techniques and a keen understanding of branding, Huang helps organizations and individuals communicate their vision with purpose. He said understanding a client’s "why" serves as the compass for delivering the services they need.
One benefit of working with a small business, he said, is that clients get to see the production process unfold through a micro lens while working with the same faces throughout the entire project. "The work feels personal," said Huang.
Huang does not regret leaving behind the flash-over-substance mentality and corporate hustle culture. That does not mean the Asian American entrepreneur has been without challenges in the industry. "It’s relatively hard to find other Asian American creatives or people who would want to work with me in the DMV," said Huang.
He identifies the industry culture in which everyone is trying to blend in, creatives may fear displaying their Asian identity and some feel pressure to adopt an American corporate persona. He also points to what he describes as a level of gatekeeping within the industry. According to the U.S. Small Business Administration’s 2024 statistics, Asian American and Pacific Islander entrepreneurs own more than 3 million businesses and employ 5.2 million people in the United States.
After tapping into organizations such as SCORE, which offers free small business mentorship, New Place Studios has become a trusted creative partner throughout the DMV (Washington, D.C., Maryland and Virginia). The company produces a range of creative services, including commercials, corporate branding, documentaries, film, 2D animation, motion graphics and photography.
For Huang, entrepreneurship has become more than a departure from corporate life. It has given him the freedom to create with intention, build meaningful connections and tell stories that go beyond the surface.
The 2026 CAN I KICK IT? outdoor series. Poster courtesy of SHAOLIN JAZZ.
For three Saturdays this summer, some of Washington’s most familiar public spaces will do something they rarely do after dark: fill up with blankets, lawn chairs, and the sound of a movie being scored live, in real time. CAN I KICK IT?, the traveling “live cinema” series produced by the DC-based multimedia arts company SHAOLIN JAZZ, is bringing a free outdoor run to the city — pairing three era-defining films with an original soundtrack performed on the spot by DJ 2-Tone Jones.
The premise is what sets it apart from a normal screening in the park. Rather than simply pressing play, 2-Tone Jones builds a score as the film unfolds, pulling from hip-hop, soul, funk, jazz, rock, electronic music, and sounds from around the world. The result, the organizers say, is less a movie night than a one-time performance — the same film you know, wired to a soundtrack you have never heard and will not hear again. Guest DJs warm up the crowd starting at 7:30 PM before each 8:30 PM screening.
The 2026 outdoor schedule
All three events are free and open to the public.
Saturday, August 8 — Black Panther at Skyland Town Center. A pop-up marketplace and community activities kick off the evening; guest DJs at 7:30 PM, film at 8:30 PM. Marvel’s superhero epic gets a one-night-only live score in Southeast DC.
Saturday, August 22 — New Jack City at the Sylvan Theater, Washington Monument. Seating begins at 7:30 PM; the film starts at 8:30 PM. The 1991 crime drama plays out at the foot of one of the country’s most recognizable landmarks.
Saturday, September 5 — Scarface at the Lincoln Memorial. Seating at 7:30 PM; film at 8:30 PM. The series closes with Brian De Palma’s crime saga against the backdrop of the Memorial, scored live from start to finish.
First up: Black Panther at Skyland Town Center on August 8. Poster courtesy of SHAOLIN JAZZ.
A DC company with a national footprint
SHAOLIN JAZZ describes itself as a Washington-based arts company working at the intersection of music, film, art, and culture, and CAN I KICK IT? is its signature production. According to the organizers, the series has staged more than 150 live cinematic experiences around the country — at performing arts centers, museums, festivals, and cultural institutions including Lincoln Center in New York, SXSW, the Denver Center for the Performing Arts, Republic Square in Austin, the Tacoma Armory, and The Cary Theater.
“CAN I KICK IT? has always been about creating a shared experience,” said Gerald Watson, co-founder of SHAOLIN JAZZ. “When you combine iconic films with live music in public spaces, something special happens. People aren’t just watching a movie — they’re experiencing it together. That’s what makes these nights so memorable.”
Cinema as a community event
The DC run lands as cities across the country look for new ways to activate public space through arts and culture — and this series is a straightforward pitch for how to do it: take a landmark everyone already knows, add a film everyone has an opinion about, and let a live soundtrack turn the evening into something neighbors experience shoulder to shoulder. Families, film buffs, and music fans are all invited, and admission won’t cost a thing.
The CAN I KICK IT? outdoor series runs August 8, August 22, and September 5. All events are free; check SHAOLIN JAZZ (shaolinjazz.com) for the latest details and any weather updates before heading out.