A midnight court order halted a deportation flight. Now the Supreme Court must decide whether to restart the program.
The Trump administration filed an emergency petition Thursday asking the justices to override lower courts and resume third-country deportations, hours before Justice Ketanji Brown Jackson publicly warned her colleagues about the shadow docket's growing power.
In brief
Just before midnight Wednesday, a ruling by the U.S. Court of Appeals for the 1st Circuit landed in the inboxes of Homeland Security lawyers and forced the cancellation of a deportation flight carrying 70 people bound for three countries. By Thursday afternoon, the Trump administration had its answer ready: an emergency petition to the Supreme Court, asking the justices to set the circuit court aside and let the program run again.
The filing put a new, live test case squarely in front of the court's shadow docket. It arrived less than 24 hours before Justice Ketanji Brown Jackson stood at the University of the District of Columbia David A. Clarke School of Law and told an audience that the court's emergency procedures have become a "real unfortunate problem."
What the administration is asking
The Trump administration asked the Supreme Court on Thursday to again clear the way for continued quick deportations of immigrants to third countries where they have no ties. In an emergency filing, the administration asked the justices to put on hold Boston-based U.S. District Judge Brian Murphy's ruling that the Department of Homeland Security's policy to remove migrants to so-called third countries is unlawful, while it appeals to the Supreme Court.
The dispute escalated quickly after the Boston-based 1st U.S. Circuit Court of Appeals, which upheld Murphy's decision on September 18, put that decision into effect late Wednesday. The administration said that ruling came just minutes before midnight, forcing the cancellation of a flight with 70 people that was headed to three countries.
More than 25,000 migrants have been deported to 29 countries under the policy implemented last year, according to a tally by human rights groups, with the vast majority going to Mexico. The policy is central to the administration's immigration crackdown. Many of the migrants in question had already been granted some form of legal protection against removal to their home countries, meaning the U.S. needed a third destination willing to take them.
The appeal comes after lower courts found that people must have the chance to object before the U.S. government deports them to countries other than their homelands. The justices previously allowed the deportation flights to temporarily continue when the case came before them last year. Since then, an appeals court upheld a Boston-based judge's final ruling that migrants must have a meaningful chance to argue a third-country deportation would put them in danger of persecution or torture.
The administration said in its filing that the third-country process is critical to removing migrants who commit crimes because their countries of origin are often unwilling to take them back. The administration said Murphy's injunction is preventing potentially thousands of pending deportations and that it "disrupts sensitive diplomatic, foreign policy and national security efforts."
The shadow docket argument arrives in D.C.
The emergency petition landed the same week Justice Jackson chose to speak publicly about exactly this kind of procedural move. Her venue was not accidental. The University of the District of Columbia, a historically Black public law school a few miles from the Supreme Court building, gave her remarks a weight separate from the usual judicial conference circuit.
Speaking to an audience at the University of the District of Columbia's law school on Thursday night, Jackson said the nation's highest court has used the emergency docket, where rulings are made quickly and often without oral arguments or explanation, too often. Jackson, a liberal justice nominated by former President Joe Biden, said the Supreme Court will become more distrusted if it keeps ruling on cases without a full hearing, especially in cases that could harm the general public.
Jackson said the Supreme Court's recent approach to its emergency docket has had a corrosive effect on litigation practices and strained the court's relationship with lower courts. Previous iterations of the court were slower to act on emergency petitions and expected more from plaintiffs, Jackson said.
She did not spare her colleagues. Justice Antonin Scalia, Jackson said, wrote that plaintiffs faced an especially high bar when two lower courts had already denied injunctive relief. The modern court, she said, has been "noticeably less restrained," especially in high-profile matters.
The remarks built on a broader pattern. At a separate appearance earlier this week, Jackson was even more pointed. "The administration is making new policy and then insisting the new policy take effect immediately, before the challenge is decided," Jackson said, according to reports from the Associated Press and NBC News. "This uptick in the court's willingness to get involved in cases on the emergency docket is a real unfortunate problem."
Jackson added: "It's not serving the court or this country well."
Kavanaugh pushes back, in public
Jackson's comments did not go unanswered. Justice Brett Kavanaugh, who is usually in the majority when the court grants the Trump administration emergency relief, offered a direct rebuttal during a joint public appearance, an exchange NBC News called "a rare example of two justices entering into a public debate about internal court business."
Kavanaugh countered that the Supreme Court's approach to emergency requests was not unique to the Trump administration and that the high court handled the Biden administration the same way, despite there being fewer interim requests under the former president. Kavanaugh said presidents "push the envelope" more with executive orders because Congress is passing less legislation.
Kavanaugh, usually in the majority in shadow docket cases, defended the court, saying it has to act one way or another when the government or another litigant files an emergency application. He added: "Some are lawful, some are not. None of us enjoy this."
The numbers give Jackson's concern some weight. The Trump administration has brought about 30 emergency applications to the Supreme Court and secured victories about 80% of the time, according to the Brennan Center for Justice. In the last year, the court has allowed Trump to fire thousands of federal workers, assert control over previously independent federal agencies and implement various aspects of his hard-line immigration policy. All those moves, done through the shadow docket, had been blocked by lower courts.
A friction point in the lower courts
The argument between Jackson and Kavanaugh is not only theoretical. Questions about how much precedential weight to give emergency docket decisions have roiled the lower courts. Fourth Circuit judges traded barbs over the issue in April. Multiple judges expressed frustration over an admonition from Justice Neil Gorsuch in 2025 warning lower courts not to "defy" the justices' emergency docket rulings, which are typically unsigned and often unexplained.
The third-country deportation case is a clean example of the problem Jackson described. Judge Murphy issued a final ruling. The 1st Circuit upheld it September 18. Within days, the administration bypassed that entire process and went straight to First Street, N.E., asking nine justices to short-circuit two courts that had both ruled against the policy. The Trump administration filed its new petition just hours before Jackson spoke.
Since the lower court ruling, migrants must have a meaningful chance to argue a third-country deportation would put them in danger of persecution or torture. The ruling did not prohibit those deportations outright but it lengthens the process.
What to Watch
The Supreme Court's response timeline. The justices can act quickly on emergency applications, sometimes within hours. Watch for whether a single justice first issues an administrative stay, or whether the full court acts collectively, and how any order is explained or left unsigned.
Judge Murphy's compliance proceedings. If the administration argues the 1st Circuit order has not been honored in other pending flights, Murphy's Boston courtroom could become a flash point even before the Supreme Court rules.
Jackson's next dissent. If the court grants the administration's application, Jackson and possibly Justices Sonia Sotomayor and Elena Kagan are likely to write publicly, applying the same "corrosive" framework she laid out at UDC Thursday night.
The 80% figure in the midterm context. Senate candidates in at least four competitive states have made immigration enforcement a central argument. A Supreme Court order letting deportation flights resume before November could hand the administration a concrete policy win with five weeks left on the calendar.
Rubio's State Department schedule.Secretary of State Marco Rubio's public schedule for September 25 shows senior diplomatic staff still in New York for UNGA sessions, including Senior Advisor for Arab and African Affairs Massad Boulos, which matters if the court's ruling has implications for deportations to countries in those regions.
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CAN I KICK IT? screens New Jack City at the Sylvan Theater, Washington Monument, on Aug. 22. (Courtesy SHAOLIN JAZZ)
The live-cinema series CAN I KICK IT? returns to the National Mall this month with what its producers are calling the "Gangsters on the Mall" chapter of their free outdoor summer run. On Saturday, August 22, the SHAOLIN JAZZ production brings the 1991 crime classic New Jack City to the Sylvan Theater at the Washington Monument for a night of film, music, and community under the DC summer sky.
What sets the event apart is the sound. As the film plays, DJ 2-Tone Jones builds an original score in real time, reimagining one of the most iconic crime movies of the ’90s through hip-hop, soul, funk, and more. It is less a movie screening than a live performance built around the film.
The details:
Film: New Jack City (1991), with a live soundtrack by DJ 2-Tone Jones
When: Saturday, August 22 — seating opens at 7:30 p.m. (bring lawn chairs and blankets); film begins at 8:30 p.m.
Where: Sylvan Theater at the Washington Monument, Independence Ave SW & 15th St NW
A parking note from the organizers: expect road closures and restricted parking east of 14th Street NW due to a separate race event in the District. Roads west of 14th Street NW will be accessible and available for parking.
New Jack City is the second of three screenings in this year’s free CAN I KICK IT? outdoor series, which opened with Black Panther at Skyland Town Center and concludes with Scarface at the Lincoln Memorial on September 5. Produced by the Washington, DC-based multimedia arts company SHAOLIN JAZZ, the series has presented more than 150 live cinematic experiences at venues across the country, from Lincoln Center to SXSW.
"I wanted to be able to tell good stories with substance and remove the ‘ego’ out of the art," said Andrew Huang during a recent interview. Now, he’s building his career at the intersection of discipline, creativity and innovation.
Andrew Huang, founder of New Place Studios. (Courtesy photo)
As a Chinese American, Huang was reared with a deep respect for hard work, consistency and excellence. He describes his childhood as "not so affluent" and later attended college to hone his passion for videography. "In college I tried to do something I loved, which was video, but along the way I knew that I had to find a job. And so I thought, ‘what was the low hanging fruit to get to that stable 9 to 5 job?,’" he stated.
Later in life, Huang found himself working for corporations where his creativity was often limited, eventually leading to burnout. "I worked in a corporation for a long time and there were a lot of missing pieces. I wanted to fill in gaps missing in corporate video production," said Huang.
He later described how his upbringing and a mindset of "survival" led him toward a corporate career. However, his desire for balance and authentic storytelling ultimately pushed him to take the entrepreneurial leap.
"I founded a new place where you can create video and film with ‘substance and style,’" said Huang. His desire for work-life balance and passion for storytelling naturally evolved into a small business based in Virginia. With the launch of New Place Studios, the entrepreneur quickly found himself reconnecting with the values that would become the foundation of everything he creates behind the camera.
Huang said being a business owner has allowed him to first embrace himself. While others may see video as simply capturing moments, he sees it as a way to preserve stories that inspire, connect and leave a lasting imprint.
By combining cinematic visuals with cutting-edge production techniques and a keen understanding of branding, Huang helps organizations and individuals communicate their vision with purpose. He said understanding a client’s "why" serves as the compass for delivering the services they need.
One benefit of working with a small business, he said, is that clients get to see the production process unfold through a micro lens while working with the same faces throughout the entire project. "The work feels personal," said Huang.
Huang does not regret leaving behind the flash-over-substance mentality and corporate hustle culture. That does not mean the Asian American entrepreneur has been without challenges in the industry. "It’s relatively hard to find other Asian American creatives or people who would want to work with me in the DMV," said Huang.
He identifies the industry culture in which everyone is trying to blend in, creatives may fear displaying their Asian identity and some feel pressure to adopt an American corporate persona. He also points to what he describes as a level of gatekeeping within the industry. According to the U.S. Small Business Administration’s 2024 statistics, Asian American and Pacific Islander entrepreneurs own more than 3 million businesses and employ 5.2 million people in the United States.
After tapping into organizations such as SCORE, which offers free small business mentorship, New Place Studios has become a trusted creative partner throughout the DMV (Washington, D.C., Maryland and Virginia). The company produces a range of creative services, including commercials, corporate branding, documentaries, film, 2D animation, motion graphics and photography.
For Huang, entrepreneurship has become more than a departure from corporate life. It has given him the freedom to create with intention, build meaningful connections and tell stories that go beyond the surface.
The 2026 CAN I KICK IT? outdoor series. Poster courtesy of SHAOLIN JAZZ.
For three Saturdays this summer, some of Washington’s most familiar public spaces will do something they rarely do after dark: fill up with blankets, lawn chairs, and the sound of a movie being scored live, in real time. CAN I KICK IT?, the traveling “live cinema” series produced by the DC-based multimedia arts company SHAOLIN JAZZ, is bringing a free outdoor run to the city — pairing three era-defining films with an original soundtrack performed on the spot by DJ 2-Tone Jones.
The premise is what sets it apart from a normal screening in the park. Rather than simply pressing play, 2-Tone Jones builds a score as the film unfolds, pulling from hip-hop, soul, funk, jazz, rock, electronic music, and sounds from around the world. The result, the organizers say, is less a movie night than a one-time performance — the same film you know, wired to a soundtrack you have never heard and will not hear again. Guest DJs warm up the crowd starting at 7:30 PM before each 8:30 PM screening.
The 2026 outdoor schedule
All three events are free and open to the public.
Saturday, August 8 — Black Panther at Skyland Town Center. A pop-up marketplace and community activities kick off the evening; guest DJs at 7:30 PM, film at 8:30 PM. Marvel’s superhero epic gets a one-night-only live score in Southeast DC.
Saturday, August 22 — New Jack City at the Sylvan Theater, Washington Monument. Seating begins at 7:30 PM; the film starts at 8:30 PM. The 1991 crime drama plays out at the foot of one of the country’s most recognizable landmarks.
Saturday, September 5 — Scarface at the Lincoln Memorial. Seating at 7:30 PM; film at 8:30 PM. The series closes with Brian De Palma’s crime saga against the backdrop of the Memorial, scored live from start to finish.
First up: Black Panther at Skyland Town Center on August 8. Poster courtesy of SHAOLIN JAZZ.
A DC company with a national footprint
SHAOLIN JAZZ describes itself as a Washington-based arts company working at the intersection of music, film, art, and culture, and CAN I KICK IT? is its signature production. According to the organizers, the series has staged more than 150 live cinematic experiences around the country — at performing arts centers, museums, festivals, and cultural institutions including Lincoln Center in New York, SXSW, the Denver Center for the Performing Arts, Republic Square in Austin, the Tacoma Armory, and The Cary Theater.
“CAN I KICK IT? has always been about creating a shared experience,” said Gerald Watson, co-founder of SHAOLIN JAZZ. “When you combine iconic films with live music in public spaces, something special happens. People aren’t just watching a movie — they’re experiencing it together. That’s what makes these nights so memorable.”
Cinema as a community event
The DC run lands as cities across the country look for new ways to activate public space through arts and culture — and this series is a straightforward pitch for how to do it: take a landmark everyone already knows, add a film everyone has an opinion about, and let a live soundtrack turn the evening into something neighbors experience shoulder to shoulder. Families, film buffs, and music fans are all invited, and admission won’t cost a thing.
The CAN I KICK IT? outdoor series runs August 8, August 22, and September 5. All events are free; check SHAOLIN JAZZ (shaolinjazz.com) for the latest details and any weather updates before heading out.