Christian McCaffrey owns the Super Bowl era record for receiving touchdowns by a running back
With a 12-yard catch from Brock Purdy on Sunday, McCaffrey's 37th career receiving score passed Hall of Famer Marshall Faulk and rewrote the record books at age 30.
In brief
McCaffrey breaks Faulk's mark with 37th career receiving TD in 49ers rout
It happened with 5:15 left in the second quarter of a Sunday afternoon blowout at Levi's Stadium. Brock Purdy threw a short pass to the left flat. Christian McCaffrey caught it, turned upfield 12 yards, and walked into the end zone. The crowd barely had time to process it before the numbers were already on the scoreboard.
Record broken. Hall of Famer passed. History made, again.
The San Francisco 49ers running back caught his 37th career touchdown during Sunday's 38-17 win over the Las Vegas Raiders, giving him the most receiving scores in the Super Bowl era for a running back. Ahead of the 2026 season, McCaffrey's 36 receiving scores were tied for first in the Super Bowl era with Hall of Famer Marshall Faulk, who played for the then-St. Louis Rams. He entered Week 9 needing one more. He got it on the 49ers' second scoring drive of the afternoon.
He claimed sole possession of the record with that 12-yard touchdown catch from Purdy. McCaffrey's latest accomplishment also ended a nine-game stretch without a receiving touchdown, the longest scoring drought of his career, by that measure. His previous scoring drought was the longest of his career, although he caught two touchdown passes in last season's wild-card round.
What the number means
Faulk is a first-ballot Hall of Famer who spent 13 seasons in the NFL and was arguably the most complete offensive weapon of his generation. McCaffrey, who turned 30 in June, now owns a record that Faulk built over a legendary career in both Indianapolis and St. Louis. That is not a small thing.
The next closest active player in receiving touchdowns among running backs is Washington Commanders back Austin Ekeler with 30. McCaffrey leads him by seven. At this pace, Ekeler would need to stay healthy and productive for several more seasons just to reach where McCaffrey stands today.
Now having reached 37 career receiving touchdowns, McCaffrey is tied for fifth place on the NFL's all-time list among running backs, alongside Johnny 'Blood' McNally. Hall of Famer Lenny Moore remains at the top with 48 receiving touchdowns. Moore played for the Baltimore Colts in the 1950s and '60s, long before the modern passing game existed. McCaffrey will almost certainly keep climbing that list.
Just over a calendar year ago, on Nov. 2, 2025, McCaffrey topped his first Faulk milestone after passing him for the most games with a rushing and receiving touchdown. He added to it on Sunday.
The full day's work
McCaffrey did not just show up for the ceremony. He finished the contest with 18 carries for 68 yards and two touchdowns, adding two receptions for 19 yards. The record TD reception came after McCaffrey had already found the end zone on the day with a 1-yard touchdown run in the first quarter. San Francisco's offense looked the part of a Super Bowl contender for the first time in weeks, winning by 21 and doing it without drama.
The record-setting performance came after McCaffrey had dealt with a mild hamstring strain during the Niners' Week 7 loss to the Atlanta Falcons. He returned healthy, and it showed.
McCaffrey, a four-time Pro Bowler, is coming off a stellar 2025 campaign in which he had 2,126 scrimmage yards and 17 scrimmage TDs. Other records he holds include being the first running back with over 100 receptions in three different seasons and being the third member of the 50-plus rushing and 25-plus receiving touchdowns club.
Why it matters for the 49ers
San Francisco came into Week 9 trying to stay relevant in a crowded NFC playoff picture. The Raiders game gave them exactly what they needed: a healthy McCaffrey, a confident Purdy, and a 21-point margin that did not feel particularly close. Purdy also notched his 100th career passing touchdown on the day, finding McCaffrey wide open for the score. Two milestones, one afternoon, one easy win.
For a franchise that has built its offense around McCaffrey's ability to do everything, the record is a reminder of just how rare his skillset actually is. Most running backs are pass-catching weapons or bruisers between the tackles. McCaffrey has spent nine NFL seasons being both, well enough to outlast one of the best to ever play the position.
The 49ers travel to face the Green Bay Packers in Week 10, a game that will tell a lot more about where San Francisco actually stands. McCaffrey will show up carrying 37.
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CAN I KICK IT? screens New Jack City at the Sylvan Theater, Washington Monument, on Aug. 22. (Courtesy SHAOLIN JAZZ)
The live-cinema series CAN I KICK IT? returns to the National Mall this month with what its producers are calling the "Gangsters on the Mall" chapter of their free outdoor summer run. On Saturday, August 22, the SHAOLIN JAZZ production brings the 1991 crime classic New Jack City to the Sylvan Theater at the Washington Monument for a night of film, music, and community under the DC summer sky.
What sets the event apart is the sound. As the film plays, DJ 2-Tone Jones builds an original score in real time, reimagining one of the most iconic crime movies of the ’90s through hip-hop, soul, funk, and more. It is less a movie screening than a live performance built around the film.
The details:
Film: New Jack City (1991), with a live soundtrack by DJ 2-Tone Jones
When: Saturday, August 22 — seating opens at 7:30 p.m. (bring lawn chairs and blankets); film begins at 8:30 p.m.
Where: Sylvan Theater at the Washington Monument, Independence Ave SW & 15th St NW
A parking note from the organizers: expect road closures and restricted parking east of 14th Street NW due to a separate race event in the District. Roads west of 14th Street NW will be accessible and available for parking.
New Jack City is the second of three screenings in this year’s free CAN I KICK IT? outdoor series, which opened with Black Panther at Skyland Town Center and concludes with Scarface at the Lincoln Memorial on September 5. Produced by the Washington, DC-based multimedia arts company SHAOLIN JAZZ, the series has presented more than 150 live cinematic experiences at venues across the country, from Lincoln Center to SXSW.
"I wanted to be able to tell good stories with substance and remove the ‘ego’ out of the art," said Andrew Huang during a recent interview. Now, he’s building his career at the intersection of discipline, creativity and innovation.
Andrew Huang, founder of New Place Studios. (Courtesy photo)
As a Chinese American, Huang was reared with a deep respect for hard work, consistency and excellence. He describes his childhood as "not so affluent" and later attended college to hone his passion for videography. "In college I tried to do something I loved, which was video, but along the way I knew that I had to find a job. And so I thought, ‘what was the low hanging fruit to get to that stable 9 to 5 job?,’" he stated.
Later in life, Huang found himself working for corporations where his creativity was often limited, eventually leading to burnout. "I worked in a corporation for a long time and there were a lot of missing pieces. I wanted to fill in gaps missing in corporate video production," said Huang.
He later described how his upbringing and a mindset of "survival" led him toward a corporate career. However, his desire for balance and authentic storytelling ultimately pushed him to take the entrepreneurial leap.
"I founded a new place where you can create video and film with ‘substance and style,’" said Huang. His desire for work-life balance and passion for storytelling naturally evolved into a small business based in Virginia. With the launch of New Place Studios, the entrepreneur quickly found himself reconnecting with the values that would become the foundation of everything he creates behind the camera.
Huang said being a business owner has allowed him to first embrace himself. While others may see video as simply capturing moments, he sees it as a way to preserve stories that inspire, connect and leave a lasting imprint.
By combining cinematic visuals with cutting-edge production techniques and a keen understanding of branding, Huang helps organizations and individuals communicate their vision with purpose. He said understanding a client’s "why" serves as the compass for delivering the services they need.
One benefit of working with a small business, he said, is that clients get to see the production process unfold through a micro lens while working with the same faces throughout the entire project. "The work feels personal," said Huang.
Huang does not regret leaving behind the flash-over-substance mentality and corporate hustle culture. That does not mean the Asian American entrepreneur has been without challenges in the industry. "It’s relatively hard to find other Asian American creatives or people who would want to work with me in the DMV," said Huang.
He identifies the industry culture in which everyone is trying to blend in, creatives may fear displaying their Asian identity and some feel pressure to adopt an American corporate persona. He also points to what he describes as a level of gatekeeping within the industry. According to the U.S. Small Business Administration’s 2024 statistics, Asian American and Pacific Islander entrepreneurs own more than 3 million businesses and employ 5.2 million people in the United States.
After tapping into organizations such as SCORE, which offers free small business mentorship, New Place Studios has become a trusted creative partner throughout the DMV (Washington, D.C., Maryland and Virginia). The company produces a range of creative services, including commercials, corporate branding, documentaries, film, 2D animation, motion graphics and photography.
For Huang, entrepreneurship has become more than a departure from corporate life. It has given him the freedom to create with intention, build meaningful connections and tell stories that go beyond the surface.
The 2026 CAN I KICK IT? outdoor series. Poster courtesy of SHAOLIN JAZZ.
For three Saturdays this summer, some of Washington’s most familiar public spaces will do something they rarely do after dark: fill up with blankets, lawn chairs, and the sound of a movie being scored live, in real time. CAN I KICK IT?, the traveling “live cinema” series produced by the DC-based multimedia arts company SHAOLIN JAZZ, is bringing a free outdoor run to the city — pairing three era-defining films with an original soundtrack performed on the spot by DJ 2-Tone Jones.
The premise is what sets it apart from a normal screening in the park. Rather than simply pressing play, 2-Tone Jones builds a score as the film unfolds, pulling from hip-hop, soul, funk, jazz, rock, electronic music, and sounds from around the world. The result, the organizers say, is less a movie night than a one-time performance — the same film you know, wired to a soundtrack you have never heard and will not hear again. Guest DJs warm up the crowd starting at 7:30 PM before each 8:30 PM screening.
The 2026 outdoor schedule
All three events are free and open to the public.
Saturday, August 8 — Black Panther at Skyland Town Center. A pop-up marketplace and community activities kick off the evening; guest DJs at 7:30 PM, film at 8:30 PM. Marvel’s superhero epic gets a one-night-only live score in Southeast DC.
Saturday, August 22 — New Jack City at the Sylvan Theater, Washington Monument. Seating begins at 7:30 PM; the film starts at 8:30 PM. The 1991 crime drama plays out at the foot of one of the country’s most recognizable landmarks.
Saturday, September 5 — Scarface at the Lincoln Memorial. Seating at 7:30 PM; film at 8:30 PM. The series closes with Brian De Palma’s crime saga against the backdrop of the Memorial, scored live from start to finish.
First up: Black Panther at Skyland Town Center on August 8. Poster courtesy of SHAOLIN JAZZ.
A DC company with a national footprint
SHAOLIN JAZZ describes itself as a Washington-based arts company working at the intersection of music, film, art, and culture, and CAN I KICK IT? is its signature production. According to the organizers, the series has staged more than 150 live cinematic experiences around the country — at performing arts centers, museums, festivals, and cultural institutions including Lincoln Center in New York, SXSW, the Denver Center for the Performing Arts, Republic Square in Austin, the Tacoma Armory, and The Cary Theater.
“CAN I KICK IT? has always been about creating a shared experience,” said Gerald Watson, co-founder of SHAOLIN JAZZ. “When you combine iconic films with live music in public spaces, something special happens. People aren’t just watching a movie — they’re experiencing it together. That’s what makes these nights so memorable.”
Cinema as a community event
The DC run lands as cities across the country look for new ways to activate public space through arts and culture — and this series is a straightforward pitch for how to do it: take a landmark everyone already knows, add a film everyone has an opinion about, and let a live soundtrack turn the evening into something neighbors experience shoulder to shoulder. Families, film buffs, and music fans are all invited, and admission won’t cost a thing.
The CAN I KICK IT? outdoor series runs August 8, August 22, and September 5. All events are free; check SHAOLIN JAZZ (shaolinjazz.com) for the latest details and any weather updates before heading out.
