D.C. has a likely next mayor - and the federal government is already threatening her
Janeese Lewis George won the Democratic primary by double digits. Now, with 77 days until the general election, she faces a governing challenge unlike anything D.C. has confronted in the modern Home Rule era.
In brief
What this means for your rent, your childcare bill, and D.C.'s right to govern itself
Seventy-seven days from now, Washington D.C. will almost certainly elect its first democratic socialist mayor. Janeese Lewis George, the Ward 4 councilmember who has represented neighborhoods stretching from Petworth to Brightwood since 2020, won the June 16 Democratic primary by a margin that surprised even some of her own supporters. She is now the prohibitive favorite heading into the November 3 general election. In a city where Democrats outnumber Republicans roughly ten to one, winning the primary is, for most practical purposes, winning the job.
But the job she is walking into is not the one Muriel Bowser had in January 2015. The federal government has been systematically tightening its grip on the District for over a year. And President Trump has already told the country what he thinks of Lewis George. Personally.
How she won - and what the numbers say
Lewis George, a two-term D.C. Council member for Ward 4 and a self-identified democratic socialist, claimed 53% of the votes to 37% for Kenyan McDuffie, her main competitor, according to an initial tally released by the D.C. Board of Elections. McDuffie, a former prosecutor and at-large councilmember who ran a more business-friendly campaign, conceded the primary to Lewis George on Thursday morning. "Earlier this morning, I called Councilmember Janeese Lewis George to congratulate her on her victory and wish her success as she prepares for the general election," McDuffie said in a statement.
Lewis George had a broad range of support across the city, leading in every ward except for wealthy Ward 3. That's a geographic coalition - working-class East of the River wards, the denser neighborhoods of Northwest, and her home base in Ward 4 - that tells you something about both her platform and her political ceiling. Ward 3, clustered around upper Wisconsin Avenue and the Maryland border, went elsewhere. That matters for what comes next.
Tuesday's primary marked the first time in a generation that D.C. residents voted for a new mayor and delegate in the same election. It was also the city's first election using ranked-choice voting. In the end, the system applies when no candidate gets a majority of first-place votes, so instead of victory going to a candidate with a plurality, support from lower-performing candidates redistributes upward. Lewis George hit 53% outright. The ranked-choice mechanism never kicked in.
The Trump factor: not a hypothetical
Before a single ballot was cast, Trump intervened. President Donald Trump threatened D.C. home rule when asked about the race for D.C. mayor. In the Oval Office, Trump warned that if Lewis George wins and becomes D.C.'s next mayor, the federal government could take over the nation's capital.
She answered him directly. Lewis George said in a statement: "Threatening Home Rule because you do not like how residents vote is an attack on democracy itself. The people of D.C. elect the mayor of D.C."
That exchange was not a one-time campaign moment. President Donald Trump targeted Lewis George in a social media post, labeling her a "Communist" and vowing to block her progressive policy proposals. By early August, Lewis George was offering a more confrontational city government that would push back against President Trump's federal agenda, and Trump was telling her - before the general election is even over - that he will not sit quietly if she dismantles what his administration built.
Congressional Republicans have been explicit, too. When asked whether he would reintroduce federalization legislation if Lewis George is inaugurated, one House member told reporters that "Washington is our nation's capital, belonging to all Americans" and that "for any D.C. Mayor or city council to defy federal law and harbor criminals is a national disgrace," adding that he has already introduced the BOWSER Act revoking home rule for DC.
The legal reality is complicated. Washington, D.C., is a federal district, giving the White House and Congress outsized influence. However, under a 1973 law, the district has so-called "home rule," allowing residents to elect the mayor, council members, and neighborhood commissioners to run daily affairs. Trump does not need a new law to squeeze the city. The White House invoked Section 740 of the Home Rule Act in August 2025. That provision allowed President Trump to require the mayor to make the Metropolitan Police Department's services available for federal purposes during an emergency. A mayor with a different posture toward federal requests could still face the same statutory vulnerability.
What she has actually promised - and whether D.C. can pay for it
Lewis George has been specific about her agenda in a way that sets up concrete tests once she takes office. She has campaigned on what she calls a "people-first platform," promising to lower childcare costs and utility bills, stabilize rent for tenants, and prioritize down payment assistance for homebuyers.
On childcare, the number is pinned down. "We're going to expand universal access for childcare so that no family is spending more than 7% of their income on child care," Lewis George said. That is an audacious commitment in a city already running a structural budget gap driven in large part by the mass displacement of federal workers whose income taxes and local spending underpinned D.C.'s finances.
She has a specific revenue idea to fund it. Lewis George told 7News that one of her first fiscal moves would be to close a tax loophole she says currently benefits Maryland and Virginia at D.C.'s expense. Shutting it down, she argued, could generate roughly $500 million to help pay for childcare and other affordability programs. "That has the potential of producing $500 million in revenue for our city," she said, according to WJLA.
On procurement and contracting - a chronic problem at the Wilson Building - she has said she plans to push aggressive affordability measures and a broad shakeup of how the city awards contracts, with cutting utility bills and rolling out universal childcare sitting at the top of her to-do list, alongside creating a new, transparent procurement office aimed at rooting out pay-to-play contracting.
Her campaign was dogged by accusations that her ambitious plans weren't realistic in a city facing tough economic headwinds - specifically, the budget crunch following mass layoffs of federal employees who represent a significant share of the District's tax base. That skepticism doesn't disappear after a primary win. The D.C. Council passed a $21.2 billion FY2027 budget under real fiscal strain; what Lewis George can actually appropriate as mayor depends on revenue forecasts that have been getting worse, not better.
The coalition behind her - and what it expects
Lewis George, who became the first democratic socialist elected to D.C. Council in decades, built a strong backing from labor unions and progressive organizations. Those groups will expect a return. She "did a better job of positioning herself as the candidate of the working people," said Bill Lightfoot, an attorney and former at-large councilmember who chaired Mayor Muriel Bowser's first mayoral campaign. Many also saw her win as a "clear mandate" that voters were looking for a mayor who would handle Trump interference differently, argued Alex Dodds, the campaign manager for Home Rule advocacy group Free DC.
Lewis George is a third-generation Washingtonian. Her mother worked as a union postal worker, and her paternal grandmother served as a lunch lady at Alice Deal Middle School. The biography is part of the brand. She has positioned herself as somebody who actually grew up in the District rather than arriving to manage it, and the primary results suggest that framing worked.
Lewis George joins Robert White Jr., who won the Democratic primary for the district's delegate to Congress, as the top local officials who likely will contend with the federal government's intentions for the city. They each campaigned on a promise to take a harder line than their predecessors against the Trump administration's moves on the district, including its deployment of the National Guard.
The governing reality waiting for her in January
Lewis George will inherit a city that has been structurally altered by two years of federal intervention. Since taking office in January of last year, Trump has repeatedly threatened to assert more control over the District. He briefly federalized the city's police department in August of last year, claiming a crime emergency, surged federal immigration enforcement in the district, and deployed the National Guard as part of a "beautification" project.
Bowser's approach to all of this was calculated accommodation - push back loudly in public, negotiate quietly in private, avoid a confrontation that D.C. cannot win. His style hewed close to that of current Mayor Muriel Bowser, who has walked a careful line between criticism and cooperation with Trump - that description applied to McDuffie, not Lewis George. She ran explicitly against that posture. Now she has to govern under the same constraints that produced it.
There is a real question about whether her more confrontational stance changes outcomes or just changes the tone of the losses. Unlike his battles with governors and mayors elsewhere, the Constitution gives the federal government exceptional power over the nation's capital. The levers Trump can pull - Home Rule Act provisions, congressional review of D.C. legislation, budget approval authority - are genuinely different in kind from what he can do to the mayor of New York or the governor of California. Lewis George knows this. Her campaign staff knows this. The question is what difference it makes in practice.
General election ballots go out before Labor Day. Lewis George faces no serious Republican challenger in the deep-blue District.
What D.C. Residents Should Watch
The tax-loophole revenue claim. Lewis George has pegged $500 million in new revenue to a specific interstate tax arrangement. Watch for independent budget analysis from the DC Office of the Chief Financial Officer rating whether that figure is real - and what childcare expansion actually costs without it.
Transition team composition. Who Lewis George names to lead her transition will signal how serious the procurement overhaul is. If insiders from the Bowser contracting network appear on that list, the "people-first" brand takes an early hit.
Congressional action during the fall legislative session. With Congress back from recess and the BOWSER Act in play, watch whether any Home Rule restriction legislation advances in the House Oversight Committee before November 3. A bill moving during the general campaign would test Lewis George's ability to simultaneously run and govern.
Ward 3 outreach. She lost the city's wealthiest ward in the primary. Business community buy-in - or the absence of it - will shape what the D.C. Council is willing to pass for her in 2027.
The November 3 general election itself. It is nearly certain to be a Lewis George win. But watch the margin and the turnout, especially east of the Anacostia. Both numbers will tell you how much political capital she actually starts with on Inauguration Day.
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CAN I KICK IT? screens New Jack City at the Sylvan Theater, Washington Monument, on Aug. 22. (Courtesy SHAOLIN JAZZ)
The live-cinema series CAN I KICK IT? returns to the National Mall this month with what its producers are calling the "Gangsters on the Mall" chapter of their free outdoor summer run. On Saturday, August 22, the SHAOLIN JAZZ production brings the 1991 crime classic New Jack City to the Sylvan Theater at the Washington Monument for a night of film, music, and community under the DC summer sky.
What sets the event apart is the sound. As the film plays, DJ 2-Tone Jones builds an original score in real time, reimagining one of the most iconic crime movies of the ’90s through hip-hop, soul, funk, and more. It is less a movie screening than a live performance built around the film.
The details:
Film: New Jack City (1991), with a live soundtrack by DJ 2-Tone Jones
When: Saturday, August 22 — seating opens at 7:30 p.m. (bring lawn chairs and blankets); film begins at 8:30 p.m.
Where: Sylvan Theater at the Washington Monument, Independence Ave SW & 15th St NW
A parking note from the organizers: expect road closures and restricted parking east of 14th Street NW due to a separate race event in the District. Roads west of 14th Street NW will be accessible and available for parking.
New Jack City is the second of three screenings in this year’s free CAN I KICK IT? outdoor series, which opened with Black Panther at Skyland Town Center and concludes with Scarface at the Lincoln Memorial on September 5. Produced by the Washington, DC-based multimedia arts company SHAOLIN JAZZ, the series has presented more than 150 live cinematic experiences at venues across the country, from Lincoln Center to SXSW.
"I wanted to be able to tell good stories with substance and remove the ‘ego’ out of the art," said Andrew Huang during a recent interview. Now, he’s building his career at the intersection of discipline, creativity and innovation.
Andrew Huang, founder of New Place Studios. (Courtesy photo)
As a Chinese American, Huang was reared with a deep respect for hard work, consistency and excellence. He describes his childhood as "not so affluent" and later attended college to hone his passion for videography. "In college I tried to do something I loved, which was video, but along the way I knew that I had to find a job. And so I thought, ‘what was the low hanging fruit to get to that stable 9 to 5 job?,’" he stated.
Later in life, Huang found himself working for corporations where his creativity was often limited, eventually leading to burnout. "I worked in a corporation for a long time and there were a lot of missing pieces. I wanted to fill in gaps missing in corporate video production," said Huang.
He later described how his upbringing and a mindset of "survival" led him toward a corporate career. However, his desire for balance and authentic storytelling ultimately pushed him to take the entrepreneurial leap.
"I founded a new place where you can create video and film with ‘substance and style,’" said Huang. His desire for work-life balance and passion for storytelling naturally evolved into a small business based in Virginia. With the launch of New Place Studios, the entrepreneur quickly found himself reconnecting with the values that would become the foundation of everything he creates behind the camera.
Huang said being a business owner has allowed him to first embrace himself. While others may see video as simply capturing moments, he sees it as a way to preserve stories that inspire, connect and leave a lasting imprint.
By combining cinematic visuals with cutting-edge production techniques and a keen understanding of branding, Huang helps organizations and individuals communicate their vision with purpose. He said understanding a client’s "why" serves as the compass for delivering the services they need.
One benefit of working with a small business, he said, is that clients get to see the production process unfold through a micro lens while working with the same faces throughout the entire project. "The work feels personal," said Huang.
Huang does not regret leaving behind the flash-over-substance mentality and corporate hustle culture. That does not mean the Asian American entrepreneur has been without challenges in the industry. "It’s relatively hard to find other Asian American creatives or people who would want to work with me in the DMV," said Huang.
He identifies the industry culture in which everyone is trying to blend in, creatives may fear displaying their Asian identity and some feel pressure to adopt an American corporate persona. He also points to what he describes as a level of gatekeeping within the industry. According to the U.S. Small Business Administration’s 2024 statistics, Asian American and Pacific Islander entrepreneurs own more than 3 million businesses and employ 5.2 million people in the United States.
After tapping into organizations such as SCORE, which offers free small business mentorship, New Place Studios has become a trusted creative partner throughout the DMV (Washington, D.C., Maryland and Virginia). The company produces a range of creative services, including commercials, corporate branding, documentaries, film, 2D animation, motion graphics and photography.
For Huang, entrepreneurship has become more than a departure from corporate life. It has given him the freedom to create with intention, build meaningful connections and tell stories that go beyond the surface.
The 2026 CAN I KICK IT? outdoor series. Poster courtesy of SHAOLIN JAZZ.
For three Saturdays this summer, some of Washington’s most familiar public spaces will do something they rarely do after dark: fill up with blankets, lawn chairs, and the sound of a movie being scored live, in real time. CAN I KICK IT?, the traveling “live cinema” series produced by the DC-based multimedia arts company SHAOLIN JAZZ, is bringing a free outdoor run to the city — pairing three era-defining films with an original soundtrack performed on the spot by DJ 2-Tone Jones.
The premise is what sets it apart from a normal screening in the park. Rather than simply pressing play, 2-Tone Jones builds a score as the film unfolds, pulling from hip-hop, soul, funk, jazz, rock, electronic music, and sounds from around the world. The result, the organizers say, is less a movie night than a one-time performance — the same film you know, wired to a soundtrack you have never heard and will not hear again. Guest DJs warm up the crowd starting at 7:30 PM before each 8:30 PM screening.
The 2026 outdoor schedule
All three events are free and open to the public.
Saturday, August 8 — Black Panther at Skyland Town Center. A pop-up marketplace and community activities kick off the evening; guest DJs at 7:30 PM, film at 8:30 PM. Marvel’s superhero epic gets a one-night-only live score in Southeast DC.
Saturday, August 22 — New Jack City at the Sylvan Theater, Washington Monument. Seating begins at 7:30 PM; the film starts at 8:30 PM. The 1991 crime drama plays out at the foot of one of the country’s most recognizable landmarks.
Saturday, September 5 — Scarface at the Lincoln Memorial. Seating at 7:30 PM; film at 8:30 PM. The series closes with Brian De Palma’s crime saga against the backdrop of the Memorial, scored live from start to finish.
First up: Black Panther at Skyland Town Center on August 8. Poster courtesy of SHAOLIN JAZZ.
A DC company with a national footprint
SHAOLIN JAZZ describes itself as a Washington-based arts company working at the intersection of music, film, art, and culture, and CAN I KICK IT? is its signature production. According to the organizers, the series has staged more than 150 live cinematic experiences around the country — at performing arts centers, museums, festivals, and cultural institutions including Lincoln Center in New York, SXSW, the Denver Center for the Performing Arts, Republic Square in Austin, the Tacoma Armory, and The Cary Theater.
“CAN I KICK IT? has always been about creating a shared experience,” said Gerald Watson, co-founder of SHAOLIN JAZZ. “When you combine iconic films with live music in public spaces, something special happens. People aren’t just watching a movie — they’re experiencing it together. That’s what makes these nights so memorable.”
Cinema as a community event
The DC run lands as cities across the country look for new ways to activate public space through arts and culture — and this series is a straightforward pitch for how to do it: take a landmark everyone already knows, add a film everyone has an opinion about, and let a live soundtrack turn the evening into something neighbors experience shoulder to shoulder. Families, film buffs, and music fans are all invited, and admission won’t cost a thing.
The CAN I KICK IT? outdoor series runs August 8, August 22, and September 5. All events are free; check SHAOLIN JAZZ (shaolinjazz.com) for the latest details and any weather updates before heading out.