D.C. is 11 weeks from electing its most progressive mayor ever - and nobody has figured out who fills her council seat
Janeese Lewis George is all but certain to win the mayor's race on November 3. The harder question is what happens to Ward 4, to the at-large seat Robert White is vacating, and to a city government that will be led by two brand-new progressives on day one.
In brief
The November 3 general election is 11 weeks out, and Washington D.C. effectively already knows who its next mayor will be. What it does not know is what the city government will look like on inauguration day - or how quickly the federal government will move to make her job impossible before she even takes the oath.
That gap between what is settled and what is not is where D.C. residents should be paying close attention right now.
How we got here
Janeese Lewis George, who pledged to aggressively stand up to federal intervention into Washington D.C.'s affairs, won the Democratic primary for mayor in June, setting up a potential showdown with the Trump administration over its moves to challenge the city's limited autonomy. In an overwhelmingly Democratic city, Lewis George is likely to take the top spot in November's general election, replacing moderate Muriel Bowser, who decided not to run again after three terms.
The primary was not close. Lewis George claimed 53% of the votes to 37% for Kenyan McDuffie, her main competitor, according to an initial tally released by the D.C. Board of Elections. McDuffie conceded the Democratic primary to Lewis George, who had 52.87% of the vote in the updated tally released by the DC Board of Elections.
The primary marked the first time in a generation that D.C. residents voted for a new mayor and delegate in the same election. It was also the city's first election using ranked-choice voting. In the end, ranked-choice math was irrelevant - Lewis George's lead was too big to require tabulation of lower preferences.
Her background is specific and local. Lewis George is a third-generation Washingtonian. Her mother worked as a union postal worker and her paternal grandmother served as a lunch lady at Alice Deal Middle School. Lewis George graduated from Howard University Law School and worked as a D.C. Assistant Attorney General in the Juvenile Division before being elected to City Council. Elected in November 2020, she became the first self-described democratic socialist to serve as a member of the Council since Hilda Mason was defeated for re-election in 1998.
What November actually looks like
Washington D.C. trends heavily Democratic, with the primary winner likely to win the general election in November. There is no Republican challenger for the post, although independent and third-party candidates can mount challenges. That is the entire picture on the ballot. For Lewis George, the general election is less a contest than a clock.
Lewis George joins Robert White Jr., who won the Democratic primary for the district's delegate to Congress, as the top local officials who likely will contend with the federal government's intentions for the city. They each campaigned on a promise to take a harder line than their predecessors against the Trump administration's moves on the district, including its deployment of the National Guard on an ongoing basis.
Trump made his position on Lewis George explicit before a single primary vote was cast. From the Oval Office five days before the primary, President Donald Trump threatened to "take back" D.C. if Lewis George won. The president maintains a deployment of the National Guard to D.C. and has repeatedly threatened to invoke the Home Rule Act to seize control of the city if she became mayor.
Lewis George has not softened her response. "Threatening Home Rule because you do not like how residents vote is an attack on democracy itself," she said. "The people of D.C. elect the mayor of D.C. And they want someone who will stand up to Donald Trump." She has also left a door open. "I've also been very clear that I will work with anyone, including the president, for the best interest of D.C. residents," Lewis George said, adding that she hopes "we can work together as every mayor in the District has had to work with any president of the United States, no matter their party."
That careful dual-track posture - fighter and pragmatist at once - is likely to define the early months of her administration. Trump needs Congress to overturn home rule in the District, and at least through 2026, Republicans control the House and Senate, which have both shown willingness to interfere in D.C. The administration does not need to formally strip home rule to make governing painful. Budget riders, federal agency directives, and National Guard deployments give it plenty of leverage short of that.
The council vacancy problem
Here is the part of this story that gets less attention than it deserves.
Ward 4 Councilmember Janeese Lewis George and At-Large Councilmember Robert White could soon become the city's next mayor and delegate, respectively, setting the stage for closely watched races to fill those vacancies. That was the state of play as of late June. Two months later, no replacement processes for either seat have been publicly finalized.
Lewis George says she plans to serve as Ward 4's Councilmember until she is sworn in as mayor. For now, her focus is on the November general election, where she is poised to win in Democratic-controlled D.C. That means Ward 4 - a ward running from Petworth and 16th Street Heights through Brightwood and Manor Park up to the Maryland line - will have a lame-duck representative for several months, a councilmember actively campaigning for a different office rather than solely focused on constituent services.
D.C. already went through a version of this in early 2026. Kenyan McDuffie announced he would run for mayor, then resigned from the council on January 5, 2026. Doni Crawford, who worked as a staffer for McDuffie, was appointed to the vacancy. A special election was then scheduled concurrent with the city's primary election. In total, 42 individuals submitted applications for McDuffie's seat. The process was messy, rushed, and demanded enormous attention from Council Chair Phil Mendelson at exactly the moment the body was also navigating the FY2027 budget.
Now the city faces two such processes at once - Ward 4 and an at-large seat - and the November 3 election date compresses whatever runway exists.
What drove Lewis George's coalition
Understanding who voted for Lewis George matters because it shapes what she will actually try to do in office. Lewis George had a broad range of support across the city, leading in every ward except for wealthy Ward 3. With partial results reported, her strongest showing came from Ward 1 with 65% of the vote, followed by her home base in Ward 4.
She "did a better job of positioning herself of being the candidate of the working people," said Bill Lightfoot, an attorney and former At-Large councilmember who chaired Mayor Muriel Bowser's first mayoral campaign. That framing explains her platform's emphasis. Lewis George's campaign centers around what she calls her "People-First Platform," which focuses largely on housing and childcare affordability.
Many also saw her win as a "clear mandate" that voters were looking for a mayor who would handle Trump interference differently, argued Alex Dodds, the campaign manager for Home Rule advocacy group Free DC. Many D.C. residents have expressed a desire for Bowser to more strongly push back on Trump's actions in the District. Those residents were seemingly emboldened by Trump's comments, choosing to vote for a mayor who will pick a fight with the president.
The candidate was endorsed by progressive groups like Black Lives Matter, the Working Families Party, and the Metro D.C. chapter of the Democratic Socialists of America. Those endorsements gave her a clear organizational base. They also give her opponents in Congress a ready target.
What D.C. Residents Should Watch
The Ward 4 vacancy process. Once Lewis George wins in November, the Council will need to appoint an interim representative for Ward 4. Watch for who applies, who Chair Phil Mendelson nominates, and how fast the Council moves. Ward 4 residents have a direct stake in that timeline.
The at-large seat. Robert White's departure for the delegate seat creates a second vacancy. The winner of the June special election for McDuffie's seat serves only through January, after which voters decide who earns the next four-year term. A second at-large process on top of that compounds the Council's instability heading into 2027.
Congressional action before January. Trump needs Congress to overturn home rule in the District. The lame-duck period between November 3 and inauguration day is when federal lawmakers could push the most aggressive D.C. measures, knowing the current mayor has no political reason to fight hard against them.
Transition planning specifics. Lewis George has said she will remain as Ward 4's councilmember until sworn in as mayor. Watch whether she publicly names transition staff, policy leads, or agency head picks before inauguration - that roster will tell you more about what her administration actually intends than any campaign document.
The National Guard deployment. Lewis George's victory tees up a potential showdown with Trump, as the president maintains a deployment of the National Guard to the nation's capital and has threatened repeatedly to end home rule. Watch whether the deployment status changes before or immediately after the election.
Lewis George's campaign office is at 5765 Georgia Avenue NW in Ward 4 - her home turf, a few blocks from the Petworth Metro station. That detail will matter less than what she does with the 74 days between Election Day and whenever she is sworn in.
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CAN I KICK IT? screens New Jack City at the Sylvan Theater, Washington Monument, on Aug. 22. (Courtesy SHAOLIN JAZZ)
The live-cinema series CAN I KICK IT? returns to the National Mall this month with what its producers are calling the "Gangsters on the Mall" chapter of their free outdoor summer run. On Saturday, August 22, the SHAOLIN JAZZ production brings the 1991 crime classic New Jack City to the Sylvan Theater at the Washington Monument for a night of film, music, and community under the DC summer sky.
What sets the event apart is the sound. As the film plays, DJ 2-Tone Jones builds an original score in real time, reimagining one of the most iconic crime movies of the ’90s through hip-hop, soul, funk, and more. It is less a movie screening than a live performance built around the film.
The details:
Film: New Jack City (1991), with a live soundtrack by DJ 2-Tone Jones
When: Saturday, August 22 — seating opens at 7:30 p.m. (bring lawn chairs and blankets); film begins at 8:30 p.m.
Where: Sylvan Theater at the Washington Monument, Independence Ave SW & 15th St NW
A parking note from the organizers: expect road closures and restricted parking east of 14th Street NW due to a separate race event in the District. Roads west of 14th Street NW will be accessible and available for parking.
New Jack City is the second of three screenings in this year’s free CAN I KICK IT? outdoor series, which opened with Black Panther at Skyland Town Center and concludes with Scarface at the Lincoln Memorial on September 5. Produced by the Washington, DC-based multimedia arts company SHAOLIN JAZZ, the series has presented more than 150 live cinematic experiences at venues across the country, from Lincoln Center to SXSW.
"I wanted to be able to tell good stories with substance and remove the ‘ego’ out of the art," said Andrew Huang during a recent interview. Now, he’s building his career at the intersection of discipline, creativity and innovation.
Andrew Huang, founder of New Place Studios. (Courtesy photo)
As a Chinese American, Huang was reared with a deep respect for hard work, consistency and excellence. He describes his childhood as "not so affluent" and later attended college to hone his passion for videography. "In college I tried to do something I loved, which was video, but along the way I knew that I had to find a job. And so I thought, ‘what was the low hanging fruit to get to that stable 9 to 5 job?,’" he stated.
Later in life, Huang found himself working for corporations where his creativity was often limited, eventually leading to burnout. "I worked in a corporation for a long time and there were a lot of missing pieces. I wanted to fill in gaps missing in corporate video production," said Huang.
He later described how his upbringing and a mindset of "survival" led him toward a corporate career. However, his desire for balance and authentic storytelling ultimately pushed him to take the entrepreneurial leap.
"I founded a new place where you can create video and film with ‘substance and style,’" said Huang. His desire for work-life balance and passion for storytelling naturally evolved into a small business based in Virginia. With the launch of New Place Studios, the entrepreneur quickly found himself reconnecting with the values that would become the foundation of everything he creates behind the camera.
Huang said being a business owner has allowed him to first embrace himself. While others may see video as simply capturing moments, he sees it as a way to preserve stories that inspire, connect and leave a lasting imprint.
By combining cinematic visuals with cutting-edge production techniques and a keen understanding of branding, Huang helps organizations and individuals communicate their vision with purpose. He said understanding a client’s "why" serves as the compass for delivering the services they need.
One benefit of working with a small business, he said, is that clients get to see the production process unfold through a micro lens while working with the same faces throughout the entire project. "The work feels personal," said Huang.
Huang does not regret leaving behind the flash-over-substance mentality and corporate hustle culture. That does not mean the Asian American entrepreneur has been without challenges in the industry. "It’s relatively hard to find other Asian American creatives or people who would want to work with me in the DMV," said Huang.
He identifies the industry culture in which everyone is trying to blend in, creatives may fear displaying their Asian identity and some feel pressure to adopt an American corporate persona. He also points to what he describes as a level of gatekeeping within the industry. According to the U.S. Small Business Administration’s 2024 statistics, Asian American and Pacific Islander entrepreneurs own more than 3 million businesses and employ 5.2 million people in the United States.
After tapping into organizations such as SCORE, which offers free small business mentorship, New Place Studios has become a trusted creative partner throughout the DMV (Washington, D.C., Maryland and Virginia). The company produces a range of creative services, including commercials, corporate branding, documentaries, film, 2D animation, motion graphics and photography.
For Huang, entrepreneurship has become more than a departure from corporate life. It has given him the freedom to create with intention, build meaningful connections and tell stories that go beyond the surface.
The 2026 CAN I KICK IT? outdoor series. Poster courtesy of SHAOLIN JAZZ.
For three Saturdays this summer, some of Washington’s most familiar public spaces will do something they rarely do after dark: fill up with blankets, lawn chairs, and the sound of a movie being scored live, in real time. CAN I KICK IT?, the traveling “live cinema” series produced by the DC-based multimedia arts company SHAOLIN JAZZ, is bringing a free outdoor run to the city — pairing three era-defining films with an original soundtrack performed on the spot by DJ 2-Tone Jones.
The premise is what sets it apart from a normal screening in the park. Rather than simply pressing play, 2-Tone Jones builds a score as the film unfolds, pulling from hip-hop, soul, funk, jazz, rock, electronic music, and sounds from around the world. The result, the organizers say, is less a movie night than a one-time performance — the same film you know, wired to a soundtrack you have never heard and will not hear again. Guest DJs warm up the crowd starting at 7:30 PM before each 8:30 PM screening.
The 2026 outdoor schedule
All three events are free and open to the public.
Saturday, August 8 — Black Panther at Skyland Town Center. A pop-up marketplace and community activities kick off the evening; guest DJs at 7:30 PM, film at 8:30 PM. Marvel’s superhero epic gets a one-night-only live score in Southeast DC.
Saturday, August 22 — New Jack City at the Sylvan Theater, Washington Monument. Seating begins at 7:30 PM; the film starts at 8:30 PM. The 1991 crime drama plays out at the foot of one of the country’s most recognizable landmarks.
Saturday, September 5 — Scarface at the Lincoln Memorial. Seating at 7:30 PM; film at 8:30 PM. The series closes with Brian De Palma’s crime saga against the backdrop of the Memorial, scored live from start to finish.
First up: Black Panther at Skyland Town Center on August 8. Poster courtesy of SHAOLIN JAZZ.
A DC company with a national footprint
SHAOLIN JAZZ describes itself as a Washington-based arts company working at the intersection of music, film, art, and culture, and CAN I KICK IT? is its signature production. According to the organizers, the series has staged more than 150 live cinematic experiences around the country — at performing arts centers, museums, festivals, and cultural institutions including Lincoln Center in New York, SXSW, the Denver Center for the Performing Arts, Republic Square in Austin, the Tacoma Armory, and The Cary Theater.
“CAN I KICK IT? has always been about creating a shared experience,” said Gerald Watson, co-founder of SHAOLIN JAZZ. “When you combine iconic films with live music in public spaces, something special happens. People aren’t just watching a movie — they’re experiencing it together. That’s what makes these nights so memorable.”
Cinema as a community event
The DC run lands as cities across the country look for new ways to activate public space through arts and culture — and this series is a straightforward pitch for how to do it: take a landmark everyone already knows, add a film everyone has an opinion about, and let a live soundtrack turn the evening into something neighbors experience shoulder to shoulder. Families, film buffs, and music fans are all invited, and admission won’t cost a thing.
The CAN I KICK IT? outdoor series runs August 8, August 22, and September 5. All events are free; check SHAOLIN JAZZ (shaolinjazz.com) for the latest details and any weather updates before heading out.