D.C.'s Next Mayor Is Almost Certain — Now Comes the Hard Part for Janeese Lewis George
The Ward 4 democratic socialist crushed the primary. With November's general a near-formality in deep-blue D.C., the real question is whether her ambitious "People-First" agenda can survive the city's budget crunch and an aggressive federal government.
In brief
Why This Matters to Every D.C. Resident
Washington, D.C., is roughly 83 days away from electing its first new mayor in twelve years — and in all likelihood, its first self-described democratic socialist mayor in the city's modern history. Janeese Lewis George, who pledged to aggressively stand up to federal intervention into Washington, D.C.'s affairs, won the Democratic primary for mayor, setting up a potential showdown with the Trump administration; in an overwhelmingly Democratic city, Lewis George is likely to take the top spot in November's general election, replacing moderate Muriel Bowser, who decided not to run again after three terms.
For residents, that is not an abstraction. The next mayor will set the city's housing policy, negotiate a budget under intense congressional pressure, determine how forcefully D.C. fights back against federal attempts to curtail home rule, and decide how quickly — and ambitiously — the District can act on childcare, public safety, and economic equity. The stakes, in other words, could not be higher.
How Lewis George Won — and What the Margin Means
Lewis George, a democratic socialist, won the Democratic primary for mayor; with three-fourths of the expected vote tallied, she led Kenyan McDuffie, a former City Council member, 53% to 37%. The D.C. Board of Elections released new vote totals confirming Lewis George had more than 50% of the vote before even entering the first round of ranked-choice tabulation. Tuesday's primary was the first time D.C. implemented ranked-choice voting.
The victory was decisive in geography as well as raw numbers. Lewis George had broad support across the city, leading in every ward except wealthy Ward 3; her strongest showing came from Ward 1 with 65% of the vote, followed by her home base in Ward 4. She bested her former council colleague Kenyan McDuffie by double digits, crowning a wave of progressive wins.
McDuffie conceded the primary to Lewis George on Thursday morning, saying: "Earlier this morning, I called Councilmember Janeese Lewis George to congratulate her on her victory and wish her success as she prepares for the general election."
Lewis George clinched D.C.'s Democratic mayoral candidacy with a robust volunteer operation and a promise of change that resonated with voters. She had always been something of an iconoclast — a self-identified democratic socialist who often stood alone on controversial votes in the D.C. Council, and was more passionately critical of outgoing Mayor Bowser, especially over her management of the city's complicated relationship with President Donald Trump.
Who Is Janeese Lewis George?
Lewis George is a third-generation Washingtonian; her mother worked as a union postal worker and her paternal grandmother served as a lunch lady at Alice Deal Middle School. She graduated from Howard University Law School and worked as a D.C. Assistant Attorney General in the Juvenile Division before being elected to City Council.
Elected in November 2020, she became the first self-described democratic socialist to serve as a member of the Council since Hilda Mason was defeated for re-election in 1998. She built strong backing from labor unions and progressive organizations and her campaign centered on making the city affordable and building a government that listens to working people.
The "People-First" Platform: What It Means in Practice
Lewis George's agenda is both ambitious and, in the current fiscal environment, deliberately contentious. Here is what she has committed to:
Housing and affordability: Her "People-First Platform" focuses largely on housing and childcare affordability. She entered the race with a focus on affordability, citing rising costs that she said are squeezing residents across the city.
Childcare: During her 2026 mayoral campaign, she released a plan to create a subsidy for universal childcare. Her priorities include ensuring District families spend no more than 7% of their income on child care. Lewis George told reporters: "We are working now with budget analysts to see what is possible and how quickly we can open up our child care subsidy so that more families can benefit from that subsidy," adding she is "aggressively trying to get this done as quickly and as soon as possible."
Revenue: Lewis George told 7News that one of her first fiscal moves would be to close a tax loophole she says currently benefits Maryland and Virginia at D.C.'s expense, arguing it could generate roughly $500 million to help pay for childcare and other affordability programs. "That has the potential of producing $500 million in revenue for our city," she said, according to WJLA.
Energy: Her priorities include expanding the District's solar energy infrastructure via use of federal sustainability funds.
Food access: Lewis George designated equitable access to healthy food as an issue of significance to voters east of the Anacostia River, saying, "My message is consistent to the residents of Ward 7 and 8 — to fight for them to have access to fresh foods through all of the means that are capable of doing so: a grocery store, farmer's markets, and teaching and helping our families."
The agenda begins to turn campaign promises into a governing blueprint that will test the city's finances and its relationship with federal officials.
The Federal Confrontation — D.C.'s Defining Question
Perhaps no issue shaped the primary more than how D.C.'s next mayor would handle the Trump administration's ongoing moves against the city's limited autonomy. Lewis George was unambiguous. At her primary victory celebration, Lewis George told a crowd of cheering supporters: "As mayor, I will work with anyone who makes D.C. safer, but I will also stand up to Trump."
Many D.C. residents had expressed a desire for Mayor Bowser to more strongly push back on Trump's actions in the District; those residents were seemingly emboldened by Trump's comments, choosing to vote for a mayor who will pick a fight with the president.
The structural constraints on D.C.'s resistance should not be underestimated. Washington has limited autonomy and federal leaders retain significant control over local affairs, including approval of the budget and laws passed by the D.C. Council. Congress — with Republicans in control of both chambers through at least 2026 — has already shown willingness to interfere in D.C. The House Oversight Committee passed a measure to restrict the District's ability to change its tax code. Lewis George responded to one threat directly, saying: "Threatening Home Rule because you do not like how residents vote is an attack on democracy itself."
Lewis George joins Robert White Jr., who won the Democratic primary for the District's delegate to Congress, as the top local officials who will likely contend with the federal government's intentions for the city. (Analysis: The pairing of two vocal progressive champions in both the mayoral and congressional delegate roles marks a sharp pivot from the more transactional posture D.C. adopted during the early Trump years.)
The General Election Path
Lewis George's projected primary victory all but guarantees the general election outcome — in a deeply Democratic city, winning the primary historically hands the winner near-immediate responsibility over the city's budget priorities. The Democratic nominee has historically always been the city's next mayor.
The November 3 general election, however, will be the first conducted under D.C.'s new ranked-choice voting rules in a general contest — meaning Lewis George will face independent and third-party challengers on a ballot where voters rank their preferences. It was Washington's first mayoral race since voters passed a ballot measure instituting ranked-choice voting; the system applies when no candidate gets a majority of first-place votes. Given D.C.'s overwhelming Democratic registration edge, this is considered a procedural formality rather than a genuine threat to her candidacy. But it adds a layer of civic unfamiliarity.
What Happens to the D.C. Council?
A Lewis George mayoralty also reshapes the D.C. Council. Her Ward 4 seat will be vacated when she takes office, triggering either a special election or appointment process. A previous Council special election was held to fill an at-large seat following a resignation, with an interim councilmember being appointed to hold the position until voters could decide. D.C. residents should expect a similar process for Ward 4 in early 2027, creating another consequential local election.
Meanwhile, Council Chair Phil Mendelson is running for a fifth term, meaning the legislature Lewis George would work with remains in transition as well. (Analysis: A Mayor Lewis George governing alongside a newly elected Council — including potentially new Ward 1, 3, 5, and 6 members — could produce either a governing coalition or persistent friction, depending on November's outcomes.)
What D.C. Residents Should Watch
November 3 General Election: While Lewis George is heavily favored, D.C. residents should track which independent and Republican candidates file, and whether any issue — crime, budget deficits, federal relations — gains enough traction to force Lewis George to sharpen her positions further.
The $500 Million Tax Loophole Claim: Lewis George has identified closing an interstate tax loophole as her primary funding mechanism for the childcare subsidy. Residents should watch for independent fiscal analysis of whether that revenue projection holds up under scrutiny from the Office of the Chief Financial Officer.
Transition Planning: Watch for Lewis George to begin naming transition advisors and agency-head priorities. The mayor-elect's early signals on appointments — particularly at DCPS, MPD, DHCD (housing), and DDOT — will define her first 100 days more than any campaign platform.
Congressional Interference: The House Oversight Committee has already moved to restrict D.C.'s taxing authority. Between now and January, Congress may try to lock in constraints before a combative Lewis George takes office. Residents should monitor any federal legislation affecting D.C. home rule.
Ward 4 Representation: With Lewis George focused on the mayoralty and likely to vacate her Council seat upon taking office, Ward 4 residents face a period of reduced representation. Watch for community organizing around a successor candidate.
Ranked-Choice Voting in Practice: November 3 will be D.C.'s first ranked-choice general election for mayor. The DC Board of Elections will need to educate voters on how to rank candidates — pay attention to public outreach efforts as Election Day nears.
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CAN I KICK IT? screens New Jack City at the Sylvan Theater, Washington Monument, on Aug. 22. (Courtesy SHAOLIN JAZZ)
The live-cinema series CAN I KICK IT? returns to the National Mall this month with what its producers are calling the "Gangsters on the Mall" chapter of their free outdoor summer run. On Saturday, August 22, the SHAOLIN JAZZ production brings the 1991 crime classic New Jack City to the Sylvan Theater at the Washington Monument for a night of film, music, and community under the DC summer sky.
What sets the event apart is the sound. As the film plays, DJ 2-Tone Jones builds an original score in real time, reimagining one of the most iconic crime movies of the ’90s through hip-hop, soul, funk, and more. It is less a movie screening than a live performance built around the film.
The details:
Film: New Jack City (1991), with a live soundtrack by DJ 2-Tone Jones
When: Saturday, August 22 — seating opens at 7:30 p.m. (bring lawn chairs and blankets); film begins at 8:30 p.m.
Where: Sylvan Theater at the Washington Monument, Independence Ave SW & 15th St NW
A parking note from the organizers: expect road closures and restricted parking east of 14th Street NW due to a separate race event in the District. Roads west of 14th Street NW will be accessible and available for parking.
New Jack City is the second of three screenings in this year’s free CAN I KICK IT? outdoor series, which opened with Black Panther at Skyland Town Center and concludes with Scarface at the Lincoln Memorial on September 5. Produced by the Washington, DC-based multimedia arts company SHAOLIN JAZZ, the series has presented more than 150 live cinematic experiences at venues across the country, from Lincoln Center to SXSW.
"I wanted to be able to tell good stories with substance and remove the ‘ego’ out of the art," said Andrew Huang during a recent interview. Now, he’s building his career at the intersection of discipline, creativity and innovation.
Andrew Huang, founder of New Place Studios. (Courtesy photo)
As a Chinese American, Huang was reared with a deep respect for hard work, consistency and excellence. He describes his childhood as "not so affluent" and later attended college to hone his passion for videography. "In college I tried to do something I loved, which was video, but along the way I knew that I had to find a job. And so I thought, ‘what was the low hanging fruit to get to that stable 9 to 5 job?,’" he stated.
Later in life, Huang found himself working for corporations where his creativity was often limited, eventually leading to burnout. "I worked in a corporation for a long time and there were a lot of missing pieces. I wanted to fill in gaps missing in corporate video production," said Huang.
He later described how his upbringing and a mindset of "survival" led him toward a corporate career. However, his desire for balance and authentic storytelling ultimately pushed him to take the entrepreneurial leap.
"I founded a new place where you can create video and film with ‘substance and style,’" said Huang. His desire for work-life balance and passion for storytelling naturally evolved into a small business based in Virginia. With the launch of New Place Studios, the entrepreneur quickly found himself reconnecting with the values that would become the foundation of everything he creates behind the camera.
Huang said being a business owner has allowed him to first embrace himself. While others may see video as simply capturing moments, he sees it as a way to preserve stories that inspire, connect and leave a lasting imprint.
By combining cinematic visuals with cutting-edge production techniques and a keen understanding of branding, Huang helps organizations and individuals communicate their vision with purpose. He said understanding a client’s "why" serves as the compass for delivering the services they need.
One benefit of working with a small business, he said, is that clients get to see the production process unfold through a micro lens while working with the same faces throughout the entire project. "The work feels personal," said Huang.
Huang does not regret leaving behind the flash-over-substance mentality and corporate hustle culture. That does not mean the Asian American entrepreneur has been without challenges in the industry. "It’s relatively hard to find other Asian American creatives or people who would want to work with me in the DMV," said Huang.
He identifies the industry culture in which everyone is trying to blend in, creatives may fear displaying their Asian identity and some feel pressure to adopt an American corporate persona. He also points to what he describes as a level of gatekeeping within the industry. According to the U.S. Small Business Administration’s 2024 statistics, Asian American and Pacific Islander entrepreneurs own more than 3 million businesses and employ 5.2 million people in the United States.
After tapping into organizations such as SCORE, which offers free small business mentorship, New Place Studios has become a trusted creative partner throughout the DMV (Washington, D.C., Maryland and Virginia). The company produces a range of creative services, including commercials, corporate branding, documentaries, film, 2D animation, motion graphics and photography.
For Huang, entrepreneurship has become more than a departure from corporate life. It has given him the freedom to create with intention, build meaningful connections and tell stories that go beyond the surface.
The 2026 CAN I KICK IT? outdoor series. Poster courtesy of SHAOLIN JAZZ.
For three Saturdays this summer, some of Washington’s most familiar public spaces will do something they rarely do after dark: fill up with blankets, lawn chairs, and the sound of a movie being scored live, in real time. CAN I KICK IT?, the traveling “live cinema” series produced by the DC-based multimedia arts company SHAOLIN JAZZ, is bringing a free outdoor run to the city — pairing three era-defining films with an original soundtrack performed on the spot by DJ 2-Tone Jones.
The premise is what sets it apart from a normal screening in the park. Rather than simply pressing play, 2-Tone Jones builds a score as the film unfolds, pulling from hip-hop, soul, funk, jazz, rock, electronic music, and sounds from around the world. The result, the organizers say, is less a movie night than a one-time performance — the same film you know, wired to a soundtrack you have never heard and will not hear again. Guest DJs warm up the crowd starting at 7:30 PM before each 8:30 PM screening.
The 2026 outdoor schedule
All three events are free and open to the public.
Saturday, August 8 — Black Panther at Skyland Town Center. A pop-up marketplace and community activities kick off the evening; guest DJs at 7:30 PM, film at 8:30 PM. Marvel’s superhero epic gets a one-night-only live score in Southeast DC.
Saturday, August 22 — New Jack City at the Sylvan Theater, Washington Monument. Seating begins at 7:30 PM; the film starts at 8:30 PM. The 1991 crime drama plays out at the foot of one of the country’s most recognizable landmarks.
Saturday, September 5 — Scarface at the Lincoln Memorial. Seating at 7:30 PM; film at 8:30 PM. The series closes with Brian De Palma’s crime saga against the backdrop of the Memorial, scored live from start to finish.
First up: Black Panther at Skyland Town Center on August 8. Poster courtesy of SHAOLIN JAZZ.
A DC company with a national footprint
SHAOLIN JAZZ describes itself as a Washington-based arts company working at the intersection of music, film, art, and culture, and CAN I KICK IT? is its signature production. According to the organizers, the series has staged more than 150 live cinematic experiences around the country — at performing arts centers, museums, festivals, and cultural institutions including Lincoln Center in New York, SXSW, the Denver Center for the Performing Arts, Republic Square in Austin, the Tacoma Armory, and The Cary Theater.
“CAN I KICK IT? has always been about creating a shared experience,” said Gerald Watson, co-founder of SHAOLIN JAZZ. “When you combine iconic films with live music in public spaces, something special happens. People aren’t just watching a movie — they’re experiencing it together. That’s what makes these nights so memorable.”
Cinema as a community event
The DC run lands as cities across the country look for new ways to activate public space through arts and culture — and this series is a straightforward pitch for how to do it: take a landmark everyone already knows, add a film everyone has an opinion about, and let a live soundtrack turn the evening into something neighbors experience shoulder to shoulder. Families, film buffs, and music fans are all invited, and admission won’t cost a thing.
The CAN I KICK IT? outdoor series runs August 8, August 22, and September 5. All events are free; check SHAOLIN JAZZ (shaolinjazz.com) for the latest details and any weather updates before heading out.