Washington, DC is one of the easiest big American cities to navigate without a car. Metrorail's six color-coded lines reach 98 stations across the region, Metrobus covers the gaps, Capital Bikeshare puts 8,000 bikes at 800-plus stations, and most of the National Mall is a straight, flat walk.
In brief
Washington, DC is one of the easiest big American cities to navigate without a car. Metrorail's six color-coded lines reach 98 stations across the region, Metrobus covers the gaps, Capital Bikeshare puts 8,000 bikes at 800-plus stations, and most of the National Mall is a straight, flat walk from end to end.
Metrorail: the backbone
The Washington Metro runs six lines and stops at 98 stations, handling about 675,100 trips on a typical weekday. It opened in 1976 and has grown to 129 miles of route.
Hours (as of June 2025): Monday through Thursday, trains run 5 a.m. to midnight. Friday and Saturday service extends to 2 a.m. Sunday trains start at 6 a.m. and run until midnight.
Fares: Metrorail fares are calculated by distance and time of day. During the day they range from $2.25 to $6.75. After 9:30 p.m. and on weekends, fares drop to between $2.25 and $2.50.
How to pay: Metrorail and Metrobus riders can pay by simply tapping a contactless credit or debit card, or a card in a mobile wallet, on the faregates at any Metro station. A reloadable SmarTrip card works the same way and is sold at every station.
Peak frequency: During peak periods, roughly 5 to 9 a.m. and 3 to 7 p.m., trains run every six minutes on core segments and every 12 minutes at outer terminals.
Metrobus: filling the gaps
Metrobus connects all corners of Washington, DC, with routes that extend into Maryland and Virginia, serving nine major transit centers throughout the region. A ride is $2.25, payable via SmarTrip card, contactless bank card, or exact fare in cash.
A redesigned Metrobus network launched on June 29, 2025, prioritizing frequent and consistent service while making routes and schedules easier to understand. Several high-demand lines run around the clock. The 14th Street Line, for example, operates 24 hours a day between 14th Street and Colorado Avenue NW and L'Enfant Plaza station, connecting the Green, Yellow, Blue, Orange, and Silver lines to the Red Line at Takoma station.
Georgetown has no Metrorail stop. The D80 and D6 Metrobus lines serve it directly, and so do several other routes. Georgetown requires a short bus, bike, or rideshare trip from the nearest station.
Note on the DC Circulator: As of January 1, 2025, the DC Circulator no longer provides bus service. Its red buses ran the city's core corridors for nearly 20 years before the District shut them down. Metrobus now covers those routes.
Capital Bikeshare
Capital Bikeshare has 8,000 bikes and more than 800 stations across eight jurisdictions: Washington, DC; Arlington, VA; Alexandria, VA; Montgomery, MD; Prince George's County, MD; Fairfax County, VA; the City of Fairfax, VA; and the City of Falls Church, VA.
Pricing updated August 1, 2025:
Annual membership: $120 a year, which covers unlimited 45-minute rides on classic red bikes.
Day pass: $10 for 24 hours of unlimited 45-minute classic-bike rides.
Single ride (no membership): $1 to unlock, then $0.15 per minute.
E-bike surcharge (members): $0.15 per minute.
Capital Bikeshare for All (income-based program): annual membership stays at $5 a year.
The program set a single-day ridership record of 35,569 during the 2025 Cherry Blossom Festival. Good stations for tourists include Eastern Market, the National Mall, and Navy Yard.
Walking
One of the best ways to experience Washington, DC is on foot. Wide sidewalks run past the monuments and museums on the National Mall, as well as the intimate museums, theaters, and gardens scattered through the city's neighborhoods.
The most walkable neighborhoods include Dupont Circle, Adams Morgan, Capitol Hill, Columbia Heights, Shaw, U Street, Georgetown, and Navy Yard. The distance from the Lincoln Memorial to the Capitol is just over two miles on a flat, shaded path.
Rideshare and taxis
Uber and Lyft both operate widely across the DMV. Rideshare works best for groups, heavy luggage, late nights, and destinations far from the rail network. During rush hours, 7 to 9:30 a.m. and 4 to 7 p.m. on weekdays, Metro almost always beats rideshare on price and time.
DC taxis are metered, regulated by the DC Taxicab Commission, and flat rates apply from the three airports to DC zones. Wait times at taxi stands near Union Station and major hotels are reliable; hailing on the street is more variable.
Getting to the airports
Reagan National (DCA) sits directly on the Metro's Yellow and Blue lines, making it the easiest airport to reach by rail. Dulles International (IAD) connects to DC via the Silver Line, with a station at Dulles Airport itself. BWI Marshall Airport is not on the Metro; MARC train from Union Station is the standard transit option, with Amtrak as an alternative.
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CAN I KICK IT? screens New Jack City at the Sylvan Theater, Washington Monument, on Aug. 22. (Courtesy SHAOLIN JAZZ)
The live-cinema series CAN I KICK IT? returns to the National Mall this month with what its producers are calling the "Gangsters on the Mall" chapter of their free outdoor summer run. On Saturday, August 22, the SHAOLIN JAZZ production brings the 1991 crime classic New Jack City to the Sylvan Theater at the Washington Monument for a night of film, music, and community under the DC summer sky.
What sets the event apart is the sound. As the film plays, DJ 2-Tone Jones builds an original score in real time, reimagining one of the most iconic crime movies of the ’90s through hip-hop, soul, funk, and more. It is less a movie screening than a live performance built around the film.
The details:
Film: New Jack City (1991), with a live soundtrack by DJ 2-Tone Jones
When: Saturday, August 22 — seating opens at 7:30 p.m. (bring lawn chairs and blankets); film begins at 8:30 p.m.
Where: Sylvan Theater at the Washington Monument, Independence Ave SW & 15th St NW
A parking note from the organizers: expect road closures and restricted parking east of 14th Street NW due to a separate race event in the District. Roads west of 14th Street NW will be accessible and available for parking.
New Jack City is the second of three screenings in this year’s free CAN I KICK IT? outdoor series, which opened with Black Panther at Skyland Town Center and concludes with Scarface at the Lincoln Memorial on September 5. Produced by the Washington, DC-based multimedia arts company SHAOLIN JAZZ, the series has presented more than 150 live cinematic experiences at venues across the country, from Lincoln Center to SXSW.
"I wanted to be able to tell good stories with substance and remove the ‘ego’ out of the art," said Andrew Huang during a recent interview. Now, he’s building his career at the intersection of discipline, creativity and innovation.
Andrew Huang, founder of New Place Studios. (Courtesy photo)
As a Chinese American, Huang was reared with a deep respect for hard work, consistency and excellence. He describes his childhood as "not so affluent" and later attended college to hone his passion for videography. "In college I tried to do something I loved, which was video, but along the way I knew that I had to find a job. And so I thought, ‘what was the low hanging fruit to get to that stable 9 to 5 job?,’" he stated.
Later in life, Huang found himself working for corporations where his creativity was often limited, eventually leading to burnout. "I worked in a corporation for a long time and there were a lot of missing pieces. I wanted to fill in gaps missing in corporate video production," said Huang.
He later described how his upbringing and a mindset of "survival" led him toward a corporate career. However, his desire for balance and authentic storytelling ultimately pushed him to take the entrepreneurial leap.
"I founded a new place where you can create video and film with ‘substance and style,’" said Huang. His desire for work-life balance and passion for storytelling naturally evolved into a small business based in Virginia. With the launch of New Place Studios, the entrepreneur quickly found himself reconnecting with the values that would become the foundation of everything he creates behind the camera.
Huang said being a business owner has allowed him to first embrace himself. While others may see video as simply capturing moments, he sees it as a way to preserve stories that inspire, connect and leave a lasting imprint.
By combining cinematic visuals with cutting-edge production techniques and a keen understanding of branding, Huang helps organizations and individuals communicate their vision with purpose. He said understanding a client’s "why" serves as the compass for delivering the services they need.
One benefit of working with a small business, he said, is that clients get to see the production process unfold through a micro lens while working with the same faces throughout the entire project. "The work feels personal," said Huang.
Huang does not regret leaving behind the flash-over-substance mentality and corporate hustle culture. That does not mean the Asian American entrepreneur has been without challenges in the industry. "It’s relatively hard to find other Asian American creatives or people who would want to work with me in the DMV," said Huang.
He identifies the industry culture in which everyone is trying to blend in, creatives may fear displaying their Asian identity and some feel pressure to adopt an American corporate persona. He also points to what he describes as a level of gatekeeping within the industry. According to the U.S. Small Business Administration’s 2024 statistics, Asian American and Pacific Islander entrepreneurs own more than 3 million businesses and employ 5.2 million people in the United States.
After tapping into organizations such as SCORE, which offers free small business mentorship, New Place Studios has become a trusted creative partner throughout the DMV (Washington, D.C., Maryland and Virginia). The company produces a range of creative services, including commercials, corporate branding, documentaries, film, 2D animation, motion graphics and photography.
For Huang, entrepreneurship has become more than a departure from corporate life. It has given him the freedom to create with intention, build meaningful connections and tell stories that go beyond the surface.
The 2026 CAN I KICK IT? outdoor series. Poster courtesy of SHAOLIN JAZZ.
For three Saturdays this summer, some of Washington’s most familiar public spaces will do something they rarely do after dark: fill up with blankets, lawn chairs, and the sound of a movie being scored live, in real time. CAN I KICK IT?, the traveling “live cinema” series produced by the DC-based multimedia arts company SHAOLIN JAZZ, is bringing a free outdoor run to the city — pairing three era-defining films with an original soundtrack performed on the spot by DJ 2-Tone Jones.
The premise is what sets it apart from a normal screening in the park. Rather than simply pressing play, 2-Tone Jones builds a score as the film unfolds, pulling from hip-hop, soul, funk, jazz, rock, electronic music, and sounds from around the world. The result, the organizers say, is less a movie night than a one-time performance — the same film you know, wired to a soundtrack you have never heard and will not hear again. Guest DJs warm up the crowd starting at 7:30 PM before each 8:30 PM screening.
The 2026 outdoor schedule
All three events are free and open to the public.
Saturday, August 8 — Black Panther at Skyland Town Center. A pop-up marketplace and community activities kick off the evening; guest DJs at 7:30 PM, film at 8:30 PM. Marvel’s superhero epic gets a one-night-only live score in Southeast DC.
Saturday, August 22 — New Jack City at the Sylvan Theater, Washington Monument. Seating begins at 7:30 PM; the film starts at 8:30 PM. The 1991 crime drama plays out at the foot of one of the country’s most recognizable landmarks.
Saturday, September 5 — Scarface at the Lincoln Memorial. Seating at 7:30 PM; film at 8:30 PM. The series closes with Brian De Palma’s crime saga against the backdrop of the Memorial, scored live from start to finish.
First up: Black Panther at Skyland Town Center on August 8. Poster courtesy of SHAOLIN JAZZ.
A DC company with a national footprint
SHAOLIN JAZZ describes itself as a Washington-based arts company working at the intersection of music, film, art, and culture, and CAN I KICK IT? is its signature production. According to the organizers, the series has staged more than 150 live cinematic experiences around the country — at performing arts centers, museums, festivals, and cultural institutions including Lincoln Center in New York, SXSW, the Denver Center for the Performing Arts, Republic Square in Austin, the Tacoma Armory, and The Cary Theater.
“CAN I KICK IT? has always been about creating a shared experience,” said Gerald Watson, co-founder of SHAOLIN JAZZ. “When you combine iconic films with live music in public spaces, something special happens. People aren’t just watching a movie — they’re experiencing it together. That’s what makes these nights so memorable.”
Cinema as a community event
The DC run lands as cities across the country look for new ways to activate public space through arts and culture — and this series is a straightforward pitch for how to do it: take a landmark everyone already knows, add a film everyone has an opinion about, and let a live soundtrack turn the evening into something neighbors experience shoulder to shoulder. Families, film buffs, and music fans are all invited, and admission won’t cost a thing.
The CAN I KICK IT? outdoor series runs August 8, August 22, and September 5. All events are free; check SHAOLIN JAZZ (shaolinjazz.com) for the latest details and any weather updates before heading out.
