Patrick Ewing Set to Join Washington Wizards as Assistant Coach
Patrick Ewing is likely joining the Washington Wizards as an assistant coach, per the New York Times. Here's what this means for DC basketball in 2026.
In brief
Patrick Ewing is coming home. The Basketball Hall of Famer and Georgetown University icon is likely to join the Washington Wizards as an assistant coach, according to a report from The New York Times. For a franchise that has spent the better part of three seasons searching for an identity, landing Ewing — even in a supporting role — sends a signal across the Eastern Conference that Capital One Arena is serious about turning the page.
KEY TAKEAWAYS
Patrick Ewing is expected to join the Washington Wizards coaching staff as an assistant coach, per The New York Times.
Ewing spent 15 seasons as Georgetown's head coach, compiling deep ties to the Washington basketball community.
The move gives the Wizards a credentialed big-man developer at a moment when front-office leadership is prioritizing player development.
Ewing previously served as an NBA assistant coach with the Indiana Pacers, Orlando Magic, Charlotte Hornets, and New York Knicks.
The hire signals the Wizards' commitment to building a coaching staff with name recognition and veteran experience as the rebuild continues.
Why Patrick Ewing and Washington Are a Natural Fit
Ewing's connection to the DMV runs deeper than a coaching résumé. From 1982 to 1985, he anchored the Georgetown Hoyas under the legendary John Thompson, turning the Hilltop into a national powerhouse and leading the program to the 1984 NCAA Championship. He returned to Georgetown as head coach in 2017, spending six seasons attempting to rebuild the program's glory. That history — played out on the courts of McDonough Gymnasium in Northwest DC — gives Ewing a credibility in this city that no outside hire could manufacture.
For Wizards fans who have endured a painful stretch since the John Wall era dissolved, Ewing's arrival represents more than a roster move. It's an acknowledgment that the organization wants basketball minds who understand winning culture. The Washington Wizards have not made the playoffs since the 2021-22 season, and the front office under ownership has been vocal about accelerating the rebuild through player development — precisely the area where Ewing has spent most of his post-playing career.
Ewing's NBA assistant coaching stops have included the Indiana Pacers, Orlando Magic, Charlotte Hornets, and the New York Knicks, where he worked under Jeff Van Gundy during some of New York's most competitive late-1990s runs. That breadth of experience — combined with his status as one of the most dominant centers in NBA history — makes him a valuable voice in any big-man development program.
What Ewing Brings to a Wizards Roster in Transition
The Wizards' current roster skews young. Washington has accumulated draft capital and emerging talent over the last two seasons, and the front office has made clear that player development is the franchise's north star heading into the back half of the decade. Ewing, whose entire post-playing identity has been built around teaching the game's fundamentals to big men, slots neatly into that mission.
Consider his track record: as Georgetown's head coach from 2017 through 2022, Ewing developed Omer Yurtseven into an NBA-caliber center — a player who went undrafted but carved out rotation minutes with the Miami Heat. That kind of development work, done with limited recruiting resources at a program still rebuilding its reputation, speaks to Ewing's genuine coaching ability beyond his Hall of Fame name.
According to Basketball Reference, Ewing averaged 21.0 points and 9.8 rebounds per game across his 17-year NBA career — numbers that anchored 13 All-Star appearances and one of the most technically complete big-man games the sport has seen. Coaching what you once mastered is no guarantee of success, but Ewing has spent over a decade proving he can translate elite knowledge into player growth.
DC's basketball identity has always had two pillars: the Wizards at Capital One Arena and the Hoyas up on the Hilltop in Georgetown. Patrick Ewing has lived at the intersection of both. His return — even as an assistant — reactivates a cultural connection that the Wizards franchise hasn't been able to claim organically in years. This isn't just a coaching hire; it's a reclamation of basketball lineage in a city that takes its hoops seriously, from the Kenilworth Courts to the courts at Jelleff Recreation Center in the Palisades.
Washington also remains one of the NBA's most politically and culturally observed markets. Every front-office move the Wizards make gets scrutinized not just by fans but by the broader ecosystem of power brokers, donors, and civic leaders who see the franchise as a symbol of the city's ambition. Bringing in Ewing — a figure who commands respect from Capitol Hill to the locker room — is a statement that lands well beyond the basketball court. Track more of the city's power moves at our DC Power Players Index.
For those following the Wizards' long arc back toward competitiveness, this hire is a data point worth noting. According to ESPN's Wizards coverage, Washington has been aggressive in reshaping its front office and coaching infrastructure since 2024 — and adding a name like Ewing accelerates that credibility-building process with both current players and future free agents.
Ewing's Road Back to the NBA Sideline
Ewing departed Georgetown following the 2022-23 season after a difficult final stretch that saw the program struggle to recapture its former elite status. His exit from the Hilltop was bittersweet — a genuinely complicated end to a homecoming that carried enormous expectations. But the Georgetown chapter kept Ewing sharp, involved, and visible in basketball circles. He never disappeared from the game, and NBA front offices never stopped viewing him as a high-value coaching commodity.
The Wizards' reported interest confirms what many in the league suspected: Ewing's next move would be back to the NBA. The question was always which franchise would make the right offer at the right time. Washington, with a young roster hungry for veteran guidance and a front office committed to building slowly and correctly, appears to have answered that question.
The Wizards have not confirmed the hire officially as of publication. Once finalized, the coaching staff structure — and specifically which areas of player development Ewing will oversee — will tell the fuller story of how head coach Brian Keefe plans to deploy him. Watch also for how Ewing's presence affects the franchise's recruiting pitch to veteran free agents; his name alone changes conversations. If Washington uses this hire as a springboard into a more aggressive roster-building posture heading into the 2026-27 season, Ewing's appointment may be looked back on as the quiet turning point of the rebuild.
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Frequently Asked Questions
Is Patrick Ewing officially joining the Washington Wizards?
As of publication, the hire has not been officially confirmed by the Wizards organization. The New York Times reported that Ewing is likely to join the staff as an assistant coach, indicating the deal is in progress but not yet finalized.
What is Patrick Ewing's coaching background?
Ewing served as an NBA assistant coach with the Indiana Pacers, Orlando Magic, Charlotte Hornets, and New York Knicks before becoming head coach of the Georgetown Hoyas from 2017 to 2023. His coaching career spans over two decades.
Why did Patrick Ewing leave Georgetown?
Ewing and Georgetown mutually parted ways after the 2022-23 season following a stretch in which the program failed to sustain the on-court progress made in his early seasons on the Hilltop. The program has since moved in a new direction under new leadership.
How long has Patrick Ewing been connected to Washington, DC?
Ewing's ties to Washington stretch back to 1982, when he arrived at Georgetown University as one of the most recruited players in college basketball history. He played for the Hoyas through 1985, winning the 1984 NCAA Championship, and returned as head coach in 2017.
Are the Washington Wizards rebuilding?
Yes. The Wizards have been in an acknowledged rebuild since the 2022-23 season, accumulating draft capital and developing young talent. The franchise has not reached the playoffs since the 2021-22 season and has focused its roster construction on long-term development over short-term wins.
Who is the current Wizards head coach?
Brian Keefe serves as the Washington Wizards' head coach. Keefe took over the role and has been tasked with developing the franchise's young core while the front office continues its roster rebuild.
The bottom line: Patrick Ewing returning to Washington — this time as an NBA assistant coach with the Wizards — is one of the more quietly significant moves the franchise has made during its rebuild. His Hall of Fame pedigree, deep DC roots at Georgetown, and proven track record developing big men make him a genuine asset, not just a marquee name. For a city that measures its institutions by history and gravitas, having Ewing back on the sideline at Capital One Arena feels like exactly the kind of move that matters.
Reporting drawn from: The New York Times. Washington DC Magazine provides original analysis, DC-specific context, and editorial perspective beyond the source material.This article was produced with AI assistance and reviewed by WDCM editorial staff. Washington DC Magazine is committed to accuracy, transparency, and editorial integrity. If you believe any information in this article requires correction, please contact editor@washingtondcmagazine.com.
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CAN I KICK IT? screens New Jack City at the Sylvan Theater, Washington Monument, on Aug. 22. (Courtesy SHAOLIN JAZZ)
The live-cinema series CAN I KICK IT? returns to the National Mall this month with what its producers are calling the "Gangsters on the Mall" chapter of their free outdoor summer run. On Saturday, August 22, the SHAOLIN JAZZ production brings the 1991 crime classic New Jack City to the Sylvan Theater at the Washington Monument for a night of film, music, and community under the DC summer sky.
What sets the event apart is the sound. As the film plays, DJ 2-Tone Jones builds an original score in real time, reimagining one of the most iconic crime movies of the ’90s through hip-hop, soul, funk, and more. It is less a movie screening than a live performance built around the film.
The details:
Film: New Jack City (1991), with a live soundtrack by DJ 2-Tone Jones
When: Saturday, August 22 — seating opens at 7:30 p.m. (bring lawn chairs and blankets); film begins at 8:30 p.m.
Where: Sylvan Theater at the Washington Monument, Independence Ave SW & 15th St NW
A parking note from the organizers: expect road closures and restricted parking east of 14th Street NW due to a separate race event in the District. Roads west of 14th Street NW will be accessible and available for parking.
New Jack City is the second of three screenings in this year’s free CAN I KICK IT? outdoor series, which opened with Black Panther at Skyland Town Center and concludes with Scarface at the Lincoln Memorial on September 5. Produced by the Washington, DC-based multimedia arts company SHAOLIN JAZZ, the series has presented more than 150 live cinematic experiences at venues across the country, from Lincoln Center to SXSW.
"I wanted to be able to tell good stories with substance and remove the ‘ego’ out of the art," said Andrew Huang during a recent interview. Now, he’s building his career at the intersection of discipline, creativity and innovation.
Andrew Huang, founder of New Place Studios. (Courtesy photo)
As a Chinese American, Huang was reared with a deep respect for hard work, consistency and excellence. He describes his childhood as "not so affluent" and later attended college to hone his passion for videography. "In college I tried to do something I loved, which was video, but along the way I knew that I had to find a job. And so I thought, ‘what was the low hanging fruit to get to that stable 9 to 5 job?,’" he stated.
Later in life, Huang found himself working for corporations where his creativity was often limited, eventually leading to burnout. "I worked in a corporation for a long time and there were a lot of missing pieces. I wanted to fill in gaps missing in corporate video production," said Huang.
He later described how his upbringing and a mindset of "survival" led him toward a corporate career. However, his desire for balance and authentic storytelling ultimately pushed him to take the entrepreneurial leap.
"I founded a new place where you can create video and film with ‘substance and style,’" said Huang. His desire for work-life balance and passion for storytelling naturally evolved into a small business based in Virginia. With the launch of New Place Studios, the entrepreneur quickly found himself reconnecting with the values that would become the foundation of everything he creates behind the camera.
Huang said being a business owner has allowed him to first embrace himself. While others may see video as simply capturing moments, he sees it as a way to preserve stories that inspire, connect and leave a lasting imprint.
By combining cinematic visuals with cutting-edge production techniques and a keen understanding of branding, Huang helps organizations and individuals communicate their vision with purpose. He said understanding a client’s "why" serves as the compass for delivering the services they need.
One benefit of working with a small business, he said, is that clients get to see the production process unfold through a micro lens while working with the same faces throughout the entire project. "The work feels personal," said Huang.
Huang does not regret leaving behind the flash-over-substance mentality and corporate hustle culture. That does not mean the Asian American entrepreneur has been without challenges in the industry. "It’s relatively hard to find other Asian American creatives or people who would want to work with me in the DMV," said Huang.
He identifies the industry culture in which everyone is trying to blend in, creatives may fear displaying their Asian identity and some feel pressure to adopt an American corporate persona. He also points to what he describes as a level of gatekeeping within the industry. According to the U.S. Small Business Administration’s 2024 statistics, Asian American and Pacific Islander entrepreneurs own more than 3 million businesses and employ 5.2 million people in the United States.
After tapping into organizations such as SCORE, which offers free small business mentorship, New Place Studios has become a trusted creative partner throughout the DMV (Washington, D.C., Maryland and Virginia). The company produces a range of creative services, including commercials, corporate branding, documentaries, film, 2D animation, motion graphics and photography.
For Huang, entrepreneurship has become more than a departure from corporate life. It has given him the freedom to create with intention, build meaningful connections and tell stories that go beyond the surface.
The 2026 CAN I KICK IT? outdoor series. Poster courtesy of SHAOLIN JAZZ.
For three Saturdays this summer, some of Washington’s most familiar public spaces will do something they rarely do after dark: fill up with blankets, lawn chairs, and the sound of a movie being scored live, in real time. CAN I KICK IT?, the traveling “live cinema” series produced by the DC-based multimedia arts company SHAOLIN JAZZ, is bringing a free outdoor run to the city — pairing three era-defining films with an original soundtrack performed on the spot by DJ 2-Tone Jones.
The premise is what sets it apart from a normal screening in the park. Rather than simply pressing play, 2-Tone Jones builds a score as the film unfolds, pulling from hip-hop, soul, funk, jazz, rock, electronic music, and sounds from around the world. The result, the organizers say, is less a movie night than a one-time performance — the same film you know, wired to a soundtrack you have never heard and will not hear again. Guest DJs warm up the crowd starting at 7:30 PM before each 8:30 PM screening.
The 2026 outdoor schedule
All three events are free and open to the public.
Saturday, August 8 — Black Panther at Skyland Town Center. A pop-up marketplace and community activities kick off the evening; guest DJs at 7:30 PM, film at 8:30 PM. Marvel’s superhero epic gets a one-night-only live score in Southeast DC.
Saturday, August 22 — New Jack City at the Sylvan Theater, Washington Monument. Seating begins at 7:30 PM; the film starts at 8:30 PM. The 1991 crime drama plays out at the foot of one of the country’s most recognizable landmarks.
Saturday, September 5 — Scarface at the Lincoln Memorial. Seating at 7:30 PM; film at 8:30 PM. The series closes with Brian De Palma’s crime saga against the backdrop of the Memorial, scored live from start to finish.
First up: Black Panther at Skyland Town Center on August 8. Poster courtesy of SHAOLIN JAZZ.
A DC company with a national footprint
SHAOLIN JAZZ describes itself as a Washington-based arts company working at the intersection of music, film, art, and culture, and CAN I KICK IT? is its signature production. According to the organizers, the series has staged more than 150 live cinematic experiences around the country — at performing arts centers, museums, festivals, and cultural institutions including Lincoln Center in New York, SXSW, the Denver Center for the Performing Arts, Republic Square in Austin, the Tacoma Armory, and The Cary Theater.
“CAN I KICK IT? has always been about creating a shared experience,” said Gerald Watson, co-founder of SHAOLIN JAZZ. “When you combine iconic films with live music in public spaces, something special happens. People aren’t just watching a movie — they’re experiencing it together. That’s what makes these nights so memorable.”
Cinema as a community event
The DC run lands as cities across the country look for new ways to activate public space through arts and culture — and this series is a straightforward pitch for how to do it: take a landmark everyone already knows, add a film everyone has an opinion about, and let a live soundtrack turn the evening into something neighbors experience shoulder to shoulder. Families, film buffs, and music fans are all invited, and admission won’t cost a thing.
The CAN I KICK IT? outdoor series runs August 8, August 22, and September 5. All events are free; check SHAOLIN JAZZ (shaolinjazz.com) for the latest details and any weather updates before heading out.
