Senate kills crypto market-structure bill before the midterm clock runs out
The Digital Asset Market Clarity Act failed a 49-50 procedural vote on September 15, blocked by unified Democratic opposition and four Republican defectors who said ethics provisions protecting crypto-holding officials fell short.
In brief
Senate kills crypto market-structure bill before the midterm clock runs out
The Senate voted 49 to 50 on September 15 to block the Digital Asset Market Clarity Act from advancing to a floor debate, ending what the industry had spent years and hundreds of millions of dollars trying to achieve and leaving the $2.3 trillion crypto sector without a federal regulatory framework as Congress heads toward the November midterms.
The procedural cloture vote required 60 votes to succeed. It fell short at 49 to 50, with all Democrats and four Republicans opposing. Those four Republicans were Sen. Susan Collins of Maine, Josh Hawley of Missouri, Jerry Moran of Kansas, and Thom Tillis of North Carolina. The result was not close.
The bill would have created a new federal regulatory framework for the $2.3 trillion crypto industry, but faced growing opposition from Democrats due to President Donald Trump's investments in the sector. That conflict-of-interest question drove much of the final negotiating breakdown. Negotiators for the two parties had worked through more than 600 pages of legislative compromise, but a few final sections, including the ethics provisions meant to curtail senior government officials from maintaining crypto business ties, turned out to feature insurmountable rifts.
Republican leaders had released a revised version of the bill the Sunday before the vote, adding new ethics restrictions to address Democratic concerns about public officials profiting from crypto ventures. Those changes were not enough to resolve the remaining opposition, and the vote was a stunning loss for the crypto industry, which had exuded confidence that enough senators would vote to advance the bill.
What the bill would have done
The market structure legislation would have created durable rules for how crypto functions in the U.S. financial system, replacing years of regulatory uncertainty around how digital assets can be issued, traded, and sold to investors. The Clarity Act would formally split oversight of the crypto sector across the Securities and Exchange Commission and the Commodity Futures Trading Commission, though the CFTC could have played a larger regulatory role.
Senate Majority Leader John Thune had called passage the "next logical step" after Congress approved legislation to regulate stablecoins the previous year. Sen. Cynthia Lummis, the leading Republican negotiator, made the final push from the floor before the vote. She failed to convince enough colleagues, telling them: "Do not let this day be the day we handed our future to someone else because we were too afraid to finish what we started."
A political and market blow
The industry had spent years and hundreds of millions of dollars trying to bring Congress to an approval of the market structure legislation, and while the Senate's vote represented the furthest such an effort had progressed, the loss came as a blow to the army of lobbyists, advocacy groups, political action committees, and high-profile crypto executives that sought a new law.
Markets moved fast. Bitcoin slipped back to $76,000 and crypto-related names including Circle, Bullish, and Coinbase added to earlier losses in the hours after the vote was called.
The fact that the bill failed to win even a majority of support, with multiple Republicans voting no, leaves the process in a tough position. The vote had been a priority for Trump, who has strongly supported the crypto industry, but the crypto industry will likely face a tough time trying to pass it this year, with the November midterms quickly approaching.
The failure essentially ends market structure legislative work in the Senate for 2026 and is a major blow to the crypto industry, which has invested years and hundreds of millions of dollars into trying to support its interests.
The path back is narrow
The setback for the crypto industry's top policy goal potentially sends the process back to the drawing board unless some long-odds maneuvers develop in the final weeks of the congressional session after November's midterm elections. That window is short by any measure. The vote effectively put the bill on ice, as Congress is set to depart Washington this month ahead of the November midterm elections in which Trump's fellow Republicans are fighting to retain control of the House and Senate.
It is also hard to say how the Senate and Congress more broadly will change after the midterms. A Democratic takeover of the Senate or the House would make it even more difficult for the bill to pass, leaving the fate of the Clarity Act up in the air.
One outstanding wrinkle: the same week of the Senate failure, the House Ways and Means Committee advanced the first federal crypto tax bill by a vote of 38 to 5, including a de minimis exemption on fees under $10 and a voluntary disclosure program. That measure now sits in limbo too, with no Senate companion and no floor date.
The administration has not said whether the White House will push for a lame-duck revival. Fiscal Year 2026 began with what was described as the longest government shutdown in modern history, lasting from October 1 through November 12, 2025, and congressional bandwidth between now and year-end is already strained by spending deadlines and the pre-election sprint.
What to Watch
Lummis and Thune next move: Whether Republican leaders attempt any procedural workaround before Congress recesses for the elections, or publicly concede the bill is dead for this Congress.
SEC and CFTC enforcement posture: SEC Chair Paul Atkins and CFTC Chair Michael Selig will face pressure to clarify through agency guidance what rules apply to crypto exchanges in the absence of legislation, a process that itself could take months.
Ethics provisions in a new Congress: The specific language around presidential and senior-official crypto holdings was the final dealbreaker. Any revival in the 120th Congress will have to resolve that question first, and the political stakes will be higher if Trump's crypto portfolio continues to grow.
Midterm composition: The closer the process dragged toward the elections, the more likely political pressures would get in the way of a bipartisan deal. If Republicans lose seats, the arithmetic for passing any version of the bill gets significantly harder.
Bitcoin price: After slipping to $76,000 on the vote day, traders will watch whether the market stabilizes or whether the regulatory vacuum drives further selling in crypto assets headed into the election period.
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CAN I KICK IT? screens New Jack City at the Sylvan Theater, Washington Monument, on Aug. 22. (Courtesy SHAOLIN JAZZ)
The live-cinema series CAN I KICK IT? returns to the National Mall this month with what its producers are calling the "Gangsters on the Mall" chapter of their free outdoor summer run. On Saturday, August 22, the SHAOLIN JAZZ production brings the 1991 crime classic New Jack City to the Sylvan Theater at the Washington Monument for a night of film, music, and community under the DC summer sky.
What sets the event apart is the sound. As the film plays, DJ 2-Tone Jones builds an original score in real time, reimagining one of the most iconic crime movies of the ’90s through hip-hop, soul, funk, and more. It is less a movie screening than a live performance built around the film.
The details:
Film: New Jack City (1991), with a live soundtrack by DJ 2-Tone Jones
When: Saturday, August 22 — seating opens at 7:30 p.m. (bring lawn chairs and blankets); film begins at 8:30 p.m.
Where: Sylvan Theater at the Washington Monument, Independence Ave SW & 15th St NW
A parking note from the organizers: expect road closures and restricted parking east of 14th Street NW due to a separate race event in the District. Roads west of 14th Street NW will be accessible and available for parking.
New Jack City is the second of three screenings in this year’s free CAN I KICK IT? outdoor series, which opened with Black Panther at Skyland Town Center and concludes with Scarface at the Lincoln Memorial on September 5. Produced by the Washington, DC-based multimedia arts company SHAOLIN JAZZ, the series has presented more than 150 live cinematic experiences at venues across the country, from Lincoln Center to SXSW.
"I wanted to be able to tell good stories with substance and remove the ‘ego’ out of the art," said Andrew Huang during a recent interview. Now, he’s building his career at the intersection of discipline, creativity and innovation.
Andrew Huang, founder of New Place Studios. (Courtesy photo)
As a Chinese American, Huang was reared with a deep respect for hard work, consistency and excellence. He describes his childhood as "not so affluent" and later attended college to hone his passion for videography. "In college I tried to do something I loved, which was video, but along the way I knew that I had to find a job. And so I thought, ‘what was the low hanging fruit to get to that stable 9 to 5 job?,’" he stated.
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He later described how his upbringing and a mindset of "survival" led him toward a corporate career. However, his desire for balance and authentic storytelling ultimately pushed him to take the entrepreneurial leap.
"I founded a new place where you can create video and film with ‘substance and style,’" said Huang. His desire for work-life balance and passion for storytelling naturally evolved into a small business based in Virginia. With the launch of New Place Studios, the entrepreneur quickly found himself reconnecting with the values that would become the foundation of everything he creates behind the camera.
Huang said being a business owner has allowed him to first embrace himself. While others may see video as simply capturing moments, he sees it as a way to preserve stories that inspire, connect and leave a lasting imprint.
By combining cinematic visuals with cutting-edge production techniques and a keen understanding of branding, Huang helps organizations and individuals communicate their vision with purpose. He said understanding a client’s "why" serves as the compass for delivering the services they need.
One benefit of working with a small business, he said, is that clients get to see the production process unfold through a micro lens while working with the same faces throughout the entire project. "The work feels personal," said Huang.
Huang does not regret leaving behind the flash-over-substance mentality and corporate hustle culture. That does not mean the Asian American entrepreneur has been without challenges in the industry. "It’s relatively hard to find other Asian American creatives or people who would want to work with me in the DMV," said Huang.
He identifies the industry culture in which everyone is trying to blend in, creatives may fear displaying their Asian identity and some feel pressure to adopt an American corporate persona. He also points to what he describes as a level of gatekeeping within the industry. According to the U.S. Small Business Administration’s 2024 statistics, Asian American and Pacific Islander entrepreneurs own more than 3 million businesses and employ 5.2 million people in the United States.
After tapping into organizations such as SCORE, which offers free small business mentorship, New Place Studios has become a trusted creative partner throughout the DMV (Washington, D.C., Maryland and Virginia). The company produces a range of creative services, including commercials, corporate branding, documentaries, film, 2D animation, motion graphics and photography.
For Huang, entrepreneurship has become more than a departure from corporate life. It has given him the freedom to create with intention, build meaningful connections and tell stories that go beyond the surface.
The 2026 CAN I KICK IT? outdoor series. Poster courtesy of SHAOLIN JAZZ.
For three Saturdays this summer, some of Washington’s most familiar public spaces will do something they rarely do after dark: fill up with blankets, lawn chairs, and the sound of a movie being scored live, in real time. CAN I KICK IT?, the traveling “live cinema” series produced by the DC-based multimedia arts company SHAOLIN JAZZ, is bringing a free outdoor run to the city — pairing three era-defining films with an original soundtrack performed on the spot by DJ 2-Tone Jones.
The premise is what sets it apart from a normal screening in the park. Rather than simply pressing play, 2-Tone Jones builds a score as the film unfolds, pulling from hip-hop, soul, funk, jazz, rock, electronic music, and sounds from around the world. The result, the organizers say, is less a movie night than a one-time performance — the same film you know, wired to a soundtrack you have never heard and will not hear again. Guest DJs warm up the crowd starting at 7:30 PM before each 8:30 PM screening.
The 2026 outdoor schedule
All three events are free and open to the public.
Saturday, August 8 — Black Panther at Skyland Town Center. A pop-up marketplace and community activities kick off the evening; guest DJs at 7:30 PM, film at 8:30 PM. Marvel’s superhero epic gets a one-night-only live score in Southeast DC.
Saturday, August 22 — New Jack City at the Sylvan Theater, Washington Monument. Seating begins at 7:30 PM; the film starts at 8:30 PM. The 1991 crime drama plays out at the foot of one of the country’s most recognizable landmarks.
Saturday, September 5 — Scarface at the Lincoln Memorial. Seating at 7:30 PM; film at 8:30 PM. The series closes with Brian De Palma’s crime saga against the backdrop of the Memorial, scored live from start to finish.
First up: Black Panther at Skyland Town Center on August 8. Poster courtesy of SHAOLIN JAZZ.
A DC company with a national footprint
SHAOLIN JAZZ describes itself as a Washington-based arts company working at the intersection of music, film, art, and culture, and CAN I KICK IT? is its signature production. According to the organizers, the series has staged more than 150 live cinematic experiences around the country — at performing arts centers, museums, festivals, and cultural institutions including Lincoln Center in New York, SXSW, the Denver Center for the Performing Arts, Republic Square in Austin, the Tacoma Armory, and The Cary Theater.
“CAN I KICK IT? has always been about creating a shared experience,” said Gerald Watson, co-founder of SHAOLIN JAZZ. “When you combine iconic films with live music in public spaces, something special happens. People aren’t just watching a movie — they’re experiencing it together. That’s what makes these nights so memorable.”
Cinema as a community event
The DC run lands as cities across the country look for new ways to activate public space through arts and culture — and this series is a straightforward pitch for how to do it: take a landmark everyone already knows, add a film everyone has an opinion about, and let a live soundtrack turn the evening into something neighbors experience shoulder to shoulder. Families, film buffs, and music fans are all invited, and admission won’t cost a thing.
The CAN I KICK IT? outdoor series runs August 8, August 22, and September 5. All events are free; check SHAOLIN JAZZ (shaolinjazz.com) for the latest details and any weather updates before heading out.