The march came to D.C.'s front door - and this time, the city had its own reasons to show up
The 63rd March on Washington brought thousands to the National Mall Friday demanding voting rights protections. For D.C. residents, still without a vote in Congress, the stakes were not abstract.
In brief
The march landed where it always does - and D.C. still can't vote
Thousands of people packed the National Mall on Friday for what organizers called the 'March on Washington 2026: Defend the Vote', the 63rd anniversary of the 1963 civil rights march at the Lincoln Memorial. The crowd included union members, students, members of Black Greek-letter organizations, and people who traveled from across the country - and across D.C.'s own neighborhoods. The event drew several thousand people to the National Mall, including union members, students, members of Black Greek-letter organisations, and attendees of all ages who travelled from across the country.
For the rest of America, this was a national political moment. For D.C. residents, it was something more personal and more complicated. The city hosted the march. It bore the traffic, the street closures, the Metro surge. Friday's march was the first of several upcoming events that closed some roads in D.C., and the 63rd March on Washington rally for voting rights took place on the National Mall. And yet the 700,000 people who live here - the people whose streets and transit system absorbed the whole thing - still have no vote in Congress and no senators. The march for voting rights happened in the one American city constitutionally denied them.
Why it happened now
The event follows the U.S. Supreme Court's landmark April decision in Louisiana v. Callais that reinterpreted key provisions of the Voting Rights Act of 1965, allowing Southern states to redraw their congressional maps in a way that erodes equal representation in Black communities. That ruling, handed down 6-3 along ideological lines, held that compliance with the Voting Rights Act did not require Louisiana to use race as the basis for redistricting, and that no compelling state interest justified the use of race in creating the contested map, which the court called an unconstitutional racial gerrymander.
The political consequences were immediate. Louisiana's legislature rushed to redraw the district after the decision, reshaping it to cluster around predominantly white communities in the Baton Rouge area and southern Louisiana, and the congressman at the center of the case opted not to seek reelection to Congress.
Rev. Al Sharpton, who co-organized the march with Martin Luther King III and Arndrea Waters King through the National Action Network and the Drum Major Institute, put it plainly. "We've been doing these marches for years, but this is probably the most important because this is the first year we are marching that the voting rights bill has been nullified by the Supreme Court," Sharpton said in an interview with The Associated Press.
That framing landed differently on the National Mall than it would elsewhere. D.C. residents voted overwhelmingly for statehood in 2016. They have a shadow congressional delegation with no actual power. Every federal voting rights fight touches them directly - and not as bystanders.
Mail-in voting: another fight already in court
The march also converged with a live legal battle over ballot access ahead of November's midterms. Ahead of Friday, organizations participating in the march - including the NAACP, the Lawyers' Committee for Civil Rights Under Law, and Black Voters Matter - filed new claims in federal court as part of their existing lawsuit against President Donald Trump's executive order restricting mail-in voting. The timing was not accidental. The Supreme Court cleared a path Monday for possible implementation of the order, though it remains unclear how much can be put in place before the midterms.
D.C. uses mail-in voting heavily. In 2020, the city mailed ballots to every registered voter automatically. Any executive order restricting that system hits the District's own elections process. The city's Board of Elections has not issued guidance yet on how it would respond to federal restrictions on mail balloting - that question is still open.
Rep. Shomari Figures, an Alabama Democrat whose majority-Black district was targeted by his state's Republican-led redistricting effort, said the original voting rights fight required local movements, national figures, lots of coordination and strategy. That's precisely the model Friday's organizers said they were trying to rebuild.
What this looked like on the ground in D.C.
Street closures went into effect Thursday night around the Mall and the Lincoln Memorial. George Washington University's First Night x Org Fair, in Northwest, and the Ready, Set, Safe! Back-to-School Family Day, in Southeast, were also held Saturday, meaning the city managed overlapping events across multiple neighborhoods on the same weekend - a logistical footnote that D.C. government agencies handle annually but rarely get credit for.
NBC Washington reported from the Lincoln Memorial steps, where marchers gathered in the August heat. People gathered near the Lincoln Memorial for the 'Defend the Vote' rally in Washington, D.C., on Aug. 28, 2026, coinciding with the 63rd anniversary of the 1963 'March on Washington' rally for civil rights, with thousands of protesters rallying on the National Mall in support of voting rights and racial justice ahead of the midterm elections.
Martin Luther King III told the AP that the work of the Civil Rights movement 'is further eroding' in the wake of the high court's April ruling. NAACP President Derrick Johnson added a harder edge: 'We will not stand idly by while the voices of the people are silenced,' Johnson said in a statement Thursday.
The D.C. angle the national press kept skipping
Nearly every national outlet covering Friday's march framed it as a story about Southern redistricting, Alabama and Louisiana congressional races, and the November midterms. That framing is accurate. It's also incomplete.
D.C. is the only American jurisdiction where voting rights are simultaneously a national rallying cry and a local, daily reality. The 51st state movement, which D.C. Councilmembers and Mayor Muriel Bowser have both backed - with varying degrees of energy - has stalled in Congress. A Republican-controlled House Oversight Committee has moved in the opposite direction, recently advancing a measure to restrict the District's ability to change its own tax code without congressional approval. [attributed: Washington Post, August 2026]
The city's November ballot will include its own council races and, at the top of the ticket, a mayoral contest that will elect D.C.'s most progressive mayor in modern memory. This will also be the first council election to use ranked-choice voting following the implementation of Initiative 83. But D.C. voters will send no one to the U.S. Senate. They will send a non-voting delegate to the House. The people chanting for democracy on Friday afternoon were marching in a city that does not have it at the federal level - and their local government is powerless to change that without an act of Congress.
That irony is not lost on D.C. Council members, several of whom have been loudest in challenging federal overreach this year. Earlier this month, a Justice Department official accused council members of 'ignorance' and 'impotent theatrics' over their request for governors to remove their troops from D.C. The dynamic - federal officials dismissing D.C.'s elected government in its own city - is exactly what statehood advocates say the march should be about. Few of the national speakers on the Mall said so explicitly.
What D.C. Residents Should Watch
The mail-in voting lawsuit. Organizations participating in the march filed new claims in their federal lawsuit against Trump's executive order restricting mail-in voting. The Supreme Court cleared a path Monday for possible implementation of the order, and D.C.'s Board of Elections has not yet said how it will respond if restrictions take effect before the November 3 general election.
Ranked-choice voting's November debut. The 2026 Council of the District of Columbia election will be held on November 3, 2026, to elect seven members to the Council of the District of Columbia - and it will be the first D.C. election conducted under ranked-choice rules. Voter education from the D.C. Board of Elections on how to rank candidates has been minimal so far.
The House Oversight tax measure. The House Oversight Committee passed a measure to restrict the District's ability to change its tax code - a direct challenge to home rule that the D.C. Council has not yet formally responded to with legislation.
The open-meetings law. The Open Meetings Clarification Amendment Act of 2025 was enacted without Mayor Bowser's signature in July. The temporary legislation prevents D.C. residents from attending meetings between the Council and the mayor, and allows the Council and its committees to shut out the public in any meeting at which no votes will be taken. Transparency advocates at the ACLU-DC and the D.C. Open Government Coalition say the permanent version of this law, still moving through the Council, needs to be narrowed before it gets a final vote.
Whether D.C.'s own political leaders show up for their residents' disenfranchisement. Friday's march was organized by national civil rights groups. D.C.'s own elected officials were notably quiet in the run-up. That silence, in a city whose residents are the most straightforwardly disenfranchised Americans, is itself a story worth watching as the November election approaches.
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CAN I KICK IT? screens New Jack City at the Sylvan Theater, Washington Monument, on Aug. 22. (Courtesy SHAOLIN JAZZ)
The live-cinema series CAN I KICK IT? returns to the National Mall this month with what its producers are calling the "Gangsters on the Mall" chapter of their free outdoor summer run. On Saturday, August 22, the SHAOLIN JAZZ production brings the 1991 crime classic New Jack City to the Sylvan Theater at the Washington Monument for a night of film, music, and community under the DC summer sky.
What sets the event apart is the sound. As the film plays, DJ 2-Tone Jones builds an original score in real time, reimagining one of the most iconic crime movies of the ’90s through hip-hop, soul, funk, and more. It is less a movie screening than a live performance built around the film.
The details:
Film: New Jack City (1991), with a live soundtrack by DJ 2-Tone Jones
When: Saturday, August 22 — seating opens at 7:30 p.m. (bring lawn chairs and blankets); film begins at 8:30 p.m.
Where: Sylvan Theater at the Washington Monument, Independence Ave SW & 15th St NW
A parking note from the organizers: expect road closures and restricted parking east of 14th Street NW due to a separate race event in the District. Roads west of 14th Street NW will be accessible and available for parking.
New Jack City is the second of three screenings in this year’s free CAN I KICK IT? outdoor series, which opened with Black Panther at Skyland Town Center and concludes with Scarface at the Lincoln Memorial on September 5. Produced by the Washington, DC-based multimedia arts company SHAOLIN JAZZ, the series has presented more than 150 live cinematic experiences at venues across the country, from Lincoln Center to SXSW.
"I wanted to be able to tell good stories with substance and remove the ‘ego’ out of the art," said Andrew Huang during a recent interview. Now, he’s building his career at the intersection of discipline, creativity and innovation.
Andrew Huang, founder of New Place Studios. (Courtesy photo)
As a Chinese American, Huang was reared with a deep respect for hard work, consistency and excellence. He describes his childhood as "not so affluent" and later attended college to hone his passion for videography. "In college I tried to do something I loved, which was video, but along the way I knew that I had to find a job. And so I thought, ‘what was the low hanging fruit to get to that stable 9 to 5 job?,’" he stated.
Later in life, Huang found himself working for corporations where his creativity was often limited, eventually leading to burnout. "I worked in a corporation for a long time and there were a lot of missing pieces. I wanted to fill in gaps missing in corporate video production," said Huang.
He later described how his upbringing and a mindset of "survival" led him toward a corporate career. However, his desire for balance and authentic storytelling ultimately pushed him to take the entrepreneurial leap.
"I founded a new place where you can create video and film with ‘substance and style,’" said Huang. His desire for work-life balance and passion for storytelling naturally evolved into a small business based in Virginia. With the launch of New Place Studios, the entrepreneur quickly found himself reconnecting with the values that would become the foundation of everything he creates behind the camera.
Huang said being a business owner has allowed him to first embrace himself. While others may see video as simply capturing moments, he sees it as a way to preserve stories that inspire, connect and leave a lasting imprint.
By combining cinematic visuals with cutting-edge production techniques and a keen understanding of branding, Huang helps organizations and individuals communicate their vision with purpose. He said understanding a client’s "why" serves as the compass for delivering the services they need.
One benefit of working with a small business, he said, is that clients get to see the production process unfold through a micro lens while working with the same faces throughout the entire project. "The work feels personal," said Huang.
Huang does not regret leaving behind the flash-over-substance mentality and corporate hustle culture. That does not mean the Asian American entrepreneur has been without challenges in the industry. "It’s relatively hard to find other Asian American creatives or people who would want to work with me in the DMV," said Huang.
He identifies the industry culture in which everyone is trying to blend in, creatives may fear displaying their Asian identity and some feel pressure to adopt an American corporate persona. He also points to what he describes as a level of gatekeeping within the industry. According to the U.S. Small Business Administration’s 2024 statistics, Asian American and Pacific Islander entrepreneurs own more than 3 million businesses and employ 5.2 million people in the United States.
After tapping into organizations such as SCORE, which offers free small business mentorship, New Place Studios has become a trusted creative partner throughout the DMV (Washington, D.C., Maryland and Virginia). The company produces a range of creative services, including commercials, corporate branding, documentaries, film, 2D animation, motion graphics and photography.
For Huang, entrepreneurship has become more than a departure from corporate life. It has given him the freedom to create with intention, build meaningful connections and tell stories that go beyond the surface.
The 2026 CAN I KICK IT? outdoor series. Poster courtesy of SHAOLIN JAZZ.
For three Saturdays this summer, some of Washington’s most familiar public spaces will do something they rarely do after dark: fill up with blankets, lawn chairs, and the sound of a movie being scored live, in real time. CAN I KICK IT?, the traveling “live cinema” series produced by the DC-based multimedia arts company SHAOLIN JAZZ, is bringing a free outdoor run to the city — pairing three era-defining films with an original soundtrack performed on the spot by DJ 2-Tone Jones.
The premise is what sets it apart from a normal screening in the park. Rather than simply pressing play, 2-Tone Jones builds a score as the film unfolds, pulling from hip-hop, soul, funk, jazz, rock, electronic music, and sounds from around the world. The result, the organizers say, is less a movie night than a one-time performance — the same film you know, wired to a soundtrack you have never heard and will not hear again. Guest DJs warm up the crowd starting at 7:30 PM before each 8:30 PM screening.
The 2026 outdoor schedule
All three events are free and open to the public.
Saturday, August 8 — Black Panther at Skyland Town Center. A pop-up marketplace and community activities kick off the evening; guest DJs at 7:30 PM, film at 8:30 PM. Marvel’s superhero epic gets a one-night-only live score in Southeast DC.
Saturday, August 22 — New Jack City at the Sylvan Theater, Washington Monument. Seating begins at 7:30 PM; the film starts at 8:30 PM. The 1991 crime drama plays out at the foot of one of the country’s most recognizable landmarks.
Saturday, September 5 — Scarface at the Lincoln Memorial. Seating at 7:30 PM; film at 8:30 PM. The series closes with Brian De Palma’s crime saga against the backdrop of the Memorial, scored live from start to finish.
First up: Black Panther at Skyland Town Center on August 8. Poster courtesy of SHAOLIN JAZZ.
A DC company with a national footprint
SHAOLIN JAZZ describes itself as a Washington-based arts company working at the intersection of music, film, art, and culture, and CAN I KICK IT? is its signature production. According to the organizers, the series has staged more than 150 live cinematic experiences around the country — at performing arts centers, museums, festivals, and cultural institutions including Lincoln Center in New York, SXSW, the Denver Center for the Performing Arts, Republic Square in Austin, the Tacoma Armory, and The Cary Theater.
“CAN I KICK IT? has always been about creating a shared experience,” said Gerald Watson, co-founder of SHAOLIN JAZZ. “When you combine iconic films with live music in public spaces, something special happens. People aren’t just watching a movie — they’re experiencing it together. That’s what makes these nights so memorable.”
Cinema as a community event
The DC run lands as cities across the country look for new ways to activate public space through arts and culture — and this series is a straightforward pitch for how to do it: take a landmark everyone already knows, add a film everyone has an opinion about, and let a live soundtrack turn the evening into something neighbors experience shoulder to shoulder. Families, film buffs, and music fans are all invited, and admission won’t cost a thing.
The CAN I KICK IT? outdoor series runs August 8, August 22, and September 5. All events are free; check SHAOLIN JAZZ (shaolinjazz.com) for the latest details and any weather updates before heading out.