Treasury and IRS propose stripping tax-exempt status from private schools over race-based policies
A sweeping proposed rule published in the Federal Register would put up to 18,000 private schools on notice: any race-conscious admissions, scholarship, or program policy could cost them their 501(c)(3) status, with a November deadline for public comment and legal challenges widely expected.
In brief
The Trump administration moved this month to use the tax code as its most direct lever yet against race-conscious education policy, publishing proposed federal regulations that would strip 501(c)(3) tax-exempt status from any private school, K-12 through graduate level, that considers race, color, or national or ethnic origin in admissions, scholarships, athletics, or any other institutional program.
The Department of the Treasury and the Internal Revenue Service issued the proposed regulations on September 3, 2026, framing the action as delivering on President Trump's executive orders ending discrimination and restoring merit-based opportunity. The notice ran in the Federal Register on September 4 under docket REG-119986-25.
The financial stakes are immediate and concrete. Private schools that lose exempt status would face federal income tax on endowment returns, loss of donor deductibility for contributions, potential bondholder income inclusion on tax-exempt bonds, and possible grant clawbacks. For major research universities with multi-billion-dollar endowments, that exposure alone could run into the hundreds of millions of dollars per year.
What the rule actually says
The proposed regulations would deny tax-exempt status under Section 501(c)(3) to any private school that considers race, color, or national or ethnic origin in any school program or policy for any purpose, including remedial or diversity objectives. Comments are due by November 3, 2026, and if finalized the rules would first apply to taxable years beginning after May 31, 2027.
That last clause is significant. It is not a ban on any particular admissions practice as such. It is a tax determination. Schools that the IRS deems noncompliant would simply lose the federal benefits that flow from 501(c)(3) classification. The government has used that tool once before at scale: in Bob Jones University v. United States (1983), the Supreme Court held that a private school practicing racial discrimination could not qualify as tax-exempt because such discrimination violates a fundamental public policy against racial discrimination in education. Treasury is now invoking the same public-policy doctrine, but pointing it in a new direction.
The rule explicitly goes beyond the Students for Fair Admissions v. Harvard ruling that banned race-conscious admissions at colleges in 2023. The proposed regulations provide that all forms of racial discrimination in a private school's policies are contrary to U.S. public policy and preclude tax exemption. Under the proposed regulations, all race-conscious admissions or scholarship programs, even those framed as remedial or diversity-related, would be treated the same as prohibited discrimination.
Additionally, the proposal contemplates modifying Revenue Procedure 75-50 to delete existing safe harbors for policies favoring racial minority groups in admissions, programs and facilities, scholarships and financial assistance. That 1975 guidance has for decades been the IRS's standing interpretation of the Bob Jones framework. Erasing it would remove a layer of protection that historically black colleges and universities, Hispanic-serving institutions, and schools with targeted minority scholarship programs have relied on.
There is a carve-out for religion. The rule would eliminate longstanding IRS guidance allowing certain race-based preferences, while preserving religious schools' ability to select students based on genuine religious affiliation and permitting race-neutral criteria such as income, geography, and first-generation status.
Bessent and Bisignano put their names on it
Treasury Secretary Scott Bessent announced the rule personally. Bessent said, "Under President Trump, this Administration is standing up for America's students by ensuring racial discrimination has no place in American education," and added that "Schools rebranding race-based preferences as equitable, inclusive, or diversity-enhancing does not change their discriminatory nature."
IRS Chief Executive Officer Frank J. Bisignano noted that the regulations put institutions on notice that schools continuing to engage in racial discrimination should expect to lose tax-exempt benefits. Having both the Treasury secretary and the IRS's top official attach their names to the announcement was deliberate; it signals this is not a staff-level regulatory matter but a priority the administration intends to defend.
Scale: 18,000 schools, 750,000 students
The Treasury Department and IRS estimate that the proposed regulations may affect as many as 18,000 private educational institutions and roughly 750,000 students. That number spans day schools in suburban counties, Ivy League universities, historically black colleges, and trade schools alike.
The rules span admissions, educational policies, scholarships, loans, athletics, and all other school-administered programs, potentially affecting up to 18,000 private educational institutions, according to Treasury and IRS estimates.
Donors, too, are in the crosshairs. Despite its focus solely on schools, the proposed regulations could also impact donors that fund scholarships and certain academic programs, and could be used as a stepping stone to applying the administration's definition of discrimination against other tax-exempt organizations. Tax lawyers at Mondaq flagged that possibility specifically as a risk for foundations and philanthropies that fund race-targeted academic chairs or fellowship programs.
Legal fight virtually certain
The November 3 comment deadline is only the beginning of what legal analysts across the political spectrum expect to be extended litigation. Commentary from tax-exempt-organization specialists at NEO Law Group raised First Amendment and administrative-law concerns about using a broad "public policy" standard to determine tax exemption, arguing that such a condition could struggle to survive judicial scrutiny.
Analysts at The College Investor advise watching for three signals: whether major independent school associations request a public hearing, whether schools preemptively convert race-based scholarships to income-based criteria, and where the first lawsuit gets filed once the rule is final.
Given how quickly other education rules have drawn injunctions, a legal stay before the 2027 effective date is a real possibility. The administration's parallel effort to revoke Harvard's tax-exempt status over antisemitism concerns earlier this year drew an immediate federal court challenge, giving plaintiffs a ready-made procedural template for fighting this rule too.
The Association of Governing Boards of Universities and Colleges (AGB) put out an urgent advisory last week, telling member institutions to evaluate the potential financial, tax, fundraising, and operational consequences of any challenge to their Section 501(c)(3) status, identify partnerships and joint programs that could be affected, and ensure that legal counsel, advancement and foundation leaders, financial officers, enrollment leaders, and other relevant administrators are coordinating their review.
Washington context
This rule lands in a specific legislative and judicial moment. The Supreme Court's 2023 SFFA v. Harvard decision banned race-conscious admissions at colleges, but left scholarship programs, DEI offices, and affinity programming in a legal gray zone. The proposed IRS rule tries to close that zone using the tax code rather than waiting for fresh litigation. It is the most aggressive domestic regulatory action the administration has taken on higher education since earlier executive orders directing agencies to end DEI contracting.
Congress is largely on recess through mid-November, per the cancellation of the September 21 and 28 session weeks. The House has canceled the September 21 and September 28 session weeks, eliminating eight voting days and leaving four legislative days before members leave Washington until mid-November. That gives higher education lobbyists limited time on Capitol Hill to seek a legislative block before the comment period closes.
Democrats have no procedural mechanism to stop a notice-and-comment rulemaking. Their path is the courts, and several civil rights organizations were already preparing filings as of this week, according to reporting by Gibson Dunn and Holland & Knight attorneys following the docket.
What to Watch
November 3, 2026: The public comment deadline for REG-119986-25. The volume and nature of comments from university associations, HBCU leaders, and civil rights groups will shape whether Treasury holds a public hearing and how it drafts the final rule.
Pre-emptive policy shifts: Watch whether schools preemptively convert race-based scholarships to income-based criteria before the final rule takes effect, as many did after SFFA.
The first lawsuit: Legal analysts widely expect a court challenge the day the final rule publishes. The question is venue: a D.C. Circuit challenge on administrative-law grounds, or a direct First Amendment suit filed in a friendlier circuit.
HBCU response: Historically black colleges and universities have operated under specific IRS guidance protecting certain race-conscious programs since 1975. How Treasury addresses HBCU concerns in the final rule, or whether it does at all, will be among the most politically charged details in the rulemaking record.
The Bob Jones question: The 1983 Supreme Court ruling gave Treasury authority to revoke Bob Jones University's exemption over racial discrimination. Courts will now have to decide whether that same doctrine can be deployed to reach affirmative-action programs rather than exclusionary ones. The legal theory runs in the opposite direction from its original application, and that tension sits at the center of every anticipated lawsuit.
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CAN I KICK IT? screens New Jack City at the Sylvan Theater, Washington Monument, on Aug. 22. (Courtesy SHAOLIN JAZZ)
The live-cinema series CAN I KICK IT? returns to the National Mall this month with what its producers are calling the "Gangsters on the Mall" chapter of their free outdoor summer run. On Saturday, August 22, the SHAOLIN JAZZ production brings the 1991 crime classic New Jack City to the Sylvan Theater at the Washington Monument for a night of film, music, and community under the DC summer sky.
What sets the event apart is the sound. As the film plays, DJ 2-Tone Jones builds an original score in real time, reimagining one of the most iconic crime movies of the ’90s through hip-hop, soul, funk, and more. It is less a movie screening than a live performance built around the film.
The details:
Film: New Jack City (1991), with a live soundtrack by DJ 2-Tone Jones
When: Saturday, August 22 — seating opens at 7:30 p.m. (bring lawn chairs and blankets); film begins at 8:30 p.m.
Where: Sylvan Theater at the Washington Monument, Independence Ave SW & 15th St NW
A parking note from the organizers: expect road closures and restricted parking east of 14th Street NW due to a separate race event in the District. Roads west of 14th Street NW will be accessible and available for parking.
New Jack City is the second of three screenings in this year’s free CAN I KICK IT? outdoor series, which opened with Black Panther at Skyland Town Center and concludes with Scarface at the Lincoln Memorial on September 5. Produced by the Washington, DC-based multimedia arts company SHAOLIN JAZZ, the series has presented more than 150 live cinematic experiences at venues across the country, from Lincoln Center to SXSW.
"I wanted to be able to tell good stories with substance and remove the ‘ego’ out of the art," said Andrew Huang during a recent interview. Now, he’s building his career at the intersection of discipline, creativity and innovation.
Andrew Huang, founder of New Place Studios. (Courtesy photo)
As a Chinese American, Huang was reared with a deep respect for hard work, consistency and excellence. He describes his childhood as "not so affluent" and later attended college to hone his passion for videography. "In college I tried to do something I loved, which was video, but along the way I knew that I had to find a job. And so I thought, ‘what was the low hanging fruit to get to that stable 9 to 5 job?,’" he stated.
Later in life, Huang found himself working for corporations where his creativity was often limited, eventually leading to burnout. "I worked in a corporation for a long time and there were a lot of missing pieces. I wanted to fill in gaps missing in corporate video production," said Huang.
He later described how his upbringing and a mindset of "survival" led him toward a corporate career. However, his desire for balance and authentic storytelling ultimately pushed him to take the entrepreneurial leap.
"I founded a new place where you can create video and film with ‘substance and style,’" said Huang. His desire for work-life balance and passion for storytelling naturally evolved into a small business based in Virginia. With the launch of New Place Studios, the entrepreneur quickly found himself reconnecting with the values that would become the foundation of everything he creates behind the camera.
Huang said being a business owner has allowed him to first embrace himself. While others may see video as simply capturing moments, he sees it as a way to preserve stories that inspire, connect and leave a lasting imprint.
By combining cinematic visuals with cutting-edge production techniques and a keen understanding of branding, Huang helps organizations and individuals communicate their vision with purpose. He said understanding a client’s "why" serves as the compass for delivering the services they need.
One benefit of working with a small business, he said, is that clients get to see the production process unfold through a micro lens while working with the same faces throughout the entire project. "The work feels personal," said Huang.
Huang does not regret leaving behind the flash-over-substance mentality and corporate hustle culture. That does not mean the Asian American entrepreneur has been without challenges in the industry. "It’s relatively hard to find other Asian American creatives or people who would want to work with me in the DMV," said Huang.
He identifies the industry culture in which everyone is trying to blend in, creatives may fear displaying their Asian identity and some feel pressure to adopt an American corporate persona. He also points to what he describes as a level of gatekeeping within the industry. According to the U.S. Small Business Administration’s 2024 statistics, Asian American and Pacific Islander entrepreneurs own more than 3 million businesses and employ 5.2 million people in the United States.
After tapping into organizations such as SCORE, which offers free small business mentorship, New Place Studios has become a trusted creative partner throughout the DMV (Washington, D.C., Maryland and Virginia). The company produces a range of creative services, including commercials, corporate branding, documentaries, film, 2D animation, motion graphics and photography.
For Huang, entrepreneurship has become more than a departure from corporate life. It has given him the freedom to create with intention, build meaningful connections and tell stories that go beyond the surface.
The 2026 CAN I KICK IT? outdoor series. Poster courtesy of SHAOLIN JAZZ.
For three Saturdays this summer, some of Washington’s most familiar public spaces will do something they rarely do after dark: fill up with blankets, lawn chairs, and the sound of a movie being scored live, in real time. CAN I KICK IT?, the traveling “live cinema” series produced by the DC-based multimedia arts company SHAOLIN JAZZ, is bringing a free outdoor run to the city — pairing three era-defining films with an original soundtrack performed on the spot by DJ 2-Tone Jones.
The premise is what sets it apart from a normal screening in the park. Rather than simply pressing play, 2-Tone Jones builds a score as the film unfolds, pulling from hip-hop, soul, funk, jazz, rock, electronic music, and sounds from around the world. The result, the organizers say, is less a movie night than a one-time performance — the same film you know, wired to a soundtrack you have never heard and will not hear again. Guest DJs warm up the crowd starting at 7:30 PM before each 8:30 PM screening.
The 2026 outdoor schedule
All three events are free and open to the public.
Saturday, August 8 — Black Panther at Skyland Town Center. A pop-up marketplace and community activities kick off the evening; guest DJs at 7:30 PM, film at 8:30 PM. Marvel’s superhero epic gets a one-night-only live score in Southeast DC.
Saturday, August 22 — New Jack City at the Sylvan Theater, Washington Monument. Seating begins at 7:30 PM; the film starts at 8:30 PM. The 1991 crime drama plays out at the foot of one of the country’s most recognizable landmarks.
Saturday, September 5 — Scarface at the Lincoln Memorial. Seating at 7:30 PM; film at 8:30 PM. The series closes with Brian De Palma’s crime saga against the backdrop of the Memorial, scored live from start to finish.
First up: Black Panther at Skyland Town Center on August 8. Poster courtesy of SHAOLIN JAZZ.
A DC company with a national footprint
SHAOLIN JAZZ describes itself as a Washington-based arts company working at the intersection of music, film, art, and culture, and CAN I KICK IT? is its signature production. According to the organizers, the series has staged more than 150 live cinematic experiences around the country — at performing arts centers, museums, festivals, and cultural institutions including Lincoln Center in New York, SXSW, the Denver Center for the Performing Arts, Republic Square in Austin, the Tacoma Armory, and The Cary Theater.
“CAN I KICK IT? has always been about creating a shared experience,” said Gerald Watson, co-founder of SHAOLIN JAZZ. “When you combine iconic films with live music in public spaces, something special happens. People aren’t just watching a movie — they’re experiencing it together. That’s what makes these nights so memorable.”
Cinema as a community event
The DC run lands as cities across the country look for new ways to activate public space through arts and culture — and this series is a straightforward pitch for how to do it: take a landmark everyone already knows, add a film everyone has an opinion about, and let a live soundtrack turn the evening into something neighbors experience shoulder to shoulder. Families, film buffs, and music fans are all invited, and admission won’t cost a thing.
The CAN I KICK IT? outdoor series runs August 8, August 22, and September 5. All events are free; check SHAOLIN JAZZ (shaolinjazz.com) for the latest details and any weather updates before heading out.