Bowser blocked the witnesses. Mendelson called it shocking. Now the city's budget problem has no one to answer for it.
The mayor's administration declined to send a single agency official to Thursday's Council roundtable on chronic overspending, leaving lawmakers to grill the auditor and the CFO while the people who actually run the agencies stayed home.
In brief
Four days before a new mayor, D.C. still can't get a straight answer on who is responsible for burning through public money
The Wilson Building roundtable was supposed to be the moment D.C.'s government finally sat in the same room and explained itself. The D.C. Council had called agency leaders to testify Thursday about why city departments keep spending more money than they are allocated. Mayor Muriel Bowser's administration sent no one.
Not a deputy. Not a budget director. Nobody.
Council Chairman Phil Mendelson did not hide his reaction. "I'm shocked that the mayor withheld witnesses from this hearing to talk about the budget," Mendelson told 7News in a one-on-one interview after the hearing. According to the council's official hearing notice, the executive branch declined to send a witness. The mayor's office, asked to respond, offered three words: "No comment at this time."
That refusal landed on a particularly charged day. Early in-person voting concludes this weekend across parts of the Washington, D.C. region ahead of Election Day on November 3. Bowser is term-limited and out the door. The agencies she runs will belong to whoever wins Tuesday. And those agencies, by the Council's own account, have a spending problem that has persisted for years.
What the roundtable actually found
The witnesses who did show up were D.C. Auditor Kathy Patterson and Chief Financial Officer Glen Lee. Their testimony did not resolve much. It confirmed that the argument over agency spending has been going on long enough to have its own cast of recurring characters, its own back-and-forth, and its own unresolved conclusions.
Patterson raised concerns about agencies that repeatedly require additional funding after their budgets have already been approved. "There are agencies that overspend year after year after year after year, and you have to then ask yourself, how can that be?" she told lawmakers.
Patterson also criticized the city's financial oversight structure, arguing that the mayor's administration and the Office of the Chief Financial Officer operate separate systems for monitoring agency spending that do not always work effectively together. Her proposed fix: Patterson suggested requiring affirmative council approval for reprogrammings above a certain amount. Reprogrammings are the mechanism agencies use to move money between accounts during the year, effectively giving themselves a budget cushion that the Council never explicitly voted on.
Lee, for his part, pushed back on the framing. He emphasized an important distinction in the debate over agency overspending: an agency exceeding its original budget does not necessarily mean it has spent more than legally authorized. That is technically true. Agencies can receive reprogramming transfers that raise their effective ceiling. But the Council's position is that those transfers are part of the problem, not a defense against the accusation.
Mendelson acknowledged that agency overspending has declined significantly compared with last year, but said the problem has not disappeared. "But they're still overspending."
The Bowser-Mendelson standoff has been building for months
Thursday's walkout was not a surprise to anyone who has watched the relationship between the mayor's office and the Council this year. The two branches have been in an open fight over budget transparency going back to the spring. The D.C. Council opened the door to suing Mayor Muriel Bowser over a years-long fight involving closely held budget documents. It is a fight the executive branch has already lost in a related court case, and could soon result in contempt proceedings against her.
The broader fiscal picture makes the standoff harder to dismiss as a personality conflict. Council Chairman Phil Mendelson has warned that the District faces an estimated $650 million funding gap in fiscal year 2028 to maintain programs currently supported by one-time funding. The District's Chief Financial Officer continues to warn of declining revenue and employment over the next few years, driven by federal job losses, inflation and an evolving economy. With that gap bearing down, the Council has been trying to figure out both how to raise new money and why agencies keep burning through what they already have.
Mendelson's concern is that lawmakers could be forced to consider reducing services or increasing taxes while questions remain about how accurately agencies are budgeting their expenses.
DC Auditor Patterson has been raising the alarm since at least June. She asked the Council to hold a hearing on her April report concluding that CFO Glen Lee made 301 withdrawals from contingency funds to circumvent a city law that bars agencies from exceeding their Council-approved budgets, a claim his office strenuously denied. Lee's office appended its denials to the audit itself. Patterson had said in an April statement: "The CFO either fails to understand the law or believes his agency stands outside the law."
What this looks like from outside the room
DC Line columnist Jonetta Rose Barras, writing Friday morning, put it plainly. Mendelson held yet another roundtable focused on agency overspending, and one observer called it "performative." Patterson said she is unsure whether Mendelson is simply engaged in another battle in his war with CFO Lee.
That skepticism is worth sitting with. The Council has known about chronic agency overspending for years. It has held hearings. It has received audits. It has passed legislation. And yet the pattern persists. Bowser declining to send witnesses Thursday did not create the problem; it just removed one more chance to explain it. Auditor Patterson said some of the problems were addressed over the past few decades but have now "come back around."
What changes after Tuesday is who carries it. Without additional resources, the District could face difficult decisions about funding for child care, health care, education and after-school activities. The incoming mayor will not get a clean handover. She gets the gap, the reprogrammings, the CFO's contested accounting, and the auditor who is still waiting for someone to answer her April report.
The ranked-choice twist
There is one more layer to all this. This is the first D.C. general election to use ranked-choice voting for some races. The 2026 council election will be the first to use ranked-choice voting following the implementation of Initiative 83. There is a lot of confusion surrounding D.C.'s two-seat test of ranked-choice voting in the at-large council race. Voters casting ballots this weekend are doing so under a new system, in a race for offices that will have to immediately grapple with the budget mess, and without a clear public accounting from the agencies at the center of it.
Designated early voting centers are open from Monday, October 26, through Sunday, November 1, from 8:30 a.m. until 7 p.m. every day. Completed ballots can be delivered to an early voting center by 7 p.m. Sunday or deposited at an official drop box by 8 p.m. on Election Day.
Mendelson said the Council will get other chances to question the agencies directly. For now, he said lawmakers will have additional opportunities to question individual agencies about their spending. He did not say when.
What D.C. Residents Should Watch
The next mayor's budget posture. Janeese Lewis George, who won the Democratic primary in June and is favored on November 3, has not identified specific programs she would eliminate and instead wants a detailed examination of spending across city agencies. That examination will start from a baseline the current administration just refused to explain under oath.
Reprogramming reform. Patterson's proposal to require affirmative council approval for reprogrammings above a certain threshold could be introduced in the lame-duck session or early in the next legislative term. Watch whether the incoming administration signals support or opposition before it even takes office.
The audit standoff. Patterson's April report concluded that the CFO made 301 withdrawals from contingency funds to circumvent budget law. That finding has not been resolved. A new mayor, a new council class, and a CFO whose term runs independently of either could produce a very different dynamic in early 2027.
Early voting closes Sunday, November 1 at 7 p.m. Mailed ballots must be postmarked on or before Election Day and received by November 13, ten days after the election. The D.C. Board of Elections office is at 1015 Half Street SE, Suite 750.
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CAN I KICK IT? screens New Jack City at the Sylvan Theater, Washington Monument, on Aug. 22. (Courtesy SHAOLIN JAZZ)
The live-cinema series CAN I KICK IT? returns to the National Mall this month with what its producers are calling the "Gangsters on the Mall" chapter of their free outdoor summer run. On Saturday, August 22, the SHAOLIN JAZZ production brings the 1991 crime classic New Jack City to the Sylvan Theater at the Washington Monument for a night of film, music, and community under the DC summer sky.
What sets the event apart is the sound. As the film plays, DJ 2-Tone Jones builds an original score in real time, reimagining one of the most iconic crime movies of the ’90s through hip-hop, soul, funk, and more. It is less a movie screening than a live performance built around the film.
The details:
Film: New Jack City (1991), with a live soundtrack by DJ 2-Tone Jones
When: Saturday, August 22 — seating opens at 7:30 p.m. (bring lawn chairs and blankets); film begins at 8:30 p.m.
Where: Sylvan Theater at the Washington Monument, Independence Ave SW & 15th St NW
A parking note from the organizers: expect road closures and restricted parking east of 14th Street NW due to a separate race event in the District. Roads west of 14th Street NW will be accessible and available for parking.
New Jack City is the second of three screenings in this year’s free CAN I KICK IT? outdoor series, which opened with Black Panther at Skyland Town Center and concludes with Scarface at the Lincoln Memorial on September 5. Produced by the Washington, DC-based multimedia arts company SHAOLIN JAZZ, the series has presented more than 150 live cinematic experiences at venues across the country, from Lincoln Center to SXSW.
"I wanted to be able to tell good stories with substance and remove the ‘ego’ out of the art," said Andrew Huang during a recent interview. Now, he’s building his career at the intersection of discipline, creativity and innovation.
Andrew Huang, founder of New Place Studios. (Courtesy photo)
As a Chinese American, Huang was reared with a deep respect for hard work, consistency and excellence. He describes his childhood as "not so affluent" and later attended college to hone his passion for videography. "In college I tried to do something I loved, which was video, but along the way I knew that I had to find a job. And so I thought, ‘what was the low hanging fruit to get to that stable 9 to 5 job?,’" he stated.
Later in life, Huang found himself working for corporations where his creativity was often limited, eventually leading to burnout. "I worked in a corporation for a long time and there were a lot of missing pieces. I wanted to fill in gaps missing in corporate video production," said Huang.
He later described how his upbringing and a mindset of "survival" led him toward a corporate career. However, his desire for balance and authentic storytelling ultimately pushed him to take the entrepreneurial leap.
"I founded a new place where you can create video and film with ‘substance and style,’" said Huang. His desire for work-life balance and passion for storytelling naturally evolved into a small business based in Virginia. With the launch of New Place Studios, the entrepreneur quickly found himself reconnecting with the values that would become the foundation of everything he creates behind the camera.
Huang said being a business owner has allowed him to first embrace himself. While others may see video as simply capturing moments, he sees it as a way to preserve stories that inspire, connect and leave a lasting imprint.
By combining cinematic visuals with cutting-edge production techniques and a keen understanding of branding, Huang helps organizations and individuals communicate their vision with purpose. He said understanding a client’s "why" serves as the compass for delivering the services they need.
One benefit of working with a small business, he said, is that clients get to see the production process unfold through a micro lens while working with the same faces throughout the entire project. "The work feels personal," said Huang.
Huang does not regret leaving behind the flash-over-substance mentality and corporate hustle culture. That does not mean the Asian American entrepreneur has been without challenges in the industry. "It’s relatively hard to find other Asian American creatives or people who would want to work with me in the DMV," said Huang.
He identifies the industry culture in which everyone is trying to blend in, creatives may fear displaying their Asian identity and some feel pressure to adopt an American corporate persona. He also points to what he describes as a level of gatekeeping within the industry. According to the U.S. Small Business Administration’s 2024 statistics, Asian American and Pacific Islander entrepreneurs own more than 3 million businesses and employ 5.2 million people in the United States.
After tapping into organizations such as SCORE, which offers free small business mentorship, New Place Studios has become a trusted creative partner throughout the DMV (Washington, D.C., Maryland and Virginia). The company produces a range of creative services, including commercials, corporate branding, documentaries, film, 2D animation, motion graphics and photography.
For Huang, entrepreneurship has become more than a departure from corporate life. It has given him the freedom to create with intention, build meaningful connections and tell stories that go beyond the surface.
The 2026 CAN I KICK IT? outdoor series. Poster courtesy of SHAOLIN JAZZ.
For three Saturdays this summer, some of Washington’s most familiar public spaces will do something they rarely do after dark: fill up with blankets, lawn chairs, and the sound of a movie being scored live, in real time. CAN I KICK IT?, the traveling “live cinema” series produced by the DC-based multimedia arts company SHAOLIN JAZZ, is bringing a free outdoor run to the city — pairing three era-defining films with an original soundtrack performed on the spot by DJ 2-Tone Jones.
The premise is what sets it apart from a normal screening in the park. Rather than simply pressing play, 2-Tone Jones builds a score as the film unfolds, pulling from hip-hop, soul, funk, jazz, rock, electronic music, and sounds from around the world. The result, the organizers say, is less a movie night than a one-time performance — the same film you know, wired to a soundtrack you have never heard and will not hear again. Guest DJs warm up the crowd starting at 7:30 PM before each 8:30 PM screening.
The 2026 outdoor schedule
All three events are free and open to the public.
Saturday, August 8 — Black Panther at Skyland Town Center. A pop-up marketplace and community activities kick off the evening; guest DJs at 7:30 PM, film at 8:30 PM. Marvel’s superhero epic gets a one-night-only live score in Southeast DC.
Saturday, August 22 — New Jack City at the Sylvan Theater, Washington Monument. Seating begins at 7:30 PM; the film starts at 8:30 PM. The 1991 crime drama plays out at the foot of one of the country’s most recognizable landmarks.
Saturday, September 5 — Scarface at the Lincoln Memorial. Seating at 7:30 PM; film at 8:30 PM. The series closes with Brian De Palma’s crime saga against the backdrop of the Memorial, scored live from start to finish.
First up: Black Panther at Skyland Town Center on August 8. Poster courtesy of SHAOLIN JAZZ.
A DC company with a national footprint
SHAOLIN JAZZ describes itself as a Washington-based arts company working at the intersection of music, film, art, and culture, and CAN I KICK IT? is its signature production. According to the organizers, the series has staged more than 150 live cinematic experiences around the country — at performing arts centers, museums, festivals, and cultural institutions including Lincoln Center in New York, SXSW, the Denver Center for the Performing Arts, Republic Square in Austin, the Tacoma Armory, and The Cary Theater.
“CAN I KICK IT? has always been about creating a shared experience,” said Gerald Watson, co-founder of SHAOLIN JAZZ. “When you combine iconic films with live music in public spaces, something special happens. People aren’t just watching a movie — they’re experiencing it together. That’s what makes these nights so memorable.”
Cinema as a community event
The DC run lands as cities across the country look for new ways to activate public space through arts and culture — and this series is a straightforward pitch for how to do it: take a landmark everyone already knows, add a film everyone has an opinion about, and let a live soundtrack turn the evening into something neighbors experience shoulder to shoulder. Families, film buffs, and music fans are all invited, and admission won’t cost a thing.
The CAN I KICK IT? outdoor series runs August 8, August 22, and September 5. All events are free; check SHAOLIN JAZZ (shaolinjazz.com) for the latest details and any weather updates before heading out.