D.C. ticket-doubling fight comes to a head as Trayon White pulls his emergency bill and the Council chair breaks ranks
Ward 8's Trayon White withdrew fast-track legislation to stop traffic fines from doubling after 30 days, but Council Chair Phil Mendelson went on record calling the current system unsustainable. Now a slower, permanent fix heads toward the committee that has blocked it before.
In brief
Why this matters to your wallet right now
Eleven days before Election Day, D.C. drivers got a glimpse this week of how hard it is to change a fine system that has piled up more than $1 billion in uncollected debt over the past quarter-century. The city automatically doubles most parking and traffic tickets that go unpaid for 30 days. A $100 ticket becomes a $200 debt in a single month. In fiscal year 2025, D.C. issued 1,093,880 parking tickets worth more than $59 million in fines. Yet the penalties keep piling up precisely because so many people can't pay them. A push to change that collapsed in the Wilson Building this week, then opened back up again in a different form, leaving the question very much alive going into a new council term.
White pulls the emergency bill
Ward 8 Councilmember Trayon White Sr. withdrew emergency legislation that sought to stop the fines for unpaid parking and traffic tickets from doubling after 30 days, avoiding a formal ruling that the bill's fiscal impact meant it was out of order.
The withdrawal came October 20, one day after White introduced the Parking and Traffic Ticket Penalty Reduction Emergency Amendment Act of 2026 along with a companion temporary bill. Council Chair Phil Mendelson had already told colleagues the emergency measure was "out of order," meaning it would carry a fiscal impact that disqualified it from emergency procedure.
White had tried this before. In 2018 the council passed a bill he authored that would have changed the point at which an unpaid fine doubles, from 30 days to 60 days. It was never implemented because it would have cost $111 million in revenue over four years. The 2026 emergency version ran into the same wall, faster.
During the council's legislative meeting, White alluded to his introduction of a permanent bill to reduce automatic traffic enforcement fines, an action he described as coming two years after his introduction of similar legislation that stalled in the council's Committee on Transportation and the Environment, chaired by Councilmember Charles Allen.
Mendelson breaks from the status quo
Here is where this week got interesting. Mendelson did not simply swat the bill down and move on.
The chairman said he would explore more permanent legislation during the next council period, telling the Washington Informer: "I think we're all of the same view that the increased frequency of ticketing because of automated traffic enforcement and the level of the fines is just creating an unreasonable burden, and that that ought to be cut in half, and then we will deal with it in the budget."
That is a significant shift in language from a chairman who has historically prioritized fiscal stability. Mendelson said this week: "We are seeing tickets issued in much greater volume. In a sense that's a good thing because there are bad drivers. However it means that fines are racked up quickly and are quite hefty. There are drivers that owe thousands of dollars. That's not sustainable."
Mendelson said his colleagues should also examine the cost of tickets issued by the city's many traffic cameras, with fines starting at $100 and escalating rapidly, especially as a driver's speeding gets more egregious.
A second proposal: halve all parking fines outright
White's bill is not the only one in play. At-Large Councilmember Robert White proposed halving all parking fines, which start as low as $20 for parking within five feet of an alley and can reach $250 for blocking an emergency snow route and $500 for excessive idling.
Robert White said the average parking ticket fine in fiscal year 2025 was $59.20, which at the city's current minimum wage would take more than three hours of work for some residents to pay off.
That figure lands differently when paired with another piece of data White has cited for years. According to Department of Motor Vehicle data, 90% of outstanding tickets are linked to vehicles registered outside of D.C., meaning harsh penalties are disproportionately affecting District residents rather than the out-of-towners they are often aimed at.
The Allen obstacle
Any permanent bill has to go through the Committee on Transportation and the Environment. Its chair is Ward 6 Councilmember Charles Allen. Trayon White's similar legislation stalled in Allen's committee two years ago. Allen, a staunch proponent of traffic safety, has rebuffed assertions that he's blocking attempts to lower the burden of tickets.
New proposals in the Wilson Building are reviving discussions around whether D.C. should reduce the fines associated with parking and traffic tickets, with some lawmakers contemplating fully cutting them in half while others propose eliminating the practice of doubling fines after 30 days. Allen is on the November 3 ballot seeking re-election in Ward 6. Whether he returns to chair that committee, and in what posture, shapes what any permanent bill can accomplish next year.
The political timing
This fight is playing out in the final weeks of the Bowser administration and the last scheduled legislative stretch of the current council term. Early in-person voting begins October 26 and runs through November 1. The ballot includes open races for mayor and congressional delegate, alongside council contests and Initiative 86, a proposed foie gras ban.
Trayon White himself is on that ballot. White was expelled from office in February 2025 following an indictment on federal bribery charges, but returned to his seat in August 2025 after winning the July 2025 special election. Federal prosecutors have confirmed plans to retry his bribery case. He is simultaneously pushing legislation for Ward 8 constituents who face some of the city's heaviest ticket burdens.
White has said the current system is "especially punitive" for people already struggling financially, and that predominantly Black neighborhoods in the city see disproportionately more automated traffic enforcement and tickets issued compared to other parts of D.C.
The Washington Sun, which has covered the affordability angle closely, reported this week that multiple legislative tracks are now open simultaneously. None of them has a guaranteed path before the council's term ends.
What D.C. Residents Should Watch
Trayon White's permanent bill (B26-0875): The Parking and Traffic Ticket Penalty Reduction Amendment Act of 2026 has been referred to the Committee on Transportation and the Environment, the same committee where his 2024 version died. Watch for whether Allen schedules a hearing before the council's last legislative meeting of the term.
Robert White's halving proposal: The at-large member's plan to cut all parking fines by 50% is a broader, structurally different approach. Whether Mendelson gives it floor time or folds it into budget negotiations next spring is the key question.
The November 3 council elections: Charles Allen is on the ballot in Ward 6, and his win or loss directly shapes who controls the Transportation Committee in the next council period. The composition of that committee will determine whether any ticket-reduction bill gets a real hearing in 2027.
The FY2028 budget hole: Mendelson has said repeatedly that any revenue loss from reduced fines has to be offset in the budget. City leaders already face a budget hole estimated between $660 million and $837 million. That number gives Allen and fiscal conservatives real leverage to slow any reform.
The amnesty precedent: Mayor Bowser ran a four-month amnesty in 2021, when more than 32,000 drivers settled tickets worth some $44 million in fines. Some council members see a new amnesty window as a politically easier first step than changing the underlying doubling structure.
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CAN I KICK IT? screens New Jack City at the Sylvan Theater, Washington Monument, on Aug. 22. (Courtesy SHAOLIN JAZZ)
The live-cinema series CAN I KICK IT? returns to the National Mall this month with what its producers are calling the "Gangsters on the Mall" chapter of their free outdoor summer run. On Saturday, August 22, the SHAOLIN JAZZ production brings the 1991 crime classic New Jack City to the Sylvan Theater at the Washington Monument for a night of film, music, and community under the DC summer sky.
What sets the event apart is the sound. As the film plays, DJ 2-Tone Jones builds an original score in real time, reimagining one of the most iconic crime movies of the ’90s through hip-hop, soul, funk, and more. It is less a movie screening than a live performance built around the film.
The details:
Film: New Jack City (1991), with a live soundtrack by DJ 2-Tone Jones
When: Saturday, August 22 — seating opens at 7:30 p.m. (bring lawn chairs and blankets); film begins at 8:30 p.m.
Where: Sylvan Theater at the Washington Monument, Independence Ave SW & 15th St NW
A parking note from the organizers: expect road closures and restricted parking east of 14th Street NW due to a separate race event in the District. Roads west of 14th Street NW will be accessible and available for parking.
New Jack City is the second of three screenings in this year’s free CAN I KICK IT? outdoor series, which opened with Black Panther at Skyland Town Center and concludes with Scarface at the Lincoln Memorial on September 5. Produced by the Washington, DC-based multimedia arts company SHAOLIN JAZZ, the series has presented more than 150 live cinematic experiences at venues across the country, from Lincoln Center to SXSW.
"I wanted to be able to tell good stories with substance and remove the ‘ego’ out of the art," said Andrew Huang during a recent interview. Now, he’s building his career at the intersection of discipline, creativity and innovation.
Andrew Huang, founder of New Place Studios. (Courtesy photo)
As a Chinese American, Huang was reared with a deep respect for hard work, consistency and excellence. He describes his childhood as "not so affluent" and later attended college to hone his passion for videography. "In college I tried to do something I loved, which was video, but along the way I knew that I had to find a job. And so I thought, ‘what was the low hanging fruit to get to that stable 9 to 5 job?,’" he stated.
Later in life, Huang found himself working for corporations where his creativity was often limited, eventually leading to burnout. "I worked in a corporation for a long time and there were a lot of missing pieces. I wanted to fill in gaps missing in corporate video production," said Huang.
He later described how his upbringing and a mindset of "survival" led him toward a corporate career. However, his desire for balance and authentic storytelling ultimately pushed him to take the entrepreneurial leap.
"I founded a new place where you can create video and film with ‘substance and style,’" said Huang. His desire for work-life balance and passion for storytelling naturally evolved into a small business based in Virginia. With the launch of New Place Studios, the entrepreneur quickly found himself reconnecting with the values that would become the foundation of everything he creates behind the camera.
Huang said being a business owner has allowed him to first embrace himself. While others may see video as simply capturing moments, he sees it as a way to preserve stories that inspire, connect and leave a lasting imprint.
By combining cinematic visuals with cutting-edge production techniques and a keen understanding of branding, Huang helps organizations and individuals communicate their vision with purpose. He said understanding a client’s "why" serves as the compass for delivering the services they need.
One benefit of working with a small business, he said, is that clients get to see the production process unfold through a micro lens while working with the same faces throughout the entire project. "The work feels personal," said Huang.
Huang does not regret leaving behind the flash-over-substance mentality and corporate hustle culture. That does not mean the Asian American entrepreneur has been without challenges in the industry. "It’s relatively hard to find other Asian American creatives or people who would want to work with me in the DMV," said Huang.
He identifies the industry culture in which everyone is trying to blend in, creatives may fear displaying their Asian identity and some feel pressure to adopt an American corporate persona. He also points to what he describes as a level of gatekeeping within the industry. According to the U.S. Small Business Administration’s 2024 statistics, Asian American and Pacific Islander entrepreneurs own more than 3 million businesses and employ 5.2 million people in the United States.
After tapping into organizations such as SCORE, which offers free small business mentorship, New Place Studios has become a trusted creative partner throughout the DMV (Washington, D.C., Maryland and Virginia). The company produces a range of creative services, including commercials, corporate branding, documentaries, film, 2D animation, motion graphics and photography.
For Huang, entrepreneurship has become more than a departure from corporate life. It has given him the freedom to create with intention, build meaningful connections and tell stories that go beyond the surface.
The 2026 CAN I KICK IT? outdoor series. Poster courtesy of SHAOLIN JAZZ.
For three Saturdays this summer, some of Washington’s most familiar public spaces will do something they rarely do after dark: fill up with blankets, lawn chairs, and the sound of a movie being scored live, in real time. CAN I KICK IT?, the traveling “live cinema” series produced by the DC-based multimedia arts company SHAOLIN JAZZ, is bringing a free outdoor run to the city — pairing three era-defining films with an original soundtrack performed on the spot by DJ 2-Tone Jones.
The premise is what sets it apart from a normal screening in the park. Rather than simply pressing play, 2-Tone Jones builds a score as the film unfolds, pulling from hip-hop, soul, funk, jazz, rock, electronic music, and sounds from around the world. The result, the organizers say, is less a movie night than a one-time performance — the same film you know, wired to a soundtrack you have never heard and will not hear again. Guest DJs warm up the crowd starting at 7:30 PM before each 8:30 PM screening.
The 2026 outdoor schedule
All three events are free and open to the public.
Saturday, August 8 — Black Panther at Skyland Town Center. A pop-up marketplace and community activities kick off the evening; guest DJs at 7:30 PM, film at 8:30 PM. Marvel’s superhero epic gets a one-night-only live score in Southeast DC.
Saturday, August 22 — New Jack City at the Sylvan Theater, Washington Monument. Seating begins at 7:30 PM; the film starts at 8:30 PM. The 1991 crime drama plays out at the foot of one of the country’s most recognizable landmarks.
Saturday, September 5 — Scarface at the Lincoln Memorial. Seating at 7:30 PM; film at 8:30 PM. The series closes with Brian De Palma’s crime saga against the backdrop of the Memorial, scored live from start to finish.
First up: Black Panther at Skyland Town Center on August 8. Poster courtesy of SHAOLIN JAZZ.
A DC company with a national footprint
SHAOLIN JAZZ describes itself as a Washington-based arts company working at the intersection of music, film, art, and culture, and CAN I KICK IT? is its signature production. According to the organizers, the series has staged more than 150 live cinematic experiences around the country — at performing arts centers, museums, festivals, and cultural institutions including Lincoln Center in New York, SXSW, the Denver Center for the Performing Arts, Republic Square in Austin, the Tacoma Armory, and The Cary Theater.
“CAN I KICK IT? has always been about creating a shared experience,” said Gerald Watson, co-founder of SHAOLIN JAZZ. “When you combine iconic films with live music in public spaces, something special happens. People aren’t just watching a movie — they’re experiencing it together. That’s what makes these nights so memorable.”
Cinema as a community event
The DC run lands as cities across the country look for new ways to activate public space through arts and culture — and this series is a straightforward pitch for how to do it: take a landmark everyone already knows, add a film everyone has an opinion about, and let a live soundtrack turn the evening into something neighbors experience shoulder to shoulder. Families, film buffs, and music fans are all invited, and admission won’t cost a thing.
The CAN I KICK IT? outdoor series runs August 8, August 22, and September 5. All events are free; check SHAOLIN JAZZ (shaolinjazz.com) for the latest details and any weather updates before heading out.