D.C. Council Passes $21.2 Billion FY2027 Budget — But a Constitutional Showdown With the City's CFO Could Hand Congress the Keys to D.C.'s Finances
The council restored deep cuts to childcare, housing vouchers, and paid leave — while unlocking the vote for 86,000 independent Washingtonians. The price: an explosive clash with the city's financial watchdog that could invite federal intervention.
In brief
Why It Matters to You
If you use childcare subsidies, receive housing vouchers, benefit from paid family leave, or rely on emergency rental assistance — the D.C. Council's final vote on the fiscal year 2027 budget directly shapes whether those programs survive the coming year. And if you are one of roughly 86,000 independent voters in the District, the same budget vote just handed you, for the first time, the right to participate in party primary elections starting in 2028. But the budget's passage comes with a serious catch: an escalating constitutional fight between the council and the city's independent chief financial officer that, if it tips the wrong way, could give Congress an opening to seize control of the District's finances — an outcome that hasn't happened since the fiscal crisis of the 1990s.
What the Council Did — and Why It Was Contentious
The D.C. Council finalized a $21.2 billion budget for fiscal year 2027, restoring funding for social services that Mayor Muriel Bowser had proposed cutting. The council voted unanimously on the measure's second and final reading, but the road to passage was anything but smooth.
The DC Council voted for the second and final time to approve the 2027 budget, which rolled back some of Bowser's proposed cuts to popular programs like paid family leave, housing vouchers, and the fund that supplements pay for early childhood educators.
The sticking point was how to pay for it. Tapping the rainy-day fund to float the budget provoked another showdown with D.C.'s independent chief financial officer, who implored city leaders to stop spending its savings funds, lest they invite intervention from Congress. Mendelson unveiled a budget that would restore several major cuts to the D.C. safety net — reductions that Mayor Bowser had proposed to plug a $1.1 billion gap.
Specifically, the restorations include $49 million more toward a child care subsidy program, restored benefits for universal paid leave, with $150 million coming from reserves.
Among the other program-level specifics baked into the budget's contingency structure: the contingency plan pledges the first $150 million in excess FY2026 revenues will go toward restoring the fiscal stabilization reserve; the next $9 million of recurring revenue will be transferred to the D.C. Housing Authority to use if the federal emergency housing voucher program expires; the next $3 million will be allocated for the Emergency Rental Assistance Program (ERAP). If there isn't excess revenue, the council's final budget will not reverse cuts to ERAP, leaving the program with a $7 million budget — a $1.6 million cut from fiscal year 2026.
The CFO Showdown: An "Unbalanced" Budget and the Ghost of the Control Board
The most consequential subplot of the budget battle is the open conflict between Council Chair Phil Mendelson and CFO Glen Lee — a fight with potentially citywide consequences.
Chief Financial Officer Glen Lee warned in a letter to Council Chair Phil Mendelson ahead of the vote that the use of the reserve means he could declare the budget "unbalanced." That word carries enormous legal weight. Lee's word matters because his job is to ensure that D.C. budgets are balanced, a federal requirement. There's fear that Lee labeling the budget "unbalanced" would invite intervention from Congress, which has final say over the city.
Lee did not mince words about the risk. Lee wrote to Mendelson that "without adequate local reserves, the District risks being unable to meet its basic obligations," like payroll or pension payments — because the government sometimes taps reserve funds to cover day-to-day expenses, since tax payments arrive unevenly throughout the year. Invoking the 1990s, Lee wrote that such a condition "would trigger the return of the federal control board."
Mendelson fired back hard. Mendelson said, "It is my belief that the chief financial officer is attempting to impose a policy view." He says it is not the first time the DC Council has tapped into city reserves and insists the council is not violating any policy, adding "the amount that is in this budget is small, less than 6% of the total reserve funds." He also accused Lee of overstepping his authority and said the council is seeking legal counsel from DC's Attorney General Brian Schwalb on how to proceed. Mendelson has taken aim at Lee in the past, accusing him of "hoarding cash," but this latest clash over funding is raising concerns that if Lee declares the budget unbalanced, this could open the door for Republicans on Capitol Hill to intervene in DC's finances.
Attributed analysis: This is not merely a bookkeeping dispute. The dispute — in which neither side yet seemed willing to blink — could have significant implications, potentially attracting congressional intervention and throwing D.C.'s long-standing fiscal stability into question. With Republicans controlling Congress and already scrutinizing D.C.'s autonomy on multiple fronts, a formal declaration of fiscal imbalance by the CFO would be a significant political gift to those seeking to curtail home rule.
Mendelson's legal backstop: Council Chairman Phil Mendelson is consulting Attorney General Brian Schwalb about how to move forward. Two years ago, Schwalb wrote in an opinion that the CFO's "failure to certify an otherwise valid budget would have no legal effect."
Critics in the budget community were blunt about the structural problem. Ward 7 Councilmember Wendell Felder said at the vote: "If we do not begin to make difficult decisions in the near future, we may very well find ourselves in the same position next year, facing many of these same challenges." And the DC Council voted unanimously to give initial approval to the city's nearly $22 billion FY2027 Budget and Financial Plan — even as they were adding more than $400 million in one-time funding to cover expenditures, which could be characterized as the epitome of performative, patronizing fiscal management that risks the city's financial standing.
The Democracy Dividend: 86,000 Independents Can Now Vote in Primaries — Starting in 2028
Buried in the same budget bill, but of equal long-term significance, is the final piece of voter-approved Initiative 83. Via an amendment to the Local Budget Act approved as part of the second vote on the measure, the second half of Initiative 83 — semi-open primaries — are not just the law of the land but now will also have the funding to be put into effect for the 2028 primary elections. Under semi-open primaries, District voters who are registered as independents will be able to vote in the party primary of their choice. District voters who are registered members of a political party must still vote in that party's primary election.
The council voted 9-2 to allocate $1.1 million toward semi-open primaries from 2027 through 2030. At-Large Councilwoman Christina Henderson, who is not affiliated with a party, introduced the amendment to add the funding to the 2027 budget.
The backstory: In November 2024, more than 72 percent of D.C. voters approved Initiative 83, which proposed that the district adopt a ranked-choice voting system for its elections starting in 2026, and open its primaries to voters who are not affiliated with a party. Ranked-choice voting was funded earlier, allowing it to be used in the June 2026 primaries — but the open-primary component had been left unfunded, after outgoing Mayor Muriel Bowser did not include funding for the initiative in her proposed 2026 budget.
Lawmakers voted to spend $1 million to open those primaries to D.C.'s 86,000 independent voters, who can currently only cast ballots in general elections. Councilmember Henderson made the stakes plain: "We all have constituents who are federal employees and are not affiliated with a particular party, or simply residents who have not chosen to join a party. They deserve a meaningful voice. We should not be telling our residents that our price of admission to democracy in the District is changing their voter registration."
Notably, Mendelson voted against the semi-open primary change, saying political parties should control their own nomination process: "It doesn't make sense to me that non-Democrats would choose who the Democratic nominee is." With the funding now approved, semi-open primaries are expected to be in place for the 2028 election cycle.
Analysis: The independent voter provision is arguably one of the most consequential structural changes to D.C. democracy in a generation. In a city where Democratic primary winners almost always go on to win general elections — and where an overwhelming majority of the District's registered voters are Democrats, meaning many races are effectively decided in the primary — extending the primary ballot to tens of thousands of unaffiliated residents fundamentally reshapes who decides D.C.'s political future.
What Comes Next: Congressional Review and a New Mayor's Inheritance
The budget will go to the mayor and then for a 30-day congressional review period. That review period is not merely procedural. With Congress already scrutinizing D.C.'s tax code and autonomy, and with the CFO dispute casting a shadow over the budget's legal certification, the 30-day window is a period of genuine vulnerability for the District.
The budget also sets the table — and the challenges — for whoever wins the mayoralty in November. Whoever takes office in January 2027 will inherit a budget that used one-time reserve funds to patch structural gaps, with the CFO's warning about long-term fiscal stability still unresolved. Many councilmembers expressed concerns the body was only filling gaps for a year, setting the new mayor and council up with many of the same issues.
What D.C. Residents Should Watch
CFO's formal declaration: Watch whether CFO Glen Lee formally certifies the FY2027 budget as balanced or follows through on his threat to declare it "unbalanced." A formal finding could trigger congressional scrutiny of D.C.'s finances within days. Track updates at cfo.dc.gov.
Attorney General's legal opinion: Council Chair Mendelson has asked Attorney General Brian Schwalb to weigh in on whether the CFO can legally block the council's use of reserves. Schwalb's response will determine how the two sides proceed — and whether the standoff escalates. Follow the Office of the Attorney General.
Congressional 30-day review window: The FY2027 budget now enters the federally mandated congressional review period. Given the ongoing effort by some members of Congress to restrict D.C.'s financial autonomy, residents should watch for any action by House or Senate oversight committees. Check WTOP and The DC Line for developing coverage.
ERAP and housing voucher contingencies: Whether emergency rental assistance and housing voucher programs receive their full contingency funding depends entirely on FY2026 revenue coming in above the CFO's estimate. Residents relying on these programs should monitor year-end revenue reports from the Office of the CFO.
Voter registration for semi-open primaries in 2028: Independent voters do not need to take any action today, but the DC Board of Elections will begin education and outreach efforts funded by the $1.1 million appropriation. Watch dcboe.org for registration and participation guidance as 2027 draws closer.
What the next mayor inherits: The November general election will determine who takes over a government with structural budget gaps, a contested relationship with its own CFO, and a new democratic architecture to manage. Follow the mayoral race coverage at The DC Line and Axios D.C.
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CAN I KICK IT? screens New Jack City at the Sylvan Theater, Washington Monument, on Aug. 22. (Courtesy SHAOLIN JAZZ)
The live-cinema series CAN I KICK IT? returns to the National Mall this month with what its producers are calling the "Gangsters on the Mall" chapter of their free outdoor summer run. On Saturday, August 22, the SHAOLIN JAZZ production brings the 1991 crime classic New Jack City to the Sylvan Theater at the Washington Monument for a night of film, music, and community under the DC summer sky.
What sets the event apart is the sound. As the film plays, DJ 2-Tone Jones builds an original score in real time, reimagining one of the most iconic crime movies of the ’90s through hip-hop, soul, funk, and more. It is less a movie screening than a live performance built around the film.
The details:
Film: New Jack City (1991), with a live soundtrack by DJ 2-Tone Jones
When: Saturday, August 22 — seating opens at 7:30 p.m. (bring lawn chairs and blankets); film begins at 8:30 p.m.
Where: Sylvan Theater at the Washington Monument, Independence Ave SW & 15th St NW
A parking note from the organizers: expect road closures and restricted parking east of 14th Street NW due to a separate race event in the District. Roads west of 14th Street NW will be accessible and available for parking.
New Jack City is the second of three screenings in this year’s free CAN I KICK IT? outdoor series, which opened with Black Panther at Skyland Town Center and concludes with Scarface at the Lincoln Memorial on September 5. Produced by the Washington, DC-based multimedia arts company SHAOLIN JAZZ, the series has presented more than 150 live cinematic experiences at venues across the country, from Lincoln Center to SXSW.
"I wanted to be able to tell good stories with substance and remove the ‘ego’ out of the art," said Andrew Huang during a recent interview. Now, he’s building his career at the intersection of discipline, creativity and innovation.
Andrew Huang, founder of New Place Studios. (Courtesy photo)
As a Chinese American, Huang was reared with a deep respect for hard work, consistency and excellence. He describes his childhood as "not so affluent" and later attended college to hone his passion for videography. "In college I tried to do something I loved, which was video, but along the way I knew that I had to find a job. And so I thought, ‘what was the low hanging fruit to get to that stable 9 to 5 job?,’" he stated.
Later in life, Huang found himself working for corporations where his creativity was often limited, eventually leading to burnout. "I worked in a corporation for a long time and there were a lot of missing pieces. I wanted to fill in gaps missing in corporate video production," said Huang.
He later described how his upbringing and a mindset of "survival" led him toward a corporate career. However, his desire for balance and authentic storytelling ultimately pushed him to take the entrepreneurial leap.
"I founded a new place where you can create video and film with ‘substance and style,’" said Huang. His desire for work-life balance and passion for storytelling naturally evolved into a small business based in Virginia. With the launch of New Place Studios, the entrepreneur quickly found himself reconnecting with the values that would become the foundation of everything he creates behind the camera.
Huang said being a business owner has allowed him to first embrace himself. While others may see video as simply capturing moments, he sees it as a way to preserve stories that inspire, connect and leave a lasting imprint.
By combining cinematic visuals with cutting-edge production techniques and a keen understanding of branding, Huang helps organizations and individuals communicate their vision with purpose. He said understanding a client’s "why" serves as the compass for delivering the services they need.
One benefit of working with a small business, he said, is that clients get to see the production process unfold through a micro lens while working with the same faces throughout the entire project. "The work feels personal," said Huang.
Huang does not regret leaving behind the flash-over-substance mentality and corporate hustle culture. That does not mean the Asian American entrepreneur has been without challenges in the industry. "It’s relatively hard to find other Asian American creatives or people who would want to work with me in the DMV," said Huang.
He identifies the industry culture in which everyone is trying to blend in, creatives may fear displaying their Asian identity and some feel pressure to adopt an American corporate persona. He also points to what he describes as a level of gatekeeping within the industry. According to the U.S. Small Business Administration’s 2024 statistics, Asian American and Pacific Islander entrepreneurs own more than 3 million businesses and employ 5.2 million people in the United States.
After tapping into organizations such as SCORE, which offers free small business mentorship, New Place Studios has become a trusted creative partner throughout the DMV (Washington, D.C., Maryland and Virginia). The company produces a range of creative services, including commercials, corporate branding, documentaries, film, 2D animation, motion graphics and photography.
For Huang, entrepreneurship has become more than a departure from corporate life. It has given him the freedom to create with intention, build meaningful connections and tell stories that go beyond the surface.
The 2026 CAN I KICK IT? outdoor series. Poster courtesy of SHAOLIN JAZZ.
For three Saturdays this summer, some of Washington’s most familiar public spaces will do something they rarely do after dark: fill up with blankets, lawn chairs, and the sound of a movie being scored live, in real time. CAN I KICK IT?, the traveling “live cinema” series produced by the DC-based multimedia arts company SHAOLIN JAZZ, is bringing a free outdoor run to the city — pairing three era-defining films with an original soundtrack performed on the spot by DJ 2-Tone Jones.
The premise is what sets it apart from a normal screening in the park. Rather than simply pressing play, 2-Tone Jones builds a score as the film unfolds, pulling from hip-hop, soul, funk, jazz, rock, electronic music, and sounds from around the world. The result, the organizers say, is less a movie night than a one-time performance — the same film you know, wired to a soundtrack you have never heard and will not hear again. Guest DJs warm up the crowd starting at 7:30 PM before each 8:30 PM screening.
The 2026 outdoor schedule
All three events are free and open to the public.
Saturday, August 8 — Black Panther at Skyland Town Center. A pop-up marketplace and community activities kick off the evening; guest DJs at 7:30 PM, film at 8:30 PM. Marvel’s superhero epic gets a one-night-only live score in Southeast DC.
Saturday, August 22 — New Jack City at the Sylvan Theater, Washington Monument. Seating begins at 7:30 PM; the film starts at 8:30 PM. The 1991 crime drama plays out at the foot of one of the country’s most recognizable landmarks.
Saturday, September 5 — Scarface at the Lincoln Memorial. Seating at 7:30 PM; film at 8:30 PM. The series closes with Brian De Palma’s crime saga against the backdrop of the Memorial, scored live from start to finish.
First up: Black Panther at Skyland Town Center on August 8. Poster courtesy of SHAOLIN JAZZ.
A DC company with a national footprint
SHAOLIN JAZZ describes itself as a Washington-based arts company working at the intersection of music, film, art, and culture, and CAN I KICK IT? is its signature production. According to the organizers, the series has staged more than 150 live cinematic experiences around the country — at performing arts centers, museums, festivals, and cultural institutions including Lincoln Center in New York, SXSW, the Denver Center for the Performing Arts, Republic Square in Austin, the Tacoma Armory, and The Cary Theater.
“CAN I KICK IT? has always been about creating a shared experience,” said Gerald Watson, co-founder of SHAOLIN JAZZ. “When you combine iconic films with live music in public spaces, something special happens. People aren’t just watching a movie — they’re experiencing it together. That’s what makes these nights so memorable.”
Cinema as a community event
The DC run lands as cities across the country look for new ways to activate public space through arts and culture — and this series is a straightforward pitch for how to do it: take a landmark everyone already knows, add a film everyone has an opinion about, and let a live soundtrack turn the evening into something neighbors experience shoulder to shoulder. Families, film buffs, and music fans are all invited, and admission won’t cost a thing.
The CAN I KICK IT? outdoor series runs August 8, August 22, and September 5. All events are free; check SHAOLIN JAZZ (shaolinjazz.com) for the latest details and any weather updates before heading out.