D.C. Council moves toward letting businesses bankroll their own parking officers
Bill 26-16, the Strategic Parking Enforcement Enhancement Act, cleared full Council review Tuesday. Supporters say it fills a real gap. Critics, including a DPW official and an ANC commissioner, say it could turn public enforcement into a neighborhood amenity for the wealthy.
In brief
Why your block may matter more than you think
Whether you park a car in the District or just try to cross the street without a double-parked delivery van blocking your sightline, a bill now moving through the D.C. Council affects you. Bill 26-16, the Strategic Parking Enforcement Enhancement Act of 2026, would let businesses, universities, Business Improvement Districts, and other private organizations pay the city to station off-duty parking enforcement officers around their properties. The full Council took it up at its September 22 legislative meeting, and a final vote is expected in October. The question the bill leaves unresolved: do wealthier commercial corridors end up with more enforcement simply because they can afford to buy it?
What the bill actually does
The measure would allow business groups, universities, and event organizers to hire off-duty parking-enforcement officers to patrol around their properties, with the Department of Public Works letting those officers work as a reimbursable detail paid for by the eligible organization.
The bill would allow a business, a group of businesses, a licensed special-event organizer, a BID, a D.C. Main Streets program, or another entity designated by the mayor to make an agreement with DPW. That agreement could provide for officers to patrol a designated area, enforce parking violations, and manage curbside access.
Critically, DPW could approve a detail only after assessing its staffing needs and determining that staffing was adequate. Assignments would draw only on parking enforcement officers working overtime who otherwise would not be on duty at that time. No officer would be pulled off a regular shift.
The bill could also allow certain special officers, including those working around university campuses, to write parking tickets in the areas they already patrol. That is a notable expansion. Campus police at Georgetown, American University, George Washington University, and Howard University currently lack that authority on adjacent public streets, even when cars are blocking fire hydrants or loading zones right outside their gates.
Ward 1's Nadeau: 'We do this with MPD'
Ward 1 Councilmember Brianne Nadeau, a Democrat who has represented the ward since 2015 and announced last September she would not seek a fourth term, introduced the bill and has been its chief advocate. She frames it as a straightforward extension of a program that already exists for police.
"We do this with MPD, and now, under my bill, we do it with parking enforcement officers," Nadeau said.
"In addition to keeping our streets calmer and safer," she said, "these arrangements will allow us to improve parking enforcement in hot spots and congested areas and ensure that the parking system enables a rotation of vehicles in and out of commercial neighborhoods like it's designed to."
She said the goal is to put extra enforcement in high-traffic areas without pulling officers from other parts of the city. The analogy to the MPD reimbursable detail program is politically useful. That program has operated for years and is common at concerts, street festivals, and outside large stadiums. Nadeau told reporters that businesses could pool resources to pay for the additional enforcement.
The Committee on Public Works and Operations voted to move the bill to the full Council earlier this month, describing it as targeting parking enforcement hot spots and congested areas.
DPW is not fully on board yet
The agency that would actually run the program hedged when asked about it. "We have reviewed the legislation, and we're trying to ascertain from an operational standpoint of how we can roll a program like this out," said Johnny Gaither, DPW's Parking Enforcement Administrator. That is not an endorsement. It is a bureaucratic non-answer, and given that DPW would be responsible for vetting every detail agreement, reviewing staffing levels, and monitoring compliance, its operational uncertainty matters.
During consideration of the bill, councilmembers raised questions about fines, training standards, and the possibility of duplicate citations. None of those questions have public answers yet.
The equity problem, stated plainly
The sharpest objection to the bill does not come from the usual suspects. It comes from within the same circles that say parking enforcement in D.C. is already broken.
Dupont Circle ANC Commissioner Jeff Rueckgauer told WJLA that illegal parking is a serious problem in his neighborhood, but he does not believe paid details address the larger issue. "I'm very much for a complete overhaul of the agency," Rueckgauer said. "DPW really needs to be given resources and the structure to be able to have 16- or 18-hour-a-day parking enforcement every day."
Then Rueckgauer said something that cut to the core of the debate. He raised concerns that neighborhoods with well-funded business organizations could be better positioned to purchase additional enforcement. "Dupont definitely could afford this," he said, pointing to neighborhoods that may not have the same resources. "So it becomes the haves and have-nots."
That concern is not new. DPW itself has raised it before. According to the Council committee report, DPW's Parking Enforcement Management Administration testified on an earlier version of the legislation that allocating parking enforcement based on neighborhood organizations' willingness and ability to pay could concentrate enforcement in already-resourced areas. Wards 7 and 8 do not have BIDs with the same financial firepower as the Georgetown or Capitol Hill BIDs. If the program works as designed, double-parking enforcement would become most aggressive precisely where it is least needed by residents who already have political access.
D.C. Councilmember Robert White also raised concerns about the proposal during the legislative meeting, though his specific objections were not detailed in real-time reporting. White, who won the Democratic primary for D.C. congressional delegate in June, has made transportation equity a recurring theme in his Council work.
Where this fits in the fall sprint
The D.C. Council officially returned from its summer recess on September 16 after a break that began on July 15. With Council Period 26 nearing its conclusion and the November 3 general election approaching, the fall calendar is expected to be packed. Stakeholders should anticipate an accelerated legislative pace as members seek to advance priority bills before the end of the term.
That time pressure is real. Nadeau announced she would not seek a fourth term on September 25, 2025. Her successor in Ward 1 will be chosen November 3. For Nadeau, this parking bill is among a handful of measures she wants to get across the line before January. The Neighborhood Management Authority Act for Columbia Heights, which she also authored, has a Council committee public hearing scheduled for September 24. She is running a parallel track on two significant neighborhood governance proposals in her final months on the dais.
The second reading and final vote of the parking bill are expected to take place in October. That leaves about five weeks for DPW to sharpen its operational plan, for councilmembers who have concerns to offer amendments, and for residents to weigh in.
The broader context: a city with a parking enforcement problem
D.C.'s parking enforcement operation has drawn complaints from every direction for years. Businesses on busy commercial strips say double-parked cars kill turnover at curbside spots. Cyclists say blocked bike lanes are a daily safety hazard. Residents near stadiums and arenas say their side streets turn into unofficial lots on game nights. DPW does not run overnight enforcement in most of the city. On weekends, coverage thins further.
Nadeau says the measure could help keep fire hydrants, driveways, and travel lanes clear, and help businesses get more turnover at curbside spaces. On its face, those are legitimate public-safety outcomes. The problem is that the bill does not direct the new enforcement capacity to the areas with the worst violations. It directs it to the areas with the money to pay for it. Those are not the same map.
The measure would still need mayoral review, a congressional review period, and publication in the D.C. Register before taking effect. Even if the Council passes it cleanly in October, the program would not be operational before the new mayor takes office in January. Janeese Lewis George, the Democratic nominee who is expected to win the November 3 general election, has not publicly stated a position on the bill.
What D.C. Residents Should Watch
The October final vote. The full Council's second reading is expected sometime in October. Watch whether any amendment narrows eligibility to exclude organizations in wards that already have strong BID infrastructure, or whether a set-aside for under-resourced neighborhoods gets added to the bill text.
The Neighborhood Management Authority hearing on September 24. Nadeau's second big proposal, the NMA for Columbia Heights, gets a Council committee hearing the morning of September 24 at the John A. Wilson Building, Room 120, starting at 10 a.m. The two bills together sketch what a neighborhood-led services model could look like in Ward 1, for better or worse.
Councilmember Robert White's formal position. White flagged concerns during Tuesday's session. If he puts an amendment in writing before October, it could reshape the bill's equity provisions, or at minimum force a public floor debate about who gets policing and who pays for it.
The incoming administration's review. Any bill passed this fall still goes to Mayor Bowser for signature, then through a congressional review window. If it clears all that before January 2, 2027, the new mayor inherits a program she had no hand in designing. Whether Janeese Lewis George's transition team weighs in before the final vote is something to watch at the mayor's office newsroom.
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CAN I KICK IT? screens New Jack City at the Sylvan Theater, Washington Monument, on Aug. 22. (Courtesy SHAOLIN JAZZ)
The live-cinema series CAN I KICK IT? returns to the National Mall this month with what its producers are calling the "Gangsters on the Mall" chapter of their free outdoor summer run. On Saturday, August 22, the SHAOLIN JAZZ production brings the 1991 crime classic New Jack City to the Sylvan Theater at the Washington Monument for a night of film, music, and community under the DC summer sky.
What sets the event apart is the sound. As the film plays, DJ 2-Tone Jones builds an original score in real time, reimagining one of the most iconic crime movies of the ’90s through hip-hop, soul, funk, and more. It is less a movie screening than a live performance built around the film.
The details:
Film: New Jack City (1991), with a live soundtrack by DJ 2-Tone Jones
When: Saturday, August 22 — seating opens at 7:30 p.m. (bring lawn chairs and blankets); film begins at 8:30 p.m.
Where: Sylvan Theater at the Washington Monument, Independence Ave SW & 15th St NW
A parking note from the organizers: expect road closures and restricted parking east of 14th Street NW due to a separate race event in the District. Roads west of 14th Street NW will be accessible and available for parking.
New Jack City is the second of three screenings in this year’s free CAN I KICK IT? outdoor series, which opened with Black Panther at Skyland Town Center and concludes with Scarface at the Lincoln Memorial on September 5. Produced by the Washington, DC-based multimedia arts company SHAOLIN JAZZ, the series has presented more than 150 live cinematic experiences at venues across the country, from Lincoln Center to SXSW.
"I wanted to be able to tell good stories with substance and remove the ‘ego’ out of the art," said Andrew Huang during a recent interview. Now, he’s building his career at the intersection of discipline, creativity and innovation.
Andrew Huang, founder of New Place Studios. (Courtesy photo)
As a Chinese American, Huang was reared with a deep respect for hard work, consistency and excellence. He describes his childhood as "not so affluent" and later attended college to hone his passion for videography. "In college I tried to do something I loved, which was video, but along the way I knew that I had to find a job. And so I thought, ‘what was the low hanging fruit to get to that stable 9 to 5 job?,’" he stated.
Later in life, Huang found himself working for corporations where his creativity was often limited, eventually leading to burnout. "I worked in a corporation for a long time and there were a lot of missing pieces. I wanted to fill in gaps missing in corporate video production," said Huang.
He later described how his upbringing and a mindset of "survival" led him toward a corporate career. However, his desire for balance and authentic storytelling ultimately pushed him to take the entrepreneurial leap.
"I founded a new place where you can create video and film with ‘substance and style,’" said Huang. His desire for work-life balance and passion for storytelling naturally evolved into a small business based in Virginia. With the launch of New Place Studios, the entrepreneur quickly found himself reconnecting with the values that would become the foundation of everything he creates behind the camera.
Huang said being a business owner has allowed him to first embrace himself. While others may see video as simply capturing moments, he sees it as a way to preserve stories that inspire, connect and leave a lasting imprint.
By combining cinematic visuals with cutting-edge production techniques and a keen understanding of branding, Huang helps organizations and individuals communicate their vision with purpose. He said understanding a client’s "why" serves as the compass for delivering the services they need.
One benefit of working with a small business, he said, is that clients get to see the production process unfold through a micro lens while working with the same faces throughout the entire project. "The work feels personal," said Huang.
Huang does not regret leaving behind the flash-over-substance mentality and corporate hustle culture. That does not mean the Asian American entrepreneur has been without challenges in the industry. "It’s relatively hard to find other Asian American creatives or people who would want to work with me in the DMV," said Huang.
He identifies the industry culture in which everyone is trying to blend in, creatives may fear displaying their Asian identity and some feel pressure to adopt an American corporate persona. He also points to what he describes as a level of gatekeeping within the industry. According to the U.S. Small Business Administration’s 2024 statistics, Asian American and Pacific Islander entrepreneurs own more than 3 million businesses and employ 5.2 million people in the United States.
After tapping into organizations such as SCORE, which offers free small business mentorship, New Place Studios has become a trusted creative partner throughout the DMV (Washington, D.C., Maryland and Virginia). The company produces a range of creative services, including commercials, corporate branding, documentaries, film, 2D animation, motion graphics and photography.
For Huang, entrepreneurship has become more than a departure from corporate life. It has given him the freedom to create with intention, build meaningful connections and tell stories that go beyond the surface.
The 2026 CAN I KICK IT? outdoor series. Poster courtesy of SHAOLIN JAZZ.
For three Saturdays this summer, some of Washington’s most familiar public spaces will do something they rarely do after dark: fill up with blankets, lawn chairs, and the sound of a movie being scored live, in real time. CAN I KICK IT?, the traveling “live cinema” series produced by the DC-based multimedia arts company SHAOLIN JAZZ, is bringing a free outdoor run to the city — pairing three era-defining films with an original soundtrack performed on the spot by DJ 2-Tone Jones.
The premise is what sets it apart from a normal screening in the park. Rather than simply pressing play, 2-Tone Jones builds a score as the film unfolds, pulling from hip-hop, soul, funk, jazz, rock, electronic music, and sounds from around the world. The result, the organizers say, is less a movie night than a one-time performance — the same film you know, wired to a soundtrack you have never heard and will not hear again. Guest DJs warm up the crowd starting at 7:30 PM before each 8:30 PM screening.
The 2026 outdoor schedule
All three events are free and open to the public.
Saturday, August 8 — Black Panther at Skyland Town Center. A pop-up marketplace and community activities kick off the evening; guest DJs at 7:30 PM, film at 8:30 PM. Marvel’s superhero epic gets a one-night-only live score in Southeast DC.
Saturday, August 22 — New Jack City at the Sylvan Theater, Washington Monument. Seating begins at 7:30 PM; the film starts at 8:30 PM. The 1991 crime drama plays out at the foot of one of the country’s most recognizable landmarks.
Saturday, September 5 — Scarface at the Lincoln Memorial. Seating at 7:30 PM; film at 8:30 PM. The series closes with Brian De Palma’s crime saga against the backdrop of the Memorial, scored live from start to finish.
First up: Black Panther at Skyland Town Center on August 8. Poster courtesy of SHAOLIN JAZZ.
A DC company with a national footprint
SHAOLIN JAZZ describes itself as a Washington-based arts company working at the intersection of music, film, art, and culture, and CAN I KICK IT? is its signature production. According to the organizers, the series has staged more than 150 live cinematic experiences around the country — at performing arts centers, museums, festivals, and cultural institutions including Lincoln Center in New York, SXSW, the Denver Center for the Performing Arts, Republic Square in Austin, the Tacoma Armory, and The Cary Theater.
“CAN I KICK IT? has always been about creating a shared experience,” said Gerald Watson, co-founder of SHAOLIN JAZZ. “When you combine iconic films with live music in public spaces, something special happens. People aren’t just watching a movie — they’re experiencing it together. That’s what makes these nights so memorable.”
Cinema as a community event
The DC run lands as cities across the country look for new ways to activate public space through arts and culture — and this series is a straightforward pitch for how to do it: take a landmark everyone already knows, add a film everyone has an opinion about, and let a live soundtrack turn the evening into something neighbors experience shoulder to shoulder. Families, film buffs, and music fans are all invited, and admission won’t cost a thing.
The CAN I KICK IT? outdoor series runs August 8, August 22, and September 5. All events are free; check SHAOLIN JAZZ (shaolinjazz.com) for the latest details and any weather updates before heading out.